Tag Archives: architecture

Artists and architecture at a gallery in south London

Posted on by
Reply

ARCHITECTURE, GOOD OR BAD, is one of the arts, and a practical one at that. Until 12 April 2026, the South London Gallery (part of the former Camberwell School of Art) is holding an exhibition of artworks created because of the artists’ reaction to architecture, real and imagined. Theire interpretations include references to intact buildings, as well as ruins and monuments.

By William Braithwaite

The works I liked best in the exhibition were a series of vertical sculptures made by William Braithwaite using timber and concrete. In his personal website (www.williambraithwaite.com/) he explained:

“I aim to create a dialogue between the two disciplines, considering how they inform and complement each other … While my work may reference architectural forms, it remains rooted in visual and conceptual exploration rather than function. The materials, scale, and context of my sculptures serve as tools to examine the aesthetic and spatial qualities of architecture.”

And this he does very effectively as can be seen when viewing the works on display at the South London Gallery. The sculptures are concrete pillars, square in cross-section, with staircases carved in the concrete of the pillars. These steps spiral up the pillars, and above each flight of steps, one can see what one imagines to be the undersides of other flights.

The other artworks on display were interesting but not as arresting as the sculptures by Braithwaite. Of these, I liked a trompe-l’oeil by Ally Fallon, and a larger than life set of sewing tools (needles, pins, and safety pin), whose connection with architecture was not obvious to me.

There are only a couple of days left before this exhibition ends, and I am glad I was able to see it.  Exhibitions held at the South London Gallery rarely, if ever, disappoint. So, if you have missed the one described above, try to see whatever they show in the future (see: www.southlondongallery.org/).

Art Deco in London’s Kensington

Posted on by
Reply
Winchester Court

I AM ENTHUSIASTIC about the Art Deco style of architecture that flourished mainly between the two World Wars, but has not been entirely abandoned today.

Bombay, which I visit often, is rich in Art Deco buildings,  but in London, there are fewer examples. In Kensington, Winchester Court is a fine example. Built in 1935 on the site of a demolished orphanage,  it is not far from two other Art Deco edifices on High Street Kensington, both built as department stores: the former Barkers and its neighbour, Derry and Thoms.

Those interested in Art Deco will find interesting examples dotted around the London’s suburbs that developed during the inter-war years.

Architecture as art at a gallery in Bombay

Posted on by
Reply

OUR FRIEND GEETHA Mehra has her art gallery on 2nd Pasta Lane, near Colaba Causeway in Bombay. On one of our visits in November 2025, she had organised an exhibition, “Behind the Façade”, which consisted of works by the contemporary artist Teja Gavankar. The artefacts on display were almost architectural, some using brickwork and others containing other materials, As the gallery’s website explained:

“Gavankar is interested in dual states, in forms that appear rigid, where solidity gives way to softness and movement. A dialogue between natural and built environments unfolds, stemming from the artist’s experience of living in Mumbai’s suburbs. Gavankar observes the contours of the city during her commute, seeing organic forms emerge in its industrial undertones.”

Whereas architects make structures which are functional, Gavanka created architectural structures that were artworks designed to challenge the viewers perceptions of space. Seeing the brickwork sculptures and the patterned brick façade she designed for the gallery reminded me of the brick workshop we saw in progress at the Chitrakala Parishad in Bangalore a few days earlier (see: https://adam-yamey-writes.com/2025/11/20/bricks-and-design-at-an-art-school-in-bangalore-bengaluru/).

A fine facade in the heart of Ahmedabad

Posted on by
Reply

ALTHOUGH WE HAVE visited Ahmedabad (in Gujarat) at least 4 times, we had never been to the hectically busy Manek Chowk area in daylight, which is why we had never noticed a fine building until today, when we went to the area in the morning. After dark, the area is so busy that one needs to be wary of the numerous autorickshaws and motorised two-wheelers whizzing around to notice the architecture of the buildings overlooking the frenetic bazaar.

 

The building we noticed this morning (1 December 2025) has a facade with some neo-classical detailing and jharokhas (projecting windows). Overall, this edifice, which is far more elegant than its neighbours,  has a European appearance. Above its main entrance, you can see the following words (in English): “The Ahmedabad Share and Stock Brokers Association”.

 

According to a website (https://www.knocksense.com/ahmedabad/exploring-the-history-of-ahmedabad-stock-exchange-a-symbol-of-entrepreneurship-since-1894), until 1996 :

“… Ahmedabad Stock Exchange functioned in a building constructed in 1919 when the Bombay Share and Stock Brokers association collaborated with the Ahmedabad Share and Stock Brokers association. And that heritage style building served as ASE’s home before it was shifted to Kamdhenu complex in 1996.”

The Kamdhenu Complex is in the outskirts of Ahmedabad.

