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A bust of Epstein and the USSR (Soviet Union)

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I HAVE JUST VISITED London’s Wallace Collection to view a small exhibition called “The Wallace Collection at War”. It continues until 25 October 2026. Small though it is, it contains several artefacts that resonate with the research I did when writing my book about north London’s Hampstead district.

During WW2, the valuable artworks that comprised the Wallace Collection were removed from their home, Hertford House on Manchester Square, and hidden in caves and cellars so that they would neither be damaged by bombing nor found by the enemy should they have managed to invade the UK.

In 1942, in order to raise money to send medical equipment and clothing to Soviet Russia, Lady Clementine Churchill (Sir Winston’s wife) organised the “Artists Aid Russia” exhibition, which was held in the then empty Hertford House. Some of the exhibition stands and other display arrangements were designed by the architect Erno Goldfinger, whose creations include Trellick Tower in North Kensington, and his own residence in Hampstead. For five years, I practised dentistry in the shadow of Trellick Tower. I have also visited his Hampstead home several times.

The 1942 exhibition included 900 works by living artists. A few of these works are currently on display in Hertford House. They include artworks by John Skeaping. Carel Weight, Ethel Léontine Gabain, and Charles Murray. There is also a poster by Henri Kay Henrion. He was married to the artist Daphne Hardy Henrion. One of their two sons went to the same school as I did in the 1960s. For a while they lived in Hampstead.

The “Artists Aid Russia” exhibition was launched in late 1942 by Soviet Ambassador Ivan Maisky (1884-1975) and his wife Agniya. The first time I encountered his name was while writing my book about Hampstead. In “Architect Errant”, the autobiography of the architect Sir Bertram Clough Williams-Ellis (1883-1978), he wrote of the artist George Romney’s former home, where he resided:

“It was a splendid house for large parties and we gave a lot of them – dances every so often, a show by Ballet Rambert … We also gave a party to meet the Russian Ambassador, M[onsieur]. Maisky, who made a speech from the gallery balcony …”

As part of my research, I acquired a copy of “The Maisky Diaries” (edited by Gabriel Gorodetsky). Although there is no mention of the visit to Hampstead, there is much which is relevant to one of the items in the current exhibition at Hertford House. This artefact is an excellent bronze sculpture depicting Maisky’s head. It was made in 1941 by the renowned artist Jacob Epstein (1880-1959). The diaries contain much about this work of art and its execution.

On 14 February 1941, Maisky wrote:

“Jacob Epstein has convinced me to permit him to make my bust. I warned the sculptor that the USSR is a country of genuine democracy, so Soviet ambassadors are not able to pay artists of the capitalist world the fees they are accustomed to. Epstein was insistent …”

Maisky was intrigued by the creative process, which required at least six sittings. He described how Epstein gradually formed his head out of grey clay.  He wrote:

“Let’s see what happens next. I’ll have five or six sittings in all. With such original artists as Epstein, you never know what will come out in the end – you yourself or a monster.”

The ambassador described the artist’s studio at 18 Hyde Park Gate:

“A large bright room with two enormous windows … Astonishing artistic chaos. Scattered over tables, chairs, and benches and the floor are statues, heads, arms, legs and other parts of the human body in clay and plaster of Paris … The figure of the sculptor moves quickly and deftly amidst the vast chaos. His baggy grey trousers are stained with clay and plaster of Paris. Epstein is quite a charming man …”

Eventually, the bust was completed.

While he was in London, Maisky became very popular. As Gorodetsky noted at the end of the extracts from Maisky’s diaries:

“Neither Stalin nor Molotov could watch with equanimity the popular cult of  Maisky in London, which reached dimensions second only to the cult of Stalin himself … While flattered by the cult evolving around him, Maisky was anxious to keep it on the back burner. He was quick to turn down an invitation by the sculptor Epstein to attend the private viewing of his works at Leicester Galleries …”

Despite the risk of trouble from Stalin in Russia, Maisky sat for a portrait by Oskar Kokoschka. He sat for this portrait shortly before he was recalled to the USSR in July 1943. This picture is now in the Tate Gallery’s collection.

As you can see, the small exhibition at the Wallace Collection proved to be of great interest, especially as so many of the exhibits overlapped with things that have interested me in the past.

