It’s plain to see
The writing on the wall is clear
Heed it very well
“I AM NOW IN CALCUTTA. Last time I came here, for miles and miles along the railway lines and at stations, there were starving people. Now there is not a sign of famine – it has been organised with the ability of genius…”
Thus, wrote Clive Branson (1907-1944) from Bengal on the 11th of November 1944. Later in the same letter, this British soldier in India added:
“… it is reported that in the week ending November 5th, 267 deaths occurred in Chandpur town and in the 53 unions (groups of villages), on an average more than 200 in each. The report states ‘Almost all the dead bodies were thrown into the ‘khal’ and paddy fields – to be devoured by dogs, jackals and vultures – as there was no man available to bury or burn those corpses.”
A few lines later, he adds:
“The point is that out in the villages people can starve to death without anyone knowing about it, while on the basis of the falling mortality rate in Calcutta Amery will no doubt claim that the famine is over.”
‘Amery’ to whom Branson referred was Leo Amery (1873-1955), who was Secretary of State for India during WW2. The famine was that which decimated many Indians in Bengal and other parts of India.
Writing on the 28th of August 1943, Branson suggested that the famine was to some large extent man-made rather than the result of natural disasters:
“But the fact is there is enough food in India now …”
A major cause of the famine he suggested it was:
“… the hoarders, the big grain merchants, the landlords and the bureaucrats who have engineered the famine …”
And, on the 14th September 1943, Branson wrote:
“The thing that stands out a mile is that the Government showed no signs of weakness when it came to the arrest of the Congress in glaring contrast to its utter helplessness (??) (or should we call it co-operation, tie-up) in the face of the grain profiteers (and in a similar situation – the cloth merchants – the coalowners, re employment of women underground).”
These quotes, damning indictments of the situation Clive Branson observed whilst serving in India come from a book, “British Soldier in India”. It contains the letters that Clive wrote from India to his wife in England and was published in 1944 by ‘The Communist Party, London’. The slender volume contains an introduction written by Harry Pollitt (1890-1960), who was General Secretary of The Communist Party of Great Britain from 1941 to 1956. I came across the book while reading an excellent book about the 1943 Bengal famine, “Churchill’s Secret War” by Madhusree Mukherjee, and ordered a copy.
Clive was born in Ahmednagar (India), son of an army officer. Ironically, most of his time in India during WW2 was spent in the town where he was born. He trained to be a painter at The Slade School of Art (part of University College London) and became a prolific and talented artist. Some of his works are housed in London’s Tate Gallery. From the age of 20, Clive became interested in Communism and joined the Communist Party in 1932. Pollitt wrote of him:
“He was one of those who endear themselves to all who came in contact with them … he was able to inspire others to hate poverty and fight to remove it, to hate ugliness and see beauty … He was not only a brilliant speaker and organiser, but also did more than his share of what is sometimes called “the donkey work”. Nothing was too much for him …”
During the Spanish Civil War, Clive both recruited for, and from 1938 fought with, The International Brigade. In March 1938, he was taken prisoner by Franco’s Nationalist forces and interned in San Pedro de Cardeña concentration camp, where he painted and sketched the camp and many of its inmates. These artworks are currently stored in the Marx Memorial Library in London’s Clerkenwell Square. Pollitt reports that a fellow prisoner said of Clive:
“In any difficult time, Clive was always cheery, putting forward what we should do … He was one of the most popular and most respected among the British prisoners.”
Clive, a true patriot and ardent anti-fascist, joined the Royal Armoured Corps during WW2 and was posted to India where he arrived in May 1942, the month that he sent his first letter published in the book. Pollitt accurately notes that Clive’s letters from India:
“… will make you angry and they will make you sad. They will make you see new colours and shades, an unimaginable suffering and a truly heroic grandeur, extraordinary nobility and equally extraordinary bestiality. It is a vivid and many-sided picture which Clive wanted to record in painting, and which we may be sure he would have executed with feeling and sincerity...”
Reading Clive’s letters today, 76 years after they were composed, still evoked a sense of anger because of the awful things he saw as well as a sense of wonder because of his very evident love and admiration of India and its people.
