Tag Archives: bengaluru

Women in art

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SURVEYING THE REPRESENTATION of women by artists in a single exhibition might seem a daunting task, if not impossible. Yet, this is what the exhibition “Visible/Invisible” achieves successfully. Curated by Kamini Sawhney, Arnika Ahldag, Vaishnavi Kambadur, Riya Kumar and Arshad Hakim, this magnificent display of artworks can be viewed at the recently opened (in late February 2023) Museum of Art and Photography (‘MAP’) on Kasturba Road in Bangalore (Bengaluru). The exhibition, which is displayed in most of the rooms on one floor of MAP confines itself to works created by artists, both male and female, from the Indian subcontinent and its diaspora. However, this did not hinder the curators’ aim of demonstrating the female in art over the centuries.

The 130 artworks on show range in date of creation from the 10th century AD to the present. MAP’s website reveals that the various artworks:
“… are interwoven into four key sections based on narratives and counter-narratives: Goddess and Mortal, Sexuality and Desire, Power and Violence, and Struggle and Resistance. Each section presents how women’s lives have been portrayed, the spaces that they occupy and challenges that women have faced in the Indian subcontinent. The themes and ideas explored in Visible/Invisible hopes to encourage audience awareness of the history and role of women and gender in art.”
And the exhibition successfully raised my awareness of the multiple ways in which the lives of women have been portrayed by artists of both genders over the centuries,

The artworks include sculptures, paintings, photographs, film posters, textiles (some created by female artists and others woven in traditional patterns by craftswomen), and prints. Almost every exhibit was a joy to behold, What was particularly interesting were examples of artworks created within the last few decades that demonstrate how Indian women artist have taken control of the way they portray women and their lives, What the viewer sees is how women see themselves, which is a contrast to what has happened in earlier times when women have often been shown in the way that men have viewed their lives.

All in all, this exciting exhibition is compelling both visually and conceptually. The curators have expressed their ideas beautifully and powerfully, but not without considerable subtlety.

A masterful academic qualification

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MANY INDIANS STRIVE to gain a Master of Business Administration (‘MBA’) degree. I can say little or nothing about the merits of this academic qualification, but know many friends who have been awarded it.

A long time ago, soon after we married in Bangalore, we attended an engagement party held for one of our friends. During the evening, the priest who would eventually officiate at the marriage gave a speech. He spoke in English with a strong South Indian accent. He introduced the couple as follows:
“These two dear people are well-matched. He has a yem bee yay. And she has a yem bee yay…”
Just in case you did not make sense of that, ‘yem bee yay’, it is the way that many Bangaloreans would pronounce ‘MBA ‘.

This distant memory of our friends’ engagement party was prompted by noticing a tea shop on Bangalore’s St Marks Road. It is named “MBA CHAI WALA”. Above the name are the words “India’s Most Iconic Chai Wala”. As we were in a hurry on our last day in Bangalore, we had neither the chance to sample a cup of tea nor to discover whether the place had anything to do with the MBA degree. On our next trip to Bangalore, I will investigate and get back to you.

A new museum on the map

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THE MUSEUM OF ART and Photography (‘MAP’) in central Bangalore has just opened (on the 18th of February 2023. Facing the Visvesvaraya Industrial & Technical Museum, MAP is housed in a brand new building with some attractive architectural features.

The edifice has five floors and a basement, which is home to an exorbitantly priced café, run by a company called Smoor. The ground floor has a reception area, a book/gift shop, and some gallery space. This is currently housing an exhibition of fascinating, attractive sculptures by LN Tallur. Some of the works of this contemporary artist allude to Hindu deities in a novel way.

The first floor is home to an auditorium, named after one of MAP’s major donors, Mazumdar-Shaw. Kiran Mazumdar-Shaw, a childhood friend of my wife, is a keen collector of art and has helped finance many other cultural establishments. On the same floor, there is a digital exhibition, whose subject matter can be chosen by the visitor.

The second floor is dedicated to offices and a library. Above this on the third floor, there is currently an exhibition of photographs by Jyoti Bhatt (born 1934), who began his artistic career in the famous art school in Baroda (Vadodara) in Gujarat. His works range from excellent straightforward documentary photography to highly creative artistic photography and collage work.

On the fourth floor, we enjoyed a beautiful exhibition called “Visible/Invisible”. Curated by Kamini Sawhney, Arnika Ahldag, Vaishnavi Kambadur, Riya Kumar and Arshad Hakim, this show explores the visual representation of women in artworks through the ages. Words alone can not do justice to the impactful nature of the display, but I will give you a rough idea of its range. In addition to paintings, modern and old, there are sculptures; photographs; tapestries,; traditional textiles; prints; and a video installation. Most of the artworks in this show were created by Indians or members if the Indian diaspora. The show successfully demonstrates how women have been portrayed over the centuries and how this has changed, especially more recently.

The fifth floor has a terrace from which there are some great views. There were some tables and chairs up there, but the café, if it exists, was not open.

