Tag Archives: london

Out of town

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THE GREAT SAMUEL Johnson (1709-1784) is supposed to have said to James Boswell on the 20th of September 1777:

“Why, Sir, you find no man, at all intellectual, who is willing to leave London. No, Sir, when a man is tired of London, he is tired of life; for there is in London all that life can afford.”

Now, 245 years later in 2022, I largely agree with Dr Johnson, but not completely. Every now and then, it is wonderful to leave London in search of the open countryside, fresh air, wide expanses of sky, and a different way of life. Equally, it is satisfying to return to the city feeling refreshed and, sometimes, having been away from it, seeing familiar things in a new light. Our excursions from London have ranged from several months to several hours. The latter, shorter outings, have been invaluable during the recent period when because of covid19 travelling abroad has been difficult, to say the least.

One of our current favourite destinations for brief outings is the tiny village of Abingdon Piggots in southern Cambridgeshire. Although it is only about 90 minutes’ drive from central London, it feels as if it is almost in a different world from the metropolis. Despite being close to Baldock and Royston, the village seems as if it is in the deepest countryside. It has not more than 60 well spread-out houses, a church, and a hostelry called the Pig and Abbott.

The Pig and Abbott is run by Pat and Mick. It is a traditional country inn where one can enjoy a drink as well as eating superbly cooked, tasty food. We have visited the pub at least six times since we first discovered it in July 2020. Each time we go there, we are welcomed like old friends. I suppose we have become regarded as ‘regulars’. Mick told me that most of the regulars come from the area around the village. Of the 60 or so households on the village, only about 10 use his pub. I asked him whether we were amongst his furthest customers. He told me that we were, but one of his regulars, who lives in Alaska, always drops in when he visits Cambridge, where he has work colleagues.

After a hearty meal at the Pig and Abbott, we always take a stroll along Church Lane to see the small church in which there are graves of members of the local Piggott family. The lane is flanked by fields in which one can watch sheep and horses grazing. There is hardly any sound to be heard except birdsong.

Pleasant as is this bucolic scene, it would not suit me to live in it for more than a day or two. I am an urban creature at heart and the humdrum of city life suits me well. My childhood was spent amongst gardens and trees in the Hampstead Garden Suburb in north London, yet I never enjoyed the place as much as central London, which I began visiting with my parents at a young age. I guess that although I enjoy my occasional forays outside London, I cannot disagree with what Johnson said to Boswell all those years ago.

Republic Day

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AFTER OUR HONEYMOON in the south of India, we returned to Bangalore, where we disembarked from an overnight bus from Ernakulam (in Kerala) at about 4 am on the 26th of January 1994. Several hours later and incredibly bleary-eyed, we joined many other residents at a gathering in a courtyard of the apartment block in the city’s southern suburb of Koramangala. Mr Zafar Futehally (1920-2013), a noted naturalist and one of the senior tenants, stood by a flagpole and made a brief speech. Then, the flag of India was raised, and everyone dispersed.  It was Republic Day, the significance of which was unknown to me back in 1994, when I made my first visit to India.

Ambedkar in Bangalore

Now, I know that on the 26th of January 1950, two and a half years after India became independent, the Constitution of India came into effect and India became a republic, having briefly been a Dominion since the 15th of August 1947. The Constitution was drafted by a committee that was led by Dr Bhimrao Ramji Ambedkar (1891-1956). After leaving school, he was educated at the University of Bombay, then at Columbia University in NYC, and then at the London School of Economics (‘LSE’). While in London, he qualified as a barrister as a member of Gray’s Inn.

Long after 1994, I learned that Ambedkar had lived in a part of London with which I am familiar. He resided in a house near Primrose Hill and Chalk Farm, where the Roundhouse is located. In my recently published book “Beneath a Wide Sky: Hampstead and its Environs”, I wrote:

“Another reformer and patriot lived near Regents Park Road. He was Dr Bhimrao Ramji Ambedkar (1891-1956), who championed India’s Dalits (‘untouchables’) and formulated the Constitution of India. Between 1920 and 1922 while he was studying at the London School of Economics and for the Bar, Ambedkar lived in a house at 10 King Henrys Road near Regents Park Road. In 2015, the house was bought by the Government of Maharashtra and was then converted into a memorial to Ambedkar. It is open to the public. Visitors can learn about Ambedkar from the well-captioned photographs on the walls of the rooms that they can wander through. The upper floor contains a re-construction of Ambedkar’s bedroom including a four-poster bed, some of the great man’s books, and an old pair of spectacles, which might have belonged to him. Other rooms contain shelves of books and various memorials to Ambedkar. There is also a commemorative plaque to India’s present Prime Minister Narendra Modi, who inaugurated the memorial house in November 2015. The garden contains statue of Ambedkar clutching a book (the Constitution) in his left hand. A few years ago, neighbours of the Ambedkar house complained about it, concerned that it would attract swarms of tourists.”

Although he could never have met him, Ambedkar’s home in King Henry’s Road was not far from the house in which Friedrich Engels (1820-1895) lived for several years.

The statue portraying Ambedkar statue in the garden of his former London home is typical of those found all over India. Apart from helping to give birth to India’s Constitution, Ambedkar campaigned for the rights of the Dalits (the ‘Untouchables’), as mentioned in the quote above. The Dalits were excluded from the four caste Varna system of Hinduism and considered by many Hindus as the lowest of the low, fit only for menial tasks that members of other castes would not deign to consider doing. Ambedkar, born into a Dalit caste, campaigned actively for the ending of social discrimination against this class of people. Mochis (cobblers/shoe repairers), who handle leather, are often Dalits. The best place to find a mochi is on the pavement beside a road. Sometimes, they sit on the ground surrounded by their tools and footwear awaiting repair. In other cases, they work from little stalls that can be locked up when they are not at work. These stalls often bear images of Ambedkar in honour of the man who did much to help the Dalits. What with the huge numbers of statues of him and of portraits on the stalls of mochis, Ambedkar must rival Gandhi as being one of the most frequently portrayed politicians of modern India.  

So, every Republic Day, it is appropriate to celebrate the birth of the republic and the adoption of the Constitution, but we should not forget to raise our hats and flags to Ambedkar, the brilliant man who did far more than father the Constitution.

A NEW book about Hampstead in north London

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AVAILABLE FROM AMAZON WEBSITES:

e.g.: https://www.amazon.co.uk/dp/B09R2WRK92

Hampstead is one of the highest places in London. There, the heavens are vast
and wide. Beneath this expanse of sky is an area with an eventful past and a
vibrant present. This book takes a fresh look at the locality and shows that
Hampstead is richly imbued with historical memories and has been home to a
multitude of fascinating and noteworthy people. Many books have been written
about Hampstead. Doubtless, there will be more. This one is different. It looks
at Hampstead from unusual as well as familiar viewpoints and gives the reader
a richer appreciation of what makes the place both delightful and intriguing.
This volume explores a wide variety of subjects, familiar and obscure, as well as
some which have never been described in other books about the locality. Here
is a fresh and at times quirky look at this place on a hill, one of London’s
treasures: a district, which is familiar to many people, yet full of surprises.
Although the bulk of this book is about Hampstead, there are also sections
describing some of its environs.

By reading this book, you can find out why John Constable, Samuel Johnson, Boy George, Mohammed Ali Jinnah, Mahatma Gandhi, Peter Sellers, Henry Moore, Maxim Litvinov, General de Gaulle, Stanley Spencer, Thomas Masaryk, Lee Miller, Agatha Christie, Jim Henson, Ian Flemming, Ernő Goldfinger, and many others, both famous and familiar, were all connected with Hampstead.

The book has several sections:
1. a brief survey of Hampstead’s general history and geography.
2. an introduction to Hampstead’s main thoroughfares with some
reminiscences of the area as it was during my youth.
3. the largest section of the book is a collection of chapters about
various aspects of Hampstead’s past and present. Recently, a friend of mine
bemoaned the fact that Hampstead High Street and Heath Street are lined with
branches of shops and cafés that can be found all over London. He is right. So,
if you wish to capture the true character of Hampstead, you need to stray into
the side streets and explore, which is what I hope this book will stimulate you to
do.
4. The last few sections of the book deal with some places of interest near to
Hampstead: Primrose Hill, North End, Golders Green, and Highgate.

