Tag Archives: urban

The writing on the … lampposts

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It is interesting what one can spot when walking leisurely along a street

CALLCOTT STREET IN Notting Hill Gate is only 76 yards long. It contains two lampposts that provide evidence of Kensington’s administrative history. Once, this street was in the Borough of Kensington, which was incorporated into the larger Royal Borough of Kensington and Chelsea (‘RBKC’) in 1965.

Most streetlamps in RBKC, are marked with the letters R, B, K, and C, intertwined. However, one of the lampposts in Callcott Street is marked with ‘RBK’, without the ‘C’. The other lamppost in this short thoroughfare is marked with the letters ‘KV’. This stands for Kensington Vestry. In the 19th century and probably earlier, local affairs were governed by the local vestry. This was a meeting or council of parish ratepayers, which often met in the local parish church or its vestry. In the case of Kensington, there is a fine Victorian building, now a branch of the Iranian Bank Melli, which used to serve as the Kensington Vestry Hall. Before this was built (in 1852), the local vestry used to meet in a room attached to the nearby St Mary Abbots church.

In 1901, the Metropolitan Borough of Kensington was granted the status of ‘Royal Borough’ and was known as the Royal Borough of Kensington. So, the streetlamp marked with ‘RBK’ must date from between 1901 and 1965, and the one with ‘KV’ is even older.

An oasis near Oxford street

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CLOSE TO SELFRIDGES, there is a less well-known attraction for Londoners and visitors to London. We visited it today, the 7th of October 2021, for the first time since we last went there in March 2017. Back then, I wrote about the place and posted my piece, reproduced below, on a travel website. When we went there today, we found an attractive temporary art installation, “Sonic Bloom” by the artist Yuri Suzuki (born 1980). This colourful and imaginative artwork is supposed to emit sounds, but when we visited it was silent. The café that we saw when we went to the place, Brown Hart Gardens, has been replaced by a new one run by a Sicilian. Far from offering the usual café fare, this decorative, stylish eatery serves pizzas, lasagnes, burratas, caviar, champagne, as well as coffee.

NOW HERE IS WHAT I WROTE BACK IN 2017:

“I have often walked south from Oxford Street along Duke Street, and always noticed the raised pavilion with a dome on the right. It stands in what appears to have once been a square. The dome surmounts four neoclassical porticos each supported by a pair of columns with florid capitals. I have always wondered about it, but until recently did nothing about researching it. It was only lately that I explored it and its companion on Balderton Street, which runs parallel to Duke Street.

We had arrived early in Balderton Street, where we were meeting foreign guests at their hotel, The Beaumont. With time to spare, we took a closer look at these pavilions. Staircases on either side of both pavilions lead from street level to a raised or elevated roof garden, which is about twelve to fifteen feet above street level. There is also a lift. The garden looked recently designed, and at the Balderton Street end there is a modern café that looks like an elegant glass shoe box.

The raised structure with its roof garden, café, and pavilions occupies the centre of a rectangular ‘square’ surrounded by mostly residential blocks on three sides and the aforementioned hotel on its fourth. It occupies the space that would usually contain a garden in London squares.

The garden and the building upon which it stands form the centrepiece of Brown Hart Gardens.

Duke Street, which runs along the eastern edge of Brown Hart Gardens was laid out on the Grosvenor Estate in the early 18th century. It was extensively re-developed in the 1870s. The Duke Street Gardens, as Brown Hart Gardens was originally named, were laid out in in the 1880s. The blocks of flats built around the gardens date from this period.

From “Survey of London: Volume 40, the Grosvenor Estate in Mayfair, Part 2 (The Buildings)”, we learn that:

“…plans were in preparation for the complete rebuilding of Duke Street and for the blocks of industrial dwellings that were to be built around Brown Hart Gardens in 1886–8. The new Duke Street appears to have been conceived as a street of shops with somewhat better-class flats over, acting as an intermediate zone between the blocks round Brown Hart Gardens to the west…”

When the gardens and its surrounding buildings were being planned, The Duke of Grosvenor, the landlord of the Grosvenor Estate, wanted (according to the Survey, quoted above):

“… to have a ‘cocoa house’ or coffee tavern and a public garden. The coffee tavern was dropped for want of an applicant, but the I.I.D.C.’s contract included an undertaking to clear a space and provide a communal garden on the site between Brown Street and Hart Street. The duke soon took over the garden scheme except for the surrounding railings, and in 1889 it was constructed to the layout of Joseph Meston …”