Some years ago, we were in Bangalore when its branch of the National Gallery of Modern Art (NGMA) was opened in a restored palatial mansion near the Bangalore Golf Club. A beautifully designed annex was built next to the old building. When it was opened, I decided that it was a ‘must-see’ attraction in Bangalore. It remains so, but MAP in its newly constructed home will join NGMA amongst my suggestions of what should not be missed by visitors (and inhabitants) in Bangalore.

Winston Churchill and a newspaper reading stand

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THERE IS A LOVELY old wooden newspaper reading stand is located in the formerly men only bar in the Bangalore Club. It bears the insignia “US” at one end, the S being back to front. Before about 1947, the club was the United Services Club.

Winston Churchill, who was never too fond of India, was briefly a member of the Club (in the late 1890s) , and incurred a small, but never paid debt there. I wonder whether the reading stand is old enough to have been used by Churchill.

Bangalore’s green lung

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PARKS ARE SAID to be a city’s lungs. They are places where one can escape from the noises and fumes mainly created by traffic. On New Year’s Day 2023, we took a walk in Bangalore’s Cubbon Park. Almost as soon as we had entered it, the air seemed cleaner, and we experienced an uplifting sense of serenity.

Cubbon Park was laid out in 1870 under the direction of Major General Richard Sankey, British Chief Engineer of Mysore State. Initially named after Sir John Meade, it was later renamed to honour Sir Mark Cubbon (1775 – 1861), the longest serving Commissioner of Mysore State. The name was changed again in 1927 to Sri Chamarajendra Park, in honour of Sri Chamarajendra Wodeyar (1863–1794), ruler of Mysore State when the park was created. There is a statue of this man in the park. Despite that change of name, the place is still popularly known as Cubbon Park. Even the recently built metro station at the northern edge of the park has that name.

The popular park has plenty of trees that provide shade. Many different species grow in the park, several of them flowering trees. Footpaths cris-cross the park, but visitors do not need to be confined to them. A main road winds its way through the verdant landscape, but this is closed to vehicular traffic on Sundays.

Words are inadequate to convey the joys of Cubbon Park. Only by entering this lovely island of nature in Bangalore’s ocean of urban development can one appreciate the beauty and delightfulness of this city’s important green lung.

Oldest post box in Bangalore

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WHEN MRS BRONSON OPENED her 10 bed boarding house in Bangalore in 1887, it became the city’s first hotel. Her establishment became The West End Hotel. It was, and is still, the best hotel in Bangalore. Set in beautiful grounds, the West End is home to Bangalore’s supposedly oldest letter box.

The cast-iron cylindrical pillar box is surmounted by a royal crown, below which are the words “post office”. The word “letter” is below the crown and above the slot for inserting mail. Below this slot, there is a large plate with mail collection times engraved on it. The plate seems to be newer than the rest of the pillar box.

Beneath the plate, there is a circular cartouche with lettering that has become difficult to read because it has been painted over so many times. However, I could make out the word “Greenock” and other wwords including “suttie”, “tho”, “street”, and “??thga??”. These indistinct words allowed me to direct my search of the Internet.

I discovered that Thomas Suttie of Greenock manufactured pillar boxes identical to the one at The West End in 1858. Only one of these has survived in the UK, but 7 or 8 of them can still be found in India. They are at The West End, in Vire, in Darjeeling, in Shimla, and two in Kasauli. There are also a few in Pakistan. One example, dated 1856, stands in the National Museum of Scotland in Edinburgh.

The year 1858 is of interest. It was when the Indian Uprising, which commenced in 1857, was coming to an end. It was also when the British Government decided to take over the governig of India from the East India Company.

The Suttie pillar box at The West End is still in use. Mail is collected from it three times a day. Given its date of manufacture, it is much older than The West End Hotel. Why it stands there is a mystery to me. Maybe the hotel acquired it as an antique curio. This is the third functioning historic post box I have seen in Bangalore. The other two are at the Bangalore Club and its near neighbour, The Bowring Institute.

A postman and his spear

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Happy New Year!

NEXT TO THE POST OFFICE on the corner of Bangalore’s Museum and State Bank of India Roads, there is a recently opened Museum of Communication. Housed in an old-fashioned Bangalorean bungalow, it is effectively a museum of the Indian postal services. This well laid out museum contains a variety of exhibits ranging from postage stamps to large pieces of mechanised equipment. I will describe a few of the many exhibits that interested me.

There is a photograph of the world’s highest post office (somewhere in the Himalayas). There is an enormous piece of equipment, which occupies the whole of a room. It was used for transmission of money orders. Several panels described the history of the Indian freedom struggle and that of the Indian Post.

Outside on the museum’s shady verandah, there is a collection of old letter boxes. They include boxes of various shapes, sizes, and colours. One of them bears the Portuguese words “CAIXA POSTAL”. Once upon a time, it must have been used in one of Portugal’s Indian colonies, but there was no information about its original location.

