Smart casual in South Africa and a portable chapel

While researching for an essay about STEVE BIKO, I consulted the diary I kept when I visited South Africa in August 2003. We spent a night in an old-fashioned hotel in the heart of the bleak Karoo. Here is what I wrote about it:

After the village of De Doorns, the Karoo begins: the countryside becomes emptier and emptier, trees become scarce, the ground is covered patchily with small round bushes. The country is desert-like, wild and also hilly.

After about an hour of driving through this empty, though very beautiful, landscape, we spotted the tiny settlement called Matjiesfontein. 

This place, in the middle of nowhere, consists of one street, a 19th century grand hotel, the “Lord Milner”, a few cottages, other buildings, and a railway station on the main line from Cape Town to Jo’burg.  When we arrived, we were fortunate to be there whilst the famous, luxury “Blue Train” was making a halt. It stops there for a couple of hours three times a week. To travel on this train, a sort of luxury liner on rails, one needs to part with R10, 000 (£880, about) per person. The train takes 3 days and 2 nights to get from Cape Town to Pretoria.

A building along the platform at Matjiesfontein station contains the Rawden Museum that contains a jumble of assorted items extending back to Victorian times.  This includes a good selection of bedpans as well as a portable field toilet, housed in a mahogany case, complete with porcelain bowl and a flushing mechanism – an essential item for winning a war (i.e. the Anglo-Boer War).  A particularly intriguing item was a portable chapel: it was like a suitcase, which opened up to reveal a folding crucifix, a lectern and a special space to keep a Bible. There were also a great number of Victorian clothes in various states of disintegration. 

Near the Hotel there is a “Museum of Transport”, containing a collection of cars, some of which I remember as being new models in the 1960s. There is also some old railway rolling stock that can be entered by visitors.

We ate dinner in the Hotel’s dining room for which the dress code rule is ‘smart casual’. I took this to mean that a blazer would be required, Far from it, in South Africa, smart casual simply means: no shorts or sandals. In fact as the temperature was so low (near freezing point outside) many of the diners ate without removing their outer coats. The food, for which the hotel used to be well known, was indifferent but the wine was good.

After dinner we were shown around the private rooms, filled with antique furniture, of Lord Logan, who founded the Hotel. We slept in a cottage, which was, we were told, where the writer Olive Schreiner(1855-1920) used to stay when she visited Matjiesfontein.

A novel by an author from South Africa: Damon Galgut

MRS SWART IS DYING, lying on her bed in a farmhouse in South Africa during the last years of the apartheid regime. Her husband and three children are close by. One of her daughters, Amor, hears, or believes she has heard, her mother promising that Salome, the family’s African maid, will be bequeathed the small outhouse in which she lives. Mrs Swart dies. Nobody else remembers hearing that Salome has been promised that she could own her humble abode, and she is not given possession of it. Many years go by, apartheid ends, and one by one Amor’s father, her brother, and her sister die. Yet, still Salome has not been given ownership of her residence on the farm. Amor, who has largely dissociated herself from her family, becomes the sole inheritor of the family’s farm after her father and siblings have died. Without giving away too much of the story, she honours the promise that her mother made, but what should have been a straightforward happy ending turns out not to be. In between the events I have mentioned, much more takes place, as is revealed in “The Promise”, an excellently written novel published in 2021 by South African author Damon Galgut.

Galgut’s novel contains vivid descriptions of peoples’ lives and their difficulties in South Africa before and after the apartheid regime ended in 1993. In his novel, the personalities of the various people in it are described brilliantly. In addition, he portrays the troubles, physical and psychological, that South Africans must face daily even after the end of apartheid. Reading this book has reinforced what I had already heard about South Africa being a country filled with its own distinctive range of problems.

I believe that Galgut’s novel is a metaphor for what has happened to South Africa after the death of apartheid, a regime that severely suppressed the non-white majority of South Africans. When apartheid eventually ended, many South Africans must have believed and hoped that they had been promised, and could expect, a better life, one from which each person would derive benefit. Sadly, for many, just as Mrs Swart’s promise to Salome was fulfilled but unsatisfactorily, the assumed promise of an improved life post-apartheid has not been fulfilled entirely satisfactorily (if at all) for most of the country’s population.

“The Promise” is the third of Galgut’s novels that I have read to date. Each of the three is beautifully written, interesting, compelling, and moving. Of the three, “The Promise” has appealed to me most, but only a little bit more than the other two (“The Good Doctor” and “Arctic Summer”).

