A castle, a bridge, and the law

RIVER CROSSINGS HAVE often had great historical significance. The small town of Wallingford in Oxfordshire has been a place for crossing the River Thames since Roman times or maybe even before. According to “The Concise Oxford Dictionary of English Place-names” by someone with an interesting name: Eilert Ekwall, a fascinating book that I picked up for next to nothing at a local charity shop, the town was known as ‘Waelingaford’ in 821 AD, as ‘Welengaford’ in c893 AD, and ‘Walingeford’ in the Domesday Book. The meaning of the name is ‘The ford of Wealh’s people’, clearly referring to a river crossing place. It is said the William the Conqueror used the ford. Today, a fine bridge with many arches crosses the river.

Wallingford Castle

There has been a bridge at Wallingford since 1141, or before. The construction of the first stone bridge was probably constructed for Richard, the first Earl of Cornwall (1209-1272), a son of King John, who became King of Germany (Holy Roman Empire) in 1256, a title he held until his death. Some of the arches of the bridge may contain stonework from the 13th century structure. Much of the present bridge dates from a rebuilding done between 1810 and 1812 to the designs of John Treacher (1760-1836). During the Civil War (1642-1651), four arches were removed and replaced by a drawbridge to help defend the besieged Wallingford Castle.

The huge castle was built on a hill overlooking the town; the river – an artery for water transport in the past; and, more importantly, the bridge, which was an important crossing place on the road leading from London to Oxford via Henley-on-Thames. Between the 11th and the 16th centuries, the castle was used a great deal, being used as a royal residence until Henry VIII abandoned it. During the Civil War, the castle was restored and re-fortified and used as a stronghold by the Royalists. It was of great importance to them as their headquarters were at nearby Oxford. To simplify matters, the Parliamentarians began laying siege to Wallingford Castle in 1645. This initial attempt was unsuccessful because the besiegers had underestimated the strength of the castle’s fortifications. After the Royalists were defeated at the Battle of Naseby (14th June 1645), Wallingford was one of only three strongholds in Berkshire (now in Oxfordshire) still loyal to King Charles I. A second siege of Wallingford commenced on the 14th of May 1646, shortly after the Parliamentarians had laid siege to Oxford. The latter fell on the 24th of June 1646, but Wallingford held out until the 22nd of July 1646 (https://en.wikipedia.org/wiki/Wallingford,_Oxfordshire). The castle was demolished in November 1652.

The castle grounds are open to the public. Here and there, few and far between, there are ruins of what must have once been a spectacular castle. Within the grounds of the former castle, there are several informative notices that give the visitor some idea of which part of the castle used to stand near the signs. From the grassy areas that formed the motte and bailey of the castle, there are fine views of the river below and some of the town.

Although our first visit to Wallingford was brief, I learnt that the judge Sir William Blackstone (1723-1780) had presided as the Recorder at Wallingford from 1749 to 1770. “So, what?”, I hear you asking. At first, I hoped that he was something to do with the road, where we lived in Chicago (Illinois) in 1963: South Blackstone Avenue (number 5608). But I think that thoroughfare was more likely named after the American politician and railway entrepreneur Timothy Blackstone (1829-1900). The Wallingford Blackstone, who lived in the 18th century, was most probably a distant cousin of Timothy’s father (https://en.wikipedia.org/wiki/Timothy_Blackstone). Related or not, Sir William Blackstone had an extremely important influence the legal affairs of the USA.

Having studied at the University of Oxford and the Middle Temple, where he was called to the Bar, Sir William taught law at Oxford for a few years. Just before resigning his prestigious academic position in 1766, he published the first volume of what was to become a best-seller, a real money-spinner, “Commentaries on the Laws of England”. Eventually, this work was completed in four volumes. They contain:

“… first methodical treatise on the common law suitable for a lay readership since at least the Middle Ages. The common law of England has relied on precedent more than statute and codifications and has been far less amenable than the civil law, developed from the Roman law, to the needs of a treatise. The Commentaries were influential largely because they were in fact readable, and because they met a need.” (https://en.wikipedia.org/wiki/Commentaries_on_the_Laws_of_England)

The “Commentaries” are widely regarded as being the definitive sources of common law in America before the American Revolution. Blackstone’s writings were influential in the formulation of the American Constitution. His words embodied his vision of English law as a method of protecting people, their possessions, and their freedom. Blackstone’s ideas are well exemplified by this quotation from the “Commentaries”:

“It is better that ten guilty persons escape than that one innocent suffer.”

This is known as ‘Blackstone’s Ratio’.

Leaders of the American Revolution recycled the idea with words such as:

“It is of more importance to the community that innocence should be protected, than it is, that guilt should be punished; for guilt and crimes are so frequent in this world, that all of them cannot be punished…” (John Adams; 1735-1826), and:

“…it is better 100 guilty Persons should escape than that one innocent Person should suffer…” (Benjamin Franklin; 1706-1790)

As already mentioned, Sir William presided in the court in Wallingford from 1749 onwards, three years after being called to the Bar. During his career, he served as a Tory Member of Parliament a couple of times: for Hindon (1761-68) and for Westbury (1768-70). In the House of Commons, he was:

“…an infrequent and ‘an indifferent speaker’: during the seven years 1761-8 only 14 speeches by him are recorded, mostly on subjects of secondary importance. Very learned and original, over-subtle and ingenious, in major debates he showed a lack of political common sense.” (www.historyofparliamentonline.org/volume/1754-1790/member/blackstone-william-1723-80)

The Blackstone family owned a large estate at Wallingford including 120 acres of land by the River Thames. He died in Wallingford and was buried inside St Peter’s Church, which is close to the bridge over the river.  

What little we saw of Wallingford, its castle, its riverside including the Thames towpath, its attractive market square, and streets rich in historic buildings, during our brief visit recently, we saw enough to whet our appetites for a future and lengthier visit.

In the footsteps of a great Indian politician

DURING THE FIRST ‘LOCKDOWN’, we spent a lot of time walking within two miles of our home. Despite having lived in Kensington for about 30 years, we wandered along many streets, which we had never visited until after March 2020. One of these many streets, which we ‘discovered’, is Aldridge Road Villas, a few yards south of Westbourne Park Underground station. On our first walk along this road, we met a man, who was repairing or restoring an old model of a Volkswagen parked near his home. Amongst his collection of old restored cars was an old Chevrolet truck, which we admired. We chatted with him and hoping to meet him again, we revisited Aldridge Road Villas several more times, sometimes meeting whilst he was working on one of his vehicles. Because we tended to walk along this road hoping to meet him, we managed to miss something else of great interest to us. It was only recently, that I spotted what we had been walking past without noticing it.

