Feed the cow
Pat her gently on the fore head
Surely you will be bless‘d
Feed the cow
Pat her gently on the fore head
Surely you will be bless‘d
THE GOVERNMENT MUSEUM in Chennai has a magnificent collection of mostly early medieval Hindu and Buddhist bronze sculptures. One of these wonderful religious artworks was exceptionally interesting. At first sight, it seems like a sculpture of a human figure, but soon you will notice many odd things about it.
The figure has two right arms and one left arm. It’s left breast is female in form. The right is male. The right side of the torso has male characteristics, but the left side has sensuous female curves. As for tthe shapes of the buttocks, the right one is different from the larger left one. The right leg is largely unclothed, but the left is covered with a depiction of a cloth covering.
The statue I gave been describing is half male and half female. According to an information panel nearby, this sculpture is an 11th century depiction of Artanarishvara. It is a composite of Shiva (right half) and Parvati (left half). It represents the belief that the Godhead, Shiva, and his consort, Parvati, cannot exist without each other. It also shows that without the coexistence of male and female, human life cannot be propagated and continued. No doubt, there is much more meaning encompassed in this interesting sculpture, but I am not competent to discuss this further. Suffice it to say, seeing this unusual sculpture gave me food for thought.
Until today, I had never seen an Artanarishvara. This beautifully crafted work was one of many lovely pieces in the bronze collection of Chennai’s version of the British Museum.
High on a corner
Watching life passing by
The deity sits still
AN INDIAN FRIEND came to the UK to work in the early 1960s. Shortly afterwards, his wife joined him. Back in those days before they became prosperous, one of their occasional treats was to eat in a Wimpy Bar.
My friend and his wife used to order hamburgers, which she enjoyed. Being a devout Hindu, she wanted to avoid eating beef. For years, she believed that the hamburgers were made from ham rather than any other meat. As she enjoyed these burgers so much, her husband decided not to reveal to her that the hamburgers were not made with ham, but with the meat her religion had taught her to avoid. Later, when she discovered that her hamburgers were made with beef, she did forgive her husband for, rather mischievously, concealing that information from her.
This true story, which I was told many years ago, came back to me when I saw a meat store in the grounds of the Bangalore Club (in Bangalore, India). Entertainingly called Meister Wurst, this place sells various prepared meats such as sausages, hams, and salamis. All are made to resemble products made in Germany, but they are manufactured in Bangalore.
There is a large coloured photograph in the front of the store. This image depicts a mouth-watering looking beefburger with the usual accompaniments, all contained between the two halves of a burger bun topped with sesame seeds. Above the photograph are two words, which would have pleased my beef avoiding, hamburger loving friend:
PS The name ‘hamburger’ has nothing to do with its ingredients. It comes from the name of the German city of Hamburg, where the dish might or might not have been ‘invented’.
THAXTED IS A PICTURESQUE small town in Essex, about six and a half miles northeast of Stansted Airport. Apart from its numerous quaint old buildings, the town has three notable landmarks: an old windmill, a 15th century guildhall, and a large parish church, which was built between 1340 and 1510 during the time when Thaxted was an important centre for the manufacturing cutlery. Also, Thaxted is home to an annual music festival, whose existence derives from the discovery of the town by a composer, Gustav Holst (1874-1934), creator of “The Planets” and many other musical compositions, who was on a walking tour in Essex during the winter of 1913.
Holst, who was born in Cheltenham, was living in London by 1913 and teaching music at St Pauls School for Girls in Hammersmith, James Allen’s Girls School in Dulwich, and Morley College for adults in Lambeth. At the same time, he was busy composing.
Holst had come to study at The Royal College of Music in London in 1893. Soon after arriving in London, he became acquainted with William Morris (1834-1896) and attended meetings at the latter’s house in Hammersmith, where he would have heard lectures on socialism given by George Bernard Shaw (1856-1950) and others. Holst joined the Hammersmith Socialist Society (‘HSS’), which was led by Morris. Many of the socialists he met including Shaw were vegetarians, as was the composer Wagner, whom Holst greatly admired. As a student and a regular attender of meetings of the HSS, he became a vegetarian and at the same time developed a great interest in Hinduism (www.ivu.org/people/music/holst.html). He began studying Sanskrit at The School of Oriental and African Studies (https://www.bl.uk/20th-century-music/articles/holst-and-india) and several of his compositions bear Indian-sounding titles, such as “Savitri” and another opera called “Sita”, and songs based on the Rig Veda.