The same source adds:

“…The simple garden included a small drinking fountain at the east end, a urinal at the west end and a shelter in the centre; trees were also planted. None of these features was to survive long…”

These features disappeared as did the garden itself. For, in 1902 the street level gardens were cleared away to make way for the construction of the Duke Street Electricity Substation. Partly above ground and partly below, this electrical facility was completed in 1906. It was built for the Westminster Electric Supply Corporation to the designs of C. Stanley Peach (a leading architect of electrical installations), with C. H. Reilly as assistant. The domed pavilions at either end of it were part of the original design. The Survey describes the building well:

“As built, the sub-station rose to a greater height than had been contemplated but retained Peach’s original layout, with a tall ‘kiosk’ or pavilion and steps at either end, a balustrade all round, and Diocletian windows along the sides to light the galleries of the engine rooms, which occupied deep basements.”

The company had managed to persuade the Grosvenor Estate to demolish the gardens because they said that they were being used by disreputable types. Of course, the presence of the new electricity building deprived the residents of the square of their garden. The residents protested. The electricity company laid out a garden on the roof of the substation, using trees planted in tubs. According to the Survey (quoted above):

“…the ‘garden’ is perhaps the only place in London where quarrelling is specifically forbidden by law.”

The garden survived until the early 1980s, when the then lessees of the plot, the London Electricity Board, closed it to the public.

In late 2007, the City of Westminster decided to spend money on improving public spaces. On the 7th of December 2007, its Press Department issued a release that included the following:

“Brown Hart Gardens, which has a closed off elevated 10,000 sq foot stone deck with two listed early 20th century domed features – is one of three schemes set to benefit from a proposed multi-million renewal of the open spaces and streets surrounding three of Grosvenor’s sites across Westminster… The proposals could see Brown Hart Gardens become a distinctive destination, opening up the square for the first time in two decades and possibly adding some much-needed greenery to the area.”

The gardens were re-opened to the public after more than twenty years.

In 2012, the gardens were closed once again, but this time for a short period. They opened again in 2013, having been fully and beautifully refurbished by the Grosvenor Estate.

The restored roof garden contains a café, currently managed by the Benugo chain. This contemporarily designed café is almost entirely surrounded by huge glass windows, making the place feel light and airy. Situated at one end of the Brown Hart Gardens roof garden, this place offers a lovely view of this horticultural oasis. So, finally, the former Duke of Grosvenor’s desire to have a café in his square has been realised.”

SO, THAT is what I wrote in 2017.

As mentioned at the beginning, Brown Hart Gardens has changed a little bit (for the better) since we visited in early 2017. So close to busy, brash Oxford Street, this lovely area provides a peaceful oasis for the weary shopper. It is so near the commercial hubbub yet feels so remote.

The leaning tree

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LATE 18 leaf

“A PICTURE IS WORTH A THOUSAND WORDS” It is not known exactly when this well-known sentence was first used, but an article in Wikipedia suggests that one of the first times it appeared in print was in an advertisement for a Texan newspaper, the “San Antonio Light”, in 1918. I do not know whether I can write a thousand words to put the attached picture in context, so you will have to make do with what I am able muster.

Just over a year ago, my wife and I were ‘wintering’ in India. We left our daughter looking after our flat in Kensington. One day, she sent us a message informing us that one of the old trees in our street had toppled over in the middle of the night.

The tree that fell always looked precarious as its trunk leaned over the road at quite a sharp angle, making it tricky to park a car next to it. A neighbour told us that it had done so for well over a century. His evidence was that the very same tree can be seen leaning over the road in an old photograph of our street taken about 150 years ago. So, the tree was not inherently unstable.

Many years ago, while walking through woods with my old PhD supervisor (and by then a close friend), he pointed out the variety of shapes and inclinations of the tree trunks around us. He wondered how a tree ‘knew’ how to grow in various directions whilst maintaining a centre of gravity that stopped it toppling over. Clearly, our late lamented leaning tree ‘knew what it was doing as it had been leaning seemingly precariously for at least a century and a half.

