APPLE TREE YARD is a cul-de-sac near London’s Piccadilly. It runs east from Duke of York Street and parallel to Jermyn Street. On its south corner where the Yard meets Duke of York Street, there is an interesting monument consisting of three slightly separated carved basalt slabs with letters inscribed in them. The letters make up the following words, all in capital letters:
“SIR EDWIN LUTYENS ARCHITECT
DESIGNER OF NEW DELHI
LAID OUT HIS PLANS HERE IN APPLE TREE YARD”
Although I have never been to Delhi, I am familiar with the work of Edwin Lutyens (1869-1944). I was brought up in north London’s Hampstead Garden Suburb not far from its Central Square, which is surrounded by buildings that Lutyens designed before embarking on his projects in New Delhi. Although the above-mentioned basalt blocks were completed in 2015, I had not been past Apple Tree Yard until yesterday (13th September 2022). Next to the inscribed blocks there is an attractive figurative bas-relief carving, also in basalt, mounted on a wall.
The carvings were made by Stephen Cox and he describes them in detail on a web page (www.lutyenstrust.org.uk/portfolio-item/apple-tree-yard-sculpture-honours-spirit-lutyens/). Here is a brief summary of what he wrote. The bas-relief sculpture is called “Relief; Figure emerging”. It was inspired by sculptures in Hindu cave temples, especially those around a town near Chennai (Madras): Mahabalipuram. The basalt that can be seen in Apple Tree Yard was quarried near the south Indian temple town of Kanchipuram. Cox, who has a studio in Mahabalipuram, was assisted by local carvers, when he created the bas-relief. In summary, the monumental slabs and the nearby sculpture have their roots in India, which is highly appropriate as they commemorate an architect, who worked in India.
I must admit that amongst all the foreign architects, who have made significant buildings in India, Lutyens is not my favourite. Those, whose works I have seen in India and liked, include William Emerson (1843-1924), Frederick W Stevens (1847-1900), Le Corbusier (1887-1965), and Louis Kahn (1901-1974).
Lutyens, who was a former Viceroy of India’s son-in-law, drew up the plans for New Delhi in an office at number 7 Apple Tree Yard. Hence, the location of the monumental stones. Number 7 was for a long time the home of the Royal Fine Art Commission, but it exists no longer. It is now covered by a new building. However, his work in both India and the Hampstead Garden Suburb can still be admired by those who like Lutyens’s work. I feel that Cox’s memorial to him is much more elegant than much that I have seen of his buildings.
PALMYRA SQUARE IS a delightful rectangular piazza in the heart of Warrington in Cheshire. I use the word ‘piazza’ because the English word ‘square’ includes many squares which are anything but square. The centre of this open space is filled with the pleasant Queen’s Gardens, the Queen in the name being Victoria. It was near the end of her reign that the 2nd Anglo-Boer War (‘Boer War’; 1899-1902), a bloody conflict between the British Empire and the Dutch speaking colonists in what is now South Africa, occurred. In the middle of the eastern half of Palmyra Square there is the statue of a man in a helmet carrying a rifle in his left hand. His right arm points forward, as does his right index finger. The other fingers of his right hand clutch a pair of binoculars. He is wearing knee high boots, standing on a sculpture of a rock, and dressed in an old-fashioned military uniform. As soon as I saw this statue, I guessed (from the style of the uniform) it was connected the Boer War, and when I looked at the plinth upon which the military figure is perched, I discovered that I was right.
The monument was unveiled by General Sir Redvers Henry Buller (1839-1908), in the year before his death. Buller commanded British forces in South Africa during the Boer War. The man depicted on the plinth is Lieutenant Colonel MacCarthy O’Leary (1849-1900). He was killed on the 27th of February 1900 whilst leading men of his regiment (The South Lancashire) during the Battle of Pieters Hill. Richard Danes in his “Cassell’s History of the Boer War” (published 1901) pointed out that the 27th of February was Majuba Day, which was when the British were soundly beaten by the Boers at the Battle of Majuba Hill in 1881. The battle at Pieters Hill, which led to a British victory, facilitated the opening of the road to Ladysmith, which was being besieged by the Boer forces. An informative website (www.alamy.com/stock-photo-statue-of-lt-col-william-mccarthy-oleary-in-queens-gardens-warrington-54385554.html) revealed:
“The Regiment drew many of its recruits from the then-South Lancashire town of Warrington, where Colonel O’Leary was very well known. When the town erected a memorial to the men of the Regiment who died during the war, it chose to feature a sculpture of Colonel O’Leary on campaign in South Africa.”
