Unknown's avatar

About yamey

Active author and retired dentist. You can discover my books by visiting my website www.adamyamey.co.uk .

Your comments about this introduction to a new book about India would be very welcome

I am at present writing a book about my recent travels in India. I would be most grateful if you would read through this draft of my opening paragraph, and send me your observations about it. Would you want to read further? The paragraph is beneath this photograph taken in Jaipur.

Early one morning in February 2025, our British Airways Boeing 777 jet began moving away from the oddly designed, apparently ‘eco-friendly’, Terminal Two at Bangalore’s International Airport. As the aeroplane taxied smoothly towards the runway, I watched the parched airport terrain and its assortment of buildings, some painted with red and white checkerboard patterns, slipping past. Then with a certain suddenness heralded by an increase in the noise of our jet engines, we accelerated along the runway. Soon, we became detached from the soil of India. As the aircraft rose higher and higher, random memories flashed through my mind. These included eating laal maas on a rooftop in Jaisalmer; a distraught restaurant owner in Jodhpur; a Dutch cemetery on the Coromandel Coast; hawkers wandering up and down a railway carriage in West Bengal; riding through Bangalore in a Jesus autorickshaw; blessing a newly married couple in Pondicherry; tasting homemade nolen gur in Murshidabad; attending an aarti on the Ganges; eating ravioli in Auroville; the ghost of Tipu Sultan; and much more. After flying over the west coast of India, all these experiences and a whole host of others that we had enjoyed during our 88 day stay in India (between November 2024 and February 2025) became, like the Indian coastline over which we flew, distant memories which I hope will remain etched permanently in my mind. In the pages of this book, I will revive these and a whole host of other reminiscences and explore them in detail. I want my readers to enjoy and understand what we experienced during our almost three month long stay in India.

The art of demolition in London’s Dering Street

THE ANNELY JUDA Fine Art Gallery is currently in London’s Dering Street, but it will soon be moving to a new location in Mayfair’s Hanover Square. To celebrate the gallery’s forthcoming departure from Dering Street, its final exhibition at that address is called “Demolition”. It is a collection of artworks created by Tadashi Kawamata (born 1953 in Japan). He lives and works in Paris (France).

The name of the exhibition describes what the viewer will see: demolition. The artist has dismantled the gallery’s walls and panelling and used the fragments and debris from them to create a series of art works, which together make the gallery look like a building site. This might sound ridiculous, but the sculptural forms he created from the fragments of the gallery’s structure are both intriguing and exciting. It looks like someone had exploded a bomb within the gallery. However, certain elements remain untouched: cctv cameras, light switches, smoke detectors, and electrical sockets. Kawamata is well known for his site-specific creations. In addition to the sculptural ensembles that he created using the fabric of the gallery, there are several beautifully intricate three-dimensional maquettes of other projects the artist has planned or carried out.

Now, Annely Juda is a commercial gallery. I asked a member of its staff whether the amazing works that were on view in the gallery were for sale. He said that they are, and the artist will recreate the works for clients in their own spaces.

This amazingly unusual exhibition will continue until 5 July 2025.

A relic of a monastery in Dorset

A SMALL SIX-SIDED stone structure stands in the heart of the town of Sherborne in Dorset (UK). It is built with a yellowish stone in the mediaeval gothic style. Open to the elements on each of its six sides, its ceiling is a perfect example of gothic fan vaulting. Although it looks like a small kiosk or somewhere to shelter from the rain, it was not built as such.

Sherborne is famous for its magnificent gothic abbey church, which stands a few yards from the structure mentioned above. Until 1539, the church was attached to a Benedictine monastery. The latter was dissolved by Henry VIII in 1539, when most of the monastic buildings were either destroyed or sold. Some of them now form part of the venerable private Sherborne School.

Like most monastic institutions, that at Sherborne had cloisters. The six-sided structure, now known as ‘The Conduit’ was originally built in the early 16th century as part of the cloisters, to serve as a washing place for the monks. It survived the demolition of the monastery, and now forms pat of the quaint urban landscape of central Sherborne.

Why are some post boxes in Britain not coloured with red paint?

PETER WILSON WAS born in the English county of Dorset in 1968. In the 2012 Olympic Games, he won a gold medal in a shooting event.

To celebrate Britons who won gold medals in the 2012 Olympic Games and Summer Paralympics, the Post Office painted several letter boxes with gold-coloured paint. It was originally planned to be a temporary measure, but as the public gave it much approval, the boxes have remained gold,

Peter Wilson’s Olympic achievement is celebrated by a gold letter box that stands in Sherborne, in Dorset. It can be found on Cheap Street. A plaque attached to it is there to remind people why the letter box is gold rather than the usual red.

Depicting a sea creature at a garden in Devon

DESPISED BY MARINERS whose boats are fouled by these creatures that attach themselves firmly to the hulls of vessels, they are important in the seawater eco-systems. I am referring to barnacles, which are arthropods of the subclass Cirripedia. The mature barnacle attaches itself to surfaces including boats, seashells, sea creatures including whales, and rocks, using an incredibly strong glue that they secrete. Once stuck in place, they feed by filtering the water through their bodies, extracting plankton from it. Thus, barnacles assist in the purification of seawater. For those who are concerned with ecological matters, barnacles are a useful indicator of water quality in coastal environments.