 

Following the establishment of the Bombay Stock Exchange in 1875, the Ahmedabad Stock Exchange (‘ASE’) was set up in 1894. At that time and until well after Independence,  Gujarat was part of the former Bombay Presidency. According to an article in Wikipedia, at first:

“… stock exchange functioned under the framework of the Bombay Securities Contracts Act, 1925. Following the passage of The Securities Contract Regulations Act, 1956 the Gujarat Share & Stock Exchange, Indian Share and General Exchange Association and Bombay Share and Stock Exchange, Share and Stock Brokers Association merged with the Ahmedabad Share and Stock Brokers Association and gave rise to ASE.”

 

The ASE was India’s second oldest stock exchange, the oldest being in Bombay. As already noted, the ASE functioned in the elegant, now disused edifice we saw at Manek Chowk today.

Bricks and design at an art school in Bangalore (Bengaluru)

Posted on by
Reply

THE HUMBLE BRICK is a much used material in the construction of many kinds of building. It can be used unimaginatively, as it often is, or imaginatively to create visually intriguing textures.

 

During a visit to one of Bangalore’s art schools,  the Chitrakala Parishath,  we watched architecture students participating in an outdoor “brick techtonics” workshop. This was being supervised by the noted Indonesian architect Andy Rahman.

 

We watched small groups of students arranging bricks so as to make interesting patterns, following plans drawn up by Andy Rahman. As they worked, Mr Rahman moved from group to group, discussing with them what they were doing.

 

All around the area where the workshop was taking place, labourers were working noisily on a construction site where new buildings were being built for the art school. Thus, the architects working on realising theoretical bricklaying design ideas were surrounded by real life applications of established building practices.

 

I hope that when the budding architecture students begin designing ‘for real’ that they will recall the interesting brickwork creativity that Mr Rahman was introducing to them. For he was showing them that even the humble brick can become a component in a visually fascinating design.

Art Deco in a north London Suburb

Posted on by
Reply

EXAMPLES OF THE ART DECO style that was popular during the era between the two World Wars can be found all over London. In the newer part of Hampstead Garden Suburb (north London), there are a few examples of this style.

Kingsley Close, which leads west from Kingsley Way, contains only houses built in the Art Deco style.

You can read more about these and other examples of this style in Hampstead Garden Suburb in my book about the Suburb, which is available from Amazon: https://www.amazon.co.uk/GOLDERS-GREEN-HAMPSTEAD-GARDEN-SUBURB/dp/B0BHG873FB/

Down in Hampshire at The Vyne with the Sandys and the Chutes

Posted on by
Reply

THREE MILES NORTH of Basingstoke, there is a magnificent stately home, The Vyne, which is now owned by the National Trust. Set in fine grounds alongside a long, thin lake, this edifice is a wonderful mixture of architectural styles and features.

The present house began its life as a Tudor mansion built between 1500 and 1510 for William Sandys, 1st Baron Sandys, Lord Chamberlain to King Henry VIII. It remained a possession of the Sandys family for most of the time from when it was constructed until 1653, when it was sold to Chaloner Chute (died 1659), who was a lawyer and the Speaker of the House of Commons during the Commonwealth. Because he felt that the Vyne was too big for his requirements, he had much, but not all, of the Tudor mansion demolished. Fortunately, several of the beautiful rooms with elaborate wood panelling were saved, along with the Tudor chapel.

The rest of what remained of the original building was converted to a version of the Palladian Style. This included adding a neo-classical portico to the north side of the hose, facing the lake. In the eighteenth century, one of Chaloner’s descendants, John Chute, influenced by his friend Horace Walpole, redesigned the interior of the chapel, adding trompe l’oeil features and also installed a very spectacular staircase in the house. The staircase is in the neo-classical style. It must have impressed those who visited the Chutes, and it still dazzles the visitor today. Although there are many fine artefacts to be seen in the house, this staircase was, for me, the ‘star of the show’.

When John Chute died childless, The Vyne was inherited by his cousin Thomas Lobb, who then changed his surname to Chute. After that, few changes were made to the house. The house remained in the Chute family until 1958 when Charles Chute bequeathed the estate to the National Trust.  

At rest for ever in a gallery of art

Posted on by
Reply

ALTHOUGH THE MAIN attraction of Dulwich Picture Gallery is the collection of works of art by famous painters, there is a small but fascinating feature that should not be missed. And that is the mausoleum. This small chamber houses the sarcophagi containing the remains of the gallery’s founders, Sir Peter Francis Bourgeois, Noel Desenfans, and his wife Margaret.

Like the rest of the gallery, the mausoleum was designed by Sir John Soane (1753-1837). Working in an age before electric lighting was available, he was a master of maximising the use of natural illumination to get light into his buildings. The galleries at Dulwich are provided with clear glass ceilings that are sufficient to provide adequate lighting of the artworks. However, this is now supplemented with electric lighting. Light enters the mausoleum through glass windows at the top of it. Instead of plain glass, he used amber coloured glass. The light passing through this gives the mausoleum a warm glow, making it feel a spiritual place.

The mausoleum was badly damaged during an air raid in WW2. However, it was restored and is said to look exactly as it did before the war. Although it was designed as a final resting place, it is occasionally used to house art installations and films about temporary exhibitions being held in the galleries.