Tag Archives: author

A writer who lived in Germany throughout the era of Adolf Hitler

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THE GERMAN AUTHOR Rudolf Ditzen (1893-1947) is better known by his nom-de-plume Hans Fallada. Readers of English translations of his novels are most familiar with his book “Alone in Berlin” (known as “Every Man Dies Alone” in the USA). This excellent story has been made into a film.

In most of his novels, Ditzen’s characters portray the trials and tribulations of the ‘little man’ as he tries to struggle within the often-challenging conditions that prevailed in Germany before WW1 and between that war and the end of WW2.  How Ditzen achieved the portrayal of ordinary people’s lives in the first half of the twentieth century is brilliantly described in “More Lives than One” by Jenny Williams (published in 1998). Her well-documented, highly researched biography of Ditzen reads like a good novel.

Ditzen’s frequently difficult life was itself the stuff of novels, and he made much use of his own experiences and those of others in the many stories he wrote. Jenny Williams describes in engaging detail the author’s struggles with women, drugs, alcohol, imprisonment, psychiatric disorders, publishers, and the Nazi regime.  Not political animal, Ditzen was keen to promote common decency in Germany. This became an increasingly difficult aim after the end of WW1, and especially during the years when Germany was under the dictatorial rule of Adolf Hitler.

Unlike many fellow authors in Germany, Ditzen decided not to emigrate as conditions became increasingly difficult in Hitler’s Germany. He continued writing prolifically after Hitler came to power, but as the years rolled on, finding publishers became difficult, and for a while Ditzen had to moderate what he wrote to keep out of trouble, In describing the author’s life during the awful times many experienced in Germany between 1932 and 1945, Jenny Williams gives the reader a fascinating view of what it was like living during that period.

At the end of WW2, Ditzen was found to be ‘acceptable’ as a cultural figure in Germany. Without having collaborated with the Nazis (apart from reluctantly editing some of his writing to please censors), he was considered reliable in the Soviet occupied part of Germany, and was for a short while chosen to be the mayor of a small town, a job he hated. The Soveiet controlled German authorities provided Ditzen with a Gestapo file, and encouraged him to write a nove based on what it contained. The result was his final novel, “Alone in Berlin”.

Even if you have never read anything by Ditzen/Fallada, “More Lives than One” makes for fascinating reading. Primarily a biography of Rudolf Ditzen, it is also an intriguing view of conditions in Germany.

In a library on an island off the coast of Essex

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MERSEA ISLAND IS south of Colchester in the mouth of the Blackwater River, which flows through the south of Essex. Connected to the mainland by a cuseway, which gets submerged twice a day when  it is high tide, Mersea Island feels like it is many hundreds of miles away from London, even though it is about 60 miles from Trafalgar Square and only a few miles from Chelmsford and Colchester. The island has two settlements: West Mersea and the much smaller East Mersea.

Although there are some working people on the island, many of its residents are retired. We did spot a few (less than five) people, who did not look as if their heritage was white British, but the island cannot be described as having a multi-ethnic population. The island is an outpost of the Anglo-Saxon heartland. It seems to be a friendly community. People with whom we spoke were very amicable. Having said this, a surprise greeted us when, out of curiosity, we stepped inside West Mersea public library, which is run by Essex County Council.

The library is a modern structure with a simple but pleasant, spacious reading room. Immediately after entering, we spotted a bookshelf with a notice above it. This had the words “Author of the Month”. The author whose books were prominently displayed on the shelves were by Vaseem Khan. He was born in east London in 1973, and studied at the London School of Economics. Then, he worked for ten years in India. His experience of India led him to begin writing detective novels set in India. My wife, Lopa, has read and enjoyed many of his books.