Fountains of memory in London and Paris

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THE FIRST TIME I visited Paris (France) was with my parents in 1968. We travelled there and back on the Silver Arrow (sleeper) train, which was loaded on to a ferry that plied between Dover and Dunkirk. We tried to sleep in our berths while the train was on board the ship, but I found that difficult mainly because I wanted to watch our train being loaded and unloaded at the channel ports. After returning from Paris, we disembarked from the train at London’s Victoria Station. Immediately after stepping on to the platform, my mother pointed excitedly at a lady exiting the carriage next to ours – our fellow passenger was Sir Winston Churchill’s wife.

During that first visit to Paris, my father pointed out something that sparked my interest. Painted dark green, it was a drinking fountain covered with a decorative dome, which was supported by four sculptures of ladies (caryatids) with bare arms. It was a Wallace Fountain, and after having it pointed out to me, I began spotting them in many parts of Paris,

In 1872 following the Siege of Paris (1870). Sir Richard Wallace paid for 50 of the so-called Wallace Fountains (as described above) to be installed in the city. Each of the drinking fountains is of the same design They were designed by Charles-Auguste Lebourg (1829-1906).

In 1959, a late cast of the of the Wallace Fountain was presented by the London Borough of Shoreditch to Hertford House in London’s Manchester Square. Hertford House is the home of the huge art collection that was established by Sir Richard Wallace, and is now a public art museum – The Wallace Collection.  So, it is appropriate that a cast of one of Wallace’s fountains stands close to the Collection’s main entrance.

A website (www.londonremembers.com/memorials/wallace-drinking-fountain)  revealed something of the history of London’s Wallace Fountain:

“c. 1904 four ornate fountains were installed in Shoreditch. This was done through the Metropolitan Drinking Fountain and Cattle Trough Association … Artistically designed water fountains were required and Dudley Fortescue found four designs that he liked, including this Wallace design, which he had seen and liked in Paris. The fountain was made and installed at The Oval, Windsor Terrace, EC1, on 19 July 1904. A newspaper report named an anonymous donor, ‘E. F. F.’.  Philanthropic men would sometimes give the name of a close female relative, rather than their own but, still, we cannot find an E. F. F. for Dudley Francis Fortescue, his wife being Lady Camilla Eleanor Fortescue, and the marriage having no issue. Perhaps the ‘E.’ was a misprint for ‘D.’? In 1959, when the fountain had ceased to function, the Wallace Collection asked Shoreditch Council if they could have it for Hertford House and it was installed in its current location in 1960.”

The fountain in Manchester Square bears the place name “Val d’Osne”. Another website (https://wallacefountains.org/fabrication-of-the-fountains/) explained:

“During the past 150 years there have been few changes to the methods used to manufacture Wallace Fountains. The decorative cast iron process was invented in France by Jean Pierre Victor André who established a successful, award-winning art foundry in 1835 and set up Val d’Osne, a workshop foundry in the Haute Marne region. The Val d’Osne foundry manufactured the first Wallace Fountains in 1872 and Val d’Osne markings can be found on the oldest fountains still operating in Paris.”

Today, the London’s Wallace Fountain is no longer functional, but every time I see it at Manchester Square, it brings back memories of my first of many visits to “The City of Light”.

A bit of Bengal that once contained more wealth than the entire British aristocracy

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When I was aged between 8 and 13 years old, a pupil at The Hall, a preparatory school in London’s Belsize Park, history was taught in an uninteresting way. The emphasis was entirely on the chronology of events rather than their significance. One of these events, which meant nothing to me for many years, was the Battle of Plassey (1754). Little did I know when hearing this name as a young schoolboy that many years later, I would visit India and see places that were important in the events leading up to (and following) the battle. These places are within Murshidabad and its environs, which we visited in early January 2025.

To reach Murshidabad, which is north of Kolkata, we travelled by train on the Dhano Dhanye Express. Despite being called an ‘Express’, the train was anything but rapid. It dawdled along while local trains swept past us. It was after dark when our train drew into a station whose name I had known since the early 1960s, but had meant nothing to me then: Plassey (in Bengali: Palashi). Although I could not see much of the place, I felt a frisson of excitement when I saw signs in the station bearing a name that had been in the back of my mind for over 60 years.  

Murshidabad was, until after the Battle of Plassey and the development of Kolkata, a major city in the Indian Subcontinent. Today, apart from the former British cantonment town of Berhampore, the rest of Murshidabad consists of historical monuments, some intact others ruined, scattered around a large, mainly rural-looking district – once covered by the great city. One of the many places we visited in Murshidabad was in the district of Azimganj, where there is a palace – Bari Kothi. It was constructed by a wealthy Jain family in the late eighteenth century,a few years after the Battle of Plassey.