TABLE OF CONTENTS

PREFACE … 7
INTRODUCTION: OH NO, NOT IN HAMPSTEAD … 7
SOME GEOGRAPHY AND HISTORY … 13
HEATH AND HIGH STREETS WITH SOME MEMORIES … 25
SATURDAY STROLLS … 25
PERRINS LANE, THE EVERYMAN, AND LOUIS … 34
DISCOVERING HAMPSTEAD … 41
A HOUSE ON HEATH STREET AND THE KIT CAT CLUB … 41
A CHURCH ON HEATH STREET … 45
FLASK WALK AND THE HAMPSTEAD SPA … 46
MORE ABOUT THE SPA … 56
THE VALE OF HEALTH … 60
POETS AND THE VALE OF HEALTH … 70
FRENCH CONNECTIONS AND ST MARYS ON HOLLY WALK … 76
ARTISTS IN HAMPSTEAD: ROMNEY, CONSTABLE, AND OTHERS 84
MODERN ARTISTS AND THE ISOKON … 95
BOLSHEVISM AND HEATH STREET … 109
A SINGER AND A PHILOSOPHER ON BRANCH HILL … 114
JUDGES WALK … 118
WHITESTONE POND … 122
EAST HEATH ROAD AND SOUTH END GREEN … 126
SIR HARRY AND ROSSLYN HILL … 137
PILGRIMS LANE AND MORE ON ROSSLYN HILL … 143
NEW END, CHOLERA, AND GROVE PLACE … 150
FITZJOHNS AVENUE AND SWISS COTTAGE … 155
SHEPHERDS WELL … 171
CHURCH ROW … 174
GRACIE FIELDS, FROGNAL WAY, AND FROGNAL … 179
WEST HEATH ROAD AND PLATTS LANE … 187
WEST HAMPSTEAD … 193
SHOOT UP HILL … 198
PRIMROSE HILL … 201
NORTH END AND GOLDERS GREEN … 211
NORTH END AND GOLDERS HILL PARK … 211
POETS AND GOLDERS GREEN … 228
LIFE AND DEATH ON HOOP LANE … 232
HIGHGATE … 241
CODA … 273
SOME BOOKS CONSULTED … 275
ACKNOWLEDGEMENTS … 278
INDEX … 279

Little green huts

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SOUTH OF KENSINGTON Gardens, just west of the Royal Garden Hotel, there is a small green hut with a pitched roof beside Kensington Road. It is one of the thirteen remaining cabmen’s shelters dotted around central London, which were established by the Cabmen’s Shelter Fund (‘CSF’) in 1875 and are still maintained by this organisation. Back in those days, cab drivers could not leave a cab stand whilst they were parked there. This made it difficult for cab drivers to obtain food and drink whilst on duty.

The solution to this problem was devised by the newspaper editor George Armstrong (1836–1907) and Anthony Ashley-Cooper, 7th Earl of Shaftesbury (1801-1885). They conceived the idea of the shelters to provide cabdrivers with refreshment. By law, the shelters had to be no larger a horse and cart, which explains their small size. That way, they did not encroach on the carriageway too much. In the past, these shelters confined themselves to serving cabmen. More recently, members of the public can buy snacks and drinks at these huts, whose attendants are supposed to make a living from their shelters.  Cabmen can eat within a shelter, but others can only use them for take-away refreshments.

Recently, when passing the shelter on Kensington Road, I noticed that there were a couple of menus attached to it. Next to them was a small blackboard on which the following was written in chalk:

“Till Rolls 3 for 2.50 Receipt pads 4 for 2£”

This is stationery for the exclusive use of taxicab drivers. I was pleased to see this because it means that although they are open to the public, they are still of special use to cabdrivers.

I have never sampled anything at a cabmen’s shelter, so have no idea of the quality provided. Years ago, when I was practising dentistry, one of my patients was a taxicab driver. He was a ‘foodie’ and  told me that he knew great quality, reasonably-priced eating places all over London. I cannot recall that amongst the many places he told me about that there were any cabmen’s shelters.