After we returned from India, there was a bare patch where the tree had stood for so long. A neighbour, who makes it his business to find out in detail what happens in our small street told us what befell our tree. The local council decided to move the position of the curb and so to widen the pavement around the tree, the idea being to narrow the road at that point and thereby prevent parking next to the tree.

Unfortunately, the workmen assigned to carry out this job managed to cut through part of the tree’s root system. This destabilised the tree, which then fell over across the street. While falling, the tree damaged a first-floor balustrade and terrace on a building across the street. Luckily, there were no human casualties.

For some months, the site of the fallen tree remained treeless. Then, a small tree with a slender trunk, a sapling, was planted by the council. Day by day, we watched it producing leaves. These changed colour in the autumn, looked sickly, and fell off, leaving a sad looking spindly tree. Then, we spent another winter in India.

When we returned in late February this year (2020), the young tree was still standing and still looking lifeless. As the weeks passed, we were very pleased to see buds forming on its slender branches. These buds have grown in size and are, at last, unfurling to reveal the tiny leaves seen in the photograph.

It is pleasing to see that even in these troubled times, nature has something positive to lift our spirits.

Well, I have reached about 580 words, not quite a thousand. However, as the saying goes, I hope my photo is worth at least a thousand words and is something to enjoy.

A tropical Utopia

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WE MADE A BRIEF VISIT TO THE TOWNSHIP OF AUROVILLE near Pondicherry to visit a friend, one of the approximately 3000 members of this international ‘utopian’ community. Created in 1968, it was inspired by Mirra Alfassa (1878-1973), the spiritual companion and collaborator of Sri Aurobindo. She wrote:
“Auroville wants to be a universal town where men and women of all countries are able to live in peace and progressive harmony, above all creeds, all politics and all nationalities. The purpose of Auroville is to realize human unity.”

Whether or not this has been achieved, I am not qualified to judge. However, Auroville, fifty years after its conception, is a lovely place to visit. It is home to many people with a creative turn of mind and attracts many people who take an interest in the arts.

Members of the Auroville community have built themselves homes and workshops with aesthetically pleasing ‘modern’ and contemporary architecture. These buildings, including structures for communal use, such as galleries, performance spaces, and restaurants, are well spaced and separated by tamed luxuriant wilderness.

During our short visit, I noticed a building, the offices of an architect, that reminded me of the Sangath Studio in Ahmedabad (Gujarat). Sangath was built between 1978 and ‘80 by the architect BV Doshi, who still uses them as his offices. Both the offices in Auroville and in Ahmedabad make use of long hemi-cylindrical concrete roofs covered with mosaics of fragments of white, sun reflecting broken ceramic tiling. Our friend thought that the studio in Auroville was built in the 1990s, but did not know whether the architect who works there was ever Doshi’s student or collaborator.

Near to the studio, we saw a tile covered brick dome above a small building. Our friend explained that this was the first free standing brick dome to be built in Auroville. In order to build it, he and his associates had to rediscover the lost art of constructing free standing brick domes.

We ended our short visit to Auroville with a superb lunch at the attractive Garden Café, which was designed by the architect whose office in Auroville I have described above.

Anybody visiting Pondicherry with an interest in the future of humanity should take a look at Auroville because, in the words of Mirra Alfassa: “For those who are satisfied with the world as it is, Auroville obviously has no reason to exist.”

Black and white

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HAVING PARENTS WHO WERE BROUGHT UP IN RACIALLY conscious South Africa, I feel easier calling the two parts of old Pondicherry by their French names, ‘Ville noire’ and ‘Ville blanche’, rather than their English names, ‘Black Town’ and ‘White Town’. The English names are redolent of the sad days of racial segregation in apartheid South Africa.

While Pondicherry was a French colony, most Europeans lived in White Town, and people of local Indian origin lived in Black Town. This kind of racial separation was not unique to the French in India. The British were also keen to keep races separate. Bangalore, for example, was divided into the Cantonment (European area) and the City (local Indian area).

A rather malodorous partially covered canal or drain separates White Town from Black Town (now called ‘Heritage Town’). White Town lies between Black Town and the shore of the Bay of Bengal.

Today, more than 60 years after the French ceased to Govern Pondicherry, the White Town continues to retain its appearance as a French colonial town. Many of the buildings were built by the French and are distinctly European in architectural style. The streets are neatly laid out, tree lined, and wide. There is none of the hustle and bustle associated with most Indian towns and villages. This might be because there is little commercial activity apart from tourist related facilities (accommodation and eateries). You can enjoy a good but costly meal in White Town, but buying a newspaper or fruit and vegetables is hardly, if at all, possible.

