A RIVERSIDE HOSTELRY AND THE COMPOSER OF A PATRIOTIC SONG

WE USUALLY PASS this place early on Sunday mornings. As it opens at 12 noon, we had never been able to enter it until a few days ago. Situated on the riverside in Hammersmith with its entrance in a narrow passage that is the east end of Upper Mall, it is The Dove pub. As it looks so quaint and ‘olde worlde’, we have long planned to visit it during its opening hours.

The Dove pub has been in existence since the early 18th century, or maybe the century before. Its north facing façade was created in the early 19th century. It is said that King Charles II (reigned 1660-1685) might have entertained his mistress Nell Gwynne here. Although there is no certainty about that, there is evidence that the Scottish poet James Thomson (1700-1748) spent time in The Dove. In 1740, he composed the poem “Rule, Britannia!”, which was later set to music by the composer Thomas Arne (1710-1778).  He is said to have written the poem in The Dove, where there is a memorial commemorating the birth of this famous British patriotic song. Later regular visitors to the pub included Ernest Hemingway, Dylan Thomas, and William Morris (who lived a few yards away).

We decided to visit the pub after a late afternoon performance of an enjoyable film, “Taste of Things”, at the nearby Riverside Studios. On entering The Dove, there is a bar to the right and a small seating area to the left. The bar is one of the shortest in the UK – it is only 7 feet long. To comply with legal requirements, a second bar had to be built. This is reached by climbing a few steps into a larger middle room, which was heated by a real coal fire and lined with pictures. We took a table in this cosy dining area, and enjoyed acceptably good food. Another flight of steps leads down into a third seating area with windows overlooking the Thames. Beyond this, there is an open terrace with views of the river.

The Dove is wonderfully old-fashioned. Even though it is in the heart of west London, it feels just like a traditional country pub in the middle of nowhere. Most of the clientele in the pub on the Monday evening we visited it were local people. I suspect that during weekends and public holidays, the locals become outnumbered by visitors who are not local.

Having ‘broken the ice’ and entered the pub, I am sure that we will become regular visitors there, but it is unlikely that we will compose a song that can rival “Rule, Britannia!”- however much we drink.

Artists as artworks in London’s East End

BRICK LANE IN east London has been home to immigrants from various parts of the world. Currently, many of the people who live and work in the area are of Bangladeshi heritage. In the last few years, the area has attracted the ‘trendy’ set, whose interests are mainly in the attractions north of the former Truman Brewery. Some years ago, my friend David, visiting from Atlanta (Georgia), and I paid a visit to Brick Lane and were surprised to find a bit of ‘Ye Olde England’ almost hidden amongst the predominantly Asian businesses. It was the The Pride of Spitalfields London – a real old-fashioned ‘boozer’. Stepping into it, it was difficult to imagine you were not in a country pub, but in the heart of east London. It is on Heneage Street next door to what had once been part of a brewery.

In 2015, the Trustees of the Gilbert & George Centre, a charity, acquired the building next door to the pub. On the 1st of April this year (2023), the converted buildings were opened to the public. They have been beautifully transformed by the SIRS Architects practice and they house artworks by the duo Gilbert and George (‘G&G’), who both trained at London’s St Martins School of Art. According to the G&G website (gilbertandgeorgecentre.org):

“The property was purchased with the idea to create a permanent home for works of the artist and to enrich London’s cultural offering thus further.”

G&G produce often very colourful works, all of which include the pair of creators within their images. As artists, they are also the subjects of their creations – they are almost always depicted in all their works. Their works deal imaginatively with a wide variety of things that we all face in our daily lives – some of them often considered too distasteful to be discussed or displayed. But G&G boldly bring them to our notice in a dramatic way.  As Michael Bracewell, a Trustee, wrote on the website:

“Gilbert & George maintain an ideological opposition to formalistic art theory and the reference of art to the history or theory of art. Asserting instead the power of emotion and actuality, their art addresses subjects that are culturally excluded, neglected or disowned. Their art questions social taboos and morality. By looking at difficult subjects the art and vision of Gilbert & George is intended to ‘de-shock’ rather than seeking to shock. Its aim is not the simple task of ‘shocking’ a viewer, but the difficult task of interrogating a subject and themselves … Unchanging, they have the appearance and countenance of modern sober-minded, anonymous citizens, who have embarked on the astral journey of their own Divine Comedy: purgatory, Heaven and Hell as they find it and perceive it in our world, in nature and in themselves.”