The statue was sculpted by Edward Alfred Briscoe Drury (1856-1944). Amongst his many other creations is the South Africa Gate on The Mall in London.
The plinth upon which O’Leary stands forever motionless bears a large plaque on which the many members of the 1st and 2nd Battalions of the South Lancashire Regiment, who died during the Boer War, are recorded. These include a few officers and too many men of lower rank. Another plaque records the campaigns in which the regiment was involved. Apart from Pieters Hill, these were: Spion Kop, Vaal Krantz, Colenso Kopjes, Tugela Heights, Relief of Ladysmith, Botha’s Pass, Laings Nek; and the occupations of Wakkerstroom, Utrecht, and Vryheid. In other words, they took part in most of the important struggles during the Boer War.
The monument stands in a peaceful square in a small town, once in Lancashire but now in Cheshire, just about 400 yards from the River Mersey. As I stood looking at it during an unusual heatwave when the air temperature was between 35 and 37 degrees Celsius, I wondered how the brave men recorded on the plinth, who would have been encumbered with military equipment and inappropriate uniforms, managed to keep on going during the hot weather that they would have encountered whilst struggling against the Boers in the south of Africa.
CHARLES LUTWIDGE DODGSON (1832-1898), better known as Lewis Carroll, author of “Alice’s Adventures in Wonderland”, was born in the village of Daresbury in Cheshire. During his first few years of life, Charles’s father was the curate of the local church of All Saints.
When he was 11, the Dodgson family moved away from Daresbury. Eventually, Charles entered Christ Church College in Oxford. It was here that he met the young child Alice Liddell, daughter of the Dean of Christ Church. It was this young child who inspired Dodgson to create and later publish his famous story. Unlike many other Victorian tales for children it was free from moral instructions.
Dodgson/Carroll died in Guildford, where he was buried. To celebrate the 100th anniversary of his birth, money was raised to create a window in the church in Daresbury to commemorate him. Known as the Lewis Carroll Window, it allows light into a Chapel in the southeast corner of the church. Designed by Geoffrey Webb, it was dedicated in mid 1935.
The stained window incorporates depictions of both Carroll and Alice Liddell, as well as some of the creatures drawn originally by John Tenniel, who illustrated the book about Alice.
A modern addition to the church was built onto its North side. This contains a Lewis Carroll exhibition. One of the exhibits is an old Bell. This used to be attached to a barge that served the religious needs of the people who lived and worked on the canals near Daresbury. This floating chapel was the creation of Lewis Carroll’s father.
We visited Daresbury on a July day when the air temperature was 37 degrees Celsius. Fortunately, it was cooler inside the church. I am grateful to Christine Casson for encouraging us to visit the church with the Wonderland window.
BURNHAM-ON-CROUCH in Essex is a picturesque port on the River Crouch. Currently, it is a leisure resort and a centre for ship maintenance and boating. It was once famed for what grew in great numbers on the muddy bed under the water of the Crouch: oysters. For several centuries before the river became polluted in the 19th century, the oyster beds in the Crouch (and a few other places in Essex) were very profitable, providing much employment.
“On the shores of England the principal nurseries of oysters, not only for the English markets, but also for the foreign, are those on the coast of Essex and the estuaries adjoining: those taken there are called ‘ Natives/ Mr. Sweeting claims the name as peculiarly applicable to his fishery, as within his memory no strange oysters have ever been introduced…”
Men were required both to dredge the oyster beds and process the molluscs as well as to protect the precious creatures from thieves based in other places on the Essex coast.
Today (11th of July 2022), we visited the small but excellent museum in Burnham-on-Crouch. On the ground floor, we saw a retired mechanised oyster grading machine (made in France and capable of sorting 7000 oysters per hour) amongst the exhibits. On the upper floor of the museum, which is housed in a former boat repair building, we met the museum’s treasurer, who is a mine of interesting local history. He told us several things about Burnham’s oyster heydays. I hope that what I am about to tell you is a reasonably accurate summary of what he told us. If it is not totally accurate, I hope that he and you, dear reader, will forgive me.