Since our last visit to Pondicherry five years ago (just before the great storm that flooded Chennai in late 2015), the city’s authorities have placed plaques along the streets of White Town. Written both in Tamil and English (not French!), they provide short informative histories of the streets’ names.

Cross the covered drain into what used to be called ‘Black Town’, and familiar Indian urban life is flourishing. The streets are crowded; there are shops aplenty; the area is full of traffic: two, three ,four (and more) wheeled vehicles; and there are Hindu temples (as well as churches). Apart from tiny roadside Hindu shrines, the only places of worship in White Town are churches.

In contrast to White Town, the architecture in the old Black Town is not so fine. There are a few traditional Tamil style buildings, but much of the architecture is relatively new and generally lacking in visual appeal.

Apart from being a very pleasant place to visit, Pondicherry and its well preserved historical layout offer an interesting reminder of colonial life and its less savoury racist aspects. That said, the place and its beautiful seaside promenade is a joy for all visitors whether or not they have any interest in history.

Islands of worship

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IN HYDERABAD, BOMBAY, and Calcutta I have seen mosques or large dargahs (mausoleums) located on islands in the middle of roads. Traffic flows on both sides of the places of worship like river water flowing around a rock.

I mentioned this to my wife, who reminded me that London has at least two churches that stand on islands around which traffic flows. Two of them are on the busy Strand: St Clement Danes and St Mary le Strand. This got me thinking about other places where a place of worship stands in a position that forces traffic to move around it. Only one place springs to mind as I write this. There is a small church in a street leading off Syntagma Square in Athens (Greece) that stands on an island in the middle of a street ( or, at least it did when I last visited the city in 1980).

Why are these places of worship on traffic islands? Maybe, the shrines were built before roads were laid out or perhaps a road was widened leaving the holy places stranded in the middle of the enlarged thoroughfare.

A surprising city

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AFTER AN EXCITING DAY exploring Gopipura, an old part of Surat where my wife’s father’s family lived until over 100 years ago, we spent the following day seeing some of the better known historic sights of the city.

The castle on the bank of the River Tapi was built by the Muslim Tughlaq dynasty to defend Surat against attacks by the Bhils. It was later modified by the Mughals, the Dutch, and then the British.

Until the River Tapi silted up, Surat was an important international port city with a very active involvement in import/export activity. The silting up and the British acquisition of what became Bombay led to a decline in Surat’s prosperity. Over the years, its castle gradually fell into great disrepair.

Now, the castle is being painstakingly repaired. About half of it is currently open to visitors. The castle is being reconstructed using materials and techniques that archaeologists have discovered whilst investigating what has been left of the original structure. The result is a brand new version of what was most probably how the castle was before it began to disintegrate.

The rooms inside the castle recreate their original appearanc as deduced from archaeological examination. The rooms house a beautifully displayed collection of items portraying the history of Surat. A magnificent job has been done.

A man at the ticket booth of the castle reccomended downloading an app called “Surat Heritage Walk”, which is a very useful and well designed guide to the historical landmarks of the city.

After viewing the castle from a bridge that crosses the Tapi, which is how trading vessels would have seen it in days of yore, we visited the Christ Church (Church of North India) built in 1824. This simply decorated church has memorials to several Victorians, whi died in Surat.

We drove past the Mughal Sarai constructed in the reign of Shah Jehan. This large building was a hostel where pilgrims travelling between Surat and Mecca could be accommodated. Shah Jehan was first to encourage pilgrims going to Mecca to sail from Surat rather than travel overland or to embark on ships from Persian ports.

The Khudawan Khan Rojo, a mausoleum built in the mid 16th century, is newer than most of the medieval mosques that survive in Ahmedabad but, like them, it is rich in features adopted from Hindu and Jain temple design. The mausoleum contains the grave of its builder, Khudawan Khan, a military commander who was killed while fighting the Portuguese in about 1559/60.

