Beverages beneath the banyans

ONCE A CITY FILLED with lovely gardens and other verdant open spaces, Bangalore (Bengaluru) is growing alarmingly rapidly. So, public spaces that have been as yet saved from being built on are valuable amenities. One of these areas of greenery is the so-called Tivoli Garden, which is in the grounds of Airlines Hotel in the heart of the city.

Known popularly as ‘Airlines’, the Tivoli Garden, a name by which it is hardly known, has tables and chairs set out in an open space, a clearing, surrounded by trees, several of them being elderly banyans.

Opened in 1969, the open air café and eatery is still supervised by a man who helped set it up two weeks before it opened all those years ago. Despite its rather untrendy appearance, Airlines is popular with Bangaloreans of all ages. Quite a few of them are students, but many are office workers. Very good South Indian filter coffee is served at Airlines. A wide range of South Indian vegetarian dishes is also served.

The coffee, other drinks, and food are prepared in the kitchen of the hotel. Waiters in white uniforms carry drinks and food across the car park from the kitchen, which is located at the far end of a dingy dining hall, to the garden seating area. Some customers prefer to have their orders served to them whilst sitting in their parked cars.

For my wife and me, Airlines has several attractions. One is the coffee. Another is the pleasant ambience under the trees. And yet another is nostalgia. My wife used to visit Airlines with her family in her late teens. And together with our daughter, my wife and I have been regular visitors to Airlines since when we married in 1994.

For several years, Airlines has been under threat of closure by the people who own the land. Over a decade ago, these people reclaimed half of the area occupied by the café. They built an ugly grey wall (rather like a Berlin Wall) to separate what is left of Airlines from what has now been built on. The supervisor, whom we have known for ages, assured us that as far as he knows the remaining part of the establishment will remain safe from redevelopment.

It would be tragic if Airlines were to disappear, not only because we love it but also it would be yet another example of how what was once a lovely garden city is becoming more and more of an urban jungle

A hotbed of demoralisation and crime in north London

A WINDING LANE leads from Hampstead’s East Heath Road into the picturesque Vale of Health. I wrote about this isolated, small settlement surrounded by Hampstead Heath in the summer of 2017 (https://hampsteadadam.travellerspoint.com/2/) and have not revisited the place until today, the 2nd of January 2021. Little appears to have changed since then, but I have learnt a little more about the place.

As for its name, the place was not always as healthy as its name suggests. I wrote:

The land on which the Vale is situated is mentioned in the Domesday Book (1086 AD). It was then owned by the Abbots and monks of Westminster. By the 18th century this swampland in the middle of the part of the Heath, then known as part of ‘Gangmoor’, was inhabited by impoverished people and was malarial. In the 1770s, the area was known as ‘Hatches’ or ‘Hatchett’s’ Bottom, because Samuel Hatch, a harness-maker, had owned a cottage there before 1770. This unsavoury hollow was described in about 1817 as a “stagnate bottom, a pit in the heath” by the sculptor Joseph Nolleken’s wife (see: http://www.british-history.ac.uk/vch/middx/vol9/pp71-73). It was a vale, but not a healthy one.”

However, by 1801 when the land had been drained and property developers began building houses in the area, it gained the salubrious-sounding name by which it is known today.

Apart from the famous Indian artistic genius Rabindranath Tagore (1861-1941), who stayed in the Vale in 1912, the settlement was home to many other well-known people including the author Compton Mackenzie; the barrister Alfred Harmsworth; DH Lawrence; the philosopher Cyril Joad; and Stella Gibbons. Earlier notable residents included the law reformer Sir Samuel Romilly (1757-1818); the poet and essayist James Leigh Hunt (1784-1859), who entertained leading literary figures such as Hazlitt, Keats, Lord Byron and Shelley in his house in the Vale; the publisher Charles Knight (1791-1873); and, also, a Prince Eszterhazy.

