Feed the cow
Pat her gently on the fore head
Surely you will be bless‘d
Feed the cow
Pat her gently on the fore head
Surely you will be bless‘d
WHILE WANDERING THROUGH the large rambling bazaar in Mandvi, which is in the former Kingdom of Kutch (now part of Gujarat), we came across a workshop where bandhani textiles for clothing were being made.
Bandhani is a method of producing patterned dyed silks and cotton. Put simply, a piece of cloth, already dyed one colour or not at all, is prepared as follows. Parts of the cloth are gathered up to form tight bundles fastened by fine threads. The bundles, which look like small pimples are distributed to form patterns. The tied cloth is then dyed. The dye reaches all parts of the cloth except those enclosed in the tiny bundles. When the bundles are untied the patches of the cloth that had been shielded from the dye remain the original colour. This process can be repeated several times using different dyes to create an interesting pattern.
The shop the looked at, Khatri Ibrahim Siddik & Co, is the oldest bandhani workshop in Mandvi. It has been run by the same family for fifteen generations .
During our recent visit (January 2023), we have come across several businesses that have passed from generation to generation. In Bhuj, the Shivam Daining (sic) restaurant is run by chefs whose great grandfathers, grandfathers, and fathers, have all been cooks to the Maharaos of Kutch. Likewise, there is a bakery in Bhuj with an ancient wood fired stove. This business has passed through at least four generations. Nearby, there is a knife, scissors, and sword maker, who is the fourth or fifth generation of a family, which has been in this trade for over more than a century.
I am certain that there are plenty more examples of families in Kutch specialising in skills that have been passed from one generation to the next. I wonder whether these skills are in the genes, or simply taught by one generation to the next, and so on.
THERE IS A COPY of an icon, originally painted in Constantinople, in Truro Cathedral. This well-executed replica stands near the west end of the chancel. It depicts the Holy Child, Jesus, being held by the Virgin Mary. It exemplifies what we were told several years ago whilst being shown around a collection of icons in the Sicilian town of Piana degli Albanese, whose population is descended from Albanians who fled from the Ottomans in the late 15th century. These folk speak not only Italian but also a dialect of Albanian, known as Arberesh.
The icon in Truro shows the Virgin Mary dressed in dark blue and Jesus dressed in red. Our guide in Piana had shown us that in all the icons, the same thing can be seen. Conventionally, in Byzantine icons, Jesus is almost always dressed in red and the Virgin Mary in blue. The copy of the icon on display in Truro Cathedral is no exception to this tradition.
HAMPSTEAD GARDEN SUBURB (‘HGS’) in north London, where I spent my childhood and early adulthood, is a conservation area containing residential buildings designed in a wide variety of architectural styles. It first buildings were finished in about 1904/5. Despite this, many of the suburb’s houses and blocks of flats were designed to evoke traditional village architecture. Much of HGS contains buildings that do not reflect the modern trends being developed during the early 20th century, However, there are a few exceptions. These include some houses built in the ‘moderne’ form of the Art Deco style, which had its heyday between the two World Wars.
A few Art Deco houses can be found in Kingsley Close near the Market Place (see https://adam-yamey-writes.com/2022/02/07/art-deco-in-a-north-london-suburb/), and there is a larger number of them in the area through which the following roads run: Neville Drive, Spencer Drive, Carlyle Close, Holne Chase, Rowan Walk, and Lytton Close. The part of HGS in which these roads run was developed from about 1927 onwards, mainly between 1935 and 1938. So, it is unsurprising that examples of what was then fashionable in architecture can be found in this part of the suburb. According to an informative document (www.hgstrust.org/documents/area-13-holne-chase-norrice-lea.pdf) about this part of HGS:
“… A relatively restricted group of established architects undertook much development such as M. De Metz, G. B. Drury and F. Reekie, Welch, Cachemaille-Day and Lander, and J. Oliphant. H. Meckhonik was a developer/builder and architects in his office may have designed houses attributed to him.”
Most of the Art Deco houses on Spencer Drive and Carlyle Close leading off from it are unexceptional buildings, whose principal Art Deco features are the metal framed windows (made by the Crittall company) with some curved panes of glass. Fitted with any other design of windows, these houses would lose their Art Deco appearances. Number 1, Neville Drive displays more features of the style than the houses in Spencer Drive and Carlyle Close. There is, however, one house on Spencer Drive that is unmistakably ‘moderne’: it is number 28 built in 1934 without reference to tradition. It is an adventurous design compared with the other buildings in the street.
