A novel by an author from South Africa: Damon Galgut

MRS SWART IS DYING, lying on her bed in a farmhouse in South Africa during the last years of the apartheid regime. Her husband and three children are close by. One of her daughters, Amor, hears, or believes she has heard, her mother promising that Salome, the family’s African maid, will be bequeathed the small outhouse in which she lives. Mrs Swart dies. Nobody else remembers hearing that Salome has been promised that she could own her humble abode, and she is not given possession of it. Many years go by, apartheid ends, and one by one Amor’s father, her brother, and her sister die. Yet, still Salome has not been given ownership of her residence on the farm. Amor, who has largely dissociated herself from her family, becomes the sole inheritor of the family’s farm after her father and siblings have died. Without giving away too much of the story, she honours the promise that her mother made, but what should have been a straightforward happy ending turns out not to be. In between the events I have mentioned, much more takes place, as is revealed in “The Promise”, an excellently written novel published in 2021 by South African author Damon Galgut.

Galgut’s novel contains vivid descriptions of peoples’ lives and their difficulties in South Africa before and after the apartheid regime ended in 1993. In his novel, the personalities of the various people in it are described brilliantly. In addition, he portrays the troubles, physical and psychological, that South Africans must face daily even after the end of apartheid. Reading this book has reinforced what I had already heard about South Africa being a country filled with its own distinctive range of problems.

I believe that Galgut’s novel is a metaphor for what has happened to South Africa after the death of apartheid, a regime that severely suppressed the non-white majority of South Africans. When apartheid eventually ended, many South Africans must have believed and hoped that they had been promised, and could expect, a better life, one from which each person would derive benefit. Sadly, for many, just as Mrs Swart’s promise to Salome was fulfilled but unsatisfactorily, the assumed promise of an improved life post-apartheid has not been fulfilled entirely satisfactorily (if at all) for most of the country’s population.

“The Promise” is the third of Galgut’s novels that I have read to date. Each of the three is beautifully written, interesting, compelling, and moving. Of the three, “The Promise” has appealed to me most, but only a little bit more than the other two (“The Good Doctor” and “Arctic Summer”).

A novelist in Burma when it was a colony of Britain

AT PRESENT I AM revising and editing my latest book, which is about travelling in India and will be called “Road To Heaven – A passage through India “. While writing the text I came across a quote by the author George Orwell. I am incorporating this in my forthcoming book. The words come from Orwell’s novel “Burmese Days”, which I decided to read.

The novel is set in a small town in Burma while the country was still part of British India. The author provides the reader with an exciting story that is also a jaundice view of the behaviour of the British, the Burmese, and the Chinese living in colonial Burma.

The story’s hero is Mr Flory, who loves Burma but finds it difficult to get on with the few repellent sounding Brits with whom he has to socialise at the town’s ‘whites’ only club.

“Burmese Days” contains many ingredients that make for a good story: romance, unrequited love, intrigues, treachery, rebellion, adventure, and good evocation of ‘atmosphere’. Based on his own experiences in Burma, it is also Orwell’s criticism of the British colonial system. Published in 1934 while the British still controlled Burma, it must have been frowned upon by many British readers when it was published.

I enjoyed the book, and found it difficult to put down.

A novel set in South Africa after the end of apartheid

TO ENHANCE RACIST policies, the apartheid government of South Africa set up a series of ‘homelands’. These were areas in less desirable parts of the country in which black African people were ‘encouraged’ or compelled to set up homes. Notionally self-governing, these territories were, in reality, black ghettos, often impoverished. “The Good Doctor”, a novel  by Damon Galgut, who was born in South Africa, (published 2003) is set after the end of apartheid in a run-down, almost deserted, god-forsaken town in what had been a former homeland close to one of South Africa’s borders.

Most of the novel’s action is centred on the town’s under-staffed, poorly equipped, almost unused hospital. Frank is a doctor, who has been working there for several years. He seems quite content with the boring, uneventful life he has been experiencing while working there. Everything begins to change when Laurence, a young and idealistic doctor, arrives to spend a year at the hospital. He wants to make changes, to give the almost moribund hospital more of a sense of purpose.