The mausoleum described above is beautiful and impressive, but not ‘over the top’. The mausoleums in the Dutch, Armenian, and English cemeteries, which are close to each other and surrounded by crowded Muslim neighbourhoods, have to be seen to be believed. Many of the mausoleums are flamboyant structures with domes and details suggestive of both the art of India and the orient and also the Greek and Roman empires. These fantastic final resting places of Europeans who became rich in Surat are curiously exotic and ridiculous at the same time. The exuberance of the funerary architecture exceeds that which I have seen in European cemeteries in Calcutta and Fort Cochin. These monuments should not be missed by visitors to Surat.

As we drove between the places described above, we passed numerous old buildings, often in bad states of repair but rich in finely crafted decorative features.

After our tour, we lunched at Shukan, a restaurant that serves vegetarian thalis. As a meat eater I am not usually keen on vegetarian food, but what we were served at Shukan was much to my taste. The chef is a Rajasthani ‘mahraj’ (usually a Brahmin chef). His food was light but well flavoured. Unlike chefs cooking in the Surat traditional way, he used garlic, onions, and crushed peanuts. Yet, his dishes were not sugary as we found in other parts of Gujarat, notably in Ahmedabad and Saurashtra.

Although amongst the larger cities I have visited in Gujarat, Surat has fewer major tourist attractions than others (such as Ahmedabad, Baroda, Junagadh, and Bhuj). However, it has a visually exciting urban texture and vibrancy. The two days we allotted to our first visit to Surat was not long enough. We hope to return for longer in the future.

Familiarity does not always breed contempt

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FAMILIARITY BREEDS … CONTENTMENT. We have just landed in Ahmedabad. It is our third visit to this city in Gujarat within less than two years. We received a warm welcome from the staff at the small hotel where we have stayed twice before.

After settling into our room, we ate a good meal of Mughlai food at the Food Inn, which is opposite the 16th century Sidi Sayeed Mosque. Then, we travelled to the Gita Mandir bus station, where a very helpful booking clerk arranged tickets for various intercity trips we are planning to make soon.

The noisy, bustling traffic in Ahmedabad is typical of the city’s general feeling of vibrancy and exciting vitality. So bad was the congestion on the roads that our autorickshaw driver suggested that we abandoned our plans to visit the Jumma Masjid near the Manek Chowk. He explained that being the 30th of December, everyone was in a holiday mood and out on the streets spending money.

We disembarked at Khwaja Bazaar, a frenetic market place between the three arched Teen Darwaza and the Badra Fort, where the early rulers of Ahmedabad had their headquarters. We strolled along a street leading away from the market, admiring occasional old looking buildings along it. I imagine that the oldest of these is about a hundred or so years old.

Eventually, we reached a post office just across the road from an ageing Parsi ‘dharamshala’. Apart from a vigilant watchman, who looked at us suspiciously, the place looked rather dead. We took tea at a pavement stall. Typical of the kindness of people in this city, the ‘chaiwallah’ specially prepared tea without sugar for us instead of the very sweet beverage that is usually served. We sat on a bench, sipping tea and watching the world go by. It felt good to be back in Ahmedabad, a city, where kite flying is a popular pursuit. A city that is becoming familiar to us and makes us feel content.

First published on http://www.gujarat-travels.com

A WALK IN THE PARK

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BANGALORE IS RAPIDLY BECOMING AN URBAN DESERT, but luckily there are some green oases. One of these is Cubbon Park, named in honour of Sir Mark Cubbon (1775-1861). When it was first laid out in 1870 it was called ‘Meades Park’. Now, its official name is ‘Sri Chamarajendra Park’, although few Bangaloreans would recognize that name as being Cubbon Park.

Although a few roads traverse the park, they do not detract from ots pleasant sylvan nature. And, on Sundays many of these roads are closed to make them free of traffic.

Most of the park is not laid out in an obviously planned way and much of it is pleasantly in the shade of the leafy branches of huge old trees. Wherever you go, you will encounter dogs with their owners, wild dogs, people sitting or sleeping on benches or logs, people exercising, and picnickers. During a recent visit, I saw groups of young art students sitting in circles on the ground. They were cutting up old newspapers and magazines to gather materials for collages they were preparing.

Cubbon Park has its own metro station. One of its entrances is close to both a statue of King Edward VII of Great Britain and also a disused fighter jet, advertising the products of HAL, whose offices face the park.

After passing through the security check, which is present at all metro stations, I descended to the subterranean concourse. This and other parts of the station has been decorated by artworks created, with varying degrees of skill, by students of the Shristi school of design, which is located at Yelahanka, in between Bangalore and its Kempe Gowda Airport.