For 10 years, I used to live in north Kent and often visited Whitstable to enjoy eating oysters for which this Kentish seaport is famous. The treasurer in Burnham told us that many of what are described as ‘Whitstable oysters’ were born in the mud beneath the river in Burnham-on-Crouch. From what I can recall, the young oysters, which grow in the mud beneath the Crouch, are dredged and then placed on boards to which they attach themselves. Keeping them submerged in seawater, the boards to which the young oysters are attached, were transported to Whitstable where they matured in its waters. The Burnham oysters were ‘native’, meaning that they began their lives there; they were not imported, as Thomas Campbell Eyton described in “A history of the oyster and the oyster fisheries” (published in 1858):
“On the shores of England the principal nurseries of oysters, not only for the English markets, but also for the foreign, are those on the coast of Essex and the estuaries adjoining: those taken there are called ‘Natives’. Mr. Sweeting claims the name as peculiarly applicable to his fishery, as within his memory no strange oysters have ever been introduced.”
One of the exhibits in the museum is a large model of the octagonal Victorian clock tower that dominates Burnham-on-Crouch’s High Street. The tower stands next to the building that used to house the former St Mary’s School. It was erected in 1877 to honour the local philanthropist Laban Sweeting (1793-1876). So, what, you might ask, and what has he got to with what I have been writing about?
Laban Sweeting, mentioned in the quoted from Eyton’s book, was a philanthropist; a member of The Burnham River Company; and he was one of the town’s oyster merchants. The museum has amongst its exhibits a small barrow, which used to be wheeled around Burnham by a member of the Sweeting family. It would have carried baskets of oysters ready for sale to the town’s populace.
We had visited Burnham once before, and although I was impressed by the clock tower, I knew nothing of its history. Neither did I know about the town’s association with oysters, which were poor people’s food in the 19th century, when chicken was a luxury. How times have changed.
HENLEY-ON-THAMES is located at the Oxford end of a bridge across the River Thames, which separates the county of Oxfordshire from its neighbour Berkshire. Located on the old main road between London and Oxford, it retains much ‘olde-worlde’ charm. Its streets are lined with many buildings that were constructed in the 18th century and before. Some of these used to be coaching inns but are no longer. However, some of the hostelries that served wayfarers in times long ago are still serving thirsty and hungry customers today, for example: The Red Lion, where William III might have visited, now an upmarket restaurant; and The Catherine Wheel, now a branch of the Wetherspoons company. On a recent visit in April 2022, we enjoyed superb coffee at Pavilion on The Market Place, close to the Town Hall.
Beer lovers will not need reminding that Henley is the home of Brakspear & Sons, the brewery company. Founded in Henley in 1722, beer was brewed in the town since then, although some of the comapany’s products are now brewed elsewhere. Many of the brewery’s older buildings, now converted for new purposes, can be seen alongside New Street. The company’s offices are now located on Bull Courtyard off Bell Street.
The stone bridge across the river was built in 1788. It is the finishing place of the annual Henley Royal Regatta held in summer, ever since its inception in 1839. Near the bridge, stands Henley’s parish church of St Mary the Virgin, which has a 16th century tower. The exterior walls of the southeast corner of the church is an eye-catching chequerboard of alternating masonry and flint squares. The church’s interior has been much modified by the Victorians. The churchyard north of the church is surrounded mainly by almshouses. Immediately next to the north side of the church stands a two-storied, half-timbered building, the Chantry House, some of whose beams come from trees felled in 1461 (according to scientific dating methods). Between 1552 and 1778, this edifice housed a school. Since 1923, it has housed the Parish Rooms.
The churchyard is filled with many gravestones. One of them immediately attracts the visitor as it is surrounded by generous amounts of fresh flowers. It is a memorial to the singer Dusty Springfield (1939-1999), who died in Henley. In the 1990s, Dusty lived by the Thames at Hurley near Henley. While in the area, she suffered from several bouts of breast cancer, the cause of her demise. Her funeral at St Mary’s in Henley was attended by many of her fans and leading lights in the British popular music scene including Elvis Costello, Lulu and the Pet Shop Boys. According to her wishes, Dusty was cremated, and some of her ashes were scattered in Henley and the rest in Ireland.
Dusty was not the only music celebrity to have lived in Henley. A man we met outside his house in the town reminded us that the Beatle George Harrison (1943-2001) had also lived in the town. He also mentioned that Henley’s former MP, the present Prime Minister Boris Johnson, had attended meetings in his home, and that he could tell us a thing or two … but he did not!
THE NORTH FLOWER Walk in Kensington Gardens runs east from the Italian Gardens. It is both close to, and parallel to, Bayswater Road. About 280 yards west of the Italian Gardens, there is a small, low rectangular memorial stone in a flower bed next to the North Flower Walk. In springtime, a large bush behind it bursts into yellow flowers. It is a forsythia plant.