Statue of Sardar Vallabhbhai Patel in Gujarat, India

Aldridge Road Villas is probably named after the Aldridge family, who had owned land beside the Harrow Road at Westbourne Park since 1743 or before. The barrister, member of Lincoln’s Inn, John Clater Aldridge (c1737-1795), who became MP for Queensborough between 1780 and 1790 and then for Shoreham between 1790 and 1795, married Henrietta Tomlinson, widow of William Busby and a wealthy landowner, in 1765 (www.historyofparliamentonline.org/volume/1790-1820/member/aldridge-john-clater-1737-95). Through this marriage, John came into possession of more land around Westbourne as well as some near Bayswater. It is on this land that Aldridge Villas Road was built (www.theundergroundmap.com/article.html?id=10787). The oldest houses on the street date from the middle of Queen Victoria’s reign. A map surveyed in 1865 shows that the road was already lined with houses by that date.

One former resident of Aldridge Villas Road, at number 1, was the surgeon George Borlase Childs (1816-1888), who was born in Liskeard, Cornwall. A biography (https://livesonline.rcseng.ac.uk/) reveals that he was:

“…connected with the Metropolitan Free Hospital for many years, but is perhaps best remembered as Surgeon-in-Chief to the City of London Police, and to the Great Northern Railway. He took, indeed, a large share in organizing the medical departments of these institutions, displaying on a wider field the characteristic forethought and ingenuity of his work as an operator. The sanitary and physical well-being of the City policeman was one of his prime interests. He devoted much thought and care to the process of selection of members of the force, to their housing and their dress. The last-mentioned is, in fact, his creation, for he introduced the helmet as we now know it, the gaiters, and so forth. He also established the City Police Hospital…”

Celebrated as he should be, it is not Childs who was the best-known resident of the short road near Westbourne Park station. Although he did not live for a long time in the street, the most famous inhabitant of Aldridge Road Villas must be Sardar Vallabhbhai Patel (1875-1950). It was the plaque affixed to a five-storey terrace house, number 23, which had avoided our attention the first few times that we walked along the road.  

Like many other Indians living under British rule in India, who became involved in political activity, including Mahatma Gandhi, Shyamji Krishnavarma, Bhimrao Ambedkar, Vinayak Damodar Savarkar, Jawaharlal Nehru, and Mohammed Ali Jinnah, Patel decided to sail to England to study. Vallabhbhai set sail from Bombay in July 1910. On arrival in London, he stayed briefly at the then luxurious Hotel Cecil in the Strand. After that, he stayed in a series of ‘digs’ in different parts of London while he completed his legal training. One of these was for several months at 23 Aldridge Road Villas, the address that appears in his records following his admission to The Middle Temple to become a barrister on the 14th of October 1910 (https://middletemplelibrary.wordpress.com/2020/04/08/famous-middle-templars-3/), the same year as that in which Jawaharlal Nehru joined Inner Temple. Patel was called to the Bar on the 27th of January 1913 (www.telegraphindia.com/india/alma-mater-honours-iron-man/cid/220801). Incidentally, many years later my wife was also called to the Bar at Middle Temple, as had also been the case, many years earlier, for my wife’s great grandfather and his father-in-law.

Patel was hard up as a student in London:

“After his arrival in England, he joined Middle Temple and allegedly studied at least 11 hours a day. Because he was not able to afford books, he used the services of the Middle Temple Library where he spent most of his days.” (https://middletemplelibrary.wordpress.com/2020/04/08/famous-middle-templars-3/).

This shortage of money might well have been the reason that he walked between his digs and the library every day. His biographer, Rajmohan Gandhi, a grandson of Mahatma Gandhi, wrote in “Patel. A life”:

“His twice daily walk between Aldridge Villas Road, Bayswater and the Middle Temple – 4 ¾ miles each way – took him past parks and edifices of great charm or magnificence, including Kensington Gardens, Buckingham Palace, St James Park, Cleopatra’s Needle and Waterloo Bridge. When he moved digs his walks were as long or longer but not less scenic.”

Gandhi lists Patel’s other London digs as 62 Oxford Terrace, 2 South Hill Park Gardens, 57 Adelaide Road, and 5 Eton Road. With the exception of Oxford Terrace, the other did were near Belsize Park and Swiss Cottage.

Back in India, Patel became involved in the struggle for Indian Independence, joining Mahatma Gandhi and the Indian National Congress Party. Like many other freedom fighters Patel served several terms in prison. After WW2, he was significantly associated with negotiations with the British regarding transfer of power to the Indians. In 1947, when India became independent, the country consisted of areas that were directly under British rule and well over 800 Princely States that were allowed some independence providing that their rulers did not do anything to challenge the overriding authority of the British Empire. Sardar Patel oversaw and encouraged the rulers of these Princely States to give up their supposed sovereignty and to become part of a new unified India. This was no easy task because some of the larger states, notably Junagarh, Kashmir, and Hyderabad, wished to become part of the recently created Pakistan instead of India. Some considerable persuasion was required to get these places to merge with India. Patel’s achievement at unifying India must surely rival that of Otto Von Bismarck, who unified the myriad German states to become one country by 1871.

The plaque in Aldridge Road Villas is a modest and almost discreet memorial to the great Patel. If you wish to see a more spectacular monument to this remarkable man, you will need to travel to Gujarat in western India, where an enormous statue of him, almost 600 feet high, was completed in 2018. Called ‘The Statue of Unity’, its bronze plates and cladding were cast in the Peoples Republic of China.

Usually, we walk south along Aldridge Road Villas. Until we spotted the plaque commemorating Patel’s residence in the road, we had not realised that we were likely to have been following in the footsteps of one of India’s greatest politicians, which he made when he set out for Middle Temple every morning. And, the idea that one is often walking where famous figures of the past have trod is yet another thing that makes London so wonderful for both residents and visitors alike.