Bari Kothi is now a luxurious hotel run by the Dudhoria’s, who are friends of the Jain family of my wife’s sister-in- law. They live in Kolkata, and had arranged that we could be shown around the historic building that houses the hotel.

The Dudhoria family were originally Kshatriya Hindus living near Bikaner in Rajasthan. They were direct descendants of Raja Chaban, ruler of Ajmer. In about 105 AD, they converted from Shaivite Hinduism to Jainism. Along with other Kshatriya families in the town of Osia in Rajasthan, they converted to Jainism, and all these families are known as Oswal Jains. After moving between various towns in Rajasthan, the Dudhoria’s, led by Harjimal Dudhoria and his two sons, Sabai Singh and Maujiram, moved to Azimganj in 1774. They began life as merchants in their new home, and soon became successful.

In the late eighteenth century Rai Bahadur Budh Singh Dudhoria, constructed the huge mansion, now known as ‘Bari Kothi’. Close to the river Hooghly, its garden stretches to the bank of the river. The huge edifice, which was restored a few years ago, is built around seven courtyards. Its lavish decorations have been recreated in a style that would have been familiar to the family in its heyday. The influence of neo-classicism is evident in many parts of the building. Today, it is used as a luxurious ‘heritage’ hotel, which is famed for its Jain food. When the banker, who lived at Bari Kothi, told the Nawab that he wanted to move away from Murshidabad because he lacked the company of fellow Jains, the ruler allotted land on both sides of the river to the Jain community, and told the banker to invite other Jains to make their homes there. 97 families arrived from Rajasthan.

The combined wealth of the 30 or so Sherherwali (mainly Oswal Jains) families who settled in the square mile area within Azimganj, which included Bari Kothi, was so great that it exceeded that of the entire English aristocracy. After Bengal’s capital shifted to Kolkata, so did most of the Sherherwalis.

Bari Kothi was badly damaged during the Naxalite disturbances in the 1970s. It was beautifully restored under the supervision of the architect Dr Samar Chandra. We visited the place and were shown around its maze of corridors, rooms, and courtyards. Our guide showed us parts of the building that are still undergoing careful restoration. What has already been restored and is used by hotel guests is superbly done. For those seeking a glorious ‘heritage’ experience, a few days at Bari Kothi will not be disappointing. The large dining room is decorated with tiled panels (art nouveau style) depicting rustic scenes, and in several rooms, I noticed trays laden with bottles of high-class imported and Indian liquor.

The hotel serves guests with highly acclaimed Sheherwali Jain cuisine, which is strictly vegetarian. However, for those hoping for a fried egg at breakfast time, this and all other non-veg items are most certainly unavailable. The hotel employs local people as staff, thus bringing employment opportunities into what is quite a depressed district. One of these employees told us that most of the staff are not vegetarians, and so they need to sneak out occasionally to enjoy food that contains meat or fish. Or they starve themselves all day, and in the evening eat non-veg meals at home.

The British won the Battle of Plassey by guile. This was because some leading inhabitants of Murshidabad bribed the general commanding a major part of the forces of their opponent, Nawab Siraj-ud-Daulah. He was paid not to join the fight. He and his soldiers stood aside during the battle. Some hint that part of the bribe was provided by wealthy Jains (for example the Jagat Seth family) who were unhappy with the Nawab. However, as the Dudhoria’s only arrived in Bengal in 1774, it is unlikely that they had anything to do with the defeat of Siraj-ud-Daulah at Plassey 17 years earlier.

For much more about Murshidabad, read my book “88 DAYS IN INDIA: A JOURNEY OF MEMORY AND DISCOVERY”, available here:

An unusual invitation in the place where MK Gandhi was born

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During our first tour of Gujarat, which my wife and I undertook in 2018, travelling on inter-city buses.  We stopped at Porbandar, a port on the southern coast of Saurashtra. This Gujarati seaport, which is not on many foreign tourists’ itineraries, is the birthplace of MK (‘Mahatma’) Gandhi. During our stay, we visited the house in which the great man was born.