Whether or not you like the creations of G&G, the new Centre is well worth visiting, even if only to see the fine design of the buildings containing it. If the art is all too much for you, you can pop into the pub next door and seek liquid relief. And if you loved the place, which we did, you can visit the boozer to celebrate the arrival of this superb new addition to the London art scene.

Retreating from the pandemic misery

FOR SEVERAL MONTHS following March 2020, movement was restricted to within a short distance of home because of rules that were supposed to limit the spread of covid19 infections. Almost everything except food stores was closed. Socialising was frowned upon. And travel for leisure was not possible. Around about June 2020, things eased up just a little bit, and travelling became possible once more, albeit subject to various rules and precautionary measures. It was then we decided to buy a car to travel around without risking infection by using public transport.

After collecting our (pre-loved) car from a garage on the Edgware Road, we decided to drive up to see my wife’s cousin in Baldock (Hertfordshire). We asked him to recommend a nice country pub where we might be able to get something for lunch. He suggested that we tried Ashwell, which is about 4 miles northwest of Baldock. This pretty village has three pubs. Two of these were closed, and the remaining one did not serve food. We asked the rather melancholic barman to suggest somewhere else in the area. He pointed at the pub’s only customer, a gentleman seated at a table, and said:
“You could try his place at Abington Piggotts – it’s only just up the road.”
The man, Mick, told us that his pub was open and serving food. So, we drove a few miles to tiny Abington Piggotts, which is 3 ½ miles northeast of Royston. With about 80 households, the village has one pub, a free house called The Pig and Abbot. Housed in a century’s old building, this hostelry is a lovely example of an unspoilt country pub. We were given a warm welcome. We enjoyed a small snack and a drink and decided to return at a later date for a proper meal.

We returned and enjoyed excellently cooked food prepared by Mick’s wife Pat. It was so good that we began returning at regular intervals to enjoy Pat’s cooking. The Pig and Abbot, like all other pubs and restaurants, was subject to compulsory closures during the various ‘lockdowns’ that were imposed by the government, yet it has remained in business despite these interruptions. I am not sure how many times we have visited the Pig and Abbot, but each time has been as least as enjoyable as the others. It was not long before we began regarding Mick and Pat as good friends. Whenever we visit the pub, Pat gives us all a great hug when she sees us. Especially during the periods when lockdown restrictions were only partly eased, a visit to the Pig and Abbot provided a welcome respite from the gloomy atmosphere during the height of the pandemic. Whenever we drive along the country lanes leading to Abington Piggott, I have a warm feeling of gratitude because it was this countryside that lightened our lives during two years of covid-related misery.

Recently, we booked for Sunday lunch at the pub. Several days before we were due to eat at the pub, Pat rang. At first, we thought she was going to cancel us for some reason, but it was worse than that. She rang to tell us that Mick had died suddenly and completely unexpectedly. We felt devastated by this news. When we asked her whether she wanted us to cancel, she said ‘definitely not’. She had decided she must continue, and she wanted to see us. When we arrived for our lunch, the pub was full, Pat greeted us warmly, and her food was as excellent as usual. We will greatly miss Mick, and we wish Pat all the very best for the future.

