Black beaches

beach

 

There was a young receptionist at one of the dental surgeries where I once worked. Let us call her ‘M’. Engaging her in conversation was not easy, but I tried often and succeeded occasionally.

Once, M announced that she was taking a week’s holiday. When she returned, I asked her:

“How was your holiday?”

“Ok,” M replied vaguely.

“And, where did you go?” I asked.

“I don’t know.”

“Really?” I queried.

“I just got a last minute package trip and got in the ‘plane,” she told me.

“If you don’t know where you went, what was it like?” I asked.

“Not very exciting, really. All of the beaches were covered with black rocks and stones.”

I guessed that M had probably been to one of the volcanic islands in the Atlantic. It surprised me that someone could take a flight somewhere and have no idea where she had landed. What if something awful had happened to her? Who would have known where she was? 

Dry Martini

martini

 

The first alcoholic drink that I enjoyed in my early teens was Martini Vermouth. I liked it neat with a piece of ice.

One evening, a wealthy relative invited my parents and me to join them at London’s Savoy Hotel, where they were staying. Before dinner, we had drinks in their suite. I must have been about fourteen then. 

The room service waiter arrived, and we ordered drinks. I asked for my then usual Martini. Soon, the drinks arrived. I was handed a large glass tumbler with a thick base. It contained a clear liquid that did not look like Martini to me. Also, it did not smell like Martini, and its taste did not resemble anything I had drunk previously. Being a polite young fellow, I did not remark on it, but just sipped it slowly whilst the adults chatted.

When it was time to get up and descend to the dining room, I had an odd sensation. I stood up and looked at the floor which seemed to be undulating like the waves in the sea. Whatever I had drunk had gone straight to my head. What I had been served was not the dry Martini, which comes straight from the bottle, but the cocktail Dry Martini, which is mostly gin and only a dash of Martini. You live and learn.

 

picture source: http://www.diffordsguide.com

Buggy battles

Buggy

 

All public transport buses in London have dedicated areas for buggies (baby strollers, push-chairs etc.) Other passengers need to, or are made to feel that they need to, move out of the way so that a buggy can be parked in the designated area.  So far so good. Many child carers use their childrens. buggies as shopping trolleys, often overloaded with bags of merchandise. Often, the child or children being transported in the buggies are removed from them during the bus journey and then occupy a passener seat. The empty buggies then simply take up space that could be used by other passengers on a crowded vehicle.

Now, there are clear signs by the designated ‘buggy area’ that state quite clearly that the area is also for use by persons confined to wheelchairs. These signs also make it very clear that wheelchair users have priority over buggies in the special area on the bus.

Clashes, often quite uncivil, occur if too many carers pushing buggies are competing for the the limited space available for buggies and wheelchairs. Or, even worse, battles can break out between whelchair users who want to board a bus and buggy owners, who are already on board the bus. Both the child carers and the wheelchair-bound  people can often behave quite unpleasantly. Unlike the wheelchair occupant, almost all baby buggies can be folded up and placed in the luggage area that is available on every bus.

Yesterday, it was a sunny afternoon and I was travelling in a bus past Swiss Cottage in north west London. The buggy/wheelchair area was occupied by two baby buggies and a folded buggy was in the luggage area. We stopped at a bus stop where a man in a wheelchair was waiting. He wanted to board the bus, but the owners of the buggies occupying the designated area would neither fold their buggies nor leave the bus to make space for the priority user, the wheel chair user. The bus driver had to get out to sort out the stand-off. He wanted the buggy users to disembark, but they would not budge. In the end, the wheel chair bound fellow behaved decently, saying he would wait for the next bus.

In my opinion, both wheelchair passengers and buggy pushers can easily manage to wait  (especially when the weather is good) until a bus arrives with sufficient space. After all, the wheelchair user is sitting and waiting as is the buggy borne child, who is often far too big and independently mobile to be confined to a buggy. What do you think, dear reader?

 

 

Picture from: https://www.britax-roemer.co.uk/pushchairs/strollers

It has its uses

Psychedelic headscarf_240

 

In the UK, unlike some countries in Europe, we have a fairly liberal attitude towards Moslem women covering their heads and faces to a greater or lesser extent. In the last dental practice where I worked until I retired, our patients came from all over the world. A not insignicant number of our female patients were Moslems who wore some kind of head covering. A few of them insisted on being treated by female dentists, but most of them did not mind seeing one of the male dentists.

One of my female Moslem patients came to the UK from a north African country. She always wore a loose-fitting headscarf, but did not cover up her face. One day, she needed to have a front (incisor) tooth removed. I explained to her that the situation was such that she would have be without any replacement for it for 24 hours – I cannot remember why. 

Will you be able to cope without that tooth for a day. The gap will show every time you speak or smile,” I said.

Picking up the end of the scarf she was wearing, she covered her mouth with it, and then said humorously:

This has its uses!

And with that comment, she allowed me to remove the troublesome tooth, and then left the surgery with her face covered. She looked like a typical Moslem woman wearing a face-covering. Nobody would have guessed that she was missing a front tooth.

Conducted by an Albanian

OLSI 1

 

The Victorian gothic St Stephens Church in Gloucester Road has great acoustics for orchestral music. On the evening of the 15th of June 2019, we attended a wonderful concert of “Symphonic Dances” performed by the London City Philharmonic Orchestra. I have been to several other concerts where this ensemble has played. This time the orchestra had been enlarged so considerably that it only just fitted into the space available for them at the east end of the church. This magnificent collection of first-class musicians was masterfully and sensitively conducted by the Albanian conductor Olsi Qinami, who studied at the Academy of Arts in Tirana and then at the Ecole Normale de Musique in Paris.