Grahame Greene got married here

DURING THE COVID19 ‘lockdowns’, it is often impossible to venture within a church. On several occasions, especially when there are builders at work within a church, we have been lucky enough to be able to enter it. Otherwise, they are usually locked up. Not too long ago, I wrote about General De Gaulle’s brief period of residence in Hampstead and mentioned that he attended mass at Hampstead’s Roman Catholic St Mary’s Church (https://adam-yamey-writes.com/2021/03/22/french-connections/). Oddly, given how often we have visited Hampstead, I had never seen St Mary’s until we visited it in late March 2021. The church is located on Holly Walk about 180 yards north of Hampstead’s Anglican Parish Church.

St Mary’s is set back from the road and its tall narrow façade is wedged between two terraced Georgian houses. The white painted façade with neo-classical ornamentation and a niche containing a large sculpture of the Virgin and Child, and a belfry with a single bell, has a Mediterranean or southern European look to it. It adds an exotic touch to its otherwise British surroundings. The façade was designed by the architect William Wardell (1823-1899), many of whose creations are in Australia. Born a Protestant, he was influenced by his friend the great Victorian architect Augustus Pugin (1812-1852), who converted to Roman Catholicism. Wardell followed in Pugin’s footsteps and became a Catholic, building several Catholic churches in England, including St Mary’s in Hampstead, before he moved to Australia in about 1858 (https://en.wikipedia.org/wiki/William_Wardell). In the 1840s, after becoming a Catholic, he became a parishioner at St Mary’s.

Prior to the construction of St Mary’s, the Roman Catholics in Hampstead worshipped in Oriel House in Little Church Row. When this became too small to accommodate the congregation, the present church was constructed in under a year and was ready for use in August 1816. At that time, the congregation was led by a French refugee, the Abbé Jean-Jacques Morel, whom I described in the article to which I referred above. While he was still officiating at St Marys, a Papal Bull, the “Restoration of the Hierarchy to England and Wales”, was issued in 1850. Included in this document was permission for bells to be rung from Catholic churches in England for the first time since the Reformation. It was this that led to the creation of the façade, designed by Wardell, which we see today.

Fortunately for us the door to the church was open when we arrived. A couple of workmen were doing some repairs and did not mind us entering the small church. According to Nikolaus Pevsner and Bridget Cherry in their “London 4: North” architectural guide, the interior was altered in 1878, and a sanctuary as well as two side chapels were added in 1907. The nave faces a baldachino supported by four pillars coloured black with gold-coloured decoration. The baldachino was designed by Adrian Gilbert Scott (1882-1963) in 1935. His family were parishioners of St Mary’s. Adrian lived in Frognal Way in a neo-Georgian house called Shepherd’s Well. Sir George Gilbert Scott (1811-1872), Adrian’s grandfather, also lived in Hampstead, at Admirals House close to Fenton House. There is a painting above the high altar that depicts the Assumption of the Virgin. This was painted by a student of Bartolomé Murillo (1617-1682) and presented to the church by one of its founders Mr George Armstrong.

There is a stone effigy in the northern side chapel, the Lady Chapel. It depicts a figure with hands together as in prayer, with a lion at his feet. Although Abbé Morel had requested to be buried under a simple marble slab, this effigy of him was commissioned by the architect Wardell. The lion at the feet of the cleric indicates that he died outside the country of his birth.

Although the interior of the church is not so old, it evokes the feeling of much older churches I have seen in Italy. As with the façade, the inside of St Mary’s feels as if it is in a country close to the Mediterranean. While visiting its interior, I popped a donation into a box in exchange for a copy of a booklet about the church, from which much of my information has been gleaned. The booklet includes information about some notable members of the church’s congregation, including General De Gaulle, the Duchess of Angouleme, William Wardell, the Gilbert-Scott family, the landscape artist Thomas Clarkson Stansfield (who lived on Hampstead High Street), the novelist Grahame Greene (1904-1991), and Baron Friedrich Von Hugel (1852-1925).

Greene, an agnostic, became converted to Catholicism and was baptised in February 1926, partly because of the influence of Vivien Dayrell-Browning, whom he married in October 1927 in the Church of St Mary’s in Hampstead.  

Von Hugel, who lived in Holford Road, which runs east of Heath Street, was, like Greene, a convert to Catholicism. He was born in Florence, Italy, and moved to England when he was 15 years old. He was an influential religious historian and philosopher both inside and beyond the Roman Catholic Church. He was a leading proponent of Catholic Modernism, which:

“…is neither a system, school, or doctrine, but refers to a number of individual attempts to reconcile Roman Catholicism with modern culture.” (https://en.wikipedia.org/wiki/Modernism_in_the_Catholic_Church).

Less cerebral than Von Hugel, but greatly skilled was Gino Masera (1915-1996), who worshipped at St Mary’s. The booklet describing the church notes that when working at London’s Savoy Hotel:

“His artistic talent was revealed when he was asked to carve a block of salt for table decoration. He regarded the commission to carve the Stations of the Cross [in St Mary’s] as a turning point in his career and went on to carve the statue of Christ the King which stands above the High Altar in St Paul’s Cathedral.”

St Mary’s Church stands above a large burial ground that lines the east side of most of Holly Walk. Less picturesque than St Mary’s, this cemetery contains some interesting gravestones including those of the actor Anton Wohlbrueck (Walbrook) who died in Germany but whose ashes are buried in Hampstead; the cartoonist George du Maurier; and the Labour politician Hugh Gaitskell.

Once again, visiting Hampstead, a district with a rich history has proved interesting. Each time we make a trip to the area, we see things we had not noticed before and this has resulted in gradually expanding our knowledge of a place that has attracted fascinating people as residents over several centuries.

The lost well and a hidden river

THE NAME ‘TYBURN’ evokes thoughts of executions in many people’s minds. For, amongst the trees growing by the River Tyburn, there were many executions carried out in mediaeval and later times. Eventually, the place where these fatal punishments were performed was moved westwards to near where Marble Arch stands today. Amongst those who lost their lives, there were many unfortunate Roman Catholics, who were regarded as traitors because they wished to adhere to their religion. Today, the Tyburn Convent and Church stands at the eastern end of Bayswater close to the ‘Tyburn Tree’ the site of the executions (https://www.tyburnconvent.org.uk/tyburn-tree).