Art deco in Kensington

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FROM THE LATE 19th century until a few years ago, High Street Kensington was a healthily flourishing retail centre. In its heyday, it boasted of three large department stores, Pontings, Barkers, and Derry & Toms. The impressive buildings that housed the latter two still stand and are fine examples of art deco architecture located close to the Underground station, which has been in service since the late 1860s. In recent years, the advent of on-line shopping, high rents, and the proximity of the Westfield Mall at Shepherds Bush (opened 2008), which has good parking, have conspired together to make High Street Kensington less appealing to shoppers. Consequently, at any one time a large proportion of shops remain empty awaiting new tenants. Sadly, what was once (especially in the 1960s and ‘70s) a bustling high street with trendy shops like Biba and the ‘funky’ Kensington Market, both gone, has become slightly dreary.

Barkers building

Barker’s former shop, a lovely art deco edifice, which opened in 1933, was designed by Bernard George (1894-1964). Between 1928 and 1962, he was the chief architect for Barker’s of Kensington in-house design group.  It is worth examining this building closely to enjoy is many attractive details.

Constable and the clouds

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THE ARTIST JOHN Constable (1776-1837) loved Hampstead and eventually lived there. It was in that part of London, then a large village, that he became fascinated by the depiction of clouds. Here is an extract relating to this from a book about Hampstead, which I am in the process of writing:

In the last of a series lectures he gave to the Royal Institution in Albermarle Street in 1836, Constable emphasised his systematic approach to depicting nature, by saying:

“Painting is a science and should be pursued as an inquiry into the laws of nature. Why, may not landscape painting be considered a branch of natural philosophy, of which pictures are but the experiments?”

Clouds over Hampstead Heath by John Constable

One of Hampstead’s attractions for Constable was its wide expanse of sky, which, as the historian Thomas Barratt wrote, the artist:

“… regarded as the keynote of landscape art, and so assiduously did he study cloud, sky, and atmosphere in the Hampstead days that Leslie, his biographer, was able to become possessed of twenty of these special studies, each dated and described. Constable was a man of Wordsworthian simplicity of character, fond of all things rural, and devotedly attached to birds and animals.”

The website of Cambridge’s Fitzwilliam Museum reinforces what Barratt wrote:

“While living at Hampstead, Constable made a series of oil sketches of the sky alone, each one marked with the date, time and a short description of the conditions. His interest in clouds was influenced partly by the work of the scientist Luke Howard, who had in 1803 written a pioneering study, classifying different types of cloud …”

In “The Invention of Clouds” by Richard Hamblyn, a biography of the chemist and amateur meteorologist, who devised the modern classification of clouds (cumulus, nimbus, etc.), Luke Howard (1772-1864), it is noted that Constable, who was familiar with Howard’s work, focussed his concentration:

“… on the extension of his observational range and clouds were the means that he had chosen for the task. After years of searching for an isolated image, seeking a motif upon which to weigh his technical advancement as a painter, he had found it at last in the unending sequences of clouds that emerged and dissolved before his eyes like images on a photographic plate.”

During the summers of 1821 and 1822, Constable made over one hundred cloud studies on the higher ground of Hampstead and its heath.  Writing in 1964 in his “The Philosophy of Modern Art”, the art critic/historian Herbert Read (1893-1968), who lived in Hampstead, commented that Constable was:

“… rather a modest craftsman, interested in the efficiency of his tools, the chemistry of his materials, the technique of his craft. His preparatory ‘sketches’ are no more romantic than a weather report. But they are accurate, they are vividly expressed, they are truthful.”

Read next contrasted Constable with Turner, pointing out that the former was far more attentive to depicting nature accurately than the latter, who became increasingly extravagant in his portrayal of it, always moving towards what is now called ‘expressionist’. Barratt wrote that although Constable admired Turner, he had no desire to imitate him and:

“He knew his limits, and recognised that within those limits were to be found subjects worthy of the highest aspirations. “I was born to paint a happier land,” he wrote, “ my own dear England ; and when I cease to love her may I, as Wordsworth says, — ‘never more hear her green leaves rustle or her torrents roar..’”

Noguchi on show in London

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AT FIRST GLANCE, the lower floor exhibition space at the Barbican art gallery in London resembles the lighting department of a furniture store such as Habitat. It is full of lighting units with Japanese-style paper and bamboo shades. After a moment, you will notice that these lighting units are not run-of-the-mill illuminations; they are interestingly shaped works of art lit up from within. These lamps are part of an exhibition of the artistic creations of Isamu Noguchi (1904-1988). Born in Los Angeles, he was the son of a Japanese father and an Irish American mother. The first 13 years of his life were spent in Japan, where he began learning carpentry whilst helping his mother building their family house. From these early skills, it was not long before he embarked on what was to become a highly productive creative career, making works from a wide variety of materials from wood and stone to metals and plastics and … you name it.