We spent four days in Porbandar, which gave us plenty of time to wander around.  One afternoon, after reducing the amount of baggage we were carrying, we visited a place, where we received a strange invitation …

After the two uncomfortable bus journeys that we had made so far, we decided to reduce the amount of baggage we were carrying by sending one of our suitcases to Bangalore, where we were going to spend the last few days of our sojourn in India. We had already discussed sending it with the owner of a dispatch company in the lounge of the Hotel Natraj, where we were staying. He met us after we returned from Subhas Nagar (a fishing harbour) and escorted us with our suitcase to his small office, which was nearby. The price for sending our twelve-kilogramme suitcase was very reasonable. We learned that the case would be going by lorry to Bombay and then from there to Bangalore by train. We were told to leave the case unlocked so that, should it be necessary, the railway officials in Bombay would be able to examine its contents. We watched our case being sown into a huge sack, and then kept our fingers crossed. For the record, our case arrived perfectly intact in Bangalore five days later.

After dispatching our case, we returned to the Lords Eco Inn near the beach for refreshment. Then, while the sun started dropping towards the western horizon, we walked back along the seafront to the temple, which we had passed on our way to the seaside on our first afternoon in Porbandar. We pushed past the cattle outside it and entered. Some men were sitting around chatting. A couple of cats darted about the temple’s courtyard. The orange glow of the setting sun reflected off the white-painted tapering shikharas which pointed up to the cloudless blue sky.

We wandered through the open gateway of a walled compound across the road from the temple. The internal surfaces of the boundary walls are decorated with colourfully painted murals depicting deities and scenes from the Hindu scriptures. Models of very human-looking figures with monkeys’ faces perch at intervals along the walls above the murals. The walls enclose some buildings, long sheds.

The central, and most important looking, of these buildings was painted white and provided with glassless windows. Through one of the windows, we could see flames flickering. We realised that we had walked into a crematorium compound. An official came up to us, and confirmed our suspicions. Then, as if inviting us to dinner or for a drink in a pub, he asked us whether we would like to watch a cremation. Only in India can an offer like that be made so casually, because as Jon and Rumer Godden wrote in their book “Two under the Indian Sun”:

“We knew, without being told, that in India death was as casual as life, part of every day.” 

We declined the invitation.

If you enjoyed this or found it interesting, you can read more about our first trip to Gujarat in “TRAVELS THROUGH GUJARAT, DAMAN, AND DIU”, available from Amazon. The extract above is from the book, but modified slightly.

Tea and dining in Daman (India)

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YOU MIGHT WONDER why we spent a few days Daman in 2018.

Enclaves have always fascinated me. For many years before that, I had been interested in Daman, which had been until 1961 a tiny Portuguese possession, an enclave surrounded by Gujarat, on the west coast of India.

Even though my wife is of Gujarati heritage, neither she nor I had ever visited Gujarat before 2018, and Daman was one of the places on our itinerary.

The small district of Daman, now a part of the Union Territory of Daman and Diu (that also includes Dadra and Nagar Haveli) is surrounded by Gujarat and the Arabian Sea. The city of Daman lies on both sides of the mouth of the Daman Ganga River. From 1559 until 1961, when it became incorporated into the Republic of India, Daman was a Portuguese colony. The Portuguese captured Daman from the rulers of the Gujarat Sultanate. Daman was one of several Indian coastal colonies of Portugal. Other important colonies included (moving from north to south): Diu, Cambay, Bassein, Chaul, Goa, Anjediva Island, Cannanore, Calicut, Cochin, Quilon, and Galle (now in Sri Lanka). For a while, Portugal’s naval fleet used these bases not only for trade but also to regulate access of other nation’s boats to the valuable spices that could be obtained from the Indian subcontinent. The Portuguese in the 16th century wanted to create a monopoly of the spice trade. They imported spices via the Cape of Good Hope. Their Muslim rivals imported them via Egypt and Venice. So, to stifle this competition, the Portuguese established bases along the coast of East Africa and the Arabian Gulf (for a while they held Hormuz Island at the mouth of the Persian Gulf).

Daman city is divided by a river into two parts: Nani Daman and Moti Daman. Although in Gujarati ‘nani’ means small and ‘moti’ means large, Nani Daman is larger than Moti Daman.

