Leave in good time
Why rush for that bus
Or risk missing an aeroplane.
Leave in good time
Why rush for that bus
Or risk missing an aeroplane.
The picture depicts the sun setting over Albania as viewed from the Yugoslav shore of Lake Ohrid. When I took the picture, I was standing in Yugoslavia. Now the sun has set forever over Yugoslavia: that country exists no more. What made me interested in Yugoslavia and the Balkans? Here is my reply.
Hergé, the Belgian creator of the cartoon character Tintin, must be held responsible for my fascination with the Balkans. From the age of 7, when my father first presented me with one of his books, I became fascinated by the drawings of Syldavia and Borduria in some of the albums. These were two imaginary countries that the Belgian cartoonist invented to depict what he had seen during his visits to the Balkans. They attracted me than all of the other exotic settings of Tintin’s adventures.
My parents were fundamentally opposed to any totalitarian regime, be it right or left wing. They refused to venture behind the so-called Iron Curtain. Furthermore, they were even reluctant to buy anything made there on the basis that any purchase would give financial support to a regime that opposed the capitalist way of life. Their avoidance of countries, which were under the control of communists, and my fascination by Hergé’s cartoon drawings of south-eastern Europe made me yearn to visit them. As soon as I was old enough to travel alone, I gave in to my yearning.
I chose to visit Yugoslavia first for two reasons. First of all, it seemed more accessible than its neighbours; visas were not required and it appeared to have a less oppressive regime than some of the other Balkan countries. Secondly, I was already becoming fascinated by its mysterious neighbour, the tiny hermetically sealed country of Albania. I believed that by visiting certain areas in Yugoslavia I would manage to catch close-up glimpses of this almost completely impenetrable place.
My early visits to Yugoslavia, which commenced in the late 1960s, were made on my own or with other visitors to the country. These were fascinating enough to make me want to see more, but differed little from simple tourism. Soon, I began meeting Yugoslavs. Many of them, especially in Belgrade and Sarajevo, became good friends. My visits to their country began to assume more of a social nature than simply touristic. I believe that as the years passed and I made ever more visits, I began to experience the country more profoundly, and with far greater affection, than the average tourist. My book “SCRABBLE WITH SLIVOVITZ” contains a trail of memories of the experiences I enjoyed whilst visiting a country that no longer exists.
“SCRABBLE WITH SLIVOVITZ”
is available as a paperback: HERE and on Amazon Kindle
Last year, we were booking our daughter into a simple home-stay by the sea in Kerala, India. While we sat in the owner’s office, I spotted a framed certificate issued by the Booking.com website. It showed that the home-stay had earned a 9.8 out of 10 satisfaction rating. I congratulated the owner for achieving this. Sadly, he told me, the latest rating was now 9.4.
“That’s still pretty good,” I said.
“Maybe,” the owner replied, “but it keeps going down. The problem is the Indian guests who stay at my place.”
“Why?” I asked.
“When foreigners come and pay £10 per night, they know what to expect,” the owner began, “but when Indians come here they expect accomodation worth £100 even when they are only paying £10”
“The problem is,” he continued, ” that Indians arrive expecting included breakfast, a swimming pool, and other facilities, for which they would usually have to pay £100 or more. These are not available at £10 per night. So, when they write their reviews on Booking.com, they give us a low rating, which is not fair given how little they have to pay. These low ratings bring down my overall rating.”
I sympathised with the man, who then admitted:
“I would rather have no Indians staying here. I prefer the foreigners because they know what to expect of budget accommodation.”
When I stay at places that I have booked on Booking.com, I tend to be over generous with my rating unless there is something very seriously bad about the place. Also, when choosing where to stay, I am not put off by ratings of just over 6 out of 10. I have often found hotels with lowish ratings to have been under-rated because people have been over-critical about minor defects.
So, when you next rate a place you have visited, try to be fair and reasonable with your ratings.