According to Nalini Ghuman:
“In contrast to the vague musical orientalism in vogue during the height of the British Empire, Holst’s hymns, with their bona fide Indian texts, subjects, and musical elements, have often seemed decidedly ‘un-Indian’ to the uninformed ear: ‘Sound firm impressions of the East from a sane Western perspective’ declared The Musical Times; ‘They do not suggest a point further East than Leicester-square’ (Daily Telegraph); after all, explained the Manchester Guardian ‘many real Eastern musical ideas are frankly ugly and uninteresting’. Their Indian musical roots have long been denied by the composer’s biographers.” (https://www.bl.uk/20th-century-music/articles/holst-and-india).
However, Ghuman points out in her article that Holst did incorporate elements of Indian music, including emulating Vedic chanting and a South Indian mode, the namanarayani. You would need to be a serious musician with specialist interest in Indian music to be aware of these features whilst listening to Holst’s Indian inspired compositions.
Returning to his political leanings, major biographies of Holst tend not to focus much on his connections with socialism, but an informative article, “Gustav HoIst, William Morris and the Socialist Movement” by Andrew Heywood (Journal of the William Morris Society, vol 11, no. 4: 1996), shows that his involvement was far from inconsiderable. In addition to attending meetings of the HSS, Holst conducted its socialist choir, played the harmonium on the ‘official socialist’ cart, and was involved in the administration of the society. Heywood wrote that:
“In the light of his clear commitment to the socialist movement through 1896 it would seem likely that his involvement with the musical activity of the society did not stem from a lack of political commitment; rather it was an opportunity to serve the movement in a way which utilised his musical talents and interest.”
It was through the HSS that Gustav met his wife Isobel, who not only sang in the socialist choir but also, according to Heywood, was politically active in the society.
So, it was with a background of involvement with socialism that Holst walked into Thaxted in late 1913 and took such a great liking to the place that he rented a 17th century cottage there (actually, in Monk Street, 1 ½ miles from Thaxted) from its owner, the Jewish author Samuel Levy Bensusan (1872-1958). Thus began Holst’s several year’s association with the town. It was not long before he made the acquaintance of Thaxted’s vicar, Conrad le Despenser Roden Noel (1869-1942). After the cottage in Monk Street burnt down, Holst and his family lived in a house, The Manse (formerly known as ‘The Steps’), in the centre of Thaxted. Today, this is marked by a commemorative plaque.
Noel was not a run-of-the-mill country cleric. He was a Christian Socialist and a member of Social Democratic Federation, a founder member of the British Socialist Party, and for some time the Chairman of the Anti-Imperialist League, supporting the struggle for independence both in Ireland and India. Deeply committed to Christian socialism, social justice, and egalitarianism, Noel made sure that what went on in his parish church promoted these ideals. Noel’s biographer, Reg Groves, wrote that Conrad:
“…emphasised always that there was much more to making a new society than the acquisition of political power and the transfer of some property from the rich to the state, from one set of rulers to another. In this as in so many things, he was at one with the wisest of English socialists, William Morris, and much of what Morris said in prose and poetry and in the work of his hand, Noel tried to say in the group life he had developed at Thaxted”.
Noel and Holst shared socialist sympathies and more.
During Holst’s sojourn’s in Thaxted in between his heavy teaching and other musical commitments, he attended services led by Noel. It was after one of these held at Whitsun in 1915, that Holst, having heard the great potential of singers in the church, approached Noel and offered to give the choir the benefit of his professional skills as a trainer of vocalists. Noel, recognizing the splendid opportunity, soon had Holst become his church’s ‘master of music.’
Heywood explains that Holst’s:
“…first job was to train the choir for the church. Its members were drawn from the local population, and they achieved high standards with Holst. One member, Lily Harvey from the local sweet factory, was sent to London for professional training because of her exceptional vocal talents. In addition to his activities with the choir and playing the organ, Holst organised three major music festivals in Thaxted between 1916 and 1918.”