Shepherd’s Well, Hampstead; as it was during the early 19th century

The River Tyburn, now no longer visible, was one of several of the so-called ‘lost rivers’, tributaries of the River Thames that have been buried beneath the city of London. The Tyburn crossed what is now Oxford Street somewhere west of Marylebone Lane and east of Marble Arch, and then flowed southwards towards Green Park and then to the River Thames. Its exact course from Green Park to the Thames has been long forgotten because no reliable early map of the stream exists. It is also believed that the course of the river might have been altered several times.

According to Nicholas Barton in his informative “The Lost Rivers of London”, the Tyburn has or had one source at Shepherds Well in Hampstead and another in the grounds of the former Belsize Manor (on the present Haverstock Hill). Then it flowed south through Swiss Cottage towards the present Regents Park. There, it is carried in a pipe across the Regents Canal towards Marylebone Lane.

Various footpaths lead from the east side Fitzjohns Avenue that runs from Hampstead to Swiss Cottage. These paths bear the names Spring Path, Spring Walk, and Shepherd’s Path. They are all just north of Lyndhurst Road. Near the corner of Lyndhurst Road and Akenside Road, which runs south from it, there is a circular stone plaque bearing the words:

“For the good of the public this fountain is erected near to the site of an ancient conduit known as The Sheperd’s Well”

The drinking fountain, which was placed by the Metropolitan Drinking Fountain and Cattle Trough Association has been removed, leaving only the metal plate placed by the Association affixed to the pavement.  The drinking fountain is said to have been near the conduit known as Shepherd’s Well, but I wondered where exactly was it located.

A glorious Victorian Gothic building called Old Conduit House stands between the site of the circular plaque and the corner of Lyndhurst Road and Lyndhurst Terrace (formerly known as ‘Windsor Terrace’). This building might possibly have been named in memory of the Shepherd’s Well water conduit.  This house was built in about 1864 (https://historicengland.org.uk/listing/the-list/list-entry/1379406). A detailed map surveyed in 1866 marks the building and, more interestingly, a spot labelled ‘Conduit Wells’, which is in what was then open country a few yards west of Old Conduit House, near where Fitzjohns Avenue (not yet built in 1866) meets Lyndhurst Road.

Edward Walford writing in his “Old and New London” published in the 1880s reveals:

“Down till very recently, Hampstead was separated from Belsize Park, Kilburn, Portland Town etc. by a broad belt of meadows, known as Shepherds’ or Conduit Fields, across which ran a pleasant pathway sloping up to the south-western corner of the village, and terminating near Church Row.”

This pathway ran along the course of what has become Fitzjohns Avenue. Walford continued:

“On the eastern side of these fields is an old well or conduit, called the Shepherd’s Well, where visitors, in former times used to be supplied with a glass of the clearest and purest water. The spring served not only visitors but also the dwellers of Hampstead with water, and poor people used to fetch it and sell it by the bucket.”

From this description, it seems likely that what was marked on the 1866 map as ‘Conduit Wells’ was, in fact, the Shepherd’s Well. A map dated 1860 (www.theundergroundmap.com/article.html?id=3&zoom=13&annum=1860) shows ‘Shepherd’s Well’ in the same spot as the Conduit Wells on the 1866 map. Walford added that unlike other springs around Hampstead (e.g. The Chalybeate Well in Well Walk), the water of the Shepherd’s Well did not have a high mineral content. The probable location of the Shepherd’s Well is close to the Junction of Lyndhurst Road and Fitzjohns Avenue, probably a short distance south west of the end of Shepherd’s Path.

Having traced the probable location of one of the sources of the Tyburn, where it gained life in Hampstead, we can reflect that it was beside the elm trees that used to grow along its banks near Oxford Street that the lives of many people, both innocent and guilty, came to an end. That was before the site of execution was moved westwards to where Marble Arch stands today.  The

The white house by the river

WE ASKED FIVE PEOPLE within less than five minutes and not one of them could supply an answer. Like us, the people whom we asked were walking along a stretch of path beside the River Thames at Isleworth in west London. We were all passing a large white painted building set in its own extensive grounds. Clearly 19th century in architectural style and a building of some significance, not one of the locals we met had the slightest idea what the building is or was once upon a time. The edifice is located a few yards upstream from Isleworth’s London Apprentice pub and The Church of All Saints with its mediaeval tower. Returning home, I consulted an old map and discovered that the house that nobody could tell us about was once Nazareth House, which was home to a convent.

The former Nazareth House at Isleworth

Nazareth House, the former Isleworth House, was largely rebuilt to the designs of Edward Blore (1787-1879) in 1832 (https://historicengland.org.uk/listing/the-list/list-entry/1261093). The work was commissioned by Sir William Cooper, Chaplain to King George III. Sir William had married into the Anglo-Jewish Franks family, who had previously (during the 18th Century) owned the estate on which the house stands. Aaron Franks purchased it in 1748 (www.jtrails.org.uk/trails/richmond-and-south-west-london/places-of-interest#). The land owned by the Franks in Isleworth was next to that owned by another Jewish family, that of Moses Hart. Sir William married Isabella, daughter of Moses Franks (from America), who was closely related to his father-in-law, Aaron Franks, who had acquired the estate at Isleworth (see: Transactions [Jewish Historical Society of England] , 1953-55, Vol. 18 [1953-55],pp. 143-169). Aaron was son of Abraham Franks, a wealthy broker in the City of London and one of the first wardens of The Great Synagogue, founded in the late 1720s.

The presence of Jewish people in Isleworth during the early 19th century was not universally appreciated. James Picciotto in his “Sketches of Anglo-Jewish History” noted:

“We have read a letter written by a gentleman at Isleworth to a friend in town, in which he says that he would have found the country very pleasant had he not had the mortification of seeing the finest seats in possession of the Jews. Since the last Act – the Naturalization Bill – they had grown very familiar. The Jews had become between the wind and his nobility, and he did not like it. Let us give the concluding paragraph of his missive in his own words – ‘M-s H-t (Moses Hart) and A-n F-s (Aaron Franks) at the last vestry held here, mingled with the rest without opposition, though two clergymen and Justice B- were present. No less than a coachload of them (Jews) last Thursday assembled at a clergyman’s house near us to play cards.’”

The above-mentioned Act became law in 1753.