I am not sure why we were so surprised to see Vaseem Khan’s books given pride of place in the library in West Mersea. Maybe, it was because our experience of the island is that its population is far from being cosmopolitan.  Lopa spoke to the librarian, saying how pleased she was that Vaseem Khan had been highlighted, and then began mentioning other British Indian authors such as Abir Mukherjee and Imran Mahmood. The librarian had read books by all these authors and spoke knowledgeably about them. She had chosen Vaseem Khan to be the author of the month because she had met him at a literary festival, and then invited him to speak in her library. We left the library having been highly impressed by what she had discussed with us.

One thing we forgot to ask her was how often Vaseem’s books were borrowed in comparison with other fiction writers’ volumes on the shelves. I would liked to have discovered whether her display of Vaseem’s books attracted much attention from the local, seemingly Anglo-centric, users of the library.

Stafford Cripps, Mahatma Gandhi, and an art gallery in London’s Islington

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JUST OVER SEVEN years ago, I bought a book, which I put on a bookshelf without reading it, and then forgot about it. This September (2024) I found it whilst sorting through our book collection. It is a biography of the British politician Stafford Cripps (1889-1952), who visited India in March 1942. Winston Churchill had sent him there to negotiate with leading Indian Nationalists (including Gandhi, Jinnah, and Nehru) to keep them loyal to the British war effort in exchange for self-government when WW2 was over. It was up to Cripps, then a Labour politician, to formulate the proposed deal. The mission was not a success because Churchill thought that Cripps had offered the Indians too much, and the Indians thought his offer was not enough: they wanted independence immediately.

There have been many books written about Stafford Cripps. The one I found in my collection, “Stafford Cripps. A biography”, was published in 1949, when Cripps was still alive. When I looked at the book after ‘discovering’ it, what surprised me was the name of its author: Eric Estorick.

Until I looked at the book today (3rd of September 2024), I had only associated the name Estorick with a fine museum of 20th century Italian art – The Estorick Collection of Modern Italian Art. This is housed within Northampton Lodge, a Georgian building which was once the home and offices of the architect Sir Basil Spence (1907-1976), who was born in Bombay. This is in Canonbury, which is just north of Islington. The collection was established by the American Eric Estorick (1913-1993) and his German-born English wife Salome (1920–1989) after WW2.

Eric Estorick was none other than the author of the biography of Cripps, which I ‘unearthed’ today. Born in Brooklyn (NY), son of Jewish emigrés from the Russian Empire, he was awarded a PhD in sociology at New York University. In 1947, he married Salome (née Dessau), who was an artist. Eric’s interest in art began before that when he met the American photographer and gallery owner Alfred Stieglitz (1864-1946). The Estoricks began collecting art soon after the end of WW2. During their honeymoon, the Estoricks were introduced to the works of the Italian Futurists. The Collection contains several good examples of their works. In 1960, Eric opened the Grosvenor Gallery in London’s Davies Street. His first exhibition was a display of modern sculpture. It was in his gallery that my mother exhibited some of her sculptures in 1965, in an exhibition called “Fifty Years of Sculpture. Some aspects 1914-1964”.  She must have been introduced to Eric at the time.

Apart from his interests in art, Eric Estorick was a prolific author. In addition to writing three books about Stafford Cripps, he wrote others about politics as well as art. One of his books, which was published privately, was a history of the Marks and Spencer firm, in which he worked for some time. It was in that company that Salome Estorick had worked. Marks and Spencer had been a customer of her father’s textile manufacturing firm.

Having found my copy of Estorick’s book and skimmed its contents, I will not be putting it into our storage unit as I had originally intended, but will begin reading it soon.

Charles Dickens used to write by the sea at Broadstairs

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THE VICTORIAN AUTHOR Charles Dickens (1812-1870) visited Broadstairs, a seaside town in east Kent frequently. During a recent visit to the town in August 2024, we saw three buildings which are associated with the famous author.

The Royal Albion Hotel hosted Dickens several times. Nearby, there is what is now the Dickens House Museum. This was the home of Miss Mary Pearson Strong, who was the inspiration for Betsey Trotwood in “David Copperfield”.

