Boulders lodged in trees at a park in London

WHEN WALKING IN Kensington Gardens March 2025, I spotted three trees planted in an open space outside the Serpentine South art gallery on the west side of Kensington Gardens. Taller than many of the trees around them, they had not been there when I visited the area in November 2024. Without foliage and with few branches, they seemed dead when compared with the trees growing near them. We revisited these unusual trees today (13 April 2025), and they looked wonderful in the morning sunshine.

It does not take long to see that these trees have unusual features. Two of them have unwieldy granite boulders lodged in their branches. The third tree looks as if it has been split open by, for example. a lightning strike. Parts of the wood of this tree have been painted gold. Though in some respects these three tall objects look like trees, one realises quickly that they are not trees but artworks.

Created by the Italian artist Giuseppe Penone (born 1947), they are part of an exhibition of his works, most of which are housed within the Serpentine South Gallery. Penone was a leading artist in an Italian artistic movement known as ‘Arte Povera’, which focussed on exploiting the simplicity of natural materials with artistic techniques. According to the Serpentine’s website, Penone said of his exhibition:

All of my work is a trial to express my adherence and belonging to nature, and it is with this thought that I have chosen the works for the exhibition. The two paths that I have created—inside the gallery and outside of it, in the park—become two integrated gardens.”

The three tree-like sculptures both impressed and intrigued me. I have yet to see the works inside the gallery, but there is still plenty of time to view them as the exhibition continues until 7 September 2025.

They say lightning never strikes the same place twice

THE ONLY PERSON I know who has been struck by lightning and lived to tell the tale was one of my fellow dental students at University College Hospital Dental School. He was a keen golfer, as many dentists are, and was hit while out on the golf course.

Years after that, I was told a joke that concerns lightning. It goes like this. The businessman and the bishop were out on the golf course. The businessman made a lousy shot, and said:

“Jesus, I missed.”

The bishop said:

“You should not take the Lord’s name in vain.”

Then, there was a rumble of thunder, and the bishop was struck dead by lightning. A voice boomed out from the heavens above:

“Oh blast, I missed.”

Now, to get to the point of this essay. A few days ago (in March 2025), we visited the wonderful gardens at Anglesey Abbey in Cambridgeshire. In it there are plenty of trees, but one of them, a redwood, is particularly interesting. All the remains of the tree is part of its tall trunk, and that is not intact: it has dramatic longitudinal splits. This is because it was struck by lightning. However, it was not struck once, but twice (in 1987 and then again in 1999). So much for the old saying: ‘lightning never strikes the same place twice’.

Leaning over but flourishing in Fulham

I ARRIVED EARLY for a committee meeting of the Anglo-Albanian Association, which was being held in a house in Walham Grove in London’s Fulham district. It was a warm afternoon, and as I did not want to disturb our host by arriving too early, I sat on a bench in the small yard next to the north side of St Johns Church – a rather unexceptional example of early 19th century church architecture.

Soon, I noticed a tree in the middle of the yard. Its trunk was growing at about 30 degrees to the ground, and was supported by a wooden prop. Branches were growing out of the trunk, more or less vertically. There was a small commemorative notice at the base of the tree – where it had been planted originally. It bore the words:

“This mulberry tree was planted by His Worship the Mayor of Fulham Councillor JF Perotti JP on Victory Day June 8 1946”

On that day, celebrations were held in London to commemorate the Allied victory in WW2, the British Commonwealth, and the Empire. The Mayor, Mr Perotti, was a fitter at London Transport’s Lots Road electricity generating station.

In my mind, mulberry trees conjure up visions of silk growing and exotic landscapes of yesteryear. To be honest, until I saw the notice by the tree in the yard in Fulham, I would not have been able to identify a tree as being a mulberry. I stood up and examined it closely. To my great delight, I saw that the tree has berries. They looked like larger than average raspberries. I have read that when they ripen, they become darker in colour and resemble elongated blackberries.

I was curiously excited to find a mulberry tree with its fruit. I had not expected to find one in a busy part of Fulham. Mulberry trees have been grown in Britain since Roman times. One of the oldest surviving examples is in the garden of Canonbury Tower in Islington. It might have survived since the 16th century. There are several other slightly younger mulberry trees in London. So, the leaning example I saw in Fulham is a youngster on the scene.

Women with many heads on canvases at an art gallery in central London

TODAY, WE VIEWED an exhibition of paintings by an artist born in India, who spent most of her life in the British Isles. The artist is Gurminder Sikand (1960-2021), who was born in Jamshedpur, but moved to the Rhondda Valley in South Wales with her parents in 1970. Her artistic training was first at the Cardiff College of Art and Design (in 1979-80) and then at the City of Birmingham Polytechnic (now Birmingham City University), where she was awarded a fine art degree. In 1983, she and her husband moved to Nottingham. Her work began to attract wide attention after one of her pieces was selected as the winner of the East Midlands Art Prize by the South African artist Gavin Jantjes.