Here is how we spent one of our evenings in Daman:

After visiting the fortress in Moti Daman, we headed back to Nani Daman. The sun was setting, and there was not much traffic. Eventually, an autorickshaw (‘auto’) already crammed full, with four passengers, stopped to pick us up. Two of the passengers moved to the front of the vehicle squatted hazardously on either side of the driver, and we squeezed onto the narrow passenger seat next to the other two passengers. After a short distance, the auto stopped. The two men squatting beside the driver disembarked and walked ahead of us. We drove on, weaving our way around a police check post, and then stopping again when we had passed out of sight of it. The two men, who had disembarked, retrieved their positions beside the driver, and we continued across the river to Nani daman. The driver explained to us, in Gujarati (which my wife understands), that the two men had to walk ahead of us past the check point in order that the auto would not be stopped because of being overloaded.

Later that afternoon, we returned to the bazaar in Nani Daman. We bought bananas and oranges from one of the many women squatting on the pavement surrounded by piles of neatly arranged fruit and vegetables. Amongst these, there were vendors with mountains of garlic bulbs and ginger roots, and others with tidy little mounds of fresh green chillies.

We took tea at two different tea-stalls near the bus stand (bus station). One served a strong tea favoured with ginger, lemon and cardamom. The other provided a very milky, sugary tea, whose taste resembled like caramel. Everywhere in Daman, and, we were to discover, all over Gujarat, tea is served in tiny cups, that can be finished in two or three swallows. It is invariably sugary. These minute cups provide ‘sugar bursts’ (as our daughter describes them) rather than quenching thirst. Often, two men will share a tiny cup of tea. Half of the tea is poured into a tiny saucer, and one of the men then slurps it noisily. The other man drinks the rest of the tea from the cup. Tea shared this way is known as ‘cutting chai’.

The tea provided at tea-stalls is prepared by vigorously boiling milk containing handfuls of tea leaves or tea powder, and usually much sugar. Grated ginger and/or powdered cardamom might also be added to this bubbling mixture. When the milky tea mixture has been boiled sufficiently, it is strained either through a fine (plastic) sieve or through a cloth. The damp residue in the cloth is then squeezed using the hinged metal handles of a ‘sansi’, which is a pair of hinged tongs (used for lifting heavy pots off the fire or cooker). Every tea-maker produces a differently tasting tea. Some of them have high reputations amongst local people for the tea they produce.

After our teas, we waited for Daman’s only newsagent to open his stall. Newspapers arrive in the evening, so there is no need for the newsagent to be open at other times during the day. We ate dinner at the Gurukripa Hotel. Even between the frequent power outages, the dining room was so dark that the waiters brought portable electric reading lamps so that guests can read the menu. We asked to keep ours throughout the meal so that we could see what we were eating. Both the service and the food were above average. When we left the hotel at 9.30 pm, the streets were deserted. An hour earlier, they had been as busy and bustling as in a large city.

Despite the late hour, quite a lot of shops and food stalls on wheeled barrows were still open. On our walk back to our hotel, we passed a parking area containing at least twelve Ambassador taxis, with black bodies and yellow roofs. Although they do not conform with current trends in car design and economic fuel consumption, these vehicles, which are ‘descendants’ of the British Morris Oxford (series III model), are ideally suited for rough terrain and the hazards of driving in India. They are, it seems, almost indestructible, but many taxi drivers are replacing them by newer, more fuel-efficient types of cars.

This is a short, adapted extract from my book “TRAVELS THROUGH GUJARAT, DAMAN, AND DIU”, which is available from Amazon. I hope to post other extracts from my book in the near future.

A chance encounter in the pavilion and a suitable boy

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I HAVE NEVER MET the Indian author, Vikram Seth, who wrote the long novel “A Suitable Boy”, but today, 30 July 2026, my wife and I met his sister, Aradhana, quite by chance while visiting the beautiful brickwork Serpentine Pavilion in London’s Kensington Gardens.

In about 1968, my wife was awarded a scholarship to study for her A-Levels (university entrance examinations) in the UK. That year, she was not the only one to receive such an award, which allowed her to travel from India to study in England. Another awardee that year was Vikram Seth, now a renowned author.

In 1994, a few months before my first ever visit to India, my then fiancé, now my wife, suggested that I read Vikram Seth’s “A Suitable Boy” because it might have helped me to ‘acclimatise’ to Indian ways of life before I arrived in the country. The book, first published in 1993, is well over 1400 pages long. Dutifully, I began reading it, but then little of it made much sense to me, and I gave up reading the book by the time I reached page 300. Thereafter, I have not touched the book until this month, July 2026.