A fleeting glimpse
In a train window pane:
The wide world passes us by
Totnes railway station
Rails of solid steel extend
From place to place
Past countryside we speed
Until I was about 17 years old, my parents used to take my sister and I for long trips to Florence and Venice every year. Often, we would fly from London to Milan, and then take a train to Florence. Frequently, our reserved seats were occupied by other passengers, who would only shift elsewhere when we had got the carriage’s conductor to intervene on our behalf.
Here is an extract from my reminiscences of childhood travel in Italy from my book “Charlie Chaplin waved to me“:
“Once we were seated in our reserved seats, we began to enjoy the 3 hour journey to Florence. Within minutes of entering our carriage or compartment, my mother would begin to strike up a conversation with whoever was sitting nearby. My mother and two of her three brothers, one of whom lived in London and the other in Cape Town, were always happy to initiate conversations with complete strangers. Her only sister and other brother were less inclined to do this. Mostly, our fellow passengers were Italian, but once I recall sharing a compartment with an elderly American lady who was considerably older than my parents. After a few minutes of friendly conversation, she revealed that her son was none other but the world-famous violinist Isaac Stern (1920-2001), who was born 3 months before my mother.
Occasionally we were lucky enough to travel on a Settebello train. These high speed streamlined electric trains, which plied between Milan and Rome and stopped briefly in Florence, were the pride of Italian State Railways. At each end of the train there was an observation saloon. The driver’s cabins were located above these. When travelling in the front observation cabin, one experienced a driver’s view of the track ahead. As a child who loved trains, sitting in these was a great treat for me. I still gain great enjoyment sitting at the front of trams and trains. One of the attractions of London’s Docklands Light Railway, which weaves its way through London’s former docklands and other reclaimed parts of the East End, is that there are seats at the front of the train where a driver would normally be seated had the train not been automated.
About an hour away from Florence after passing through Bologna, the train entered a long tunnel. Even the fastest trains took almost half an hour to travel through this. Soon after we emerged from it we sped through the town of Prato, and then the suburbs of Florence (Firenze in Italian) began. I knew that after we had passed the marshalling yards at Firenze Rifredi, we would soon be entering the huge terminal, Florence’s Stazione di Santa Maria Novella.“
Charlie Chaplin waved to me is available from:
Amazon, bookfinder.com, lulu.com, and on Kindle
Picture: Front of a Settebello train showing the observation lounge and the driver’s cabin above it. Source: it.wikipedia.org
Bangalore in south India is not blessed with many tourist attractions. I will describe one of them, which gives me great pleasure.
Almost 10 years ago, a branch of the National Gallery of Modern Art (NGMA) opened in Bangalore. Even if you have little interest in modern art this place is worth seeing. Part of the collection, which changes regularly, is housed in the former Manikyavelu Palace, a 19th century edifice which has been superbly restored.
The palace is linked to an elegantly simple contemporary building in which some of the permanent collection is displayed. The collection includes works mainly by Indian artists but there are also a few by European artists. Most of the artworks were created in the 20th and 21st centuries. There is a good selection of paintings by Bengali artists.
The new building also houses well curated temporary exhibitions. Currently, there is a wonderful exhibition of paintings and drawings by the artist Khanderao, who was born in Gulbarga. His early works were beautifully executed topographical scenes. He is also a superp portraitist. Like other great modern artists, for example Picasso, Khanderao has moved into abstraction, which he deals with beautifully.
A water feature separates the palace and its modern extension from another contemporary complex. This includes an auditorium, a library, a café, and a gallery shop.
The verdant gardens of the NGMA contain several modern sculptures.
The NGMA is, in my opinion, one of the loveliest attractions that Bangalore offers visitors and residents alike.