A novel set in South Africa after the end of apartheid

TO ENHANCE RACIST policies, the apartheid government of South Africa set up a series of ‘homelands’. These were areas in less desirable parts of the country in which black African people were ‘encouraged’ or compelled to set up homes. Notionally self-governing, these territories were, in reality, black ghettos, often impoverished. “The Good Doctor”, a novel  by Damon Galgut, who was born in South Africa, (published 2003) is set after the end of apartheid in a run-down, almost deserted, god-forsaken town in what had been a former homeland close to one of South Africa’s borders.

Most of the novel’s action is centred on the town’s under-staffed, poorly equipped, almost unused hospital. Frank is a doctor, who has been working there for several years. He seems quite content with the boring, uneventful life he has been experiencing while working there. Everything begins to change when Laurence, a young and idealistic doctor, arrives to spend a year at the hospital. He wants to make changes, to give the almost moribund hospital more of a sense of purpose.

Frank is obliged to share his quarters with Laurence, and inevitably they get to know each other well. Following Laurence’s arrival, a series of events begins to affect both Frank and his young room-mate. These occurrences, which Galgut relates beautifully, disturb the life of the hospital. Things get worse after a troop of soldiers, who are patrolling the border, settle in the town for a few weeks. Their commander is an unpleasant man, under whom Frank served while he was in the army before apartheid had ended.

At first, I felt that one of the two doctors was ‘The Good Doctor’ in the book’s title, but by the end of the story I was left wondering whether it was Frank or Laurence who was the good doctor. You will have to read this wonderfully written, compelling tale to be able to assess which of the two deserves your sympathy. Or are they both to be criticised?

I enjoyed this novel, the second by Galgut that I have read, and look forward to reading a third. I have a copy of his “The Promise” waiting close by.

Don’t confuse bhunga in Kutch (Gujarat) with  bunga bunga in Italy

A RONDAVEL IS a traditional African hut found in South Africa.  It is cylindrical and has a conical thatched roof. I first became aware of these in about 1957 when my aunt and uncle took me for a short holiday at Winterton-on-Sea in Norfolk (UK). We stayed at a seaside resort named Hermanus, after the popular holiday spot Hermanus on the coast of the Western Cape of South Africa.  The accommodation at Norfolk’s Hermanus was a set of Rondavels built to resist the inclement North Sea climate. These rondavels continue to accommodate holiday makers today, as we discovered when we visited Winterton-on-Sea in mid-2025.

 

Later on that year, we visited the village of Veryan in Cornwall. This delightful  place has 5 round houses that look like large rondavels. They were constructed in the early nineteenth century.

 

Two bhunga huts in Kutch

In December 2025, we visited Kutch, formerly a kingdom in its own right, but now part of the Indian state of Gujarat.  As we drove through the countryside,  we saw round huts with conical, thatched roofs. They looked just like the rondavels in South Africa.  In Kutch, these rural dwellings are called ‘bhunga’. Like the rondavels in South Africa,  their walls are made with mud. Often colourfully decorated,  the bhungas were designed to withstand the region’s harsh climate and seismic activity. Many of the bhungas one can see house local country folk,  but, just as at Winterton-on-Sea,  bhungas have been built and furnished appropriately to provide picturesque accommodation for tourists.

 

As for their earthquake resistance, a website (www.kaarwan.com/) explained:

“Despite their humble appearance, Kutch Bhungas are remarkably resilient to seismic activity, thanks to their unique construction techniques. The circular shape and low height of the dwellings minimize the impact of earthquakes, while the flexible mud walls and thatched roofs absorb and dissipate vibrations, ensuring the safety of inhabitants during tremors.”

  The idea of building bhunga huts was established after a terrible earthquake hit Kutch in 1819. Thus, to add a note of triviality, the concept of bhunga antedates the so-called bunga bunga parties of which the former Italian leader Silvio Berlusconi was so fond.

A Boer officer in Bangalore 1901

GEORGE GLAESER MUNNIK was a  Boer  during the first Anglo-Boer War (1899-1902). He was captured by the British and imprisoned in the south of India. During his time in India, he was taken to Bangalore briefly and was put up in the West End Hotel.

In his autobiography,  Munnik recalled:

“We arrived in Bangalore early in the morning and went to the West End
Hotel. This hostelry stands in extensive grounds and consists of about
half-a-dozen bungalows, each a hundred yards apart and holding six
visitors; each has its own cook, butler, etc…“

The hotel still exists and is one of the finest in Bangalore. Although enlarged since Munnik stayed there, it stands in beautifully maintained grounds.