Numbers 13 and 24 Rowan Walk, a pair of almost identical buildings which stand on either side of the northern end of the street, where it meets Linden Lea, stand out from the crowd. They have flat roofs and ‘moderne’ style Crittall Windows. Built in the 1930s, they are cubic in form: unusual rather than elegant.
I have saved the best for last: Lytton Close. This short cul-de-sac is a wonderful ensemble of Art Deco houses with balconies that resemble the deck railings of oceanic liners, flat roofs that serve as sun decks, curved Crittall windows, and glazed towers housing staircases. Built in 1935, they were designed by CG Winburne. I have to admit that although I lived for almost three decades in HGS, and used to walk around it a great deal, somehow I missed seeing Lytton Close (until August 2022) and what is surely one of London’s finer examples of modern domestic architecture constructed between the two world wars. Although most of the Art Deco buildings in HGS are not as spectacular as edifices made in this style in Lytton Close and further afield in, say, Bombay, the employment of this distinctive style injects a little modernity in an area populated with 20th century buildings that attempt to create a village atmosphere typical of earlier times. The architects, who adopted backward-looking styles, did this to create the illusion that dwellers in the HGS would not be living on the doorstep of a big city but instead far away in a rural arcadia.
As we approach the end of the year, the pandemic rages on, the weather is appalling, and prospects for post-Brexit UK are not yet looking too bright. But all is not doom and gloom. On Christmas Eve, we went for a walk from Knightsbridge to St James Park. As we reached Hyde Park Corner and the Wellington Arch, an ever present reminder of the days when ‘England ruled the waves’ and a great deal more, we heard the sound of horse’s hooves behind us. We turned to look back at the arch and saw a line of mounted soldiers with shining helmets adorned with red tassels emerging from beneath the arch.as they have been doing several days a week for very many years, if not for several centuries. Seeing this age-old tradition being enacted in front of us reminded me that although much has been disrupted since the covid19 virus began ruling the waves, life goes on.
Crown’d with thatch
Wov-en together with skill
And lo, you find a good wall
WILL BAXTER WAS a teacher at the University of Cape Town, whilst my late father was studying for a BComm degree before WW2. Will, recognising my father’s academic excellence, persuaded my father’s mother that she and her family would do well to subsidize my father continuing his studies in London. When he presented his case to Dad’s mother, my grandmother was at first surprised and said that my father’s siblings were even brighter than him. By all accounts, my father and his three siblings were well-endowed with brain power. My grandmother agreed, but before Dad was able to set off for London, there was another hurdle. Dad had become articled to an accountancy firm in Cape Town. Leaving this would have involved breaking a legal contract between him and the firm. Will spoke to the senior partners and managed to get Dad released from his contract. Then, the year before WW2 started, Dad sailed to England and enrolled for higher studies at the London School of Economics (‘LSE’). With the exception of a few of the war years and one year in Montreal (Canada), Dad spent the rest of his life in London, where I was born.
Will Baxter returned to the UK and taught at the LSE and became a firm family friend. My earliest reminiscences of him were at Christmas time. Until I was in my mid-teens, we used to visit Will and his wife at his home in the Ridgeway in Golders Green on Christmas morning. We used to have warm drinks in the living room in which there was always a large, decorated Christmas tree. Will always had wrapped presents ready for my sister and me, always books. I cannot remember which books I was given, but I do recall that every year my sister always received a beautiful hardback edition of one of the classic British novels by authors such as Jane Austen or one of the Bronte sisters.
The Baxters’ front garden had a gate supported by brick pillars. When I was about 3 or 4, we visited the Baxters one morning (not on Christmas Day), soon after the mortar between the bricks had been renewed. It was still wet, and Will inscribed a small ‘A’ in the mortar to record how high I was on that day. Year after year when we visited the Baxters, the letter was there in the set mortar, but my height had increased considerably. After many years, several decades, it disappeared after Will and his second wife, his first having died many years previously, had had the pillars refurbished.
Always after our Christmas morning visit to the Baxters, we walked or drove over to my mother’s sisters’s home, where we ate a festive lunch, often featuring roast goose. In addition to my close family and my aunts, other people attended this party. These included my aunt’s in-laws, various people we knew who had no close family in London, and my uncle Felix, my mother’s brother.
Felix, more than many of the other adults, truly enjoyed our Christmas lunches. He entertained us kids, my two cousins, my sister, and me, by tales of ‘Turkey Lurky’, ‘Goosey Lucy’, ‘Ducky Lucky’, and similarly named fowl. However, as we grew older, he failed to realise that we had become a little more sophisticated and blasé to enjoy this type of entertainment. At the end of the main course, he used to interrupt the adults’ conversation by standing up, thumping the table, and singing a song about bringing us some ‘figgy pudding’. I noticed that it always annoyed the adults and especially my aunt who was already stressed enough already, having produced a magnificent meal for 15 or more people.