Noguchi studied sculpture at the Leonardo da Vinci Art School in New York City. In 1927, he was given a grant to travel to Paris. It was there that he was apprenticed to the Romanian-born sculptor Constantin Brâncuși (1856-1957), who introduced him to abstraction. After learning much from the great sculptor in Paris, Noguchi abandoned pure abstraction and moved towards depicting the living world. However, his experiences working with Brâncuși influenced his artistic output for the rest of his life. After Paris, Noguchi travelled extensively, learning about techniques and philosophies, especially Chinese and Japanese. In 1929, he first met the architect and inventor Richard Buckminster Fuller (1895-1983), whose ideas about science and technology chimed with his. In the exhibition, there is a shiny chrome-plated bronze bust he made of Buckminster Fuller in 1929. There are also a couple of models he created in collaboration with Buckminster Fuller.  Noguchi’s interest in science was not only expressed in sculptures but also in stage settings for ballet performances choreographed by Ruth Page and for performances by Martha Graham.

During WW2, although it was not required for him to enter one of the camps where the Americans ‘cooped up’ potential Japanese enemy aliens – Japanese who lived in the USA – Noguchi volunteered to be confined in a camp in Arizona. By doing so, his aim was to create an arts programme that would ease the lives of those confined in the camp. The barren landscape surrounding his camp proved to be yet another influence on his creative output.

Amongst the many exhibits in the Barbican’s show, there are, in addition to the lighting units, several pieces of furniture designed by Noguchi. One of these is a triangular plate glass tabletop supported by two interlocking timber supports. I have seen this elegant item for sale in upmarket furniture shops, but until I saw the exhibition, I had no idea it had been designed by Noguchi as long ago as 1944. It is still being made today.  The wonderful variety of lighting sculptures, which at first reminded me of lampshades that were trendy in students’ rooms in the 1970s, are examples of ‘Akari’. Noguchi began creating them in the early 1950s, and despite their fragile nature, they are still in good condition now. One of the gallery invigilators told us that the translucent paper used to construct these lamps is made from mulberry tree bark. Known as ‘Washi’, this handmade paper can also be made from the bark of some other tree species.

As with other exhibitions at the Barbican gallery, the artworks are well-displayed and beautifully lit. If you go to this exhibition, you should not miss the video film in which Noguchi talks about his life and art very eloquently. And while you are watching it, you can sit on stools and a bench Noguchi designed. Prior to visiting this show, I had heard of Noguchi and seen a few of his works. The exhibition, which continues to the 23rd of January 2022, has truly opened my eyes to what a magnificent artist he was.

Fish on the roof

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WEATHERVANES ATTRACT BOTH wind and my attention. The variety of forms that these wind direction indicators assume is why I enjoy looking at them. A few days ago, whilst crossing London Bridge I spotted a building with two weathervanes on its roof. They are shaped like fish. But they are not alone because the roof is decorated with more metal fish. Their presence is appropriate because between 1875 and 1982, this arcaded edifice next to the river was home to the Billingsgate fish market. Today, the place is used as a venue for gatherings of various sorts.

Writing in 1598, John Stow (c1524-1605) noted that the ward of Billingsgate was named after ‘Belinsgate’. It was then, he wrote:

“… a large water-gate, port, or harborough, for ships and boats, commonly arriving there with fish, both fresh and salt, shell-fishes, salt, oranges, onions, and other fruits and roots, wheat, rye, and grain of divers sorts, for service of the city and parts of this realm adjoining.”

He also mentions that in the reign of Edward III (reigned 1327-1377), Belinsgate was then a much-used place for mooring ships and that these all attracted harbour fees, which depended on their size.