Lily was not the only person sent to London for musical training. The then young curate Jack Putterill, who was politically turbulent and played the organ, became one of Holst’s students at Morley College. Jack, who married Noel’s daughter, succeeded Noel as Vicar in 1942.
The festivals organised by Holst involved not only performers from Thaxted but also some of his students from Morley College and St Pauls as well as other musicians from outside the town. Each festival lasted several days, on each of which there were many hours of music making, both rehearsed concert pieces and much spontaneous music.
Holst not only helped make music in Thaxted but also composed there. The plaque on the The Manse, where he lived, is positioned on the outside of the wall of the room in which he composed. While living at Monk Street, he composed much of what was to become the well-known piece, “The Planets”. The “Jupiter” section of “The Planets” contains a tune or theme that Holst named “Thaxted” (you can listen to this familiar tune here: https://youtu.be/GdTpBSg7_8E). In 1921, “Thaxted” was used as the tune for the patriotic song “I vow to Thee, My Country”, whose words were written by the British diplomat Cecil Spring Rice (1859-1918). Holst also composed pieces specially for Thaxted and its people. These works include a special version of Byrd’s “Mass for Three Voices”, “Three Hymns for Thaxted” (later known as “Three Festival Choruses”), and a setting of the Cornish carol “Tomorrow shall be My Dancing Day” (hear it on https://youtu.be/Cz_0j__FDuc).
Although the last festival in Thaxted with which Holst was intimately involved was in 1918, he never lost touch with music making in the town, even after he moved from it to nearby Little Easton in 1925. Holst’s pupil Jack Putterill, an accomplished musician who was Thaxted’s assistant curate from 1925 to 1937 and its vicar from 1942 until 1973, helped keep the town’s musical life alive and vibrant. In the 1950s and 1960s, concerts with great orchestras such as The London Philharmonic and audiences in excess of 1000 were held in the parish church. In 1974, the hundredth anniversary of Holst’s birth, the first of what was eventually to become an annual music festival was held in Thaxted. By the 1980s, the Thaxted Festival had become a regular and respected part of the British musical calendar (www.thaxtedfestival.co.uk/).
Apart from the Festival and the house with the plaque in Thaxted, most souvenirs of Holst’s time in the town can be found within the cathedral-like parish church, which, incidentally, was once a candidate for becoming Essex’s cathedral (this honour was granted to the parish church in the centre of much larger Chelmsford). The church in Thaxted contains a photograph of Holst with singers and musicians at the Whitsuntide Festival held in 1916. Near this, there is some calligraphy with the words of “Tomorrow shall be My Dancing Day”. The church’s Lincoln organ built in 1821 by Henry Cephas Lincoln (who worked between c1810 and c1855) was played by Gustav Holst and has been recently restored. Not far from the organ is a cloth banner, sewn by Conrad Noel’s wife, which was used in the 1917 Whitsuntide Festival. It bears the words “The aim of music is the glory of God and pleasant recreation”. These words were written by the composer JS Bach (1685-1750) and were chosen for use on the banner by Holst. Near this banner, there is a bust of Holst’s friend and collaborator, Conrad Noel.
Both Holst and his student Putterill fell in love with Thaxted at first sight and were so strongly drawn to it that the town came to occupy important places in their hearts and minds. We first visited Thaxted in the early summer of 2020 soon after covid19 restrictions began to be relaxed sufficiently to permit travelling out of one’s immediate neighbourhood. Like Holst and Putterill, Thaxted made a special impression on us, so much so that we have visited it at least twice since our first encounter with it. Next year, we hope to be able to attend concert(s) at the Thaxted Festival inside a church that we have grown to love.