More than meets the eye on the moor

FROM OUTSIDE IT looked like a ‘bog standard’ pub on Dartmoor. The kind of pub in which you would expect to find weary walkers and cyclists, all dressed in appropriate outdoor gear splattered with mud. The sort of place where the customers wear walking boots and thick woolly socks that reach halfway up their calves. An old-fashioned country pub with a roaring open fire. You know the kind of place, quaintly decorated with folks objects such as horse brasses, copper bed pans, Toby jugs and so on. A pub where you would find sandwiches and chips as the only solid fare. However, despite looking like the kind of hostelry just described, The Dartmoor Inn Merrivale is  quite a different ‘kettle of fish’.

On stepping through its entrance door, the first thing you will notice is a large wooden butcher’s slap piled with raw steaks of various kinds and cuts: sirloin, rumps, chateaubriand, rib eyes, huge tomahawks, and other tasty chunks of meat. Behind this in what was formerly a fire place, there is a sophisticated charcoal grill for cooking these meaty offerings. A chef coats the meat with sprinkling of salt, oil, and herbs before grilling it. 

The pub’s decor is far from traditional.  It is simply decorated in a contemporary style with a few good artworks on the walls. The pub is owned by a local organic farm, which also has shops in Marlborough, Totnes, Tavistock, and London (in Selfridges Food Hall).

For our midday meal, we ordered a Ploughman’s Lunch contains amongst other things excellent cheddar and locally made ham, and a plate of superb barely cooked roast beef. The food could not be faulted. The staff were enthusiastic about food and were very attentive.

The Dartmoor Inn has reasonably priced rooms for overnight stays. We hope to return, spend the night, and sample the excellent looking steaks on offer.

Just as it is unfair to judge a book by its cover, one should not rate a pub by its external appearance.

Eating afer 9 pm in a village in Essex

WHILE ELTON JOHN was performing in front of thousands in London’s Hyde Park in late June 2022,  a small ensemble was performing works by the baroque composers Pergolesi and Purcell in the large medieval gothic church in Thaxted (Essex). The superbly performed concert in Thaxted starring the Armonico Consort ended well after 9 pm.  This was not a problem for the many well-healed members of the audience in the church, who lived locally and were able to feed themselves in their own homes.

Thaxted, Essex

We could have eaten before the concert, which commenced at 7 pm, but were not hungry before that early hour. The pubs in Thaxted informed us that their kitchens stopped  taking orders for food before 845 or 9 pm.

At a pub called the Star, someone hearing us asking about food after 9 pm, recommended we should head for Farouk’s. The bar attendant and several bystander’s agreed with our informant. The bar attendant kindly said that we could bring food from Farouk  and she would save a table for us at which we could sit and eat after the concert.

Farouk is the owner of a caravan parked in a yard behind a petrol filling station in Thaxted. He and his colleagues,  all from Turkey,  prepare and sell Turkish food in the caravan. And, his eatery closes not at 845 or 9 pm, but at 11 pm.

After hearing superb renderings of Pergolesi’s “Stabat Mater” and Purcell’s “Dido and Aeneas” (semi-staged), we headed for Farouk’s caravan and the Star pub.

While waiting for our food to be prepared at about 9.40 pm, Farouk explained he had come from Gaziantep. He said that in his part of Turkey, which is quite close to Cyprus, Turkish is spoken with an accent that is very similar to that spoken by Cypriot Turks. During the ten minutes it took to prepare our food, Farouk took many food orders over the phone, which goes to show that in Thaxted there is a healthy demand for food after 9 pm.

We enjoyed our food at the table reserved for us at the Star. This welcoming pub is popular with locals. I suspect that its lively clientele was a different segment of Thaxted’s population from that which attended the concert in the church.

A chiming pub in Cornwall

EGLOSHAYLE IS ACROSS the Camel river, facing the Cornish town of Wadebridge. The Earl of St Vincent pub is hidden away up a hill behind Egloshayle’s St Petroc church. It is housed in a building built in the 17th century as a boarding house for masons. Later, it became a pub. One of its many guests was Admiral Sir John Jervis (1735-1823).