During the 19th century, not only were the literati and wealthy attracted to the Vale but also it was a popular place for hoards of trippers, whose names never made it into the annals of history. The author of “The Northern Heights of London” published in 1869, William Howitt (1792-1879), describes these pleasure-seekers and what they did in some detail. He wrote that:

“This Vale of Health used, till of late years, to present a sight at once picturesque and pleasant. In front of a row of cottages, and under the shade of willows, were set out long tables for tea, where many hundreds, at a trifling cost, partook of a homely and exhilarating refreshment. There families could take their own tea and bread and butter, and have water boiled for them, and table accommodation found for them, for a few pence…”

And then, everything changed for the worse according to the puritanical-sounding Howitt:

“Recent times have seen Sunday dissipation reasserting itself, by the erection of a monster public house with a lofty tower and flag, to attract the attention of Sunday strollers on the Heath. Of all places, this raised its Tower of Babel in that formerly quiet and favourite spot, the Vale of Health … that taps and gin palaces on a Titan scale should be licensed, where people resort ostensibly for fresh air, relaxation, and exercise, is the certain mode of turning all such advantages into popular curses and converting the very bosom of nature into a hotbed of demoralisation and crime…”

This demoniacal-sounding establishment is marked as ‘Suburban & Hampstead Heath Hotel’ on a map surveyed a year before Howitt’s book was published. On a map surveyed in 1912, it is marked simply as ‘Hotel’. Just a few houses away southwest of it, another building is marked ‘Hall’, to which I will refer shortly. According to both maps, the hotel stood where today there is a twentieth century block of flats called Spencer House. Opposite this edifice, there is a caravan park, which has been in the possession of the Abbotts family for over 160 years. Since the late 19th century, this patch of land has been fairground land. About ten members of the family live on the site in caravans, and other travelling fair workers can camp there free of charge. In exchange, members of the Abbott family, who operate travelling fairs, are allowed camp for nothing on other fairground owners’ sites when they travel around the country.

Returning to the building that upset Howitt, “A History of the County of Middlesex: Volume 9” (https://www.british-history.ac.uk/vch/middx/vol9/pp71-73) notes:

“… the Suburban hotel (also called the Vale of Health tavern) with towers and battlements and accommodation for 2,000 was built in 1863 …”

This source also notes another establishment, which was being built whilst Howitt was writing or just about to publish. This was the ‘Hampstead Heath Hotel’, which was built in 1868. This stood between two groups of ‘villas’, that is between 1-6 Heath Villas and 7-12 Heath Villas. It was the building marked as ‘Hall’ on the 1912 map. It is now occupied by a mid-twentieth century block of flats, smaller than Spencer House, named ‘Athenaeum’.

The Hampstead Heath Hotel closed in 1877, when it passed into the ownership of Henry Braun. His great grandson, Frances Francis wrote (www.francisfrith.com/uk/hampstead/vale-of-health-hotel_memory-7431):

“My great grandfather Henry Braun owned the Vale of Health Hotel … overlooking the lake, from 1877 until the early 1900’s. The hotel was used as an Anglo German club called the Athenaeum and by 1908 had 1200 members – 500 English, 700 German, including many political radicals. The hotel became a factory during World War I and then remained derelict for some years. The hotel was eventually pulled down in 1958, when I was 15 and I remember with sadness watching ‘luxury’ flats being erected in its place.”

The club closed in 1914 and then became used as a factory until it was demolished and replaced by the present building in 1958.

According to the County History to which I have already referred, The Athenaeum club’s larger neighbour, the hostelry that Howitt detested was:

“The large Vale of Health tavern, originally intended as a hotel and sanatorium, was sold in 1876, became associated with the fair, was let as flats, and c. 1900 became a hotel again on a smaller scale, with the upper rooms let as studios … Spencer House (flats) replaced the Vale of Health hotel in 1964.”

Howitt would have been even more dismayed to have learnt that there was a third hotel built in the Vale of Health in the 1880s. It stood next to the Athenaeum on the site now occupied by Byron Villas. It was at number 1 Byron Villas that the writer DH Lawrence lived in 1915.

Today, Howitt would most probably be happier with the Vale of Health than he was in 1869. The hotels have gone, and there is not even the tiniest of stalls where refreshments may be obtained. He might disapprove of the parked cars and the caravan site opposite Spencer House, but there would be hardly anything that he could find to decry.  By the edge of its large pond, one of the sources of the River Fleet, the Vale of Health remains a quiet oasis in the heart of north London.

Water music

I BELIEVE THAT SOUND travels well over water. I do not know if that is scientifically proven, but I like to think that it is the case.

BLOG KENWOOD 2

Yesterday, we visited Kenwood in north London. The neo-classical mansion, remodelled by Robert Adam (1728-1792) and completed in about 1780, contains a superb collection of fine art (the Iveagh Bequest), mostly paintings. Because of the Coronavirus pandemic, Kenwood House was closed, but its extensive grounds were open. Although the official car park was fully occupied, there was no sense of crowding in the grounds.