MI5 WORKS TO HELP protect our democracy in the UK. Its architecturally unflattering headquarters stand looming above the southern end of Vauxhall Bridge. A few yards downstream from it, and directly facing the main entrance of the Tate Britain across the river, there is a small grassy triangle close to the river. In the middle of the green space, there is a bust on a pedestal. The bust depicts a man with a moustache, who is wearing two chunky necklaces and what looks like a bejewelled turban. This is a monument to Basaveshvara, who lived between 1134 and 1168 (actually, these dates are not certain: he might have lived c1106-1167). A panel on the side of the pedestal notes that he was:
“Pioneer of Democracy and Social Reform”
Various people and organisations supported the creation of this monument to someone of historical importance but until now unknown to me and, I would guess, to many other people wandering past the bust. As one of the organisations involved in its creation was The Government of Karnataka (in southern India), I reached for my tattered copy of “A History of Karnataka” (edited by PB Desai), which I picked up in the wonderful Aladdin’s cave of a bookshop, Bookworm, in Church Street, Bangalore, a city which I visit often. It has 8 index entries for Basaveshwara, who is also known as ‘Basava’, ‘Basavanna’, and ‘Basavaraja’, all of these being transcripts from various Indian language alphabets.
Basaveshwar was born of Shaivite Brahmin parents at Bagevadi, which is now in the Bijapur district in the northern part of Karnataka. His name is derived from the Sanskrit word ‘Vrishabha’, the divine bull, Nandi, who carries the god Shiva. Early histories (the Puranas) described him as an incarnation of the god Shiva rather than a human being, but it is considered that he was certainly a real person. A devotee of Shiva, Basaveshwara was well-versed in both Kannada and Sanskrit learning. He was brought up in a social milieu in which people blindly adhered to the dogmas and rituals of Vedic Hinduism without bothering to understand the true spirit of religion. Desai wrote:
“Basava’s mind revolted against these ills and he decided to defy the existing order of things.”
After receiving the sacred thread, very roughly speaking a Hindu equivalent of the Jewish Bar-mitzvah or the Christian confirmation, Basaveshwara went to the Kudama Sangama, a temple complex at the confluence of the Rivers Krishna and Malaprabha. In 2011, long before I had ever heard of Basaveshwara, we stopped briefly at the Sangama on our way from Hospet to Bijapur (now named ‘Vijayapura’), both in Karnataka. When we were there, the rivers had dried up and we saw signs advising visitors to beware of crocodiles.
Basaveshwara remained at the Sangama for about 12 years. In his time, as it is now, the Sangama was much visited by people from all walks of life. There, he met many scholars and learned men from all schools of Hindu belief. Eventually, Basaveshwara travelled to Mangalavada, the headquarters of Bijala II (c1130-c1167), the feudatory governor of the Kalachuri family (of the Chalukya dynasty). Soon, Basaveshwara became the Chief Treasurer of Bijala’s court. It was then that Basaveshwara:
“… started his new movement of religious and social reforms, treating all devotees of Siva [i.e. Shiva] as equal in all respects without the traditional distinctions of castes, communities and sects.” (Desai)
After about 20 years, BASAVESHWARA moved to Kalyana, the capital of Bijala, where his reformist ideas gained a great following. Bijala II, who had become suspicious of Basaveshwara, began crushing the movement inspired by Basaveshwara’s radical ideas that seriously threatened the traditional hierarchy that favoured the Brahmins, as well as advocating some hitherto unknown equality of men and women in spiritual aspects of life. For example, Basaveshwara sanctioned a marriage between the son of an ‘untouchable’ and the daughter of a Brahmin. Upset by this, Bijala sentenced the couple to death. Basaveshwara’s followers then plotted to assassinate Bijala, an act of which Basaveshwara disapproved. Realising that he could not restrain his angry followers, Basaveshwara retreated to Kudama Sangama, where he died. Bijala was murdered soon afterwards. Later, Basaveshwara became venerated as a (Hindu) saint.
“…that every human being was equal, irrespective of caste and that all forms of manual labor was equally important.” (https://en.wikipedia.org/wiki/Basava).
These ideas sound familiar to those versed in the history of Mahatma Gandhi, who lived many centuries after Basaveshwara. Yet, Basaveshwara is relatively unknown compared with Gandhi. Basaveshwara was certainly a reformer as is stated on the base of his bust near Vauxhall Bridge and his radical ideas were undoubtedly democratic when considered in relation to the time when he lived. So, it is quite appropriate that from his bust, there is a clear view of the Houses of Parliament, a home of democracy.