Frank is obliged to share his quarters with Laurence, and inevitably they get to know each other well. Following Laurence’s arrival, a series of events begins to affect both Frank and his young room-mate. These occurrences, which Galgut relates beautifully, disturb the life of the hospital. Things get worse after a troop of soldiers, who are patrolling the border, settle in the town for a few weeks. Their commander is an unpleasant man, under whom Frank served while he was in the army before apartheid had ended.

At first, I felt that one of the two doctors was ‘The Good Doctor’ in the book’s title, but by the end of the story I was left wondering whether it was Frank or Laurence who was the good doctor. You will have to read this wonderfully written, compelling tale to be able to assess which of the two deserves your sympathy. Or are they both to be criticised?

I enjoyed this novel, the second by Galgut that I have read, and look forward to reading a third. I have a copy of his “The Promise” waiting close by.

A gripping novel written in the nineteenth century

HERE IS A book I have greatly enjoyed reading. It is “The Bertrams” by Anthony Trollope (1815-1882). First published in 1859, this is a story that highlights some weaknesses of human behaviour, the consequences of ill-conceived decision making, and the risks taken when marrying for the wrong reason. The novel is set mainly in England, but significant parts of it take place in the Middle East, notably in Egypt and the Holy Land.

 

The main characters in the story are George Bertram, George’s miserly but extremely wealthy uncle, George’s cousin Arthur who attended Oxford with him, Henry Harcourt who is a little older than George, Caroline Waddington, and Adela Gauntlet. George falls in love with Caroline, and Arthur with Adela. Each man wins the heart of the lady with whom they have fallen in love. However, in both cases, there are impediments that prevent them from marrying. Eventually to George’s great dismay, Caroline marries his friend Harcourt, by now a successful lawyer and ambitious politician. But this is a marriage without love, for Harcourt has married Caroline in the hope that she will receive a huge inheritance from her grandfather, who is George Bertram’s uncle.

 

In addition to the principal characters, there are many minor characters, most of whom are important in the story. Trollope’s portrayal of these and the main protagonists is both perceptive and often rich in humour. Throughout the novel, he explores the strength and frailties of human behaviour. He also describes how nineteenth century English people behave while travelling abroad. Although my copy of the book has almost 580 pages, not including notes on the text and a long introductory essay by Geoffrey Harvey, the story never flagged. Even though I began to guess how the tale would end, it was fascinating to follow its often-surprising twists and turns on its way to the conclusion.

 

“The Bertrams” is not only a ‘page turner’, but an example of storytelling at its best.

An unusual novel by an author from Hungary

“WAR AND WAR” is a novel by the Hungarian writer Laszlo Krasznahorkai (born 1954). It was first published in 1999. It is one of the most unusual books I  have read. Not only is the subject matter often almost incomprehensible but also the style is peculiar.

The novel consists of many sections that vary in length from a few lines to several pages. Each section, apart from at the very end of the book, is one long sentence divided up into sub-sentences usually by commas, but sometimes by semi-colons.  At first, I found it difficult to read, but after a few pages, the unusual punctuation and the immensely long sentences ceased to bother me. The text flows along in a very readable way.

Essentially, the novel concerns a provincial librarian who has discovered a mysterious manuscript in the archives of a small town in Hungary. The contents of this document are often esoteric and obscure. Yet, the librarian feels that it is of such great importance that it should be made available to the world  and preserved for prosperity. To do this, the librarian leaves Hungary, and travels to New York City, where he buys a computer and transcribed the words of the document onto a website he has paid for.

So far so good. Things are not so simple as I have described. The novel describes the weird and often apparently meaningless contents of the documents and the effect that they have on the librarian and people he encounters in New York.

At times, I  found it almost impossible to follow the story. However, it has been written in such a clever way that one needs to continue reading because of the desire to know how the story will end, even if on the way there is difficult literary terrain to traverse.

If you decide to read this novel, you will need to be both patient and persistent. It is worth the effort.

A short but wonderful novel by Aldous Huxley

“… WHAT IS READING but a vice, like drink or venery or any other form of excessive self-indulgence? One reads to tickle and amuse one’s mind…”

These are the words of the verbose Mr Scogan in “Crome Yellow”, a novel by Aldous Huxley (1894-1963). With novels such as this one, reading is certain to become an incurable addiction, if not a vice. First published in 1921, only a few years after the end of WW1 this short novel is not only highly entertaining and extremely witty but almost completely un-put-downable.