In contrast, the writer Sir Horace Walpole (1717-1797), who had enjoyed the family’s renowned hospitality, wrote:

“This morning I was at a very fine concert at old Franks’ at Isleworth, and heard Leoni, who pleased me more than anything I have heard these hundred years.”

Sir William (or the previous owner of his house) had had Isleworth’s Richmond Road diverted to its present location in order that it did not run between his grounds and the river. I have not yet been able to trace the story of Isleworth House between 1832 and 1892, except that it was in the possession of the Franks/Cooper family until 1862 (www.jtrails.org.uk/trails/richmond-and-south-west-london/places-of-interest#). In 1892, its name was changed to Nazareth House when it was acquired by the Poor Sisters of Nazareth and it became a convent. The Order of The Poor Sisters of Nazareth was founded in Hammersmith in the mid-19th century to care for the poor and infirm (https://londongardenstrust.org/conservation/inventory/site-record/?ID=HOU036&sitename=Nazareth+House+Convent+and+Grounds). In 1899, they built the Nazareth House Industrial School for Roman Catholic Girls and added a large red brick gothic revival chapel in 1901. The school closed in 1922 and was then used as a home for disadvantaged children, which closed in 1985. Between that year and 2002, the estate, still owned by the nuns, housed a home for elderly people.

In 2013, the disused Nazareth House estate was sold to a property developing firm, St James (https://www.mylondon.news/news/west-london-news/work-begins-homes-site-former-8887358). The house, the chapel, and several new buildings form a private gated residential community. The new development was called ‘Fitzroy Gate’ (www.berkeleygroup.co.uk/developments/london/isleworth/fitzroy-gate).  

So, there you have it. I have gone some way to answering the question we asked several locals taking their daily exercise outside the large building that was formerly Nazareth House and before that Isleworth House. It might be a good thing if the local council or local history group put up an information board to describe the impressive house’s history in addition to the one, already present and close to the house that describes the former Isleworth Pottery.

Adam in the garden

WHEN I WAS BORN, my parents wanted to call me ‘Adam’. That was in the early 1950s. However, Mom and Dad were worried that Adam was a relatively unusual first name in those far-off days and that with such a name I might have been teased at school. As it happened, I only attended schools where the pupils were addressed by their surnames and mine, Yamey, was subject of a lot of mirth amongst my schoolmates. In view of their concerns, I was named ‘Robert Adam’, but have always been called ‘Adam’. My father, an economist, was all for calling me ‘Adam Smith Yamey’ in memory of the father of economics Adam Smith (1723-1790), but my mother was not keen giving me this name. The choice of Robert was possibly influenced by the fact that one of my mother’s brothers bore this name. It is also very vaguely possible that the name ‘Robert Adam’ was chosen in memory of another man who was alive during Adam Smith’s lifetime, the architect Robert Adam (1728-1792).

Garden House by Robert Adam at Osterley Park

Maybe because I share his name, I have grown to like and appreciate the architecture and interior decors created by the 18th century Robert Adam. However, you do not need to be called Robert Adam to enjoy Adam’s great works.

Last year, we visited Osterley Park on an extremely rainy day and were able to wander around the interior of Osterley Park House (https://adam-yamey-writes.com/2020/11/02/at-home-with-adam/). Built by the merchant and founder of London’s Royal Exchange Sir Thomas Gresham (c1519-1579) in about 1575, the house was extensively remodelled by the Child family, who owned it, during the 1760s and 1770s. The remodelling was to the detailed designs of Robert Adam.

When we visited the house on that rainy day in November 2020, we omitted walking around the house’s fine semi-formal gardens. On our recent visit, the house was not open because of covid19 prevention measures and there was no rainfall. So, we wandered around the lovely gardens. Like so many other 18th century landscaped gardens attached to stately homes, that at Osterley contains several buildings that were placed to add to the picturesqueness of the grounds.

The Doric Temple of Pan with four columns and four pilasters was built in the 18th century, probably to the design of the Scottish-Swedish architect William Chambers (1723-1796), who was born in the Swedish city of Gothenburg. Between 1740 and 1749, while in the employ of the Swedish East India Company, he made three voyages to China, where he learnt Chinese. A major rival of Robert Adam, he was an exponent of neo-classicism, of which the small Temple of Pan is a fine example. The interior of the temple, which we were unable to see because of covid19 prevention measures, contains, according to Nikolaus Pevsner and Bridget Cherry:

“… mid c18 interior plasterwork with Rococo flourishes and medallions of Colen Campbell and Sir Isaac Newton.”

The front of the temple faces across a lawn towards a structure, 175 yards away, designed by Chambers’ rival Robert Adam: The Garden House.

Adam designed the Garden House in about 1780. It has a semi-circular façade with five large windows within frames topped with semi-circular arches. Pevsner and Cherry describe these windows as “five linked Venetian windows”. A balustrade tops the façade and almost hides the conical roof. Between the windows, there are roundels containing bas-relief depictions of classical scenes with bucolic themes. The building was part of Mrs Child’s Flower Garden. The National Trust, which manages Osterley Park, notes in its website (www.nationaltrust.org.uk/osterley-park-and-house/features/the-garden-house-at-osterley-park-and-house) that the Garden House’s original purpose was:

“… a display house for the collection of rare trees and shrubs that were housed here in the 18thC. The main type of plant that we always grow and display in this building is lemon trees as we have historic evidence that 45 lemon trees were on show here in the 1780’s. We choose to have a mixed display of other interesting specimens alongside the lemons so as to give a greater display and range of interest for our visitors. All of these plants are known to have been either at Osterley in the 18thC or to have been available to grow at that time.”

Although it is not as spectacular as Adam’s interiors of Osterley Park, the Garden House is both delightful and elegant, a fine feature that enhances the appearance of the formal part of the gardens. This and other buildings designed by the same architect makes me proud to have been given, maybe accidentally, the name Robert Adam Yamey.

Holy smoke by the River Thames

THE TOWER CAN BE seen from far away. From a distance, the visitor to Old Isleworth on the River Thames might be fooled into believing that the 14th century stone square church tower topped with four pinnacles, one at each corner, is attached to an equally venerable church, but this is no longer the case. The mediaeval tower is almost all that remains of the mediaeval church of All Saints in Isleworth. It is attached to a twentieth century structure that now serves as the church. When I saw this, I wondered what disaster had befallen the rest of the original pre-20th century church.