The North Flower Walk used to be a part of what was once the ‘berceau’ or ‘walk of shade’. According to a document published on the Royal Parks website, this was:
“… a delicious and appealing place to stroll for the monarch on the way to … the site of the Bayswater ‘Breakfasting House’…”
Today, the Walk is filled with walkers, their children, their dogs, joggers, and the occasional cyclists.
The memorial stone celebrates the botanist and horticulturalist William Forsyth (1737-1804). A founding member of The Royal Horticultural Society (founded 1804), he was also the Curator of The Chelsea Physic Garden (from 1771) and Superintendent of various royal gardens including those of Kensington Palace (from 1784). The plant genus Forsythia, a member of the olive family (Oleaceae), was named in his honour.
THE SHORT-LIVED POET, John Keats (1795-1821) resided briefly in Hampstead in what is now called Keats House. In my new book, “Beneath a Wide Sky: Hampstead and its Environs” *, Keats:
“… took a great liking to Hampstead and settled there in 1817. He lived in Wentworth House, which was later renamed ‘Keats House’. The house in Keats Grove was built in about 1815 and divided in two separate dwellings. One half was occupied by Charles Armitage Brown (1787-1842), a poet and friend of Leigh Hunt and the other half by Charles Wentworth Dilke (1789–1864), a literary associate of Hunt and a visitor to his home in the Vale of Health. Keats became Brown’s lodger. This was after Keats had visited his neighbour Dilke, with whom he became acquainted following an introduction by the poet and playwright John Hamilton Reynolds (1784-1852), who was part of Leigh Hunt’s circle of friends.”
Keats remained in Hampstead until 1820, when, ailing, he left for Italy to try to improve his health. Leigh Hunt (1784-1859), who lived in Hampstead’s Vale of Health, noted in his autobiography that Keats died in Rome and was buried in the English Protestant cemetery near the monument to Gaius Cestius. Amongst his graveside mourners was the poet Percy Bysshe Shelley (1792-1822), who also had spent time in Hampstead.
Had Keats not travelled to Italy, he would have probably died in Hampstead. If that had been the case, it would have been likely that he would have been buried in the graveyard of St John’s, Hampstead’s parish church on Church Row, where the artist John Constable rests in peace.
Within the church there is a memorial to Keats, a bust, dated 1894, within 100 years of the poet’s birth. A gift from admirers of Keats in the USA, it was the first memorial to Keats in England. The story of the bust is related on the church’s website (https://hampsteadparishchurch.org.uk/data/keats_bust.php) as follows:
“Anne Whitney, a Boston sculptor (1821-1915) carved her original bust of Keats in 1873. The marble bust was inscribed Keats and not signed. It was exhibited the same year at Doll and Richards, Boston. It was owned by the artist until 1915 when it was bequeathed to Fred Holland Day. Day exhibited it at Boston Public Library in the loan exhibition of his Keats memorabilia in 1921 to mark the centenary of the poet’s death. The Keats bust was given by Fred Holland Day to Keats House and Museum shortly before he died, and its arrival was acknowledged by Fred Edgcumbe the curator of Keats House and Museum on 2 November 1933, the day of Day’s death. The marble replica of the bust inscribed KEATS AW (monogram) 1883 was carved by Anne Whitney in 1883. It was exhibited by F. Eastman Chase, Boston, and presented by Americans, as the first memorial to Keats on English soil, to Hampstead Parish Church on 16 July 1894. The bust remained in position until March 1992 when it was stolen. It was seen by Judith Bingham, the composer, when it was about to be auctioned at Finchley in May 1992. It failed to reach its reserve, Judith Bingham recognised its identity and it was returned to the Parish Church.”
The Keats bust is near the Lady Chapel, in which I saw a remarkable painting by Donald Chisholm Towner (1903-1985), who lived in Hampstead, in Church Row from 1937 until his death. The church’s guidebook revealed:
“The Altar Piece in the chapel was painted by Donald Towner of Church Row, in memory of his mother. True to the medieval tradition Towner used a local resident as the model for Mary, his nephew for John and his own mirror image for Christ.”
What is remarkable is that the three figures are depicted standing in Church Row. St John’s church can be seen in the background.
Apart from the bust and the painting, the church is well worth visiting to see its lovely architecture and to enjoy its peaceful atmosphere.