Since 1994, I have visited India at least 50 times, often for long sojourns, and have become familiar with many aspects of life in the country. A few days ago, I started reading “A Suitable Boy”, and I am finding it both enjoyable and incredibly engaging. Much of what Seth has written makes much more sense to me than it did in 1994. And despite it being published without a glossary, many of the Hindustani words (transliterations of Devanagari and Urdu scripts) now mean something to me.

Seth has managed to write an epic novel whose pages contain a brilliant portrait of life in certain social circles in India. Although I have only just passed page 230 (in four short episodes of reading), I feel that by the end of the following few weeks, I will have read the whole book.

Meeting Vikram Seth’s sister by chance was only one part of an amazing encounter today. My wife thought she looked vaguely familiar, and that is why we engaged her in conversation. It turned out that Aradhana and my wife had attended the same school, Loreto House, in Kolkata (Calcutta), and although they differ in age, their times at the school overlapped. In addition, Aradhana, was with her friend, Amrit, whose father, we discovered, had worked in the same company as my wife’s father.

Although India’s population is about one and a half billion, I am always amazed how often we ‘bump into’ Indians, with whom my wife can find some not too distant connection.

I should have known better in Bikaner (Rajasthan, India)

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One of my aunts believed if something is cheap, it cannot be good. I have never shared her opinion, but as I will reveal below, occasionally what my late aunt believed, turns out to be correct.

IN DECEMBER 2024, we made a trip to Rajasthan (India). Of the places we visited (Ajmer, Jodhpur, Jaisalmer, Jaipur, and Bikaner), I enjoyed Bikaner the most because apart from being full of interesting nooks and crannies, it attracted less tourists than the other cities. When planning the trip, I made use of the booking.com website to find accommodation. At Bikaner, we booked an air-conditioned bedroom with an ‘en-suite’ bathroom-cum-toilet in a guest house (homestay) and breakfast included. I will not reveal its name in public. The homestay was extremely well reviewed by numerous previous guests from all over the world, and the price was remarkably reasonable: £28 (Sterling) for five nights. It was much cheaper than any of the other places we stayed in Rajasthan, which charged between £30 and £45 per night.

The accommodation was in the maze of tight thoroughfares in Bikaner’s old walled city. It was difficult to find using Google mapping. Eventually, we fought our way through the dense traffic on the narrow Teliwara Road, one the old city’s main streets, until we got within about 100 yards from the guest house. Our driver looked at the lane which led to our accommodation. It was more like an alleyway than a road. He refused to drive any further. We rang the landlord of the guesthouse, a young man named ‘S’. This cheerful fellow came rushing to meet us, and carried our baggage from the car to his tall, slender building.

S took us up two treacherous staircases with wobbly handrails, and showed us our tiny room. Most of its floor space was occupied by an ageing double bed with a blanket and a single sheet fitted around the mattress. The sheet was, we discovered later, torn in places, and either well-worn or not very clean. There was a small, attached bathroom – actually, a tiny toilet with a shower.

After ‘settling’ in our room, which was devoid of cupboards or anywhere to hang clothes, we were told that dinner was ready, and that we could eat it either in our room or on the roof terrace. As the outside temperature was well below 10 degrees Celsius and we did not want food on our bed, we persuaded S to let us eat on the ground floor, where we had to squat on what must have been one of his family’s beds. To be fair, although he charged us a lot (by local standards) for the dinner, his mother cooked delicious north Indian food.

Throughout most of the night, I heard a roaring sound coming from somewhere above our room, and in the morning, there was no hot water. We informed S, who casually remarked that he had forgotten to turn on the geyser (hot water heater). That morning, we noticed that one side of the bathroom, had no wall. Instead, there was a deep cavity that extended beneath the staircase. This was filled with litter, including discarded cosmetics containers, plastic shampoo bottles, wastepaper, and other dust covered, distasteful rubbish. We did not spot any rodents lurking there. The included breakfast, which we ate in another bedroom, windowless and even more spartan than ours, consisted of a greasy paper napkin containing an omelette wrapped in a piece of soggy toast.

We decided to leave S and his guest house, and find accommodation elsewhere. S, who seemed upset that we had not enjoyed staying in his family home, reluctantly directed us down his lane to a much more comfortable guest house, the Moon Haveli, where for £10 per night we had a large, clean, well-lit room with a satisfactory, spacious bathroom.