The origin of the name Isleworth is unknown. In the Domesday Book, it is listed as ‘Gistelworde’ and Norden, writing in 1591, named it both ‘Thistleworth’ and ‘Istleworth’. Simon de Montfort (c1205-1265), who expelled the Jews from Leicester in 1231, and his barons are known to have camped in Isleworth Park in 1263. To digress, maybe, in view of his anti-Semitism, the authorities of De Montfort University in Leicester, ought to reconsider its name. Getting back to Isleworth, the Domesday Book records that there was Christian worship in Isleworth (https://allsaints-isleworth.org/about-us/church-history/) and a vicarage is mentioned in records compiled in 1290 (www.british-history.ac.uk/vch/middx/vol3/pp122-129). The church, whose tower is still standing, was dedicated to ‘All saints’ in 1485 and was connected to Syon Abbey, a Bridgettine establishment, founded in 1415 in Isleworth, which was disbanded by Henry VIII. Interestingly, it was in the Abbey’s chapel that the body of Henry VIII lay overnight on its journey from Westminster to St Georges Chapel in Windsor (https://en.wikipedia.org/wiki/Syon_Abbey). The abbey stood where Syon House stands today.

The church is said to have been ‘very ancient’. Its chancel was rebuilt in 1398-99. By 1701, the church was in a poor condition and needed rebuilding. Christopher Wren, architect of London’s St Paul’s Cathedral, was invited to redesign the church. His design was deemed to costly to be carried out and was discarded. Eventually, the churchwardens brought out Wren’s plans and modified them to make the construction of the church more economical. James Thorne, author of “Handbook to the Environs of London” (published 1876), wrote that:

“Apart from its ivy-covered tower, there could not well have been an uglier ch[urch] than that of Isleworth a few years ago…”

However, he added:

“…but it has been transformed, the windows altered, a new roof of higher pitch, and a lofty white-brick Dec. [i.e. gothic revival] chancel added, greatly to the benefit of the general effect.”

He also described many improvements to its interior and noted the existence of a fine organ built by Father Schmidt (Bernard Schmidt: c1630-1708). Alas, none of what Thorne described, apart from the tower, can ever be seen again.

Except for the tower, the church was destroyed by fire in 1943 during WW2. The fire was not the result of military activity but was caused by two young boys. These same two miscreants also set fire to Holy Trinity Church in Hounslow a few days later. This is what happened (https://stmargarets.london/archives/2013/05/fire_starter.html):

“In the early hours of Friday, 28th May 1943, All Saints Church, standing by the Thames in Old Isleworth, was destroyed by fire. The alarm was given at 2.30am by Miss Burrage who lived next door and again by Mr. McDonald, the publican of the “London Apprentice”. Against the darkness of the wartime black-out the glow of the huge fire could be seen for miles.

Three days later, on the afternoon of Tuesday 1st of June 1943, the Parish Church of Hounslow (Holy Trinity) was completely destroyed by fire. Shortly after 5.00pm smoke was reported to be issuing from the church … The police noted that an attempt had been made to open the church safe…”

Two boys, one aged 12 and the other 13, were arrested and tried at Brentford in the old courthouse, which is now home to a restaurant/café called The Verdict. These two youngsters had been in court several times before for crimes of petty theft. In court, they admitted:

“…that they only set fire to the churches out of spite and only if they found no money to steal. They told the chairman Mr. A. J. Chard J.P, how easy it was to break into churches and how easy it was to burn them down. At the Mission Hall they set fire to the curtains. At Broadway Baptist Church they set eight separate fires. At Holy Trinity it was five. The older boy also confessed to burning down a haystack in a coal yard a year earlier.”

The two arsonists were sent to approved schools. The Chairman of the Court recommended:

“…to the Home Office that the two lads should go to separate schools and that the schools should be of the strictest kind; further, that they should be kept there for the full period of three years.”

All Saints Church was rebuilt yet again in 1970 to the designs of architect Michael Blee (1931-1996), who built several churches. From the outside it is quite an attractive structure attached to the mediaeval tower.

While wandering around the church, two things caught my eye. One is a stone placed close to a large yew tree in the churchyard. The stone informs us that the yew tree is growing upon the site where 49 people, who died in the Great Plague of 1665, were buried.  The other feature that interested me was a group of stones set in the wall surrounding the churchyard. Each of these records the level to which water reached when the Thames flooded on various years between 1774 and 1965. The building of The Thames Barrier, completed in 1984, brought an end to these flooding events.  

All Saints Church stands a few yards away from the riverbank from where there are wonderful views of the Thames and Isleworth Ait and a rich selection of waterfowl swimming in the river. Given how close the old part of Isleworth is to suburban west London, it has a remarkably rustic feeling, and is a peaceful place, providing you ignore the low-flying aircraft that pass above every few minutes.

Anti-slavery in London’s Fitzrovia

GIGS KEBAB SHOP has been in Tottenham Street near to London’s Goodge Street station for over fifty years. Frequently, during the twelve years that I studied at University College London, I used to purchase a pita filled with lamb shish kebab from Gigs and then sit on a bench in the open space next to the nearby American church opposite Heal’s furniture shop on Tottenham Court Road. While I enjoyed the snack, hopeful pigeons used to wander around my feet, hoping for crumbs from the student’s pita. In those far-off days, I had no idea that Tottenham Street had once been the home of an important figure in the movement to abolish the slave trade. It was only this month, March 2021, that we noticed his house at 37 Tottenham Street, which is close to the northern end of Goodge Place, and used to bear the number ‘13’.

Olaudah Equiano, also known as ‘Gustavus Vassa’ (c1745-1797) was born in what is now Nigeria (see https://equiano.uk/the-equiano-project/ for a useful timeline of his life). In 1756, he was kidnapped by slavers and sent to the Caribbean, where he was sold to a British naval officer, MH Pascal. Between 1756 and 1762, he served with Pascal in the Royal Navy during the Seven Years War with France and was baptised in 1759 in London. From 1763 to 1766, he was ‘owned’ by Robert King of Montserrat. During this time, he made money ‘on the side’ and was able to purchase his freedom in 1766. The following year, we find him in London, from where he set sail to Italy and Turkey. In 1773, this intrepid man set sail on an expedition to the Arctic. Its aim was to find a new passage to India. After more adventures in the Caribbean and Central America, Equiano informed the abolitionist Granville Sharp (1735-1813) about the Zong massacre of 1781, during which more than 130 enslaved Africans were murdered on the Zong, a British slave ship.