On a hill overlooking both the popular Viking Bay Beach and other parts of Broadstairs, there is a large building with castellations. This was built in 1801 as Fort Howe. It was, and still is, a private residence. It was here (and at the Albion Hotel) that Dickens used to write while staying in Broadstairs. The author leased the house from the 1840s until 1852. Some people claim that the house was the inspiration of the title of Dickens’ novel “Bleak House”, but this is by no means certain.

At thus point, I must admit that I have not read any Dickens apart from highly abridged versions of “A Christmas Carol” and “Oliver Twist”. Having now visited Broadstairs, I feel there is a good chance that I might tackle a full novel, maybe “Bleak House” or “David Copperfield”. Which would you recommend?

RELICS OF A GREAT INDIAN WRITER AT A LIBRARY IN CALCUTTA

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THE CALCUTTA CLUB (in Kolkata) was founded in 1907. Unlike other ‘elite’ clubs in existence at that time, it admitted members regardless of their ethnic background. The Club has a library consisting of several rooms arranged in a line, each one connecting to the next. At the far end of the library, there is a locked door bearing the label:

“Nirad C Chaudhuri Corner”.

Nirad Chaudhuri was one of 20th century India’s great writers. Born in 1897 at Kishoreganj – a place that is now in Bangladesh, but was then in British East Bengal – he died in Oxford (UK), having passed his 101st birthday. He was an original thinker whose views have not been shared by everyone. He wrote about India and its history in an incisive way that was not fettered by the conventional ideas of his contemporaries. In the 1970s, he shifted from India to England, and settled in Oxford. A few years ago, we met and were befriended by his son Prithvi – now a physically and intellectually active octogenarian. When we are staying at the Tollygunge Club (in south Kolkata), we often meet him after breakfast to chat and enjoy cups of coffee.

During one of our morning meetings, he told us how his father’s books and other possessions were shipped to India after his demise. He mentioned that some of these things are now stored in a room at the library of the Calcutta Club in what has been called the ‘Nirad Chaudhuri Corner’. As we expressed interest in seeing this, he said that he would ring the relevant Calcutta Club committee member to arrange for us to view his father’s collection. Although the Club feel they were given the items, Prithvi said that he had simply lent them. The matter is currently being contested in court. He told us that although there is much to see at the Calcutta Club, some of his father’s collection – notably his collection of books written in French – have been stored elsewhere.

The following day, we visited the Club’s library, where a librarian showed us to, and then unlocked, the Nirad Chaudhuri Corner. Apart from books that belonged to Nirad, there are paintings and other objects. One of these is the Royal Proclamation that was written when he was awarded the honour of the Commander of the British Empire (‘CBE’) in 1992. There are also several objets d’art including decorative ceramics (plates and cups), an ancient Egyptian sculpture, some wine glasses, a bottle of vintage port, a set of the first UK metric currency coins to have been issued, and many other things. The paintings include a well-executed hand-painted copy of a picture by Monet – a famous French impressionist. Prithvi told us that when his father bought the painting, he paid a great deal of money for it. Some of the family disapproved, but as Prithvi rightly said, it was his own money.

After examining the Corner, we walked back through the library. On the way, I spotted a small, framed manuscript. It was labelled “Original Signature of Mr Satyajit Ray Membership No. R211”. For those who do not know, Satyajit Ray (1921-1992), born in Bengal, was one of India’s most famous film directors.

Thanks to Prithvi, we were able to see a fascinating collection of possessions once owned by a great Indian writer. Almost hidden in the Calcutta Club’s library, I doubt that many of its members have seen it or are even aware of its existence.

One Night at the Call Center and its author

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THE AUTHOR CHETAN Bhagat was born in 1974 in New Delhi. He was educated at two prestigious institutions: Indian Institute of Technology (Delhi) and the Indian Institute of Management (Ahmedabad). After graduating he had various jobs including working at the Hong Kong office of the bankers Goldman Sachs. There, he was unhappy with his boss, whom, according to Wikipedia, he:
“ … characterized the villain in his second novel One Night @ the Call Center.”

