Do not scream yet
I know it looks terrifying
It’s not what it seems
Do not scream yet
I know it looks terrifying
It’s not what it seems
‘SEEDY’ IS A WORD that often springs to mind when the London district of Soho is mentioned. Yet, I was unaware of this when I used to visit the area with my mother during the early 1960s. In those days, she was working in the sculpture studios of the St Martins School of Art, which were then located in nearby Charing Cross Road. My mother, a disciple of the cookery writer Elizabeth David, who helped introduce the Mediterranean cuisine into British kitchens, did much of her food shopping in Soho’s Old Compton Street and Brewer Street. It was with these shops, rather than with ‘adult entertainment’, that I associated the district called ‘Soho’.
Soho Square, which contains a statue of King Charles II (reigned 1660-1685) that stands in front of a half-timbered structure, was laid out in 1681 during the King’s reign. The area around it had acquired the name ‘Soho’ by 1632. Until the streets in Soho began being developed in the late 17th century, Soho was mostly open fields. Both the gentry and working people began living in the houses built in the area. From the very start of its development, the area attracted refugees from continental Europe:
“The first were Greeks escaping the Ottoman invasion of their homeland in the 1670s. Led by their priest Joseph Georgirenes, they began building a chapel from 1677 in Hog Lane. … It continues to be remembered in the name of Greek Street which ran behind the chapel.
The next group of refugees were Huguenots from France who arrived in the district … By 1711 the population of the parish of St.Anne’s, covering the Soho area, was slightly over eight thousand, of which between a quarter and a half were French. The strong cosmopolitan nature of the area continued well into the 19th century.” (https://www.thehistoryoflondon.co.uk/the-development-of-soho/2/.)
The area continues to be cosmopolitan, as has much of the rest of London now become.
From about 1780 until the 1980s, Soho was the heart of London’s ‘sex industry’. The district’s first brothel opened in 1778 (https://en.wikipedia.org/wiki/Soho_walk-up). From then onwards, the profession of prostitution flourished in Soho. In recent years, the police have been closing some of the places that offered the services of prostitutes. Despite this decrease in the ‘industry’, there is still no shortage of shops selling ‘ adult goods’ related to sexual pursuits in Soho.
Frith Street and Dean Street, two roads that connect Soho Square with Old Compton Street, one of Soho’s main thoroughfares, have had several famous residents. Before you ask, I have no idea whether any of them ever visited any of their neighbours who offered sexual services professionally.
The health care reformer Dr Joseph Rogers (1821-1889) lived and worked at 33 Dean Street from 1851 to 1885. He was living in Soho during the outbreak of cholera in 1854, which led to the ground-breaking epidemiological discoveries of Dr John Snow, who established that cholera was spread through infected water. Rogers helped with the local parish’s response to the disease. When Dr Rogers moved into Dean Street, so also did the better-known, indeed world famous, father of Communism as we know it, Karl Marx (1818-1883), who resided in the street until 1856.
Karl Marx lived above what is now the Quo Vadis restaurant (founded in 1926 by the Italian Peppino Leoni). I am certain that my parents must have eaten there at least once because every year they received a Christmas card from the restaurant. Marx, who arrived in London in 1849, worked on the first volume of his “Das Kapital” whilst living in Soho. His accommodation there was far from comfortable. At first, he:
“… had only two rooms on the second floor of the house – a bedroom at the back used by the whole family and a front room which served as a kitchen and living room – but he later rented a third room for use as a study. The whole ensemble was described by Jenny Marx as ‘the evil frightful rooms which encompassed all our joy and all our pain’.” (www.english-heritage.org.uk/visit/blue-plaques/karl-marx/)
I wonder if members of the Marx family crossed the road to buy goods at the shop with a rococo shopfront (constructed 1791: http://www.british-history.ac.uk/survey-london/vols33-4/pp128-141#h3-0025). Currently, it bears the name ‘Rippon’, and is now a stationer and newsagent.