The lanes in the part of the town where we were staying were populated with plenty of street dogs, goats, and a few cows. Many goats spent a lot of time lurking around the Moon Haveli, and great care had to be taken not to let any of these creatures, which investigated everything they could reach, enter the building. Some of the goats were wearing grubby, ill-fitting discarded human clothes; others were without these garments. A lady, who lived in a house close to the Moon Haveli and used to stand in the street, feeding the goats every morning, told us that her goats with clothing spent the night outdoors. Her unclothed goats spent the cold nights within her house. She told us her goats’ names, which included: Munnu, Sonu, and Ronu. During the day, the goats climbed all over the place and licked everything (including motorbike handlebars and mirrors) just in case they proved to be something tasty and edible. The goats and the street dogs seemed to ignore each other and the occasional cows that wandered past. We ate our breakfasts at a series of street stalls where jalebis, bhajias, and other tasty delicasies were prepared while we waited. We befriended a tea maker, who was happy to be photographed while at work. As we wandered around the town, we spotted working camels and craftsmen making things in their shops. It was everyday things like this that endeared me to Bikaner.

To this day, I cannot understand why so many people (from all over the world) gave S’s establishment so many glowing recommendations. When we met S’s father, an artist, in the street a day or two later, it was obvious that he was annoyed that we had not liked his family home. But what annoyed me was that I had not been suspicious of the accommodation’s much lower than average price per night. I should have known better.

[This piece of writing is adapted from my book “88 Days in India: A Journey of Memory and Discovery”, which is available from Amazon.]

A taxi in Tirana (Albania) in 1984

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UNTIL EARLY IN THE 1990s, Albania, the small state on the western side of the Balkan peninsular, was at least as tightly sealed-off from the eyes of the outside world as is North Korea today. It was a maverick socialist state, which, under the leadership of its dictator Enver Hoxha, regarded first the USSR and then later the People’s Republic of China, as being too reactionary to be its allies. Few visited it, the only country in Europe where Stalin was publicly revered long after his death, and even fewer escaped from it. And, not many people shared my long fascination with the country.

Central Tirana in 1984

In 1984, when solo travel was forbidden in the country, I joined a group tour to Albania. 28 years later, I was chatting about my experiences on the trip with a dental patient who had migrated from his native land, Albania, to the UK. After telling him some of the strange things that had occurred during my fortnight in Stalinist Albania, he told me that what I had noticed was indeed the case during Hoxha’s dictatorship. He said to me that if he were to relate the conditions that prevailed, nobody would believe him. However, he said, that if I, an outsider, told what I had seen, I would more likely be believed. This conversation led to me writing and publishing an account of what I could recall of my brief sojourn in Albania. This book is called “Albania on my Mind”. It includes my 1984 travelogue as well as what made me become interested in that then almost impenetrable country from the age of about 15. When I published it in 2012, I thought that I had lost the many photographs I took in Hoxha’s Albania, and I illustrated the book with images from out-of-print literature. A few years later, I found the colour pictures I had taken on the trip. Maybe, one day I will bring out a new edition that incorporates my photographs rather than the other images.

During my 1984 trip, our group was watched carefully by our Albanian guides, the coach driver (a party member), and members of the Sigurimi – Albania’s highly effective secret police. And everything we were shown was carefully stage managed so that we were likely to regard Albania as a perfect Socialist paradise. One day, a group of us decided that we would like to hire a taxi in Tirana (the capital) to visit a local beauty spot, Mount Dajti. This is what I wrote about it in my book:–

After we had eaten lunch at the hotel, a group of us went into the square outside it. We saw a long line of taxis, which were waiting vacantly by a booking booth. We wondered how often these were hired and by whom; there was not a soul in sight taking the slightest interest in them.  One of us walked up to the booth and asked the man sitting inside whether we could hire a taxi to take us up to Mount Dajti, some way outside Tirana. Just when it seemed that we had succeeded in hiring a cab, another person inside the booth lifted a telephone receiver, listened for a moment, and then whispered something to the man with whom we had just negotiated. He beckoned to us, and pointed at the hotel. Somehow, he made it clear to us that we needed to book the taxi not from him, but from the hotel reception desk.

We trooped back into the hotel’s lobby and made a beeline for the reception desk. Two suited men, sitting on a sofa nearby, looked at us over the tops of their newspapers. As we reached the desk, I noticed that the doors of one of the hotel’s two lifts were opening. Our (Albanian guide) Eduart hurried through them and towards the receptionist, who was beginning to attend to us.