Whenever he was able, Clive mixed with Indians from all strata of society and delighted in their company. While in Ahmednagar, Clive was introduced to an Indian artist. At this person’s house, he:
“… did a drawing for 1½ hours of his little niece aged 10. I did it in indelible pencil and ink – this is the medium I shall do most of my work in as it is more lasting – does not smudge – than ordinary pencil. But how difficult are Indian clothes – I shall have to do a lot of careful observation and drawing before I shall know what to do technically’ The Indian just sat and watched me working. He speaks English quite well, and knows a number of famous Indian painters – he himself went to the Bombay School of Art…”
This was noted in a letter dated 13th of April 1943. Several months later, in mid-September, Clive was invited to lunch with his artist friend. I loved his description of the occasion, which was new to him but typically Indian:
“We sat on wooden seats about 2 ins. off the ground. The meal was in a room just off the kitchen. Of course we had taken off our boots etc. Each had a large silver plate with the various ingredients put around the edge. A small bowl of what they call butter-milk took the place of water. A pattern, done with vermilion and white powder had been drawn on the ground. In front of me was placed a little silver stand in which a stick of incense burned. Nana’s elder daughter also ate with us. The whole affair was very civilised and friendly.”
In general, Clive was enamoured of all of the Indians he encountered, both those from sophisticated and also humble backgrounds. He was horrified at the way that the British and their government treated them. This is a significant feature of what he conveyed in his letters. Also, the failure and apparent unwillingness of the British to address the terrible famine concerned and upset him greatly. He communicates this eloquently and powerfully in his writing.
One of Clive’s many observations struck a personal chord. It concerns the bookshops that Clive visited in India in search of reading material. In a letter written from Bombay in September 1942, he noted:
“I have said a lot about going to bookshops, but I have never mentioned something which hits you in the face about the general trend of literature: 1. Hitler’s ‘Mein Kampf’ is on sale prominently at every bookstall …”
Seeing copies of “Mein Kampf” openly on sale in most bookshops in India is something that has always surprised me since my first visit to India in 1994.
As a Communist, Clive’s political views are not concealed in his letters. He showed little or no sympathy for the policies of Gandhi and the All India Congress. On the 10th of March 1943, he wrote:
“How stupid Gandhi’s fast looks compared to the grandeur of a handful of Indian peasants and workers uniting to demand their human rights! No wonder the Viceroy corresponds with Gandhi and sends the police after the people.”
As for the Muslim League in Bengal:
“The net result of the League’s scheme is to launch the peasants against the little men and leave the big bastards to control the famine via the black market – such is the first practical application of the policy of Jinnah.” (letter dated 19th June 1943)
Also, as a staunch anti-fascist, he regarded Subhas Chandra Bose as contemptible because he had chosen to fight alongside the Japanese, who were allies of fascist Germany. During his stay in India, Clive met and discussed matters with members of the Indian Communist Party. This is described in the letters and was not removed by the censors. In addition, his harsh but justifiable criticism of Britain’s mishandling of the famine in India passed the censors’ scrutiny and reached his wife’s letter box intact.
Clive was constantly upset by seeing examples of British racism in India. He mentions this often in his letters. The most eloquent example appears in a letter written on the 29th of November 1943:
“I am sitting on the grass outside a long army hut. Not far away is an African negro … reading a book. Five minutes ago a B.O.R. [British other rank] came up, stopped, and said to him, ‘Can you read?’ ‘Yes.’ ‘What’s the book? Miss Blandish?’ ‘No, Pygmalion.’ I had to record this – whole books could not present the present world situation better.”
(I imagine that the B.O.R. was referring to “ No Orchids for Miss Blandish”, a raunchy thriller by James Hadley Chase)
In the same letter, Clive noted that the British Conservative MP, Ferris:
“… has made a study of Indian affairs, and has delivered himself of the profound judgement that India is not ready for self-government. I wonder how many whiskies and sodas it took to produce such an original conclusion.”
Sadly, Clive did not live long enough to see India becoming independent in 1947. He was killed in action early in 1944 “…commanding an M3 Lee tank of B Squadron, 25th Dragoons. He was hit a glancing but fatal blow on the back of the head by a Japanese anti-tank shell near Point 315 at the end of the Battle of the Admin Box.” (source: Wikipedia).
Clive’s letters provide a moving collection of well-described observations of India, a country in which many of its citizens were enduring a plight at least as bad as that of people suffering in Nazi occupied Europe. They were under the control of the British, who were fighting to defeat Nazi tyranny. The British were under the leadership of Winston Churchill, who is reported (by his close colleague Leo Amery) to have said:
“I hate Indians. They are a beastly people with a beastly religion.”
Here are two short videos well worth watching in connection with what I have written:
(Pathé Newsreel with scenes of the famine. Commentary in Punjabi, but images are very powerful)
(An Indian historian/author/politician gives a fresh view of Churchill)
SINCE THE IMPOSITION OF ‘LOCKDOWN’ in the UK, use of public transport has been discouraged, as has wandering too far from home when taking exercise. While not exactly ‘confined to barracks’, the distance that we have been allowed to move away from home has been limited, more or less to the amount of distance that we can manage to walk (or, not in my case, cycle) comfortably, without exhausting ourselves. This meant that for many weeks we have been walking around our local area. A friend of ours in Dublin told us, half-jokingly, that during the Irish lockdown, he felt that he had got to know every blade of grass in his neighbourhood. I understood what he was saying. For me, greater familiarity with our immediate locality has not bred contempt for it, but the opposite. We have been walking along small streets we never knew existed and discovering interesting details in those thoroughfares that we thought we knew so well.