The ambitious programme consisted of three symphonic dance pieces, all composed in the USA. Variations on a Shaker Theme by Aaron Copeland (1900-90), son of Jewish immigrants from Lithuania, got the concert off to a tuneful start. This was followed by a memorably good rendering of the vibrant Symphonic Dances by Leonard Bernstein (1918-1990), son of Ukranian Jewish parents. This exciting piece contains familiar tunes from Bernstein’s musical drama West Side Story. After an interval, there was a piece, Symphonic Dances, composed late in the life of Sergei Rachmaninoff (1873-1943), who emigrated to the USA from Russia in 1918.

The three pieces were all by composers, whose families had ‘roots’ in the former Russian Empire, but each of them was completely different. All three were highly enjoyable. Olsi Qinami seemed to be able to get the best out of the orchestra seemingly effortlessly. He stood on his podium calmly without any dramatic gestures and achieved wonders with his large well-disciplined orchestra, which according to the programme notes contains players from all over the world including two with Albanian names (Pranvera Govori, violinist, and Idlir Shytu, cellist).

In summary, I am truly pleased that I did not miss this concert. It was pure joy throughout. Although Olsi’s previous concerts have all been outstanding, “Symphonic Dances” was his best so far. I look forward to the next, which will be in St Stephens Church on Saturday, 5th of October 2019.

Flying rats

pigeons

 

My late mother was awfully concerned about avoiding germs. For example, every can of food had to be washed before opening it just in case rats or mice had scampered across it in a warehouse.  Also, when we visited toilets in public places in the 1960s, we were told to put toilet paper on the seats so that we would not pick up germs that other users had left behind. Interestingly, in many public toilets nowadays, notably on aeroplanes, disposable toilet seat covers are provided. Mum would have approved of this development.

Recently while rummaging through some old photographs, I came across one of me, aged about 10, in Siena, Italy. I was kneeling on the floor feeding pigeons that had flown on to my hand. As a child, I loved doing this. My parents would buy me a paper cone filled with corn seeds. I would fill my palm with some of these, and then pigeons used to perch on my finger tips and pick up bits of corn with their beaks. I remember that the pigeon’s ‘feet’ felt quite soft. Feeding these creatures was a real treat.

Well, I was not unusual. Many people enjoy feeding birds from their hands. Today, in London’s Kensington Gardens there are flocks of green parakeets that happily feed from visitors’ hands.

The surprising thing was that my germ conscious mother permitted my sister and me to feed pigeons as described already. In New York, pigeons are known as ‘flying rats’. Pigeons are are actually less hygienic than rats and they carry mites, which irritate human skin. I cannot believe that pigeons in Italian cities in the 1960s were any cleaner than those flying about today. Had my mother been aware of the pigeons’ unsavoury lack of hygiene, feeding these creatures would have been totally forbidden to my sister and I. I am pleased that she did not realise that the dear flying rats are so filthy!

Cycles and branches

bike

 

There are plans to make a cycle super highway through west London. This might make cycling more attractive to people living in the areas it passes through as well as making it safer for cyclists by separating them from other road users. All very well, so far.

In order to creat this cycle thoroughfare, quite a number of well-established old trees will have to be cut down and removed. While cycling no doubt reduces the amount of toxic gases emitted by vehicles, removing the trees cannot be so beneficial to the climate of the future, about which so many people have become concerned.

The authorities have said that the felled trees will be replaced by new trees nearby. That is good, but many trees take a long time to reach the size and ecological efficiency of the trees that will get the chop. A large number of people have protested about the proposed  sacrifice of trees for the cyclists, so we wait with baited breath to see whether the trees will survive or the new cycle route will come to fruition. Being Britain, there will probably be a compromise!

 

Picture by Natalia Goncharova in an exhibition at the Tate Modern, London

Calm sea and Prosperous voyage

Digital_500

 

A few years before my mother died, I persuaded my parents to invest in a stereo hi-fi system. My mother would only have such a system if it looked nice. So, they settled on a Bang and Olufsen system. Unfortunately, the aesthetically pleasing speakers sounded awful and we replaced them with something less pleasing to look at but which sounded good. When CD’s (compact discs) became available, I added a CD player to the system. By then, my mother was dead and the appearance of the player no longer mattered.

After my mother died, I was living in Kent. I used to visit my father on Sundays. We used to have lunch together in various restaurants in Hampstead village in north-west London. Always, after we had eaten, we used to viit the Waterstones bookshop and the Our Price music shop nearby.  Often, I would purchase a CD to add to my father’s small collection. On one occasion, I bought a CD with some orchestral music by Beethoven.

Some weeks later, I asked my father if he had enjoyed that CD. He said:

“There is something wrong with it. There is complete silence for the first few minutes.”

I said that I would look into this. When I reached his house, our family home, I turned on the hi-fi system and inserted the problematic CD. My father was right. For the first few minutes, there was nothing to be heard.  Then, I looked at the volume adjustment slider which was marked at equally spaced intervals from 0 to 10. I discovered that my father had been using the system with the volume slider set between 0 and 1. 

The first track on the CD was Beethoven’s Opus 12: Calm Sea and Prosperous Voyage. The first few minutes of this piece are very quiet, which is why setting the volume so low made it sound silent. My father’s penchant for barely audible low volume background music was the reason for doubting the integrity of the CD, which I had given him.

 

You can listen to the music mentioned above by clickingH E R E