ARMISTICE DAY IS celebrated annually on the 11th of November, the day that fighting came to an end in WW1. The day is to celebrate and:
“…remember all those who gave their lives in service to their country since 1914.” (https://www.britishlegion.org.uk/get-involved/remembrance/about-remembrance/armistice-day). It was not only humans who sacrificed their lives, either willingly or less willingly, but also animals, who had been employed in warfare. A monument on a wide traffic island in London’s Park Lane was constructed to remember these four-legged creatures who lost their lives prematurely during battles from which they were unlikely to gain any benefit.
Erected by The Animals in War Memorial Fund (www.animalsinwar.org.uk/) and unveiled in 2004, this dramatic monument consists of a semi-circular Portland stone wall with a gap near its centre. Two bronze horses laden with military equipment are depicted walking towards the gap. and beyond the gap, a bronze sculpture of a running dog can be seen. The western part of the concave side of the wall has bas-reliefs depicting, horses, elephants, and camels. The eastern side of the concavity bears several inscriptions including one with the words “They had no choice”. The convex surface of the wall bears stylised silhouettes of horses. The monument was designed by David Backhouse and was inspired by the book “Animals in War” by Jilly Cooper.
“They had no choice” is a poignantly appropriate sentence on a memorial to creatures who were taken into fields of battle innocent of their likely fate. Seeing this moving monument made me think that these same four words could easily be applied to the numerous Indian participants in WW1 and WW2 who were sent to Europe as ‘volunteers’ innocent of their horrendous destination by their rulers in the Princely States of India, who wished to please the British, whom they served. Had these unfortunate servicemen known what they were about to face, some of them might have objected. That option was not one that would ever been open to the slaughtered animals commemorated on Park Lane.
I USED TO PARK our car in Kensington’s elegant Edwards Square when going to work at my dental surgery in West Kensington. From the square, either I walked to work, or I caught a number 28 bus. When I felt lazy, I used the bus. The nearest stop to Edwards Square is outside a row of three Iranian food shops and their neighbour, the Apadana Iranian restaurant, which is a pleasant place to enjoy Persian cuisine. While waiting for the bus, I used to stare idly at the Persian shops with their outdoor stalls where fruits, especially piles of pomegranates, are displayed.
Today, more than four years since I retired and even longer since I last stood at the bus stop, we visited the Iranian stores to buy a bunch of fresh tarragon. While my wife was making the purchase, once again I stared idly at the colourful shops, some of whose windows are filled with stacks of tins of Iranian caviar from the Caspian Sea. It was then I noticed something I am sure I have never seen before.
What I saw was a newish circular blue commemorative plaque on the wall between one of the shops and Apadana. The plaque reads as follows:
“Kensington & Chelsea. JACK THE RIPPER 1891-1899. Also known as Dr SSA Hasbro. Surgeon & Restauranteur LIVED HERE”
At first sight, this looks like one of many commemorative circular blue plaques, which can be found all over London. On closer examination, there are several things that are worrying. Rarely, if at all, do these blue plaques in the Royal Borough of Kensington and Chelsea bear the words “Kensington & Chelsea”. Often, they bear the words “English Heritage” or “Greater London Council” (or one of its predecessors: GLC or LCC). Another problem is the dates given. Do they refer to the period that Dr SSA Hasbro lived in this spot, or what? The next problem is that the true identity of Jack the Ripper has never been determined. As for Dr SSA Hasbro, all references to this name on Google direct one to the plaque under discussion, including an article by Lucy Elliott.
Ms Elliott wrote an article about blue plaques in “The Kensington Magazine” (September 2020 issue). With regard to the plaque for Dr SSA Hasbro above the Iranian establishments in High Street Kensington, she wrote:
“It is not known when this suddenly appeared but certainly gives visitors to the area, pause for thought (and quite enough consternation for the residents too). Definitely a fake.”
She is most probably right.
It is a little bit worrying is that the so-called Jack the Ripper, who is commemorated on this misleading sign, is said to have been a restauranteur and the plaque is almost directly above the Apadana restaurant.
THE SMALL CORNISH village of Luxulyan has a fine old parish church, which is dedicated to Saints Ciricius and Julitta, both of whom are new to me. This edifice was built in the 15th century and restored in the 19th (https://historicengland.org.uk/listing/the-list/list-entry/1158407). The northern aisle of the church was filled with used books for sale when we visited it. A weathered Cornish cross stands close to the west end of the church. During the 19th century, this was brought to its present location from Three Stiles (near Consence). The church and its churchyard, along with the tiny village are charming, but what caught my eye and raised my curiosity was a building bearing the name ‘Captain TC Agar-Robartes Memorial.’
