Burne-Jones in London

Until 24th February 2019, there is an excellent exhibition of the works of the Pre-Raphaelite artist Edward Burne-Jones (1833-98) at London’s Tate Britain.

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For Victorian art  

looking back to the past

Burne-Jones does excel

 

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African Art Fair 2018

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“The Contemporary African Art Fair (1 – 54)” is held annually at London’s Somerset House. This year it was a very exciting show full of vibrant, creative artworks mainly, but not exclusively, created by Africans with little or no European ancestry.

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Many of the works use recycled waste materials such as bits of paper, engine parts, spent bullets and retired armaments, electronic components, and so on. Almost every art work is a fine aesthetic object when seen as a whole. Looking into any of these works in detail is like beginning to explore Africa, its troubled past and challenging present.

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Africa is beginning to emerge from its colonial past. Africans are taking control of their destinies. Yet, at this exhibition, which is where a series of galleries display thier wares, mot of the dealers, who earn considerable commissions are ‘White’ Europeans. Maybe colonialism is not quite dead yet!

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The tests of time and taste

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Is it fair to juxtapose works of modern or contemporary art with great masterpieces, which have stood the test of time?

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We were fortunate to have been given (by our daughter) complimentary tickets to the 2018 Frieze Masters exhibition held in Regents Park. It is part of a larger art fair, Frieze, held in London annually.

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The Frieze Masters show contains stalls set up by art dealers, displaying only works made no later than the year 2000 AD. I must admit that I was expecting to see works of art only made during the 19th and 20th centuries. To my great delight, the artworks on display were made anytime between ancient times (several centuries BC) and 2000 AD.

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Although the more recently made (i.e. 20th century) artworks are of the highest quality, they are often on display close to artworks made many centuries earlier. Some of the gallery stalls contain a mix of modern art and much older works. Placing some 20th century works (e.g. Calder) near to older classical works (e.g. Brueghel and Cranach) is not fair to the newer works.

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The older artworks, which have stood the test of time and satisfied the tastes of many generations of viewers, make the nearby contemporary works seem weak in comparison. This is not always the case. Some small sculptures by Barbara Hepworth seemed very comfortable next to their far more venerable neighbours. Also, to my surprise some ancient classical carvings stood harmoniously close to some abstract art works made in the second half of the 20th century.

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The older works of art on display have been treasured for many centuries. Probably, what we see today is the best of what was produced long ago. Even at the time when they were made, their excellence must have been obvious when seen beside other works, now lost and long-forgotten, which were created at the same time.

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I question how many of the more recent (19th and, especially, 20th century) works of art, which I saw at Frieze Masters, will still attract both interest and high prices in, say, fifty or a hundred years’ time. And, I also ask myself how many of the newer works will be able to evoke the feelings of aesthetic wonder that, say, a Brueghel or a Cycladic sculpture have been able to do for so many centuries.  

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