Carlile Street links Dean Street to Soho Square. The Toucan is a bar that celebrates the association of the drink known as ‘Guinness’ with the toucan. It was the writer Dorothy L Sayers (1893-1957), who when working with SH Benson, an advertising agency, dreamt up the use of the toucan to promote the drink. She composed the following lines in 1946:
“If he can say as you can
‘Guinness is good for you’
How grand to be a Toucan
Just think what Toucan do.” (https://historyhouse.co.uk/articles/guinness_toucan.html)
The half-timbered octagonal hut in the middle of Soho Square looks as if it has been there since the late 17th century. At least, that is what I believed until I began writing this today. Described by the architectural historian Nikolaus Pevsner as “… a silly half-timbered summer house …”, it dates from 1875-76 and was probably built by SJ Thacker.
Frith Street, parallel to Dean Street, leads south from the square to Old Compton Street. One of my favourite writers, the essayist William Hazlitt (1778-1830) died at number 6 Frith Street, now a hotel, which was built in about 1718. Hazlitt moved into two rooms on the second floor at the back of the house early in January1830 (see “The Quarrel of the Age: The Life and Times of William Hazlitt”, by AC Grayling). After a brief incarceration in connection with a debt, he returned to Frith Street, where, by now he was suffering from a stomach disorder that was progressing from bad to worse. It was here in Soho that he wrote one of his last pieces “Emancipation of the Jews”, which argued that restrictions and civil disabilities should be lifted from the Jews. This piece was published after his death in mid-September 1830. Hazlitt was buried in the nearby churchyard of St Anne’s. In his essay, he wrote:
“The emancipation of the Jews is but a natural step in the progress of civilisation … We and modern Europe derived from them the whole germ of our civilisation, our ideas on the unity of the Deity, on marriage, on morals. . . The great founder of the Christian religion was himself born among that people, and if the Jewish Nation are still to be branded with his death, it might be asked on what principle of justice ought we to punish men for crimes committed by their co-religionist near two thousand years ago?” (www.victorianweb.org/religion/judaism/gossman10.html).
Further south along Frith Street, we reach the stage entrance of the London Casino theatre (opened in 1930, with its main entrance on Old Compton Street). There is a commemorative plaque above the stage door, which reads:
“In a house on this site, in 1764-5 Wolfgang Amadeus Mozart 1756-1791 lived, played, and composed.”
The young Wolfgang stayed here with his father Leopold and his sister Nannerl. They were lodgers of Thomas Williamson, who made corsets. They had moved to Soho from Ebury Street near Victoria. It is possible that the composer Johann Christian Bach (1735-1782), son of Johann Sebastian Bach, visited the Mozarts whilst they were living in Frith Street. Wolfgang composed several works in London including his First Symphony, which was premiered in London (https://blogs.bl.uk/music/2018/05/mozartinlondon.html). While this was written at bury Street, the Mozarts held concerts, for which the public were charged, at Williamson’s house in Frith Street.
They lived in a time when all entertainment was ‘live’ rather than recorded or transmitted from one location to another. I feel sure that the greatly inventive Wolfgang Amadeus Mozart would have embraced the performance and publicity possibilities of television with great gusto. Back in Dean Street, a few yards from the Mozart’s Soho lodgings, we find the Bar Italia, currently closed. When it is open, it is usually full of mainly Italians watching matches between Italian football teams on a huge TV screen at the back of the café. This seems particularly apt because the Bar Italia is located on the ground floor of the building where John Logie Baird (1888-1946) gave the first public demonstration of his invention, television, in 1926.
As the Bar Italia is currently closed and you will probably be in need of a good coffee after absorbing so much history in such a small part of Soho, head into Old Compton Street and make a beeline for The Algerian Coffee Stores, where you can buy a brilliant inexpensive espresso, macchiato, cortado, cappuccino, or whatever you want.
WE WATCHED TELEVISION FOR less than two hours in the whole year of 1993 and decided neither to renew our TV licence nor to watch anything more on our ageing TV set, which we got rid of. At monotonous regularity, we received letters from the TV licensing authority, asking us whether we had a licence and informing that if we did not have one, there would be dire consequences. They were all aggressive and threatening in tone. We always replied that we had no TV. Eventually, my wife got fed up with these annoying missives.