The name Agar-Robartes intrigued me. My interest in it increased when I saw a small stone memorial near the River Fowey in Lostwithiel. It bore the words:
“Royal British Legion, Lostwithiel Branch, 1932-1997. Opened by Lady Robartes.”
Things became clearer after visiting the magnificent Lanhydrock House, originally constructed in the 17th century, and reconstructed quite faithfully after a huge fire in 1881. The house was created by John Robartes (1606-1685), 2nd Baron Robartes of Truro, 1st Viscount of Bodmin, and 1st Earl of Radnor. One of his many descendants, Anna Maria Hunt (1771-1861) married Charles Bagenal-Agar (1769-1811). One of their three sons, Thomas James Agar-Robartes (1808-1882), assumed the surname ‘Robartes’ in 1822 and tacked it on to his Agar surname. One of his ten grandchildren was Thomas Charles Reginald Agar-Robartes (1880-1915), the ‘TCR Agar-Robartes’, whose name is on the building in Luxulyan.
Thomas was educated at Eton and Christ Church College, Oxford. He was elected to represent the South-East Cornwall constituency as its MP in 1906. However, he was unseated a month after the election because of infringing some electoral regulations. He had been found guilty of bribery and other offences. Nevertheless, he was re-elected in 1908. His election campaign was based on support of free trade and reform of temperance laws. In August 1914, Thomas signed up as a 2nd Lieutenant in the Royal Bucks Hussars, and then in 1915, wanting to see action on the battlefront, he left for France as an officer in the 1st Battalion Coldstream Guards. In June 1915, he was promoted to become a captain. During the Battle of Loos in September 1915, he was shot in no-mans-land and never recovered.
The building, a working man’s institute and reading room in Luxulyan, which bears Thomas’s name, was first conceived in 1913, but only began to be used as such in 1924, when the edifice was completed. Naming it after Thomas is explained on a website page about the building (www.luxulyanpc.co.uk/Luxulyan_Memorial_Institute_32056.aspx): “ Tragically, as we know, young Tommy Robartes of Lanhydrock died after receiving wounds rescuing a comrade from one of those fields of battle. He had been well known and liked in the village, often coming to visit, accompanying the land agent dealing with tenants. The village picked up its interrupted thoughts on the Institute and Reading Room idea; whether the idea of a Memorial to Tommy, or just asking the Lanhydrock estate for a piece of land came first, is not clear, but it was agreed that a piece of land from the estate for a Memorial Institute was acceptable to all.”
Having already offered £50 towards building the Memorial institute, Dr Nathaniel T Coulson then offered a further £100 on condition that Thomas Agar-Robartes’s name was on the hall. Dr Coulson, who is described in the website, interested me because of his profession:
“He was born in Penzance in April 1853, abandoned by his drunken father at the age of 10 years and bound over to the farmer at Penquite Farm, Lostwithiel. He then spent some years in the British Navy and first arrived in San Francisco in 1875. For a while he worked for a stock-broking firm and wrote for several daily newspapers. In 1884 at the age of 30, he became a student at the dental department of the University of California, where he graduated after two years, receiving his degree as a Doctor of Dental Surgery. He was a member of several fraternal organisations, and generous with donations to many worthy causes. Among others in England, he helped finance the establishment of Coulson Park, Lostwithiel, in 1907. He travelled back here on several occasions, also visiting India after his retirement…”
So, that explains the hall that we saw in Luxulyan. I am not at all sure which ‘Lady Robartes’ is the one whose name appears on the British Legion monument in Lostwithiel, which bears the words “Opened by Lady Robartes”. If a Lady Robartes opened the branch in 1932, who was she? Only one of Thomas’s brothers married, Arthur (1887-1974). His wife, Patience Mary Basset, whom he married in 1920 might have been the ‘Lady Robartes’. Alternatively, she might have been one of Thomas’s sisters: Mary Vere (1879-1946) or Julia (1880-1969) or Edith (1888-1965) or Constance (1890-1936). If on the other hand the words refer to the inauguration of the monument in 1997, then I cannot offer any suggestions.
Luxulyan is worth visiting not only to see the things I have already mentioned, but also the impressive, massive, granite combined aqueduct and viaduct near to the village. It carries water and a railway track over the River Par. Known as the Treffry Viaduct, it was completed in 1844 and designed by the engineer and mining entrepreneur Joseph Treffry (1782-1850).
Until we visited Luxulyan, I had never heard of the Agar-Robartes family. Once again, visiting Cornwall has resulted in finding places and persons of great interest. The more I see, the more I want to know.