To discover why the British took this POW from his prison camp to a deluxe hotel in  Bangalore, you will need to read my book “Imprisoned in India”.  It is available as a kindle from Amazon: https://www.amazon.in/IMPRISONED-INDIA-South-African-Bangalore-ebook/dp/B07Z2S4V3P/     

OR  as  a paperback from: https://www.lulu.com/shop/adam-yamey/imprisoned-in-india/paperback/product-1y5j98em.html?q=Yamey&page=1&pageSize=4

Two barristers from South Africa stand together in central London

A FEW MONTHS AFTER Mahatma Gandhi was born in India in October 1869, Jan Smuts was born in South Africa’s Transvaal Republic (in May 1870).

In 1893, the young barrister Mohandas K Gandhi, the future ‘Mahatma’, arrived in Durban, South Africa, from Bombay. This was the year before Smuts graduated in law at Christ’s College in Cambridge, England. After passing the Bar examinations in late 1894, he returned to South Africa, where he became involved in politics.

Gandhi remained in South Africa from 1893 until 1915. During his time there, he practised law as a qualified barrister, fought for the rights of Indians in the country, and gradually developed his non-violent approach to protest, which he later practised during the struggle to free India from British domination. During the Second Anglo-Boer war (1899-1902), Gandhi assisted the British with caring for casualties. Meanwhile, Smuts fought with his fellow Boers.

After that war, Smuts was involved with negotiations that led eventually to the union of the four territories, which then became unified as the South Africa we know today. In 1914, the First world War broke out. Smuts fought for the British, most notably in what was then German Southwest Africa, now Namibia. Meanwhile, in 1915 Gandhi returned to India, and the rest is history.

Both Gandhi and Smuts are commemorated by statues in London’s Parliament Square. They stand near each other, but not next to each other. Jan Smuts stands on the north side of the square, and is depicted as striding towards Westminster Abbey. Mahatma Gandhi stands on the east side of the square quite close to the statue of another South African, Nelson Mandela. Gandhi appears to be gazing at the Houses of Parliament.

Seeing those statues standing in the same square today made me wonder how, if at all, Gandhi and Smuts felt about each other. I found an article in a website called “The Observation Post”, which helps understand their relationship. Here are some quotes from it:

“It’s a common misconception that Jan Smuts and Mahatma Gandhi’s relationship was one of animosity. It is a little known fact that both men actually respected each other, remaining life long admirers of one another … Gandhi tried, at all times, to look for the positive in Smuts and said of him that he had a ‘high place among the politicians of the British Empire and even of the world’.”

When Gandhi was about to leave South Africa in 1915, he sent Smuts a pair of sandals that he had made at Tolstoy Farm, a cooperative colony he set up near Johannesburg, from which he ran his campaign of satyagraha (non-violence). Smuts wore these every day when at his farm, and is recorded as having said on Gandhi’s seventieth birthday:

“I have worn these sandals for many a summer, even though I may feel that I am not worthy to stand in the shoes of so great a man.”

A BOOK FROM A LIBRARY IN SOUTH AFRICA AND AN ANCESTOR

IN AUGUST 2003, we spent a day in Aliwal North (now called ‘Maletswai’). This small town on the northern border of South Africa’s Eastern Cape Province is not on many tourists’ itineraries. We went there for a special reason. It was originally named after the Battle of Aliwal (1846), a British victory during the First Anglo-Sikh War.

The town was laid out in 1849. When this happened, the Jewish mercantile firm, Mosenthals, opened a branch in the newly established town. After a few months, they sent a young man, Heinrich (later ‘Henry’) Bergmann (1831-1866), to manage the new store and to help sell land in the embryonic township. Very rapidly, Bergmann became one of the most prosperous people in Aliwal North. He owned much land and managed a bank in the town. Soon, he was so successful that he took over the town’s other two banks. For reasons that are not altogether clear, but they might have had something to do with a financial problem, Bergmann shot himself. Having committed suicide, neither the small Jewish cemetery nor the Christian one was prepared to bury him. In the end, his friends the De Wet family, who farmed in the district, buried him in their private family cemetery, and that is where we saw his gravestone when we visited Aliwal North in 2003.

Henry Bergmann was my mother’s grand uncle.

Arriving in what was then the Cape Colony in 1849, he was the first member of my family to migrate from Germany to southern Africa. He was also amongst the small number of Jewish people who came to that part of the world in the first half of the nineteenth century. The majority of Jewish migrants to what is now South Africa began arriving after the late 1860s, as I have described in my book “Exodus to Africa”.