The bust on the embankment was erected by Dr Neeraj Patil, born in Karnataka, a member of the Labour Party and Mayor of the London Borough of Lambeth 2010-2011 and Dr Anagha Patil. It was unveiled in November 2015 by the current Prime Minister of India, Shri Narendra Modi. It is appropriate that Modi inaugurated this memorial as his parents were members of what was officially recognised a socially disadvantaged community, whose emancipation would surely have been approved by the reformer Basaveshwara. And what is more, Modi is one of the first, if not the very first, of the Indian Prime Ministers, all democratically elected, who was not from a ‘high’ caste or social class such as Brahmin, Kayastha, and Rajput, and has completed at least one term of office. So, I feel that Basaveshwara does deserve a place within sight of the ‘Mother of Parliaments’.
THE HUMBLE COCONUT plays an important part in Hindu ceremonies because, to put it very simply, it is a very holy item.
We had a Hindu wedding in Bangalore (India) in January 1994. A most important part of our more than three-hour long ceremony was to do the ‘feras’, that is walk around a sacred fire seven times. My wife, Lopa, and I were attached together with several garlands that had been draped around us earlier in the proceedings. At the end of the religious activities conducted by two pandits (‘priests’) near to the fire, we walked to my in-law’s small Maruti 800 car, a vehicle hardly larger than a Fiat 500. With some difficulty Lopa and I, still attached together by the garlands, squeezed into the back seat of the car. Then my brother-in-law started the engine and drove us forward over a coconut placed under one of the car’s front wheels. The coconut was broken. Breaking coconuts is very auspicious for Hindus and, therefore, a good thing to do at the start of a marriage.
After the lengthier than expected religious ceremony, the reason for its great length is another story, we had lunch in the lovely garden that surrounded my in-laws’ home. Later that day, we enjoyed a formal reception with a buffet vegetarian dinner at the Bangalore Club. As my wife’s grandmother had requested that there be no alcohol on the day of the wedding ceremony, we complied with her wish. So, just after ‘the stroke of the midnight hour’ (to quote the immortal words of Jawaharlal Nehru on the 15th of August 1947) we cracked open bottles of Marquise de Pompadour, an Indian champagne.
The plan was to leave Bangalore on a driving trip on the day following the ceremonies and festivities already mentioned. However, as Robert Burns famously wrote in 1785: “The best-laid schemes o’ mice an’ men Gang aft agley [i.e. The best-laid schemes of mice and men Go often askew]”, so did ours. My in-laws had planned for Lopa and I to go on a driving tour around parts of South India in the Maruti, driven by the family’s driver (chauffeur). But the driver had other ideas. On the morning of our departure, we learned that he had quit his employment with the family to take up another post elsewhere. We wondered ‘What to do?’ to use an Indian English set of words that appeals to me.
My wife’s parents made a quick decision. They decided to accompany us as far as Ootacamund (‘Ooty’), a hill station in Tamil Nadu state. From there, we would continue the planned trip using public transport and they would drive the car back home. Maybe, it would not appeal to many just-married couples to take their parents on a honeymoon, but we had no problems with it. Mummy and Daddy packed quickly and had the kitchen staff prepare copious amounts of picnic fare. We all piled into the tiny car with stacks of baggage.
Currently, it takes about eight hours to drive from Bangalore to Ooty without stopping. In 1994, it took longer. We did the journey in two stages, spending a night in the Bandipur nature reserve, currently almost six hours from Bangalore, at the state boundary that separates Karnataka from Tamil Nadu. As I was carrying my International Drivers Permit and I was younger than Lopa’s parents, I volunteered to do the driving. A rash decision, you might be thinking, if you are familiar with driving conditions in today’s India, but it was not. I had already made several driving trips in the crazily crowded central market areas of Bangalore and enjoyed the experience.
We set off and were soon out in the country. Outside Bangalore, there was little traffic on the roads except in the small towns through which we had to pass, there being no by-passes. In 1994, far fewer people had private cars than they do today. So long as one obeyed the informal rule that advised you to give way to cows, who seem oblivious to the dangers of traffic, and to anything larger than one’s own vehicle, there was little that could go wrong.