After a trip to New York and Philadelphia in 1784-85, Equiano returned to London, where he became involved in the relief of the plight of ‘black’ people in London. After another sea voyage to Sierra Leone, we find him back in London in 1788. In his book “The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, The African. Written by Himself” (published in 1789), he recorded:

“March the 21st, 1788, I had the honour of presenting the Queen with a petition on behalf of my African brethren, which was received most graciously by her Majesty”.

The Queen was Charlotte, wife of King George III. Part of his petition was as follows:

“I presume, therefore, gracious Queen, to implore your interposition with your royal consort, in favour of the wretched Africans; that, by your Majesty’s benevolent influence, a period may now be put to their misery; and that they may be raised from the condition of brutes, to which they are at present degraded, to the rights and situation of freemen, and admitted to partake of the blessings of your Majesty’s happy government; so shall your Majesty enjoy the heartfelt pleasure of procuring happiness to millions, and be rewarded in the grateful prayers of themselves, and of their posterity.”

Although Equiano might have begun writing his “The Interesting Narrative…” in London’s Baldwin’s Gardens (number 53) near Grays Inn Road, from where he sent the petition to the Queen, he had moved to the house in Tottenham Street by the 25th of June 1788, according to an interesting article by Gene Adams, published in “Camden History Review Vol.29” (2005).  Tottenham Street is near Warren Street, where The Committee for the Relief of the London Black Poor was founded in 1786. It is also close to the former Tottenham Court Chapel founded in 1756 by George Whitefield (1714-1770), an American founder of Methodism, who had inspired Equiano. The chapel stood where the American church stands today. By 1774-5, Equiano was already a ‘Calvinist-Methodist’ Christian.

The house on Tottenham Street, which bears a plaque recording his stay there is undistinguished architecturally. Around the corner from it on the east side of the north end of Goodge Place, there is a fading mural, painted by Brian Barnes in 2000, which depicts Equiano with other local celebrities, all in 18th century attire. This is next to another mural depicting the nearby Post Office Tower and four women, two of whom are wearing Indian saris.

Equiano married an English woman, Susan Cullen, in 1792 from Soham in Cambridgeshire. They had two daughters, Anna Maria (1793–1797) and Joanna (1795–1857), who were both baptised in Soham i (https://en.wikipedia.org/wiki/Olaudah_Equiano#Marriage_and_family). The family lived in Chandos Street in London, where his youngest daughter died.  Susan died in 1796, aged 34, and Equiano the following year.

For many years after his death, it was not known where Equiano was buried. Eventually, it was discovered that he had been buried in the churchyard of Whitefield’s chapel, on the site of the present American church. Unlike many of the other corpses that had been buried there and then later shifted to a cemetery in Chingford in 1898, Equiano’s was amongst those which were not shifted and therefore must lie within the churchyard of the former Whitefield’s Tottenham Court Chapel (https://equiano.uk/wp-content/uploads/2019/11/EQUIANO-Campaigner-MP1.pdf), probably near where I used to sit on a bench eating my kebab from Gigs. Looking at an old map, I found that the graveyard was a little to the north of where I used to munch my lunch.

A socialist by the River Thames

ISLEWORTH IN WEST London was until this month, March 2021, a place where I had never before set foot. A road direction sign with the words “Historic Isleworth Waterfront” tempted us to investigate the place and we found it to be a delightful location despite it being under a flight path for aeroplanes coming into land at nearby Heathrow Airport. After enjoying the view across the River Thames from Old Isleworth, my eye alighted on a house with a circular memorial plaque placed to remember someone significant of whom I had never heard.

Arthur Joseph Penty (1875-1937) lived at 59 Church Street in Isleworth between 1926 and his death. The commemorative plaque bears the words:

“Architect and pioneer of Guild Socialism”

Penty was born in York, eldest of the two sons of the architect Walter Green Penty (1852-1902) of York. Arthur first worked in his father’s architectural practice before moving to London in 1902, where he increased his involvement in the Arts and Crafts Movement. Shortly before his move, he met Alfred Richard Orage (1873-1934). He was an influential British socialist and a Theosophist. He edited a journal called “The New Age”, which was inspired by Fabian Socialism (https://en.wikipedia.org/wiki/The_New_Age).

Old Isleworth

In London, Penty collaborated with the architect Raymond Unwin, who was responsible for much of the planning and design of Hampstead Garden Suburb, whose construction began in about 1904. Penty, working in Unwin’s office, is believed to have designed some of the details of two large buildings, Temple Fortune House and Arcade House, in Temple Fortune, as well as aspects of the so-called ‘Great Wall’ that separates part of the Suburb from the northern edge of Hampstead Heath Extension (www.hgs.org.uk/tour/tour00045000.html).

Apart from architecture, Penty was an important exponent of Guild Socialism. Many of his thoughts on the subject were published in Orage’s “The New Age”. I had never heard of Guild Socialism before seeing Penty’s house in Isleworth. Let me see if I can make any sense of this now long-outdated form of socialism, whose ideas were influenced by the great designer William Morris (1834-1896) and his associates. Guild Socialism opposed capitalism. According to Encyclopaedia Britannica (www.britannica.com/event/Guild-Socialism), Guild Socialism is:

“…a movement that called for workers’ control of industry through a system of national guilds operating in an implied contractual relationship with the public.”

It began in 1906 with the publication of “The Restoration of the Gild System”, written by Penty. The Guild Socialists believed that industry should be owned by the state but controlled by workers through national guilds organised by their members democratically. The system proposed was a kind of nostalgic revival of the mediaeval guild system. During WW1, Guild Socialism was enhanced by the actions of left-wing shop stewards demanding ‘workers’ control’ of the war industries. The movement declined with the onset of the economic slump of 1921 and the subsequent policies of both the Labour and Socialist Parties in Great Britain.  