The wonder of water:
It reflects the truth
And sometimes distorts it
Chowmollah Palace in Hyderabad
Between 1944 and 1991, Albania was ruled by a Stalinist dictatorship under the leadership of Enver Hoxha until his death in 1985, and then under Ramiz Alia. The country was even more isolated from the rest of the world than North Korea is today. It was impossible for individuals to visit the country unless they were members of a tour group. In May 1984, I joined one of these groups and spent a most interesting fortnight in the country. Our hosts, the state-run Albturist company, made sure that we had little or no contact with Albanians other than our tour guides and driver, who was a trusted Communist party member. Our hosts hoped that we would only see what the authorities wanted us to see. Their aim was to make us come away from Albania feeling that its repressive regime was one to be admired. I was the only dentist in our group. I managed to gain a tiny insight into the state of dentistry in Albania. The following extracts from my book “Albania on my Mind” reveal something of what I learned. ‘Aferdita’ and ‘Eduard’, mentioned below, were our Albanian tour guides. Although their job included keeping us ‘under control’ and away from other Albanians, they were curious about the world beyond Albania’a watertight borders.
Our tour began in the northern city of Shkodër.
“Our coach headed out of Shkodër along the main road leading southwards. Once we were out of town, Aferdita delivered the first of her brief daily lectures. Every day, she treated us to a discourse on one of a variety of different aspects of life in Albania. The one that I can recall best was on the subject of medicine. She informed us, whilst we were travelling towards Sarandë some days well into our tour, that since the advent of the communists not only had malaria been eradicated, but also tuberculosis and syphilis. After extolling the virtues of her country’s medical facilities, she offered to answer any questions that had arisen in our minds as a result of her lecture. No one said anything. Then, Julian, our British chaperone, knowing already that the young lady doctor travelling with us was a reticent person, asked me, the dentist on board, to pose a question. I asked whether antibiotics were readily available in Albania. My reason for asking this was that I believed that the country, which was clearly trying to be totally self-reliant, would have been reluctant to import costly pharmaceuticals. Aferdita replied indignantly: “Why, of course they are.”
And then, spreading her hands wide apart, she exclaimed:
“When we reach the next town, I will get you a packet of antibiotics this large.”
Sadly, she never fulfilled this unusually generous offer.”
“After an unexceptional lunch, I roamed around the streets of Shkodër. I came across a small public garden, which was dominated by a chunky statue of Joseph Stalin. Even 30 years after his death, Albania continued to honour him. It was the only country in Europe still revering that illustrious Georgian. There was even a town, Qyteti Stalin (now known by its pre-Communist name as ‘Kuçovë’), named in his memory, but we did not visit it. I am pleased that I saw this statue, because although I did see many other statues on our trip, they were mostly depictions of Enver Hoxha.
I discovered a bookshop near to Stalin’s monument, and being addicted to such establishments, I entered. I was surprised to find an Albanian textbook of dentistry prominently displayed there. Though crudely illustrated with line-drawings, I could make out that it was quite up-to-date. To the evident surprise of the shop’s staff, I purchased it and another dental book. I still treasure these two unusual souvenirs from Shkodër.”
Later during our tour, we visited the historic city of Gjirokastër. Its hotel, like others in Albania, was equipped with a night club, where we, the foreign guests, were entertained by musical ensembles in splendid isolation: no Albanians apart from our guides and a waiter were permitted to enter the club. Incidentally, wherever our group ate in Albania, we were isolated by screens or curtains from other (i.e. Albanian) diners. I later learnt that this was because in 1984 there were great food shortages in the country. We were well-fed, but it was important that Albanians were not able to see that.
“That evening after dinner, a number of us sat with Aferdita and Eduart in the hotel’s night club. Each of the hotels in which we stayed had one of these. With the exception of our two guides and the musicians who performed in them, these clubs were out of bounds for Albanians. This evening we were entertained by a small band that played western pop music, mainly tunes originally performed by the Beatles. The noisy background of these clubs provided our two young guides with opportunities to ask us about life beyond their country’s tightly sealed borders. However, it was clear that Aferdita was trying to eavesdrop on Eduart and vice-versa. As the musicians strummed away in the semi-gloom of the club in Gjirokastër, Aferdita turned to me, rolled her lower lip away from her teeth, and asked my opinion of her gums. She wanted to know if they had been treated properly. I told her that I was unable to give her an opinion in such poor light.