Well, that is what I thought as we drove along two-lane roads lined with ageing trees with thick trunks and shady foliage and plenty of colourfully dressed pedestrians, many of them carrying loads on their heads. Then, I realised we had had a puncture, or ‘puncher’ as it is often spelled (phonetically) in India. For some reason, we did not resort to using the car’s spare wheel. Instead, we drove a little further and stopped by a wayside ‘puncher’ repairer. This and most others, both then and now, were not what you would expect of a tyre repair station in Western Europe, for example a branch of ATSEuromaster or KwikFit, but something far more modest. Usually located under a tree (for shade), the typical roadside ‘puncher’ repairer consists of a pile of mainly damaged tyres and an assortment of scraps of rubber, once parts of tyres. Despite the unhopeful appearance of these waystations, the people who man them can get you back on the road with a tyre repair within minutes. The only problem, which I discovered soon enough, was that these repairs did not last long. Just in case you are wondering, there were no shops for new tyres along our route back in 1994.
Between Bangalore and our destination at the hill station, we limped along from one ‘puncher’ repairer to another. This problem was a result of the driver having deserted the family. Had he stayed on to drive us, he would have made sure that the vehicle and its tyres were roadworthy before our departure. Apart from the stops for repairing punctures, we arrived at Bandipur safely.
On the following day at Bandipur, we lucky enough to get a ride on a huge elephant. The creature carried us almost noiselessly through the jungle. As it moved, it seemed barely unaware of its passengers. It lumbered along, snacking on tufts of vegetation, which it snatched from the ground with its trunk. The only wildlife I spotted were deer-like creatures, sambars, which were not as exciting as the tigers that we were told lurked in the area. The elephant ride was a complete contrast to the ‘wildlife tour’ we joined at the nature reserve. This consisted of a large single-decker bus with a noisy engine, which was loud enough to frighten even the boldest of wildlife. Our fellow passengers included some boisterous Indian schoolchildren, who were observant enough to spot the occasional monkeys. Apart from them and us, there were some very earnest European tourists armed with costly, sophisticated cameras and telephoto lens. They were very dismayed by the racket being created by the enthusiastic children. At one spot, the bus stopped, and we were all invited to disembark to look at an indistinct footprint in damp mud. This was, we were told, the spoor of a tiger. It did not excite me, but I can still remember it.
We made it to Ooty without mishap. Lopa’s parents stayed in accommodation about a mile from ours. We stayed in an attractive guesthouse built in the British colonial period. Rather inappropriately for a honeymoon suite, it was supplied with the widest bed I have ever seen. Ten people could have slept side-by-side with their arms outstretched without touching each other. Its sheets and blankets must have been made specially for this enormous bed. Maybe, this bed had been constructed with great foresight, with ‘social distancing’ in mind.
Lopa’s parents stayed on in Ooty after we set off to continue our holiday in Kerala. While they were in Ooty, they had new tyres attached to the Maruti, and then Mummy drove Daddy home.
It is now twenty-six years and a few months since Lopa and I sat in the family Maruti and were driven over the coconut. It is only now as I relate this story that a thought has occurred to me. And that is, I wonder whether one of the tyres was troublesome because it had been damaged by a sharp edge of the shell of the broken coconut.
MEMORIES TRIGGERED BY A PHOTOGRAPH RECENTLY TAKEN NEAR OUR HOME
I first met Catherine during the final year of my BSc in 1973. She was teaching mammalian reproductive physiology. After that, I met her again in 1977 when I began studying dentistry and also attended weekly etching and engraving classes taught by my mother’s cousin Dolf #Rieser. Catherine was another of Dolf’s pupils, and one of his best. I stopped attending these classes on 1982, when I moved to Kent.
Occasionally, I visited Catherine and her husband Brian in a street near where this picture was taken, a street close to our flat.
In about 1994, when Lopa and I had been married a few months, we ‘bumped’ into Catherine in a street quite by chance. We invited her and Brian to dinner. Thus began a close friendship between them and us.
Soon after our daughter was born, we had major building work done in our small flat. Catherine and Brian kindly let us stay at tjeir place for a few weeks.