Our daughter, who is the curator at UP Projects, an organisation that commissions and executes public art works, has been involved in producing a sculpture, “I travelled 66 million years to be with you and then you came”, created by the artist Anne Duk Hee Jordan. It was unveiled on 4 June 2025. The sculpture is a depiction of the bodies of barnacles, greatly enlarged, perched on a pile of slate stones on which shapes of fossils have been carved. The barnacles are sculpted in porous materials that, like real barnacles, filter and purify water that passes through them. As UP’s website explained, the barnacle forms:

“… are made from materials with water-filtering properties, including Roman concrete, a plant-based version of activated charcoal known as biochar, shell fragments, zeolite minerals and iron oxide …”

By using these materials, the barnacle sculptures not only resemble the creatures’ forms but also their filtration functions.

The sculpture is being displayed in the garden of A La Ronde, a curious eighteenth-century house near Exmouth in Devon for a few months. Maintained by the National Trust, this (almost circular) building has sixteen sides and a central octagonal lightwell. It was built in 1796 by two cousins, Jane and Mary Parminter. With fine views of the River Exe and its estuary, the eccentrically designed house is filled with curiosities collected by the Parminters. These objects include many natural items such as seashells, bird feathers, fossils, bones, and rocks. No doubt some of these specimens have the shells of dead barnacles attached to them.

It is quite appropriate that Duk Hee’s modern sculpture, which simultaneously celebrates the importance of barnacles and purifies water falling on it, has been placed in the garden of a house once owned by two ladies who, judging by their extensive collection of seashells and other natural objects, had a great interest in the environment in which they lived. The artist’s creation serves as an object on which to concentrate while contemplating the importance and fragility of the eco-system that supports life as we know it.

A garden of great beauty in Wiltshire

THE COURTS GARDEN is in Holt in Wiltshire. The gardens surround a house that was built for a clothier in about 1720, although some parts of the structure were built 200 years earlier.

In 1900, the house was purchased by the architect Sir George Hastings. It was he who laid out the magnificent gardens surrounding the house. The property changed owners in 1910 and then again in 1920, when it was purchased by Major TCE Goff and his wife Lady Cecile. She was influenced by the garden designer Gertrude Jekyll, and created various new features in the garden. The Goffs donated the house and gardens to the National Trust in 1943.

Well-maintained, this beautiful garden is well worth a visit.

Two interesting artists at a farm in Somerset

DURSLADE FARM NEAR Bruton in Somerset is home to a branch of the international commercial art gallery, Hauser and Wirth.  Until 1 February 2026, there is a wonderful exhibition of artworks by Jean Tinguely (1925-1991) and his partner, wife (for a while), and long-term collaborator Nikki de St Phalle (1930-2002). Both artists produced highly original and very imaginative creations.

 

A collaboration by Tinguely and de St Phalle

The sculptures created by Tinguely are frequently examples of kinetic art in which elements of the sculptures are made to move by motors, which are parts of the artworks. His sculptures often resemble unusual machines. Some of his works were collaborations with Nikki de St Phalle.

 

Nikki’s works are often colourful, playful, and figurative. In one room of the exhibition, the viewer is introduced to an interesting method of creating artworks used by de St Phalle. She used a rifle to fire bullets filled with paint at various targets. When the bullets hit the targets, they splattered the paint contained within them. A few examples of this procedure are on display in the show.

 

The exhibition is held both inside and outside  the buildings at Durslade Farm. The works outside were by de St Phalle. Those by Tinguely are all inside. Every 10 minutes, the sculptures with motors are activated for a few minutes. They are now too fragile to be run continuously or left in the  open air.

 

Hauser and Wirth Somerset  (at Durslade Farm) is now a popular destination not only for its art shows but also for its restaurants, garden, and pricey farm shop. However, its art exhibitions are always superb, and the current one is no exception.

From a castle in Devon to the colony of Newfoundland

COMPTON CASTLE IN DEVON is deep in the countryside near to Torquay. It is a fortified manor house that dates back to 1520, and before the fortifications were added in that year, it was already a manor house by the mid fourteenth century.

For many centuries, Compton Castle was home to the Gilbert family. In 1785, the estate was sold. However, in 1931, and American descendant of the family purchased the estate and restored the castle. In 1951, the estate became part of the National Trust on condition that the family could continue to live in a part of it. Today, one wing of the castle is the private home of some members of the Gilbert family.

The most famous member of the family is Sir Humphrey Gilbert (c1539-1583). He is best known for establishing a British colony in Newfoundland – the first British colony in America. And it was the first ever British colony in the world. It can be said that by founding this colony, he was the founder of the British Empire.

Sir Humphrey died at sea while travelling on an English ship, the Squirrel. In many places within Compton Castle there are images and sculptures of squirrels in memory of this ship.

Compton Castle is well worth visiting. Not only is the castle magnificent, but also the rose garden next to it.