Me and maps

MY LOVE OF MAPS started soon after I was able to read. I was given a book that fascinated me for many years. It was called “The Map that came to Life” by HJ Deverson and R Lampitt. First published in 1948, it follows a couple of children walking through the countryside with their dog, guiding themselves with an Ordinance Survey map. On each page, there is a bit of their map and an illustration showing the terrain which is on that portion of the map. Not only did it teach me something about map reading but it helped me to visualise in three dimensions what is being represented in two dimensions on a map. It was one of my favourite books during my childhood.


From the age of eight years onwards until I was thirteen, I attended the Hall School, which is near to Swiss Cottage (in northwest London). Although there was a lot that I did not like about this academically top-rate establishment, I am grateful for at least one thing. One day when we were learning about Ordinance Survey maps in a geography class, our teacher gave us an exercise that stimulated a hobby that lasted until my late teens. The exercise was to draw an Ordinance Survey map of an imaginary place making correct use of the various symbols that appear on the real maps. Of all the academic tasks I was required to perform at the Hall School, this was the best.

Inadvertently, our geography teacher had sparked off a new craze for me. That was drawing maps of imaginary places. I was inspired not only to emulate Ordinance Survey maps but also to create maps of imaginary places in the styles of the ever-increasing number of maps that I had begun acquiring as a passionate map collector. I drew these maps using pencils, water-colour paints, biros, and fine-tipped Rotring pens (such as are used by architects and technical draftsmen).  Drawing maps occupied much of my precious spare time, time which my friends spent socialising and meeting members of the opposite sex.

After a while, I began drawing maps of an imaginary country, a socialist republic behind the so-called ‘Iron Curtain’. In addition to creating maps of my geographic invention, I produced illustrations, tourist brochures, and so on. Be patient because  I shall say much more about this imagine land in future postings.

When I began studying at university in 1970, my map drawing activities ended. However, my fascination with maps has never diminished. While sorting things at home, I have found the maps and drawings I made during my teenage years. Gradually, I will share some of these with you, dear readers.

I began this piece with a mention of a book that described a map that came to life. It was first published before I was born. Today, the authors’ concept has almost become reality with Google Maps. This useful service provides fairly detailed maps, which at the click of a ‘button’ become aerial views of the area that has been mapped out. At the click of another button, you can travel (virtually) along the streets on the maps and see the buildings and other things along them. While the maps do not really come to life, the Google mapping service has brought us closer to that happening for real. Let us wait and see what the future brings in the way of remote realisation of life in places on the map.

Creation and correction

My latest book, whose subject I will not yet reveal, is almost but not quite ready for publishing.


ancient blur calligraphy czterolinia


I have reached the stage with my latest book where I am looking out for things like: putting commas where full stops ought to be and vice versa; checking spelling; replacing a word or phrase with a more suitable one; making sure that names start with upper-case letters; and so on. In other words, I am trying to edit my text prior to publishing it. I read my manuscript over and over again, hoping to spot errors. However, frequent perusals of a familiar text can cause errors to be missed. So, I will ask someone else to proof-read my work. Even then, one cannot be sure that all ‘blemishes’ have been identified, but two sets of eyes are better than one when it comes to spotting ‘typos’ and other mistakes.

Even when it has been proof-read, there is still much to do before the book can be published. I will need to choose some illustrations and decide where to place them. I will also have to re-format my text so that it conforms to the publisher’s requirements. And then, when the book has been published, the really hard part begins: marketing my work!


Photo by Pixabay on

Nature’s artwork

This wonderfully coloured fish was swimming about in a fish tank in the lobby of a hotel in Gulbarga on Karnataka (India). It illustrates the immense variety of the natural colourings of animal life, which rivals the many attempts of artists to produce original creations

A creature of God’s making


Nature’s original art