Huxley was 27 years old when he published “Crome Yellow”. It begins when a young man, Denis, aspiring to be a poet arrives, at Crome, a stately home where various other guests have come to spend time during the summer. The book and the stately home contain a wealth of characters whose conversations and interactions with one another provide the reader with a wealth of entertaining situations. The author manages to convey the social atmosphere prevailing amongst the upper classes immediately after WW1, as well as presenting a range of philosophical ideas both about life and art. He managed to do this with a lightness of touch that makes even the most abstruse of ideas become easily digestible by the reader.

Every now and then, Mr Wimbush, the current head of the Crome household, reads extracts from the history of the house and its aristocratic inhabitants, which has taken him 30 years to complete. These are highly entertaining. Throughout the novel, Jenny, who is almost completely deaf, scribbles away in her notebook. What she had been entering into it is surprising, and only revealed near the end of the book.  Other characters include several young ladies, Mrs Wimbush who believes in mysticism and spiritualism, Mr Scogan who cannot stop talking and has an opinion about everything, Mr Bodiham the village priest, the artist Mr Gombauld, and the spiritualist Mr Barbecue-Smith. Throughout the story, a young lady, Anne, is the object of attention by both Denis and the French artist. Between these characters and others in the book, you can be sure that Denis’s stay at Crome was anything but dull.

I picked up my copy of “Crome Yellow” at a charity shop, and am extremely glad I did. I have not enjoyed a novel as much as this one for quite a few years. I hope to read more of Huxley’s novels in the future.

Chikkamma Tours (Pvt.) Ltd: a detective story set in Bangalore

THIS BOOK WAS RECOMMENDED to me by a bookseller in Bangalore, at Bookworm, because she said that the shop is mentioned in the book. In the novel, Chikkamma Tours is a small travel company located beneath a bookshop run by Jagat Desai. One night, he is murdered. His body is found the next morning by one of the ladies who work in the office beneath the bookshop. The police are informed, but the three women who work at Chikkamma Tours decide to make their own investigation of the murder. What they discovered about themselves and the crime are the subjects of this ‘whodunnit’ novel.

Although I enjoyed reading it, this book is not a great work of literature. However, it was fun and I liked it because it captures many aspects of life in a city I visit frequently: Bangalore. As I proceeded through it, I recognised many things I know about the city and, especially, its bookshops.

Would I recommend this book? I would to Bangaloreans and to people who know the city well. However, I am uncertain that it would appeal to those who have little or no connection with the city. That said, I am pleased that the lady at Bookworm suggested I should read it.

Epic narration and a great plot: it would make exciting cinema

THE GORDON RIOTS which occurred in London in 1780 were a reaction to a law passed in 1778. The law gave rights to Roman Catholics and aroused the hostility of no-papists (anti-Catholics). The disturbances,  which resulted in much destruction of property in London were instigated by the hateful propaganda of Lord George Gordon (1751-1793).

 

I first became interested in the Gordon Riots when I was writing my book about Hampstead and its surroundings. The rioters headed out of London towards Hampstead on their way to Lord Mansfield’s country house at Kenwood.  Mansfield’s house in London’s Bloomsbury district had just been razed to the ground by the riotous mob, and they had hoped to do the same thing at Kenwood.  Fortunately, they were stopped just before they reached Mansfield’s country mansion.

 Given my interest in the above-mentioned,  I  was excited to find that Charles Dickens had written a novel about the riots: “Barnaby Rudge”. It was first published in 1841.

 

Barnaby Rudge is a peculiar character, a simpleton whose best friend is a talking raven. At first, it was not obvious to me why the novel should bear his name, but slowly his importance in this complex tale becomes evident.  Although his role is important, there are a large number of other equally important characters woven into the plot.

 

Dickens explores the private antagonisms between some individuals as well as attractions between others, and gradually weaves these relationships into the ever increasing rumblings that develop into riots and mindless destruction.

 

Dickens wrote long before cinematography was invented, yet his written descriptions of both peaceful scenes and incredible chaos have a vividness and impact that much modern cinema (especially some blockbuster Bollywood productions) are able to throw at their audiences.  And Dickens does this with words alone: without Dolby sound and dramatic photography.

