Tag Archives: indo-saracenic

Exotic vegetables and a building in Paddington

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EXOTIC VEGETABLES AND PADDINGTON STATION

CRAWFORD MARKET IN central Mumbai was completed in 1869. Its British architect William Emerson (1823-1924) designed it in an Indo-Saracenic style, which attempted to combine Victorian Gothic and Indian architectural features.

Crawford Market

I am familiar with some of Emerson’s other buildings. One of them is the Nilambagh Palace in Bhavnagar, Gujarat. Now a hotel, we have stayed there. Another building, which is closer to our home in London, is the Clarence Wing of the St Mary’s Hospital in London’s Paddington. You can read more about the hospital in my book “BEYOND MARYLEBONE AND MAYFAIR: EXPLORING WEST LONDON”, which is available from Amazon.

Two of the entrances to the market hall are surmounted by lovely bas-reliefs, which were created by Rudyard Kipling”s father John Lockwood Kipling (1837-1911). The building was the first in India to be lit by electricity. This was added in 1882. There is a noteworthy Gothic revival drinking fountain in the market hall. This was gifted by Cowasji Jehangir. Many cats and kittens were running around its base. No doubt at night, they threaten the rodents that might be lurking around the market. During the day, they are given tidbits by the market traders.

The market is mainly for food and household goods. When driving past it on the nearby JJ Flyover, there is usually a whiff of fish emanating from it. However, within the market, this is not noticeable.

Amongst the numerous vegetable stalls, we noticed a few selling typical European products such as lollo rosso lettuce, fresh basil leaves, and other herbs associated more with European cuisine than Indian. At one of these stalls, we spotted Chinese cabbage and pak choi. The stalls selling these described themselves as purveyors of “exotic” or “English” vegetables.

A visit to Crawford Market is always worthwhile. You are likely to be approached by porters who will offer to follow you around whilst you shop. They will carry your shopping in cylindrical baskets, which they balance on their heads. As we were ‘just looking’, we did not take up their offers.

A palace by the sea

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IN OCTOBER 2022, we visited the Isle of Wight and went around Osborne House, which Queen Victoria and her consort Prince Albert had constructed as a holiday home near the seaside on the north coast of the island. A largely unattractive Victorian pile, its saving grace is the Durbar Hall, which is a near perfect example of the Indo-Saracenic style of architecture that can be found in many places in India. Recently (in February 2023), we visited another royal summer palace located close to the sea. It is the Vijaya Vilas Palace close to Mandvi in the former Kingdom of Kutch, now a part of the Indian State of Gujarat.

The Vijaya Vilas was completed in 1927. It was built by Kutch’s ruler Maharao Kengarji III as a summer resort for his son and heir, the Yuvraj Shri Jayarajii.

Architecturally, it resembles older Rajput palaces, and is a fine example of the Indo-Saracenic style. It and its various oriental decorative and structural features were made by craftsmen from Bengal, Jaipur and other places in Rajasthan, Saurashtra, and Kutch. The predominant material used is sandstone , of which there is no shortage in Kutch. It seems that the palace suffered little damage during the 2001 earthquake, which badly affected the Maharao’s palaces in nearby Bhuj (the capital of Kutch).

Inside the palace there are rooms with furniture that would not look out of place in many English stately homes. There are many framed photographs of the royal family, their guests, and the many wild animals that were shot. One of these was a leopard that was shot by someone inside the palace. One of the window panes has a bullet hole that is said to have been made by the bullet that killed the creature. There are also photographs that record the many times that scenes in Bollywood movies were shot in the Palace.

One photograph shows the US General Dwight Eisenhower seated in a jeep. This picture was taken in Europe during WW2. I have yet to discover what, if any, connection existed between Eisenhower and the royal family of Kutch.

Visitors can visit the rooms on the ground floor, and can ascend to the roof from which there are superb views of the sea and the flat countryside around the palace. The first floor, which is private, is the residence of members of the former royal family.

Although not as old as it looks, Vijaya Vilas, is a superb example of the kind of palace typical of those older ones that can be seen in Rajasthan. To my taste, Vijaya Vilas is a much more lovely and harmonious edifice than Victoria and Albert’s seaside home on the Isle of Wight.

Bringing India to Queen Victoria in England

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OSBORNE HOUSE ON the Isle of Wight was one of Queen Victoria’s favourite residences. Apart from one room within it, I was not overly impressed by the place. That room, which alone is a very good reason to visit Osborne, is the ornate Durbar Room. Entering this vast hall is like stepping inside an exuberantly decorated Maharajah’s palace somewhere in India. It is a superb example of the Indo-Saracenic style, which is according to one definition (on Wikipedia) was:

“… a revivalist architectural style mostly used by British architects in India in the later 19th century, especially in public and government buildings in the British Raj, and the palaces of rulers of the princely states. It drew stylistic and decorative elements from native Indo-Islamic architecture, especially Mughal architecture, which the British regarded as the classic Indian style, and, less often, from Hindu temple architecture.”

The Durbar Room was built not in India but in the country that ruled it at the time. It was designed not by a British architect but by a man from British India – Ram Singh (1858-1916), who was born in Rasulpur in the Punjab (now a village in Pakistan). His skills were recognised at a young age when he was seen working in a woodcarver’s shop in Amritsar. The man who spotted his talent was Rudyard Kipling’s father, the art teacher Lockwood Kipling (1837-1911). At the time, Lockwood was the first principal of the Mayo School of Industrial Arts, Lahore (established in 1875). He enrolled Ram as a student. Ram Singh was a successful student and soon became assistant drawing master at the school and Lockwood’s protégé. The two men collaborated in many important projects including designing Aitchison College in Lahore, the Mayo School in Lahore, and both the Indian Passage and ballroom at Bagshot Park (near Windsor). The work he had done in England led to him and Lockwood Kipling being given the commission to design the Durbar Room at Osborne.

The Durbar Room was designed to accommodate large ceremonial occasions and to reflect Queen Victoria’s exalted position as Empress of India, a role created by the British Parliament in 1876. This room, completed in 1891 as an extension of Osborne House, with its riotous array of mainly Mughal-style plasterwork decorations might have served yet another purpose. By the time it was completed, Victoria had never visited India, and at the age of over 70 years was unlikely to do so (and never did). In a way, the Durbar Room brought India to Victoria, and judging by its appearance, did so very well.