John Timbs (1801-1875), writing in his “Curiosities of London”, published in 1867 provided more of the history of Billingsgate. He wrote that it had been a landing place, if not also a marketplace, since the reign of King Ethelred II (reigned 978-1013). In 1699, an Act of King William III declared that Billingsgate was a market for all kinds of fish, and that it should be close to London Bridge. Timbs recorded:

“The Market, for many years, consisted of a collection of wooden pent-houses, rude sheds, and benches: it commenced at three o’clock AM in summer and five in the winter: in the latter season it was a strange scene, its large flaring oil lamps showing a crowd struggling amidst a Babel din of vulgar tongues, such as rendered “Billingsgate” a byword for low abuse … In Baileys “Dictionary” we have; a Billingsgate, a scolding, impudent slut’”

In 1849, the market was enlarged, making it more spacious and less of a scrum that it had been previously.   In 1850, the first Billingsgate market building was ready for use but by 1873, when it was demolished, it was already too small for its purpose. The former market building, which we see today with its rooftop fish ornaments, was designed by the City Architect Horace Jones (1819-1887) and opened for use in 1876. Jones’s most famous building, Tower Bridge, was completed after his death.

After it ceased being used as a fish market, instead of being demolished, the old Billingsgate market was:

“Given an industrial twist by architect Lord Richard Rogers, the building has undergone an amazing transformation, from the 19th century’s largest fish market to London’s premier event space.”

(www.oldbillingsgate.co.uk/)

Thanks to that repurposing, we can still enjoy sight of fish on a roof in the heart of the City of London.

A brave man

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FIREFIGHTING IS NEVER without hazard. This is something that James Braidwood (1800-1861) knew only too well when he attended a fire in Tooley Street near London Bridge station on the 22nd of June 1861.

Braidwood was born in Edinburgh, Scotland and in 1824, he was appointed Master of Fire Engines just before The Great Fire of Edinburgh, which began on the 15th of November 1824 and lasted for 5 days. Having been trained as a surveyor, he understood building techniques and materials. This along with his recruitment of various types of tradesmen helped him deal with the conflagration. His methodical approach to firefighting gained him a good reputation.

In 1833. He left Edinburgh and shifted to London, where he took over the running of the city’s London Fire Engine Establishment, the forerunner of The London Fire Brigade. In October 1834, he was involved in tackling the fire that destroyed much of the Palace of Westminster. His reputation was already great when he attended the fire in Tooley Street on the 22nd of June 1861. Three hours after the fire broke out, he was crushed to death by a falling wall. It took two days to recover his body and he was given a hero’s funeral. The fire, which began in Cottons Wharf, continued to burn for a fortnight. The reasons for its long duration included:

“The first was that firefighters were unable to get a supply of water for nearly an hour due to the River Thames being at low tide. The second was that the iron fire doors, which separated many of the storage rooms in the warehouse, had been left open. It is believed that had they been closed, as recommended by James Braidwood, the Superintendent of the LFEE, the fire could have been contained, avoiding disaster.” (www.historic-uk.com/HistoryUK/HistoryofBritain/Tooley-Street-Fire/)

Overlooked by London’s recently constructed, glass-clad Shard, is short Cottons Lane that leads north from Tooley Street. Where these two roads meet, there is a sculptural plaque high up on a wall. It depicts a wreath entwined with a firefighting hose pipe. Behind the wreath, the artist carved the façade of a building with smoke billowing out of its windows. There also depictions of other tools used to fight fires in the 1860s when this memorial was constructed. Within the wreath. there are words:

“To the memory of James Braidwood, superintendent of the London Fire Brigade, who was killed near this spot in the execution of his duty at the great fire on 22nd June 1861” This is not the only memorial to Braidwood. Others, which I have not yet seen, can be found in Edinburgh and in Stoke Newington’s Abney Park, where Braidwood was buried.

History surveyed from a hilltop

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IT IS A SURPRISINGLY tiring climb to reach the summit of Primrose Hil, just north of London’s Regents Park. Yet, it is well worth making your way to the top, which is 210 feet above sea level and considerably high than much of the rest of London.

From its lofty peak, you get to see a wonderful panorama of central London and its environs. One thing struck me as I stood on the hill on New Years Day 2022. In one field of vision, without moving my eyes, I saw both St Pauls Cathedral and the Shard that stands next to London Bridge station. The former was consecrated in 1697 and the latter, the glass clad Shard was completed in 2013. Thus, in one view, I was able to see just over 300 years of history. And with all of the construction cranes that can be seen from aloft, it seems that history continues to be made, for better or for worse.