I have been walking along Sheffield Terrace, which leads off Kensington Church Street, two or three times a week for the last 25 years, yet it was only yesterday that I noticed a small square metal plate on the wall of a house in that thoroughfare. It recorded the fact that the author GK Chesterton was born in that house on the 29th of May 1874. A few doors away on the same street, there is a much larger and far more obvious plaque commemorating that the founder of the Church Army, Prebendary Wilson Carlile (1847-1942) had lived there. I had often noticed this memorial, but I had never noticed the far more discreet memorial to Chesterton, which looks like a simple grey wall tile from a distance.
Sheffield Terrace leads to the northern end of Hornton Street, which is marked on 19th century Ordnance Survey maps as ‘Campden House Road’. Hornton Street leads south and downhill towards High Street Kensington. Once again, this is a street along which I have walked several times a week over a period of at least 25 years. Various roads lead off Hornton Street. The short Pitt Street is one of these. On the corner of Pitt and Hornton Streets, there is a faded rectangular sign that I have always assumed carried the words ‘Hornton Street’. However, I had not looked at it closely enough until yesterday.
I do not know what made me examine the faded sign closely, but I am glad that I did. Some of the letters on it have disappeared. The following are just about visible, and even more so on enhanced digital photographs: H, O, R, N, …, D, G, E. The last three letters are not ‘E, E, T’, which you would expect to see if the sign had read ‘Hornton Street’. I wondered if the sign had originally read ‘Hornton Lodge’. I went home and searched for ‘“Hornton Lodge” Kensington’ on Google.
One of the most useful things that came up amongst the Google search results was an offer on eBay for two pages of the issue of “Country Life” magazine, dated 21st of March 1968. These pages contain an article about Hornton Lodge on Pitt Street. The article bore the title “Serene Vision of a Modern Interior”. It describes the interior of a house built in 1948 on a bomb site and owned by Mr and Mrs James Melvin. The house, a long rectangular building, was called Hornton Lodge. The fading sign is all that remains of the house described in the magazine. Currently, builders are erecting a new building on the part of the plot nearest to the corner where the sign can be found. This new construction is, according to a planning application submitted in December 2019 by Nash Baker Architects, to replace an:
“… early post war semi-detached property … constructed circa 1948-49, on the site of a former villa known as ‘Hornton Lodge’. The architect/owner, James Melvin, was a partner in major architectural firm: Gollins Melvin Ward Partnership. However, at the time it was constructed, the firm was in its infancy, and this project was a modest family home for a young architect and his family; designed with modernist intentions during a time of austerity.”
I found references to a ‘Red House’, also referred to in at least one item, maybe erroneously, as ‘Hornton Lodge’. The Red House was built by Stephen Bird in 1835. It was also known as ‘Hornton Villa’. This was not the property on Pitt Street demolished by a bomb in WW2 because it stood across Hornton Street opposite the western end of Holland Street, which is south of Pitt Street. A future president of the USA, Herbert Hoover, lived at that address between 1907 and 1918. Hornton Villa, The Red House, was demolished in in the 1970s, and on its site stands the architecturally undistinguished Customer Service Centre of the Royal Borough of Kensington and Chelsea.
There is more evidence of a Hornton Lodge, quite distinct from the Hornton Villa, mentioned above. Joseph Foster’s “Men-at-the-bar : a biographical hand-list of the members of the various Inns of Court, including Her Majesty’s judges, etc.” (published in 1885) published the address of a barrister Richard E Webster (1842-1915; called to the Bar in 1868), Lord Alverstone, as “Hornton Lodge, Pitt Street, Kensington W”. He became Attorney General between 1885 and 1886. Even earlier than that, “Allens West London Street Directory” (published in 1868) lists a Theodore Aston as living at Hornton Lodge.
Close examination of a sign that I have passed and seen many thousands of times, assuming it bore a simple faded street name, has revealed that I had never looked at it carefully enough before. The constriction of my field of activities to a small part of London has, to my surprise, heightened my powers of observation rather than blunted them, which could have easily happened when visiting the same locality repetitively.
Soon, the faded sign on the corner of Pitt Street will either be removed or become even more illegible. I am glad I noticed its clue to the past before either of those things happen.
Fading letters on a wall:
Of times long ago
Picture taken in the midst of the area of London where the annual Notting Hill Carnival takes place