The following morning, I spotted some tubes of Albanian toothpaste on display in a locked glass display case near the hotel’s main entrance. I tried to communicate to the receptionist (who did not understand English) that I wished to purchase a tube. I used to collect toothpastes from wherever I travelled and was curious to taste its contents. Whilst I was doing this, Aferdita appeared, and asked me what I wanted. I told her. She explained my desire to the receptionist, and moments later I had become the proud owner of a tube of Albanian dentifrice.”
Many years later…
“In 2001, long after my trip to Albania, I began working in a dental practice in west London. Many of my patients were, and still are, refugees from the places in the world, which are stricken by military and political conflicts. Algerians, Iraqis, Afghans, Kurds, Palestinians, Eritreans, and many other others who have fled their far-off disturbed homes sit in my surgery and reveal the ravages that life has inflicted on their teeth. During the terrible conflicts in the former Yugoslavia, many of my patients hailed from Kosovo, and usually spoke poor English in addition to their native Albanian. Many were the smiles that I elicited from them when I quoted the old party slogans, undoubtedly poorly pronounced, and wished them ‘Mir u pafshim’ instead of ‘Goodbye’ at the end of their appointments.”
“ALBANIA ON MY MIND” by Adam YAMEY may be purchased from Amazon, lulu.com, bookdepository.com, your bookshop. It is also available as a Kindle
This extract from “REDISCOVERING ALBANIA” by Adam Yamey describes a part of Albania where much weaponry was manufactured during the Communist era (1944-91).
“We followed the River Osumi upstream [from Berat], passing an isolated working military camp with camouflaged concrete buildings. The road wound up the valley crossing numerous tributaries of the Osumi. Next to many of these small bridges there were construction sites, which were associated with the building of the Trans Adriatic Pipeline. This will carry gas from Kipoi (just east of the Greek city of Alexandropolis) to Seman (a few kilometres north of Vlorë on the Adriatic). From there, it will go under the sea and resurface at the southern Italian coast south east of Lecce. This gas-carrying modern ‘Via Egnatia’ (or maybe it should be called ‘Via Igniter’) will follow the valley of the Osumi, then curve around Berat, before heading westwards towards the sea. It is part of a huge project to transport gas from Azerbaijan to western Europe.
The town of Poliçan was a pleasant surprise. We were expecting to find a drab place because of its industrial heritage. Far from it: Poliçan was a cheerful, vibrant place. We parked at the top end of the sloping triangular piazza named after the large mountain (Tomorr: 2,416 metres), which dominates the area around Berat and Poliçan. The piazza, is a right-angled triangle in plan. Its two shorter sides were lined with well-restored, freshly painted Communist-era buildings with shops and cafés. We joined the crowds drinking under colourful umbrellas outside cafés on the Rruga Miqesia, which runs off the piazza towards the town’s cultural centre and Bashkia (both built in the Communist period). It was about 11 am on a working day. There seemed to be many people with sufficient time for sitting leisurely in cafés or just strolling up and down the street. A girl, who ran a mobile ‘phone shop (on her own), sat with friends at a table in a café near to the shop, and only left them if a customer entered her showroom. A long out of date poster on a building advertised a meeting in Tirana for adherents of the Bektashi sect.
Near the upper end of the triangular piazza, there was a new marble monument commemorating Riza Cerova (1896-1935). He was born just south of Poliçan, and became a leading protagonist in the ‘June Revolution’ of 1924, when supporters of Fan Noli forced Ahmed Zogu to flee from Albania. For a brief time, Noli became Albania’s Prime Minister. However, at the end of 1924, aided by the Yugoslavs and Greeks, Zogu made a counter-coup, and then assumed control the country. Soon after this, he had himself crowned ‘King Zog’. Following Noli’s defeat, Cerova joined the German Communist Party, and later returned to Albania where he led anti-Zogist fighters. He died during an encounter with Zog’s forces.