Outside the museum, and still in use, there is a hexagonal pillar box, very similar to one placed at the Bowring Institute in the late 1880s. Unlike the one at Bowring, which bears the British Indian postal insignia, the box near the museum has been modified to make it look like a post-Independence Indian Post pillar box.

Next to the entrance to the museum, also on the verandah, there is aalifesize model of an Indian postman of yesteryear. Wearing a green and white uniform (including a turban) with some red trim, he has a sack slung over his left shoulder. His right hand is stretche out in front of him. In it he holds a wooden shaft tipped with a sharp metal spear tip. Four small bells are attached to the base of this tip. A lantern hangs from his right wrist.

In the past, the postman mafe his way from village to village along paths through the jungle. The spear tip and its staff were used to ward off wild animals. The lantern was used to light his way, and the bells were rung to alert villagers to his arrival.

Visiting the museum was an interesting experience. Seeing the hardships that postmen used to face should make us pleased that we can now communicate using fax, email, and other modern inventions.

A fine old coffee house with waiters in turbans

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WHEN I FIRST VISITED Bangalore in 1994, there was a coffee house on MG Road close to the now derelict Srungar Shopping Complex. This venerable ‘hole in the wall’ was a branch of the Indian Coffee House (‘ICH’) chain. In both appearance and atmosphere it reminded me of some of the older coffee houses I had seen in Yugoslavia when it was still a country.

Customers sat at old wooden tables on wooden benches with upright hard backrests. Old Coffee Board posters hung on the walls. The waiters were dresses in grubby white jackets and trousers held up by an extremely wide red and gold belt with huge buckles that bore the logo of the ICB. These gentlemen wore white turbans with red and gold ribbons on their heads. On addition to rather average quality South Indian filter coffee, a variety of snacks and cold drinks were also available.

During the British occupation of India, admission to most coffee houses was restricted to European clients. In the late 1890s, the idea of establishing an ICH chain of coffee houses for Indian customers began to be considered. In 1936, the India Coffee Board opened the first ICH in Bombay’s Churchgate area By the 1940s, there were at least 50 branches all over what was then British India.

In the mid 1950s, the ICHs were closed by the Coffee Board. The Communist leader AK Gopalan (1904-1977) and the Coffee Board workers managed to get the Coffee Board to hand over the ICH outlets to them, and they formed a series of Indian Coffee Workers’ Co-operatives. The cooperative on Bangalore was formed in August 1957. There are now several branches in the city.

The MG Road branch, which opened in 1959, closed in 2009, at about the sane time as the nearby Srungar Complex began becoming closed for redevelopment, which has not yet happened.

The branch reopened in the Brigade Gardens complex on Church Street. Apart from being accommodated in a room which is rather nondescript compared to its former home, not much has changed as a result of the move to a new location. The furniture is that which was in the older site. Likewise, the old posters have been transferred. And the waiters are still attired in their stained white uniforms with belt, buckle, and turbans. The ‘atmosphere’ of the old ICH on MG Road has been recreated or maybe continued in the coffee house’s new premises. The quality of the coffee served has neither improved nor deteriorated. The ICH remains as popular as ever, and for me it is always a pleasure to enter this old-fashioned place in a city that is addicted to change.

A long way from Paris

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BANGALORE IS ABOUT 4800 miles from Paris (France). The French capital is noted for its gourmet delights, but on the whole the same cannot be said for Bangalore. One exception to this statement is Sunny’s restaurant currently located on Lavelle Road.

Arjun Sajnani created Sunny’s at least 25 years ago. Then, it was in a tall narrow house on a lane leading off Lavelle Road. The kitchen was on the ground floor and there were dining areas in the two floors above it. Often, Arjuna could be standing, working in the kitchen. Back in those early days, Sunny’s was one of Bangalore’s few suppliers of imported Western European cheeses, such as genuine parmesan.

Later, Sunny’s shifted to larger premises on the corner of Lavelle and Vittal Mallya Roads, next to a petrol filling station. The dining area was elegant.

For a brief period, Arjun ran a restaurant serving delicious Sindhi dishes in his original premises. Sadly, he decided to discontinue this interesting eatery.

Even later, Arjun shifted his restaurant to its present location – a two storey villa constructed about 20 years ago. The balconies on the upper floor are supported by stout carved timber pillars which remind one of pillars that you can see in much older traditional South Indian edifices. Diners can sit at tables within the building, or in the garden surrounding it, or on the first floor balconies. At lunchtime on Christmas Day 2022, every table was occupied.

At each of Sunny’s different locations, the food has been magnificent. As our daughter correctly said, eating at Sunny’s is as good as eating in a good Parisian restaurant. Also, Sunny’s Italian food (mainly pasta and pizzas) is above average in quality.

Arjun is an actor and director of theater and films, in addition to being a restaurateur. Dramatic productions require many skills. The same is the case for running a restaurant. Some of the required skills are the same for restaurants and for stage/screen. A restaurateur has to perform well both in the kitchen and the dining room to satisfy his or her clientele. Arjun achieves this successfully. If you have never been to Sunny’s, give it a try!