 

In brief, I  found “Barnaby Rudge” to be a veritable tour-de-force. My enjoyment of the book was enhanced by the fact that the Penguin edition I was reading was richly supplied with notes (mainly historical) researched and written by Gordon Spence.

 

Before reading “Barnaby Rudge”, I knew that the Gordon Riots were a fairly horrendous episode in British history.  However, Dickens, who was writing just 40 years after they had occurred and might have known people who had witnessed them, brought this age of turmoil to life in a credibly dramatic way.

Charles Dickens and a house in Berkshire

BASILDON PARK IS an 18th century stately home in Berkshire. Now managed by the National Trust, it has had many owners including the Sykes family. Sir Francis William Sykes inherited the place from his grandfather. When his wife had an affair with the artist Daniel Maclise, Sir Francis disowned her and publicly humiliated her. Now, Maclise was a close friend of the author Charles Dickens, and at the time when Sykes was being unpleasant towards his wife, the author was working on his novel “Oliver Twist”. Dickens created the nasty criminal character called Bill Sikes to take his revenge on Sir Francis (see http://www.basildon-berks-pc.gov.uk/basildon-berks/basildons_past-20268.aspx)

Fagin

We visit Basildon Park regularly. For this reason and because of its connection with Bill Sikes, I had decided to read “Oliver Twist”. It is the third of the Dickens novels that I have read recently. It was one of the first that he wrote. Compared with the two I have already read, “Nicholas Nickleby” and “Martin Chuzzlewit”, it flows easily and is very exciting.

The first thing that struck me was how early in the book the famous “Please Sir, can I have some more” scene occurs. It is an important episode but one that people seem to remember more than the rest of the book.

“Oliver Twist” is full of wonderful characters, both good and evil. Amongst the latter, Sikes, Bullseye (a dog), Fagin, Mr Bumble, and Monks are particularly well portrayed. There is a host of characters who see the best in Oliver’s personality. Oliver and his troubled young life is brilliantly narrated, and as I turned the pages, my heart was in my mouth as I waited to see what misadventure would next befall him.

I found the novel to be fast moving and exciting. As the saying goes, it is a real ‘page-turner’. I had no idea that Dickens’s writing could be so thrilling. Having come to the end of “Oliver Twist”, I am next embarking on “Barnaby Rudge”, which I have chosen because it concerns the Gordon Riots of 1780, about which I have read in history books.

One Night at the Call Center and its author

THE AUTHOR CHETAN Bhagat was born in 1974 in New Delhi. He was educated at two prestigious institutions: Indian Institute of Technology (Delhi) and the Indian Institute of Management (Ahmedabad). After graduating he had various jobs including working at the Hong Kong office of the bankers Goldman Sachs. There, he was unhappy with his boss, whom, according to Wikipedia, he:
“ … characterized the villain in his second novel One Night @ the Call Center.”

The novel about the call centre was first published in 2005. The villain is Bakshi, the head of a department of a call centre that services customers in the USA. As its title suggests, the book is about one night at the call centre and its main characters are five young people working under Bakshi. I will not give the plot away, but I can tell you that the story is both entertaining and, in parts, profound. All that I will reveal is that the problems that the five workers are experiencing and described in the novel become insignificant after they receive a telephobe call … from God. But, do not worry: the book is not a religious tract. The book deals with many things, including the perception that some young Indians have: that their country is inferior to the USA.

Chetan Bhagat is a highly creative and imaginative story teller. His plots are rich in unexpected twists and turns. He has a great eye for detail and a good understanding of the minds of young Indians and they way they perceive today’s world.

Recently, a couple of people suggested that Bhagat’s humour is inadvertent rather than intentional. I completely disagree with this point of view. He concocts humorous situations in his novels with great care and expertise, and inserts them in his stories skilfully. Like Chinese sweet and sour dishes, Bhagat’s novels contain a harmonious blend of humour and seriousness, both complementing each other intelligently.

What I particularly enjoy about Bhagat’s writing – and by now I have read four of his novels – is his easy-going narrative style. As I read his books, I felt as if he was a good friend sitting and chatting with me in a bar or cafe. His books are easy to read yet full of profound observations about life, expressed effectively but with a light touch.