As Penty neared the end of his life, he became attracted to the ideas of Fascism that were prevalent in the Europe of the 1930s. The Oxford Dictionary of National Biography (www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-53509?rskey=IABIgM&result=1) reveals that by the early 1930s, Penty:

“… was attracted to the anti-modernism of the far right. He admired the corporatist* economic organization of Mussolini’s Italy, supported the nationalists in the Spanish Civil War, and interested himself in the ideas of Oswald Mosley. At the same time he denounced Italian imperialism in Abyssinia and rejected Nazism for its racial doctrines and its statism.”

Penty, who dedicated his life to the revival of mediaeval craftsmanship and guilds, died at 59 Church Street in Old Isleworth on the 19th of January 1937. This late 18th century building bears the name “Manor House”. According to one source (http://edithsstreets.blogspot.com/2016/10/riverside-north-of-river-and-west-of_12.html), this is neither the manor house nor is it on the site of the real manor house. It was bought by Michael Penty, who also bought the manor of Isleworth. Michael’s father was Arthur Penty (http://www.panoramaofthethames.com/pott/isleworth-2006/59-church-street-isleworth). His name is on the front door, along with a brass plate bearing the words:

“MICHAEL PENTY Solicitor & Commissioner for Oaths

LORD OF THE MANOR OF ISLEWORTH RECTORY”

Had it been open, we would have enjoyed a drink at the riverside pub, “The London Apprentice”, which is a few steps away from the house where Arthur Penty once lived, but it was closed. However, a short walk away across the Duke of Northumberland’s River, we found a small café called South Street that served beverages and locally made ice-cream to take away.

*Note:

“Corporatism is a political ideology which advocates the organization of society by corporate groups, such as agricultural, labour, military, scientific, or guild associations, on the basis of their common interests.” (https://en.wikipedia.org/wiki/Corporatism).

Gracie Fields and modernism in Hampstead

ACTRESS AND ENTERTAINER GRACIE Fields (1898-1979) commissioned a house to be built in Hampstead in 1934. This was five years before she moved to the Italian island of Capri. I cannot establish how long she retained ownership of this home. The house, with its roof covered by interlocking curved green tiles (pantiles) and centrally located gable that resembles those found in houses built by the early Dutch settlers in the Cape of Good Hope, is by no means a masterpiece of architectural design. It stands on the curved section of a private road, Frognal Way, which links Frognal to Church Row. The short Frognal Way, apart from being the location of the house that Gracie built, contains two masterpieces of twentieth century British architecture.

Number 4 Frognal Way, London NW3

Standing on raised ground above the north side of Frognal Way is number 9, Sun House. This was designed by the modernist architect Maxwell Fry (1899-1987) and built 1934-35.  Fry and his wife, the architect Jane Drew (1911-1996), worked with Le Corbusier on his 1950’s project to build Chandigarh, the new capital of the Indian state of the Punjab.  Maxwell was originally trained in the classical style, but soon began working with noted exponents of modernism including Walter Gropius, Le Corbusier, and Pierre Jeanneret. His early compositions, which were in the neo-classical style, include Margate Station (1924-26), which is a far cry stylistically from the Sun House in Hampstead. It would be difficult to believe that the same person had designed both.

The architectural historian Nikolaus Pevsner (1902-1983), himself a resident of Hampstead (at North End) and much admired by Maxwell Fry, wrote of the Sun House:

“… an object lesson in façade composition. White rendered walls, three-storeyed window bands of different heights, large first-floor balcony on thin steel supports and then a broad projection at the r. end on the first floor, and a narrow one on the l. on second floor level. The effect is surprising and shows what a design of quality can make of relatively elementary material …” (from “The Buildings of England. London 4: North”)

Regarding the other buildings in Frognal Way, Pevsner and his co-author Bridget Cherry summarise them beautifully:

“Otherwise Frognal Way has an assortment of interwar villas from Neo-Georgian to Hollywood Spanish-Colonial and South African Dutch (with pantiles) …”

The latter mentioned is the house that Gracie Fields had built. Opposite the Sun House, there is a house with two wings and a centrally located entrance, number 4, which defies stylistic categorisation. It has three windows above the front door and above these there is a curious roundel with a bas-relief depicting a man wearing a skull cap and a winged cloak. On either side of him there is a single flower. The roundel is dated 1934, the same year as the Sun House and Gracie Field’s home were built. The house with the roundel is mentioned in a blog (https://trainwalkslondon.wordpress.com/2014/02/06/walk-1-st-pancras-walk-to-west-hampstead-thameslink/), whose author, like me, cannot shed any light on the history of this building.

There is another treat for lovers of modernism in Frognal Way. It stands where this short unpaved road meets the main road, Frognal. The façade of number 66 Frognal reminds me of paintings by the Dutch artist Piet Mondrian (1872-1944). The building was constructed in 1937, the year before the artist arrived in London. It was designed by Amyas Connell (1901-1980), Basil Ward (1902-1976), and Colin Lucas (1906-1984). Their architectural practice was short-lived (1933-1939), but highly creative and productive. They

“… were among the foremost exponents of the International Style in Britain. Their architecture largely comprised cubic sculptural forms made from reinforced concrete and an emphasised horizontality.” (www.themodernhouse.com/directory-of-architects-and-designers/connell-ward-lucas/)

To quote Pevsner again, the house they designed on the corner of Frognal Way was:

“… the extreme idiom of the day, now something of a classic. The design was perhaps a little too concerned to ‘épater les bourgeois’ [i.e., ‘to shock the bourgeois’]. The design has been diluted by alterations …”

Some of these alterations were approved by the original architects, others not. Despite the alterations, the building remains a stunning and pleasing architectural statement, and is a house in which I would be happy to reside. Despite this, the architectural critic Ian Nairn (1930-1983), who both admired and criticised Pevsner’s approach to architectural writing, wrote that in his opinion it was the best house built in Britain before WW2 (www.wowhaus.co.uk/2019/02/12/1930s-connell-ward-lucas-designed-66-frognal-modernist-house-in-london-nw3/).

During the last few months, we have been making regular visits to Hampstead, each time wandering slowly along its often steep streets and alleyways.  Amongst the many historic buildings there is a good number of adventurous new buildings, many of them superb examples of late 20th and early 21st century architectural talent. It is pleasing that the pioneering work of the pre-War architects, such as can be seen in Frognal Way and other parts of Hampstead (e.g. Willow Road and Lawn Road), is continuing even today. That these visually adventurous new buildings are being constructed is a credit to the open-mindedness of local planning authorities.