The interior of the pub has timber roof beams and a delightful feeling of times long gone by. It is a great example of many people’s idealised vision of a typical ‘olde worlde English’ country pub. Soon after entering the dimly lit establishment, and your eyes adjust to the low light levels, it becomes evident that the pub is full of clocks, mostly differing in design. Most of them appear to be in working order, but not many of them show the same time. A great number of the clocks chime at least once an hour, but not all at the same time. This being the case, there is usually at least one clock chiming at any given moment. This produces a lovely background symphony of chimes.

I asked one of the pub’s staff why there were so many clocks in the pub. She replied:

“Some people like children. We like clocks”

Later, I asked the landlady about the clocks. She told me that when they took over the pub some years ago, there was no clock in it. She and her husband bought one clock for the pub, and this became the start of their collection. They could not stop buying timepieces. She told me that there are over 200 clocks in the pub and winding them up every day is quite a huge task.

Apart from the fascinating clocks, the pub can be recommended for the delicious, excellently prepared, unpretentious food that can be eaten there.

Richmond’s last night out was in a London pub…

IN “REGENCY BUCK” by the English novelist Georgette Heyer (1902-1974), we read in chapter II:

“Weighs something between thirteen and fourteen stone,” said Mr. Fitzjohn knowledgeably. “They say he loses his temper. You weren’t at the fight last year? No, of course you weren’t I was forgetting. Well, y’know it was bad, very bad. The crowd booed him. Don’t know why, for they don’t boo at Richmond and he’s a Black, too. I daresay it was just from everyone’s wanting Cribb to win. But it was not at all the thing, and made the Black think he had not been fairly treated, though that was all my eye and Betty Martin, of course. Cribb is the better man, best fighter I ever saw in my life.

This extract includes two names ‘Cribb’ and ‘Richmond’. Both were boxers of great renown: Tom Cribb (1781-1848) was an English world champion bare-knuckle boxer and Bill Richmond (1763-1829) was more than simply a boxer.

Richmond was an ex-slave born into slavery in Richmondtown on Staten Island, New York (USA). He was then a ‘possession’ of the Reverend Richard Charlton. Hugh Percy, 2nd Duke of Northumberland (1742-1817), an officer commanding British forces during the American War of Independence, saw Richmond involved in a fight with British soldiers in a tavern, and recognised the black man’s skill as a boxer. After arranging fights between young Richmond and other British soldiers, Percy bough Richmond his freedom and sent him to England, where he organised his education, and apprenticed him to a cabinet maker in Yorkshire. Richmond married in England and later moved to London, where, already in his forties, he began his largely successful and lucrative career in boxing.  He also owned a pub, The Horse and Dolphin, for a while. Today the Dutch pub in Soho, De Hems, stands on its site.

Soon Cribb was challenging and beating some of the best boxers of the time. However, in 1805, Richmond challenged Cribb, and lost. This led to bad relations between the two men, which lasted for years. Richmond met another former slave Tom Molineaux (1784-1818). Recognising his new acquaintance’s potential as a boxer, Richmond gave up boxing to train Molyneaux. After having narrowly lost two fights with Cribb, in 1810 and 1811, Molyneaux fired his trainer, Richmond.

After losing money on training and sponsoring Molyneaux, Richmond, by then aged 50, took to the boxing ring again. At this advanced age, he challenged and beat two younger champion boxers, Jack Davis and then Tom Shelton. After these two victories, he wanted to challenge Cribb again, but the latter had already retired. In 1820, Richmond founded a boxing academy for training amateur boxers. Amongst those he trained were two now famous literary figures: William Hazlitt and Lord Byron.

As he and Cribb aged, they became friends. It was in the pub that Cribb owned, The Union on Panton Street (near Leicester Square), that Richmond spent the last evening before his death. The Union still exists but is now named the Tom Cribb. A plaque on the outside of this hostelry commemorates Cribb’s achievements and another one records Richmond’s last night out, which was spent with his friend Tom Cribb.