Catherine employed an elderly lady called Bridie to do ironing several days a week. Bridie and our young daughter fell in love with each other. Catherine suggested that Bridie would probably be a good babysitter for our little one.
Although Bridie was well into her eighties, she was alert and very sprightly. When our daughter was old enough to attend school, Bridie would often collect her and look after her at home until we returned from work.
Bridie was (is??) a committed Roman Catholic. Our daughter, even when a toddler, took a great interest in matters theological. One day, Bridie told our daughter that if you are good in life, then you will go to heaven when you die. To which our daughter, who has an Indian mother, replied:
“Well, us Indians never die, Bridie. We just keep coming back again.”
This indicated an early appreciation of the concept of reincarnation.
Sadly, both Brian and Catherine are no more than memories now. However, whenever we walk in the streets near where they used to live, we remember them vividly. Dolf Rieser left this life long before ourvtwo friends. As for Bridie, we have no idea. If she is still around, she would have passed her hundredth birthday long ago.
DR BR AMBEDKAR (1891-1956) was a lawyer, who drafted the Constitution of India after the country became independent. He was also a champion of the rights of dalits (‘untouchables’ or ‘harijans’ as Mahatma Gandhi called them). The dalits were excluded from the four caste Varna system of Hinduism, and considered by many Hindus as the lowest of the low, fit only for menial tasks that members of other castes would not deign to consider doing. Ambedkar campaigned actively for the ending of social discrimination against this class of people.
Mochis (cobblers/shoe repairers), who handle leather, are often dalits. The best place to find a mochi is on the pavement beside a road. Sometimes, they sit on the ground surrounded by their tools and footwear awaiting repair. In other cases, they work from little stalls that can be locked up when they are not at work. These stalls often bear images of Ambedkar in honour of the man who did much to improve the social status of the dalits.
(Image shows Ambedkar depicted on a mochi’s closed stall.)
ONE OF OUR SAMSUNG mobile phones needed repairing while we were in Bangalore. Using the Google search engine, we discovered that the Samsung Service Centre nearest us is at Jayanagar. We gave the address provided by Google to an autorickshaw driver and after some navigational difficulties we reached the spot. There was no Service Centre but close to where we expected it to be, we found a Samsung showroom. Clearly, there was a mistake on Google.
Jayanagar gets scant mention in a new guidebook to Bangalore, so I turned to the (not always completely reliable) Google search engine to get a bit of background to this district of Bangalore close to the Lalbagh, a historic botanical garden. According to Wikipedia, a good starting place for research, Jayanagar means ‘victory city’. The area was established in 1948, and was one of the first planned suburbs of Bangalore. What little we saw of Jayanagar during our quest for the Samsung Service Centre reveals that the area is well planned in comparison with other areas of Bangalore. It gives the impression of being a prosperous suburb, which it is.
The people working in the Samsung showroom, where we stopped, confirmed that the address given by Google was indeed incorrect. They gave us directio s for finding the Service Centre, which was ten minutes’ walk away. This walk gave us a chance to gain some impressions of Jayanagar.
After walking past several palatial, fancy looking jewellery stores, we entered a long, mainly residential, street. Most of the houses were well spaced from each other, quite unlike the hugger mugger found in, for example, the prosperous but poorly planned suburb of Koramangala. The architecture of the houses along the street (7th Main Road) in Jayanagar is not uniform but interestingly varied. Several of the houses carry rakshasas, grotesque, scary masks to ward off the ‘evil eye’.
An elegant mandir, the Ganesha Vinayaka Temple, stands next to the intersection of 7th Main Road and New Diagonal Road. Established in the late 1970s, this temple attracts many politicians. Those seeking power come to worship at this place.
Beyond the temple, we reached 27th Cross Road. After crossing its central divider, we entered our destination, the Samsung Service Centre.
As with many faults of an electronic nature, when the engineer checked out the problem we were having with the phone, it had disappeared. Our search for the Samsung Service Centre had been unnecessary… so we thought.
PS After we had returned from Jayanagar, we discovered that our phone was repeating the fault which had caused us to make the apparently pointless journey to the pleasant suburb of Jayanagar.