We visited Aliwal North in 2003 as part of my research into the life of Henry Bergmann. Apart from meeting members of the De Wet family, descendants of those who buried Bergmann, who showed me family histories containing details of my ancestor’s life and fields that were once owned by him, we spent some time with Mrs Joubert, the librarian of Aliwal North’s public library. She was extremely helpful and took a great interest in my research.

Aliwal’s library was selling a few books that were no longer needed. My wife bought a few novels, one of which was “Mr Mirakel” by E Phillips Oppenheim (1866-1946). The book we bought contains the words: “First printed  … 1943”. It is a first edition. Inside the book, there are labels inserted by the library. They are printed both in English and Afrikaans. There are also four imprints of an inked rubber stamp. Each one reads: “Aliwal North. Public Library. Cape of Good Hope.”

Just before 1910, when the Unification of South Africa occurred, what had been known as the Cape Colony became known as ‘The Cape of Good Hope Province; (‘often shortened to ‘the Cape Province’). In 1994, this vast territory was divided into the Northern Cape, Western Cape, and Eastern Cape provinces. Given that the book can only have been acquired in or after 1943, the words ‘Cape of Good Hope’ on the stamp intrigued me. Although they do refer to a geographic entity, they have never, as far as I can see, referred to an administrative area, and did not do so on or after 1943 when the book was published.

Had we not been sorting out our books recently, we would not have come across the book from Aliwal North. Seeing it and its library labels and stamps brought back memories of our visit to Aliwal North 22 years ago.

Norfolk is a great distance from South Africa

WHEN I WAS LESS than 8 years old,  my uncle and aunt took their young daughter and me to the Norfolk coast. We travelled there by car in their Citroën. All that I can remember of this holiday was that we stayed in a circular cottage wirth a conical thatched roof. It was like what in South Africa is called a ‘rondavel’.

 

The rondavel  we stayed in was not in South Africa but at Winterton-on-Sea on the coast of Norfolk. The resort, which still exists and was fully booked when we paid a brief visit in May 2025, is called Hermanus is the name of a popular seaside resort on the south coast of the Cape Province of South Africa.

 

Although the Hermanus resort at Winterton-on-Sea changed hands about 50 years ago, its original owners were South Africans. And because my aunt was born in South Africa,  it was likely that this resort in Norfolk was chosen for a short break because of its South African owners and the rondavels.

Do not throw it away because it might become valuable one day

AFTER MY DAD’S father died, his mother remarried Isaac, a merchant, who lived and worked in Port Elizabeth (South Africa).

In his holidays, both school and then later university, Dad, whose father had owned a general store (in Tulbagh, South Africa), helped his stepfather in his shop in Port Elizabeth. Once again, he was in an environment where he was acquiring first-hand experience of the workings of commerce, one of the foundations on which the study of economics is based. By all accounts, including the fact that Isaac could afford regular holidays in Europe, the business prospered. Dad told me that during his vacations, he used to help Isaac compile annual inventories of his stock.

The shop owned by my father’s father in Tulbagh

One day, Dad came across many large glass bottles filled with boiled sweets that had become unsaleable because the candies had fused together to form huge masses. My father asked Isaac whether these bottles should be thrown out. He was told that they were to be retained. A few years later, WW2 broke out and there was a shortage of glass. Isaac sold the bottles filled with inedible sweets because the glass, now valuable, could be sold (for recycling) during the glass ‘famine’.

Was it experiences in his father’s and stepfather’s shops that might have led him to eventually become a professor of economics, and helped him to understand the concept of futures markets? I wonder.

An artist from South Africa and a civil war

DURING THE ANGOLAN civil war (1975-2002), many Angolan families were forced to flee to South Africa.  The parents of Helena Uambembe, who was born in South Africa in 1994, were amongst those who were forced to leave Angola. Her father was coerced to join the South African Defence Force (‘SADF’), which was engaged in fighting in southern Angola during the period when the Apartheid regime was still in power.  He was enrolled in the 32 Battalion of the SADF.

Until 20 March 2025, there is an exhibition of art works by Ms Uambembe at the Goodman Gallery in Mayfair’s Cork Street. Her intriguing and somewhat terrifying works are on paper, canvas, and cloth. The drawings on display show her interest in the kind of posters used to attract young people into joining the military. I felt that these pictures illustrated the fearsome nature of serving in the military, rather than its attractions.  A large cloth work with images printed on it depicts the loss of self-identity or individuality that members of the military must undergo.

The small exhibition is visually exciting, of interest historically, full of angst about the war in Angola and now elsewhere, and well worth visiting.