After lunch, we retired to the living room to open presents, and always enjoyed. Felix always felt it necessary to entertain us, his nieces, and nephews, after lunch. To this end, he brought along packets of coloured inflatable balloons. He inflated them and asked one of us to hold them at their necks whilst he knotted them. Next, he twisted and tied the balloons together to make sculptures of animals. I hated these balloons because I could not tolerate the goose-pimples that the squeaking of the balloons set off in me, and still do today. One of my cousins did not enjoy this balloon experience because of the risk that a balloon might pop noisily. It is probably to our credit that none of us, his nephews, ever told him how much we disliked the balloons that Felix always brought with him.
Christmas lunches at my aunt’s house ceased many years ago. For many years, I spent Christmas enjoyably with the family of my PhD supervisor and his wife, with whom I became close friends. Then later, we often spent Christmas in India, in Bangalore where my in-laws live. This year, we had planned to do the same, but, in common with everyone else, this plan had to be abandoned for reasons that need no explanation.
I have celebrated Christmas Day at my aunt’s house, in Paris, in Méribel-les-Allues, in Manhattan, in Bangalore, in Stoke Poges, in Belgrade, in Wrocław, on a ‘plane to Sri Lanka, in Cornwall, and in Cochin, but until this year, never at home. So, this year is a first for me: Christmas at home.
This tale is based on a true story related to me
Life has not treated Zafar well. Even his wife Zubeida feels that her burqa is barely sufficient to hide her shame. The couple scrimped and saved to pay to educate their daughter Rubina so that she was qualified sufficiently to be able to enter a college in Ahmedabad.
And, what made their beloved daughter do what she has done? And, why did she run off with her Hindu neighbour’s son Rajesh? And, what came over her to marry Rajesh, who is little more than a dunce with no prospects whatsoever? Did she not trust her parents to choose a suitable grroom for her? Only He above might possibly know.
By choosing a ‘love marriage’, that selfish Rubina has not only shunned her parents but has also caused her family to be ostracised by the rest of their community. And, there is more woe to relate. The imam of Zafar’s community has instigated a case against his family, a case to be tried under Shariah law. Zafar is already facing a hefty fine imposed by his community and, even worse, he has already had to pay the hospital’s huge fees required to recover his wife from a paralysis brought on by Rubina’s selfish act of folly.
And, with sorrow, there is yet more to relate. Zafar has since lost his good job. Who would want to employ a man who has lost control of his daughter, you might well ask. Ask you might, but whatever the answer might be, life has not treated Zafar well.
Hide with toes upward curl’d
The ending of the old year and beginning of the new one is celebrated all over the world in a variety of ways and at different times of the modern calendar. For example, the Chinese, the Gujaratis, the Parsis, the Jewish people, and the Russian Orthodox all celebrate the start of a new year on different dates. People, whatever their personal beliefs, also celebrate the end of the year on the 31st of December.
Cochin, which is a historic port in the southern Indian state of Kerala, was a Portuguese colony for a while in the 16th and 17th centuries. The Papaanji (spelling varies!) is named after a Portuguese word meaning ‘old man’.
Every year, a giant Papaanji is erected in a centrally located open space in historic Fort Cochin. During the afternoon of New Year’s Eve, the Papaanji is stuffed full of dry straw and fireworks. The roads around the open space are closed to motorised traffic. Despite this, a few youths on motor bikes manage to enter illegally.
After sunset and during the evening of the 31st of December, the area around the Papaanji fills with vendors and ever increasing numbers of people. Some of these merrymakers wear masks and others wear glowing red devil’s horns.
During the few minutes before midnight on the 31st, unbelievable numbers of people gather. The strong tide of people resembles a powerful surge of water such as you might expect if a large dam has just been breached. The crowd adds much noise to the cacophony of sound being relayed over various loudspeakers. Several times, I was almost knocked over by this human tsunami.
At midnight, the crowd became even noisier when flames began leaping from the ignited Papaanji. First, I could only see billowing clouds of smoke. Soon, frightening flames became visible. Then, bursts of stars appeared as the fireworks exploded.
Within minutes, the conflagration and fireworks ended. The old year, represented by the Papaanji, had been burnt out to make way for the new one. The crowds began to thin out a little, but despite that, it was quite hazardous trying to leave the area.
For an hour or two after midnight, boisterous revellers created much noise in the streets. The whole affair seemed to be generally good natured.
I am glad that I have seen the Papaanji aflame, but once in a lifetime is enough for me.