I was escorted by one of the Shristi students through the metro ticket barrier to another concourse that can be entered via a station entrance near the Chinnaswamy Cricket Stadium. This particular concourse had a temporary exhibition of photos of Indians who served in British armed forces during WW2. Sadly, this exhibition looked hastily conceived and did not make much of an impact either visually or historically. The involvement of Indian troops and officers during WW2 is undoubtedly of great interest, but this exhibition did not really explore this even superficially. While I was looking at the show, a Sikh gentleman spoke with me and pointed to one of the photos on display. It showed his father, who had fought during the War.

The exhibition ends on the 22nd December, but the delights of Cubbon Park remain … at least for the foreseeable future, but for how long it is impossible to say in a city that gives more importance to real estate investments than to preservation of heritage.

Buying a postage stamp in Bangalore

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MERRY CHRISTMAS!

ALL I NEEDED WAS A POSTAGE STAMP. I could have walked around the corner to the post office in nearby Museum Road, but I chose to do otherwise. I found that there is a post office in Shivajinagar, a busy district in central Bangalore that contains many places of interest with ‘local colour’.

I asked directions to the post office from a couple of men standing in their tiny silver shops on the corner of Jewellery Street and Ebrahim Saheb Street. One of the men pointed in one direction and the other at the opposite. After some discussion, these kind gentlemen decided that I should head towards the large mosque at the top end of Commercial Street.

The Jumma Masjid stands at one end of Commercial Street on a traffic filled lane. A wider street lined with shops and market stalls leads from this centre of Muslim worship to St Mary’s Basilica whose tall spire dominates the skyline. The church and its grounds were exuberantly decorated with Christmas decorations. A portrait of Mother Teresa overlooks the busy courtyard in front of the church. A stall was selling gawdy decorations including a model of Father Christmas playing a brass coloured saxophone.

One side of the square outside of the church compound was lined with stalls selling decorative Christmas items, ranging from paper stars to models of Nativity cribs.

A building with indo-arabesque domes lines part of another side of the square. This is Russell Market, an indoor food bazaar. The picturesque building was built by the British in 1927.

Russell is not the only market in Shivajinagar. On my rambles today, I came across a couple of other food markets. These are not housed in buildings like the Russell Market, but in simple shacks. Years ago while wandering in Shivajinagar, I came across an open air bazaar specialising in spare parts for automobiles. I have not been able to find this chaotic jumble of motoring spares again, but I have been told it still exists.

HKP Road leads away from the Square that contains Russell Market. I had never been along this road before. The first thing that caught my eye was the covered Beef Market, which bears the date 1932. Near its entrance I saw butchers working on huge pieces of unrefrigerated beef. There is another beef market, which I have visited before, at Johnson Market at the south of the city centre.

Outside the Beef Market, there were numerous cages containing birds for sale as pets. Proceeding a few yards away from the Beef Market, I had to step aside to avoid bumping into a live cow occupying most of the pavement outside a shop called “Blue Sea Aquarium”. This was close to a shop specialising in repairing sewing machines, both electrical and pedal operated.

After crossing a canal, or maybe, judging by its smell, an open sewer, I spotted an old house with ornate shades over its windows. I photographed it.

The old house is opposite a tiny post office, which I entered. Three men were sitting behind the counter in a disordered office space. Eventually, one of them attended to me. After weighing my letter and scrutinising the address on its envelope, I was handed a 5 Rupee stamp. Using glue from a pot on the counter I affixed the stamp.

I had already handed over twenty Rupees, but received no change. When I had stuck on the stamp, I asked for my change. The post office employee who had sold me the stamp seemed surprised. One of his colleagues rummaged around in a drawer, and handed me ten Rupees. Neither I nor the post office had five Rupees to give the correct change. I felt it was worth losing 5 Rupees at this transaction because my journey to reach it had been far more interesting than had I walked to the post office nearest to where I was staying.

After leaving the post office, I began walking back along HKP Road. A motor scooter pulled up alongside me. It was being driven by a man. Behind him sat his child and his wife in full burqa. He said that he had seen me taking a picture of his old house. I told him that I am interested in the old buildings of Bangalore. He told me that his house was over 100 years old and that I should visit his clothing shop in Commercial Street.