In an obituary written by her husband, published in thegauardian.com on the 14th of February 2022, it was noted that her work:

“… was characterised by images of strong women. This was true of her many self-portraits, her paintings influenced by Indian folk art, her watercolours of women hugging trees (inspired by the Chipko anti-deforestation movement), and latterly her drawings of muscular female figures whose physiques reflected Gurminder’s workouts at her city-centre gym in Nottingham.”

The paintings we saw today (22nd of May 2024) at the Maximillian William gallery in London’s Fitzrovia were some of Gurminder’s earlier works, created between 1986 and 1992. Most of the 19 works include depictions of women. All of them are slightly mysterious, but also eye-catching. Many of them include women with several heads. I wondered whether in creating these she was thinking about Hindu deities that are often shown as having many arms. As far as I am aware few, if any, Hindu deities are shown in images as having more than one head, but seeing Gurminder’s women with many heads made me think about the multi-limbed deities in Hindu imagery.

Trees also figure prominently in many of the paintings we saw. Regarding this and her painting style, the gallery’s press release has this to say:

“Images of women drawn from Indian mythology recur throughout Sikand’s work. Her interest in the figure of the goddess – particularly the Hindu goddess Kali, who both destroys and creates the world anew, and is often pictured with a garland of human heads – is evident in her depictions of women metamorphosing into nature. In Sikand’s paintings, women are seeds buried in soil, hang on tree branches to provide shelter, or are even the earth and sky themselves. These amorphous relationships between the figure and nature were further inspired by the Chipko environmental movement, which began in north India during the 1970s, when villagers – mostly women – embraced trees at risk of deforestation, a protest that also highlighted their primary role as caregivers. Sikand’s female figures are often portrayed as strong: appearing resolute with multiple heads or acting as protectors over her landscapes.”

Although Gurminder left India when she was only 10 years old, and was then immersed in British life, culture, and education, her Indian heritage never deserted her, and is expressed in her wonderful paintings. I enjoyed viewing this well-displayed exhibition, and I recommend seeing it before it ends on the 29th of June 2024.

Swamp Cypress and Skunk Cabbage in a park near Hampton Court

I ALWAYS ENJOY visiting Bushy Park, which is near to London’s famous Hampton Court Palace. Parts of the park are unenclosed, where plenty of deer roam at liberty. Other parts – the Pheasantry and Waterhouse plantations – are enclosed by fencing to keep the deer excluded.

The plantations contain a rich variety of plants and trees, all of which are a joy to see. There are two types of plants that never fail to fascinate me. One of these is the swamp cypress trees (Taxodium distichum). What makes them interesting is their aerial roots (known as ‘Cypress Knees’), which look like small woody stalagmites or tapering tree trunks. You can see rows of these stumpy aerial roots lining the stream near to the Pheasantry Café. According to a web article (www.graftingardeners.co.uk/trees-of-bushy-park/), these trees were:

“Once native to Britain, there have been ancient remains of this tree species found in Bournemouth. However, the swamp cypress was reintroduced to Britain by John Tradescant the Younger in 1640 … When the ground is particularly waterlogged, the swamp cypress tree grows pneumatophores. These are like knobbly woody stumps that grow out of the ground and serve as a sort of snorkel.”

Skunk Cabbage flowers

The other plant that stands out in my mind is known as Skunk Cabbage. With yellow flowers that slightly resemble Arum lilies, the Skunk Cabbage (Lysichiton americanus) is believed to emit an odour similar to that of skunks when it blooms. The smell is attractive to pollinators. The plant, although interesting to look at is a potential pest, as I found out on a website that deals with invasive species (www.invasivespecies.scot/american-skunk-cabbage):

“The large leaves and dense stands of the plant lead to it out-competing smaller plants due to its shading effect and can cause extensive damage locally to native flora including vascular plants and mosses. It can grow in shade or full-light and in a range of different soil conditions and thrives in disturbed environments. Given the popularity of this plant in gardens and its continued introduction into the wild, the problems are likely to increase.  Although initial invasions will expand slowly, once this plant takes hold it can spread rapidly and become a serious problem.”

We saw the Skunk Cabbage in various stages from bud to full bloom when we visited Bushy today (the 24th of March 2024), but could not get close enough to the flowers to smell the odour from which they have got their name. I had noticed these plants before, but until today I did not know what they are.  