She took the latest threatening letter from the TV licensing authority and wrote a letter on it that went something like this:
“To whom it may concern. We neither own guns nor sell liquor. Neither of the authorities that license these things pester us for licences. We do not possess a television, as we have told you before. Why do you persist in sending us letters regarding TV licences? Please cease forthwith.”
My wife read me her letter and asked me whether I thought it was alright. I asked her in whose name she had signed it. She told me that it was in her maiden name. I told her to go ahead and send it.
For a while, we did not hear any more from the TV licensing authority. Now, we receive differently worded but still threatening letters from the authority, but these are addressed to “The Occupier” rather than to anyone in particular.
A few days ago, at the end of August 2020, there was a small piece in the London ‘Times’ newspaper. It reads as follows:
“Rachel Mackay, a manager for Historic Royal Palaces, gave a sigh when she received a familiar brown envelope addressed to ‘The Current Occupier, Kew Palace, which has not been lived in for two centuries. ‘Oh good,’ she said, ‘it’s the time of year where I have to explain to the TV Licensing Authority why George III hasn’t paid his TV licence since 1820.”
We know how Rachel Mackay must be feeling.
Films from India made in Bombay, the so-called Bollywood productions, are popular all over the world. When we visited post-Communist Albania in 2016, 31 years after the death of its long-time dictator Enver Hoxha, we encountered Albanian Bollywood fans in several places. The following three excerpts from my book “Rediscovering Albania” describe some incidences when we met local lovers of Bollywood.
In the northern town of Pukë:
“Our shopping expedition continued in a tiny stationery/gift shop, where I bought a notebook. The sales lady wanted to know where we came from. When she learnt that Lopa came from India, she pointed at a small television set hidden under her counter. We saw that she was watching a Bollywood movie with Albanian subtitles. Every afternoon on Albanian television, there is an episode of a Bollywood TV soap opera. Those ‘in the know’ never ring ladies between certain hours in the afternoon so as not to disturb their enjoyment of this addictive show. The inter-continental cultural traffic is not one-way: in 2013, the Albanian actress Denisa Gokovi starred in a film (Phir Mulaquat Ho Na Ho) directed by the Indian Bobby Sheik.”
In the southern city of Korçë:
“Weary and hot, we tried to retrace our steps back into the centre. Quite by chance, we began walking along a road that led straight to the Mirahorit mosque, which was closed when we arrived. However, some men were gathering outside it, and soon the imam arrived to unlock it for afternoon namaaz (prayers). They were all friendly and welcoming. While we were waiting, we were joined by a German lady, who was keen to see this mosque that dates back to 1496. Restored by a Turkish organisation in 2014, it was worth waiting to enter it. The interior was decorated with attractive frescoes depicting various mosques and Muslim pilgrimage places including the Kaaba. One of the men who was waiting with us to enter the mosque asked Lopa where she was from. When she said India, he exclaimed “Rye Kapur”, that being his pronunciation of Raj Kapoor, a well-known Bollywood film star. As we had already discovered in Pukë, Bollywood is popular in Albania.”
In the large seaport of Vlorë:
“This small building of great historic importance was dwarfed by huge cranes and ocean-going freighters in the nearby port area. Its windows had slatted wooden shutters, and there was a balcony projecting over its main entrance. It was from this balcony that Ismail Qemal read the declaration of Albania’s independence in 1912. Vlorë, which was invaded by the Italians in 1914, was the country’s first capital. In 1920, Tirana assumed this role.