A wide terrace at the rear of the mansion overlooks a sweeping panorama including a lake at the bottom of the grassy slope that falls away from the terrace. From this vantage point, the viewer can see what looks like a fine bridge with balustrades and three arches at the eastern end of the body of water. However, what meets the eye is not a bridge, but a sham, a trompe-l’oeil, made in wood to produce a picturesque view. It was designed by Robert Adam and constructed in about 1767 and fully restored in the late 20th century.

The bridge has survived the progression of time, but another structure that was a notable feature on the side of the lake furthest from the House has not.  This was an edifice shaped like the quarter of a sphere. Within this shelter, a whole symphony orchestra could be comfortably seated with their instruments. On summer evenings, orchestras used to play music that travelled across the lake to huge audieces seated on the grassy slope leading down to the water.

I used to attend these concerts occasionally during my younger days. They were, as I can recall, often on Saturday evenings. Two kinds of tickets were available. The costlier ones allowed a person to sit on one of the deckchairs arranged in rows on the part of the slope closest to the lake. The cheaper ones permitted holders to sit on the grass above the rows of deckchairs. Many people, who sat on the grass, brought rugs and picnics, which they enjoyed whilst listening to the music. I have never liked sitting on the floor and always preferred to experience the concert in a comfortable deckchair.

It was delightful sitting outside hearing well-performed music whilst the sun set slowly, and the twilight enveloped us all. The acoustics were good, but the first halves of many concerts were subject to the frequent the competition from noisy aeroplanes passing overhead. Usually, by the second half of the performance, there were few interruptions by ‘planes.

When we returned to Kenwood yesterday, the orchestra ‘dome’ was not visible. Where it had been has been replaced by bushes and trees. There is not a trace of it left. It looks as if it had never existed and I worried that maybe my memory had played a trick on me. We stopped a couple of elderly women and asked them about the concerts. They remembered them well and told us that they had been stopped a few years ago because, incredibly, local residents had complained about being disturbed by the noise (and increased traffic) during the few events that occurred each summer.

The lakeside concerts were held every year between 1951 and 2006, the year the English Heritage was forced to put an end to what had been a lovely annual event and an important money-spinner for them. I remember those concerts with fondness and hope that the wealthy inhabitants who live around the area, quite distant from the lake, will one day relent to allow music lovers to enjoy fine music wafting across the water. Well, as often is the case, money has more clout than culture.

Under the trees

The outdoor café at Airlines Hotel in Bangalore has been in existence for many decades and still remains a popular eatery and coffee place. What a great joy it is to sit induer the leafy branches of the trees surrounding the outdoor chairs and tables.

People can be served while they sit in their cars parked in the small car park next to the outdoor seating area. At times, this parking lot can become very full. Cars queuing for entry to Airlines can cause traffic congestion in the street (Madras Bank Road) on which the eatery is located.

The walls enclosing Airline’s compound are decorated with paintings and quotations about tree leaves from the poetry of Kabir Das (1440-1518).

I have been visiting Airlines regularly since 1994, when I first visited Bangalore, and my enjoyment of the place had never diminished.

Art on the road

We have recently returned from Cochin (in Kerala, South India), where every two years there is a huge art exhibition, the Kochi Muziris Biennale, that is open for just over three months. The artworks on display are supposed to conform in a loose way to a theme chosen by the chief curator. The artworks are not for sale at the Biennale.

Once a year early in each January, a one day art festival called Chitra Santhe is help along Kumara Krupa Road in Bangalore. This tree lined thoroughfare runs past both the Bangalore Golf Club and also the Chitrakala Parishadh, a leading art school.

Many artists display their works along the street. Their aim is to sell to the thousands of passers by, who amble leisurely past them. The quality of the artworks varies from highly skilled to colourful kitsch. All tastes are catered for. Many visitors wander about with their wrapped purchases under their arms.

The atmosphere at Chitra Santhe is festive. The January temperatures make for pleasant outdoor art viewing. Unlike the Biennale in Cochin, there is no theme unifying the artworks on display apart from the artists’ desire to sell. The artists are happy to discuss their works and are not pushy salesmen. Prices range from very low to not unreasonably high.

If you happen to be in Bangalore on the first Sunday in January, then an hour or so at the Chitra Santhe should prove to be a rewarding and enjoyable experience.