The novel about the call centre was first published in 2005. The villain is Bakshi, the head of a department of a call centre that services customers in the USA. As its title suggests, the book is about one night at the call centre and its main characters are five young people working under Bakshi. I will not give the plot away, but I can tell you that the story is both entertaining and, in parts, profound. All that I will reveal is that the problems that the five workers are experiencing and described in the novel become insignificant after they receive a telephobe call … from God. But, do not worry: the book is not a religious tract. The book deals with many things, including the perception that some young Indians have: that their country is inferior to the USA.

Chetan Bhagat is a highly creative and imaginative story teller. His plots are rich in unexpected twists and turns. He has a great eye for detail and a good understanding of the minds of young Indians and they way they perceive today’s world.

Recently, a couple of people suggested that Bhagat’s humour is inadvertent rather than intentional. I completely disagree with this point of view. He concocts humorous situations in his novels with great care and expertise, and inserts them in his stories skilfully. Like Chinese sweet and sour dishes, Bhagat’s novels contain a harmonious blend of humour and seriousness, both complementing each other intelligently.

What I particularly enjoy about Bhagat’s writing – and by now I have read four of his novels – is his easy-going narrative style. As I read his books, I felt as if he was a good friend sitting and chatting with me in a bar or cafe. His books are easy to read yet full of profound observations about life, expressed effectively but with a light touch.

Brief profile of an author: a bit of self publicity!

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Adam Yamey is the author of several books, including: “Albania on my Mind”; “Scrabble with Slivovitz;” (Once upon a time in Yugoslavia); “From Albania to Sicily”; “Exodus to Africa”; “Rediscovering Albania”; “Aliwal”; “Bangalore Revealed”; “Indian Freedom Fighters in London (1905-1910)”; “Imprisoned in India”; “Beneath a Wide Sky: Hampstead and its Environs”; “Beyond Marylebone and Mayfair: Exploring West London”.

His latest book is:

“Golders Green & Hampstead Garden Suburb: Visions of Arcadia”

Buy a copy here: https://www.amazon.co.uk/gp/product/B0BHG873FB/

Born in 1952 in London, he attended Highgate School, and then University College London. After a doctorate in mammalian physiology, he became an undergraduate once more and qualified as a dental surgeon. After 35 years in general dental practice in Kent and London, he retired in September 2017.

Adam married a lady from India in 1994, and, since then, has been visiting her native land frequently. India has become his second home. He is a keen traveller. The periods between his journeys are usefully and enjoyably employed with: family, cooking, writing, photography, blogging, cinema, theatre, and exploring the many delights that London has to offer.

Alice through the stained glass windows

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CHARLES LUTWIDGE DODGSON (1832-1898), better known as Lewis Carroll, author of “Alice’s Adventures in Wonderland”, was born in the village of Daresbury in Cheshire. During his first few years of life, Charles’s father was the curate of the local church of All Saints.

When he was 11, the Dodgson family moved away from Daresbury. Eventually, Charles entered Christ Church College in Oxford. It was here that he met the young child Alice Liddell, daughter of the Dean of Christ Church. It was this young child who inspired Dodgson to create and later publish his famous story. Unlike many other Victorian tales for children it was free from moral instructions.

Dodgson/Carroll died in Guildford, where he was buried. To celebrate the 100th anniversary of his birth, money was raised to create a window in the church in Daresbury to commemorate him. Known as the Lewis Carroll Window, it allows light into a Chapel in the southeast corner of the church. Designed by Geoffrey Webb, it was dedicated in mid 1935.

The stained window incorporates depictions of both Carroll and Alice Liddell, as well as some of the creatures drawn originally by John Tenniel, who illustrated the book about Alice.