“What do you need?” Eduart asked us, out of breath.

“We want to hire a taxi.”

“Why?”

“We want to visit Mount Dajti?”

“Why should you do that?”

“We need some fresh country air. We’ve been in the city for too long.”

“That’s ridiculous,” Eduart protested. “You have already spent many days in the countryside.”

“But, that’s what we want, and we believe that the views from Mount Dajti are magnificent.”

“You cannot go.”

“Why ever not?” we asked.

“There is a lot of traffic. The roads are crowded.” We looked at Eduart disbelievingly. Traffic congestion was certainly not a problem in Albania in 1984.

“You know that there’s a big national cycle race on at the moment.”

“That was over long ago,” one of us objected. “We saw the posters announcing it along the roads.”

“You can visit Mother Albania, but no further.”

We had already visited the Mother Albania monument, which was located in the outskirts of the town. However, as we were determined to not to give in to our obstreperous guide, we agreed to his compromise.

“Alright,” we said.

Then, Eduart said menacingly:

“You may take the taxi to Mother Albania, but remember that if anything happens to you, we cannot take any responsibility for your safety. You will not be protected by your group visa.”

“We’ll risk it,” one of us said.

I did not like the threatening sound of Eduart’s voice, but followed the rest of our small group back to the taxi rank. When we arrived there no more that ten minutes after we had left it, we found that all of the taxis had disappeared, and also there was an extremely long line of people waiting in a queue outside the booth.

It seems that while we were arguing with Eduart, a queue had been hastily assembled next to the taxi rank, and it was long enough to put us off the idea of hiring a vehicle.

If you enjoyed this extract and want to read more, “Albania on My Mind” is available from Amazon:

.https://www.amazon.co.uk/Albania-My-Mind-Adam-Yamey/dp/1291111476

Off the wall, and in the garden of a library now

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THE MAUGHAN Library in London’s Chancery Lane is now part of King’s College London. It occupies a mainly nineteenth century building that was (until 1997) the Public Records Office. In 2001, the college acquired the building from the Crown Estate and renovated its interior. The garden facing the main façade of the library is on land part of which was once owned by Clifford’s Inn – a former Inn of Chancery. The garden was designed by George Carter. It contains two sculptures, one portrays Confucius, and the other, a semi-abstract, is by Dorothy Brook.

Near these sculptures and attached to the wall of an out-house (a bicycle shed), there are some bas-reliefs depicting the continents. They have the titles: “America”, “Australasia”, “Europe”, “Africa”, “Canada” (not a continent), and “India” (which is not a continent, but a sub-continent).  Made in plasterwork, they were removed from the north wall of Dunstan House, a publisher’s office building, in Fetter Lane, which was constructed in 1886, and demolished in 1976.

The rectangular plaques are nineteenth-century plasterworks. They have been attributed to the artist Walter Crane (1845-1915).  In the 1870s, Crane:

“… became increasingly involved in the decorative arts, designing textiles, stained glass, tiles, wallpapers and plasterwork. In 1884 he was a founder member of the Art Workers’ Guild and, four years later, founded the Arts and Crafts Exhibition Society, of which he served as President for many years. In 1898, he was appointed Principal of the Royal College of Art.” (https://www.english-heritage.org.uk/visit/blue-plaques/walter-crane/).

I had not known about these bas-reliefs until 25 July 2026, when I visited an art installation curated by Artangel (https://www.artangel.org.uk/) within the library. This organisation chooses unusual venues for their artistic events, and a darkened room in the library filled with metal shelving was certainly a curious place for a show. Normally, entry to the library and its grounds is restricted to members of Kings College and other people who have been given special permission, but because of the Artangel event, I was able to enter, and discover yet another of London’s many delightful surprises.

Never mind the weather. Have food and drink outdoors

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DURING THE COVID19 pandemic, meeting indoors was neither allowed nor encouraged in the UK. Eventually, restaurants, cafés, and pubs began providing outdoor seating areas – something that was relatively rare before the pandemic.

The plants surround an outdoor seating area at the Mall Tavern

Long after the worst of the pandemic was over, people continued to drink and eat outdoors, even in bad weather. Many hospitality establishments offer facilities for customers to eat and drink ‘alfresco’.

For example, since the pandemic years, a local pub, The Mall Tavern, in Notting Hill Gate has been occupying a bit of the road and pavement outside it, and has been placing benches and tables there.

They are still in place and very popular with customers.