Seeing curious plants such as the Swamp Cypresses and the Skunk Cabbage, which, incidentally, is edible if its root is roasted and dried, adds to the pleasure that is gained from seeing Bushy’s less strange plants such as daffodils, camellias, rhododendrons, and so on. Visiting the park and its gardens is well worthwhile, but get there early in the morning to ensure finding a place in the car parks.

Memories of Gujarat (India) at a park in north London’s Golders Green

GOLDERS HILL PARK lies halfway between Golders Green and Hampstead – both in north London. It occupies what used to be the extensive grounds of a former country house that was built in the 18th century and destroyed during WW2 (in 1940). Its fine landscaping was influenced by the great garden designer Humphry Repton (1752-1818). I have been visiting the park since my early childhood in the 1950s, when, if I remember correctly, my parents used to play tennis on the still existing tennis courts. The park has many attractions including a pond with an attractive stone bridge; a walled garden; many fine old trees; plenty of shrubs and flowers; a bandstand, which was certainly in use during my childhood; a good café-cum-restaurant; a wooded area; a stumpery; a deer enclosure; and a small zoo. The deer enclosure and the zoo were in existence when I was a young child. Today’s visitors can watch the deer and view animals such as wallabies; ring tailed lemurs; at least one kookaburra; donkeys; and a variety of exotic birds. The pond mentioned above is often visited by ducks.

Today (the 3rd of March 2024), we visited the park on a crisp, cold, sunny morning. The dew-covered lawns were full of blooming crocuses, and some of the bushes had burst into flower. Most of the trees, being deciduous, were devoid of leaves. By chance, I looked up at one of these leafless trees and saw a children’s kite caught up in its branches. Seeing this, my thoughts shifted 5000 miles from Golders Hill to Gujarat (in western India).

Wherever you go in Gujarat, you are likely to see kites caught up in the branches of trees. Unlike the kite I saw today, those in Gujarat are not the toys of small children, but part of a festival celebrated once a year, The Hindu festival, which celebrates the increase of day length a month after the winter solstice is known as ‘Uttarayan’ in Gujarat. The occasion is celebrated by kite flying. During this period of kite flying, riders of bicycles, motorcycles, and other two-wheelers face a real but, to the outsider, unusual hazard that could result in serious injury, if not death. I have described this festival and its hazards in some detail in my anthology of 101 vignettes of life and travel in India –“The Hitler Lock and Other Tales of India”.

Seeing the kite in Golders Hill Park reminded me of what I have seen in Gujarat during my several visits to that Indian state. However, although this year Uttarayan began on the 15th of January – not so long ago – I find it hard to believe that the kite I saw in the park was stranded in the tree during celebration of that festival.

[The book (& Kindle) is available from Amazon:

Trees at sunset in Kensington Gardens

YESTERDAY EVENING, WE took a stroll in Kensington Gardens when the temperature was beginning to drop. The sun was low in the sky. This caused some parts of trees to be shadowed by neighbouring trees so that lovely patterns of light appeared on them. One any particular tree, part of its foliage was brightly coloured because the rays of the sun could reach it, and other parts appeared dark green because the sun could not reach them. All this is obvious when you see it described in words, but wonderful when you see it in life.

PS: It is light effects such as these that make it difficult for artists to paint trees

Bangalore’s green lung

PARKS ARE SAID to be a city’s lungs. They are places where one can escape from the noises and fumes mainly created by traffic. On New Year’s Day 2023, we took a walk in Bangalore’s Cubbon Park. Almost as soon as we had entered it, the air seemed cleaner, and we experienced an uplifting sense of serenity.

Cubbon Park was laid out in 1870 under the direction of Major General Richard Sankey, British Chief Engineer of Mysore State. Initially named after Sir John Meade, it was later renamed to honour Sir Mark Cubbon (1775 – 1861), the longest serving Commissioner of Mysore State. The name was changed again in 1927 to Sri Chamarajendra Park, in honour of Sri Chamarajendra Wodeyar (1863–1794), ruler of Mysore State when the park was created. There is a statue of this man in the park. Despite that change of name, the place is still popularly known as Cubbon Park. Even the recently built metro station at the northern edge of the park has that name.

The popular park has plenty of trees that provide shade. Many different species grow in the park, several of them flowering trees. Footpaths cris-cross the park, but visitors do not need to be confined to them. A main road winds its way through the verdant landscape, but this is closed to vehicular traffic on Sundays.

Words are inadequate to convey the joys of Cubbon Park. Only by entering this lovely island of nature in Bangalore’s ocean of urban development can one appreciate the beauty and delightfulness of this city’s important green lung.