Poliçan was important during the Communist period. It was home to an enormous arms and ammunition factory, the KM Poliçan, which was opened in 1962. This produced its own versions (the ASH-72 and ASH-82 series) of the Kalashnikov gun as well as other munitions. The factory lies amidst cultivated terraced fields on the slopes of a natural amphitheatre away from, and beneath, the southern edge of the town. Workers used to approach the factory from the town by a long staircase. We counted at least twenty-five industrial buildings in the complex, many of them with broken or missing windows. None of the numerous rusting ventilators on these edifices were emitting smoke, and there were no signs of life. The slopes surrounding the factory below were dotted with concrete and metal entrances to underground stores and tunnels. During the unrest of 1997, KM Poliçan was temporarily taken over by criminal gangs while the city was in ‘rebel’ hands. The factory is still used, but mainly to de-activate out-of-date Albanian weaponry. It was difficult to imagine that the peaceful scene, which we observed from a track overlooking it, had such an explosive history.
We travelled southwards through cultivated countryside and past occasional forests, always following the sinuous course of the Osumi. At the edge of Çorovodë, the administrative capital of the Skrapar District, we saw a tourist information poster beside a squat hemispherical Hoxha-era concrete bunker. It portrayed an Ottoman era bridge, which we hoped to see later. In the town’s main square, there was a socialist-realism style monument: a pillar topped by a carved group: one woman with three men. One of them was holding a belt of machine gun ammunition. The base of the monument had ‘1942’ carved in large numerals. On the 5th of September 1942, Skrapar became the first district in Albania to be liberated from the occupying fascist forces. There was a bronze statue of Rizo Cerova in a small park next to the square. Elegantly dressed in a jacket with waistcoat, he is shown holding a rifle in his left hand. His face looked left but his tie was depicted as if it were being swept by wind over his right shoulder.
We ate a satisfying lunch in a large restaurant next to the park, the Hotel Osumi. It backed onto a fast-flowing tributary of the Osumi. After eating, we entered a café a little way upstream to ask for directions to the Ottoman bridge that we had seen on the tourist poster. We were surprised to discover a ‘black’ man at a table, chatting with several Albanians. He spoke perfect English, which was not surprising because he was born in Tennessee (USA). He was teaching English in Çorovodë under the auspices of the Peace Corps. With pencil and paper to hand, he was compiling his own map of the town. When we told his companions that we were trying to find the old bridge, they advised us that it was only accessible with a rugged four-wheel drive vehicle.
Driving further southwards, we reached the spectacular Canyon of the Osumi (Kanioni i Osumit, in Albanian). It is about twenty-six kilometres long, deep, and narrow. At places where the road came close to the edge of the canyon, we obtained good views. From above, it looked as if the cultivated rolling fields and pastureland had been cracked open. The crack’s walls were steep sided, with dramatic striations of whitish rock. Far beneath us at the bottom of this fissure, the River Osumi flowed around its many bends. Standing at the canyon’s precipitous edge, we could only hear birdsong and water rustling over the river’s stony bed far below us.
Retracing our steps to Berat, we passed an abandoned building with a fading circular coloured sign painted on it. It depicted a grey cow standing between a woman in a white dress, who was writing on a clipboard, and a man in a white coat such as doctors wear. In the background, a man in an overcoat holding a shepherd’s crook, was leading a flock of sheep towards the grey animal and its attendants. Around the edge of the picture, we read the words ‘Stacioni Zooteknise’, which literally translates as ‘zoo technical station’. The building with its peeling plaster and patches of exposed brickwork had once been an animal husbandry centre.”
Adam Yamey’s book REDISCOVERING ALBANIA is available from Amazon, bookdepository.com, lulu.com, and is on Kindle