A modern addition to the church was built onto its North side. This contains a Lewis Carroll exhibition. One of the exhibits is an old Bell. This used to be attached to a barge that served the religious needs of the people who lived and worked on the canals near Daresbury. This floating chapel was the creation of Lewis Carroll’s father.

We visited Daresbury on a July day when the air temperature was 37 degrees Celsius. Fortunately, it was cooler inside the church. I am grateful to Christine Casson for encouraging us to visit the church with the Wonderland window.

Putting Hampstead on paper

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I HAVE TOLD SEVERAL friends that I am busy writing a book about Hampstead in North London. Hearing this, each one of them has said something like “Aren’t there already so many books about the place?” Well, those words are hardly encouraging. Had I been writing a love story or a book about WW2, they would not have expressed any sentiments about the untold number of already published love stories and books about WW2.

I wondered how many books there are about Hampstead, non-fiction rather than fiction. I searched for “Hampstead” in the book section on Amazon’s UK website and found that there are not more than about 40 different non-fiction titles relating to Hampstead rather than only Hampstead Heath or Hampstead Garden Suburb. Of these titles, 11 were published since 2000, and most of these before 2015. The rest were published before 2000, and of these at least 16 were published before 1980. Since 2015, only 3 books, which deal mostly with Hampstead, have been published. Therefore, although there are many books about Hampstead, few of them have been published in the last six years. So, maybe it is time that another one should appear in print.

While researching the book I am writing, I have consulted many of the books still available on Amazon and many others which have chapters about Hampstead, as well as a wealth of information that can be found on the Internet. I am making much use of what I have discovered from these sources and from my own observations, and I believe that when it is completed my book will contain a distinctive combination of facts and observations, which differs from presentations in other books about the locality.  

The greater part of the book’s subject matter will be about Hampstead and its ‘satellites’, North End, Swiss Cottage, Belsize Park, and West Hampstead. I am also including shorter, detailed sections on Highgate and Golders Green. I am still at an early stage in the book’s production, but I do not feel deterred by observations that my friends have made that imply that I am simply ‘sending coals to Newcastle’, by writing yet another book about Hampstead. Time will tell.

An author’s angst

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UNTIL NOW I HAVE been self-publishing my books satisfactorily using a print on demand company called ‘X’. I typed the manuscript on Microsoft Word using one of X’s many templates and then uploaded it to the site. In the past, X convert the uploaded document to a .pdf file. As conversion from Word to ‘pdf always results in changes in formatting, I have always had to make modifications of my Word manuscript, often several times, before I am happy with the proofs provided by X. It was always a little time-consuming but, in the end, I produced a printed book that was, if not perfect, always satisfactory.

Now, all has changed. X will no longer accept manuscripts uploaded in Word. Instead, authors are required to submit their manuscripts in the .pdf format after fulfilling extremely detailed formatting specifications, which I must admit are beyond my technical abilities at present. I discovered that a well-known on-line trading company offers a self-publishing process, which permits authors to upload their manuscripts in the Word document format on their downloadable Word templates. I tried this, but the proofs generated by the company’s publishing system looked disastrous, to say the least. Maybe, I could have tried modifying my manuscript’s layout, but there did not appear to be a facility for doing so and, I could foresee hours if not days of frustrating work ahead.

I have spent several months writing my latest book, and even longer researching it, and now I would like people to be able to enjoy it and, I hope, comment on it. So, as many people often say in India: “What to do?”

Well, here is my current solution. I am going to upload my manuscript to one of my personal websites and make it downloadable for anyone who cares to read it. It will be downloadable free of charge because I write for pleasure rather than for profit and I value the thought that people might find what I write of interest. It is more important for me that my writing gets read rather than gets sold. Eventually, I hope to be able to produce a satisfactory paperback version of my latest work, but in the meantime, watch this space!

If anyone can offer me a simple solution to my problem, I would be grateful to see your suggestion!