We were guided around the museum, and shown photos, documents, and furniture, connected with the historic events that occurred around 1912. Driton kindly translated our lady guide’s interesting commentary into English. Sadly, we were not permitted to stand on the historic balcony because it has become too fragile. As we moved from room to room, I noticed that our guide was becoming more and more interested in Lopa, touching her occasionally. At the end of the tour, she told us that she loves watching the Bollywood films and soap-operas broadcast on Albanian television. It was a pity, she said, that Lopa had not been dressed in a sari. Lopa’s arrival in the museum had meant a great deal to her. It was as if one of the characters in the films, which she enjoyed watching, had stepped out of her television and into her museum. She said that Lopa was the first female Indian visitor to the museum since she began working there eleven years earlier.”
Prior to 1991, Albanians would not have been able to watch Bollywood or even Hollywood productions. Under the dictatorship created by Enver Hoxha, which lasted from 1944 until late1990, the Albanian population was almost completely isolated from external influences. A few people watched Italian TV at their peril. If discovered, they would have risked dire punishment. Today, everything has changed; Albania is wide open to foreign culture.
REDISCOVERING ALBANIA by Adam Yamey is available from:
Amazon, Bookdepository.com, lulu.com, Kindle,
and your local bookshop (will need to be ordered)
If you were alive then, what were YOU doing on Friday, the twenty-second of November in the year 1963 ???
My father was a visiting academic in the Economics Department at the University of Chicago during the last three months of 1963. Between September and December of that year, we lived in a flat in a two-storey house with a wooden fire escape near the university. Our address was 5608 South Blackstone Avenue. My sister and I (aged 11) attended the nearby University of Chicago Laboratory Schools (the ‘Lab School’).
I was excited to discover that our rented flat had a television, albeit one which was defective. The image it produced was double. One could see what was being broadcast but everything had a shadow, which made the image seem out of focus. Whichever way one fiddled with the indoor aerial, the image never improved. None of this mattered much to me because in London, where we lived usually, we had no television at all.
In addition to attending the Lab School, I had to keep up with the work that I was missing because I was not at school in London. Soon after returning from the USA, I had important examinations to sit. So, getting time to watch TV was difficult. I decided that the only way I could get a decent long session in front of the TV was to be sufficiently unwell for my parents to allow me to miss school.
I bought a copy of the weekly voluminous TV Guide for the Chicago area. It was the issue that covered Friday 22nd November 1963. I do not remember how I persuaded my parents that I was too unwell for school that day, but I did. My sister, aged 7, was deposited at the Lab School by my father on his way to the university. Much later that morning, my mother, a sculptress, set off for the studio where she worked during the day. I was left at home alone, ready to spend several hours watching the TV programmes I had selected from the TV Guide.
You can imagine my disappointment when the TV set had warmed up after I had switched it on. Instead of the TV programmes that I was looking forward to watching, there were non-stop news programmes on every channel. President John F Kennedy (‘JFK’) had just been shot in Dallas, Texas. Not only had one of America’s most charismatic presidents been assassinated, but also my day of uninterrupted TV viewing had been wrecked.
My sister returned from school in the mid-afternoon. She told us that her class had been led out of the classroom to the school’s assembly room. There, they saluted the US flag before being told of the tragedy in Dallas.
On the Saturday morning, while I was struggling with my Latin assignment from London, my sister and some guests who were staying with us, the art historian Leo Ettlinger and his wife, were watching our TV in another room. Suddenly, my sister came running into the room where I was trying to study, and my mother was doing something domestic. She announced that while she was watching TV, she saw Jack Ruby shooting dead the prime assassination suspect Lee Harvey Oswald. My mother and I rushed to the TV. We were just in time to see the footage of Oswald’s murder being replayed.
Although, as an 11-year-old, I had negligible interest in politics or news in general, JFK’s demise made me feel depressed. I am not sure why. Maybe, it was because his death had significantly dampened the mood of Americans in general.
Years later in the mid-1970s I visited some American friends, fellow graduate students, who lived in Pill, a suburb of Bristol in Somerset. One evening, we went to a theatre in the centre of the city. I do not recall the name of the play, but I can remember what it was about. The people on stage, actors, related what the characters, who they were portraying, recounted about what they were doing at the moment they learnt of JFK’s assassination.
Now, you, dear reader, know what I was doing on that fateful day.
[Image source: wikipedia]