Tag Archives: Islam

A pavilion for Ramadan

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IN 2023 RAMADAN WILL occur between about the 22nd of March and the 21st of April. To celebrate this holy Islamic month, a colourful pavilion has been erected in the courtyard of the Exhibition Road entrance to the Victoria and Albert (‘V&A’) museum. It has been designed by Shahed Saleem and set up by The Ramadan Tent Project and the V&A. According to the museum’s webpage (www.vam.ac.uk/event/ok1kLZm29xJ/ramadan-pavilion-march-may-2023), the pavilion:
“…draws inspiration from the V&A’s Prints and Drawings collection to represent the history of the mosque and Muslims in Britain.”

Another webpage (https://www.vam.ac.uk/blog/museum-life/the-ramadan-pavilion-by-shahed-saleem) contains some interesting information about the history of Islamic edifices in the UK. The first mosque in Britain was built in 1889 in Liverpool by 20 British converts to Islam. It was housed in a Georgian terraced house. Since the arrival of many Muslim migrants in the UK im the 1950s and ‘60s, there is now a sizeable Muslim population in the country, and they worship in Britain’s approximately 1800 mosques. The earliest of these were in converted buildings, but now there are plenty of purpose-built mosques. Of these, one of the most beautiful and original is the mosque in Mill Road, Cambridge.

Shahed Saleem is an architect who specialises in designing mosques. Apparently, his pavilion at the V&A is the result of years spent studying mosques in Britain. With his Ramadan Pavilion, Saleem hopes that it will encourage people, who have never entered mosques, to explore mosque architecture and encourage them to enter these holy places to discover more about them. Well, that is an admirable aim, but from what I have seen of the pavilion, it is unlikely to fulfil that aim.

Undoubtedly, Saleem’s pavilion incorporates elements of mosque architecture and design. Sadly, it looks to me more like a children’s play area than a homage to Islamic architecture. I love Islamic architecture, but feel that the multi-coloured pavilion, which resembles something made with over-sized Lego bricks, does not respect the great beauty, delicacy, and intricateness that can be found in mosques both old and modern.

Some Islamic figurative art in the Victoria and Albert Museum

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THE VICTORIA AND Albert Museum (‘V&A’) in London’s South Kensington is one of my favourite museums. It contains a huge variety of exquisite artefacts. Some of them were obtained by fair means, and others, such as Tipu’s Tiger (an 18th century mechanical toy), by means that some might consider foul. I do not propose to write about the current discussions on the ethics of museum collections, but instead I will concentrate on some interesting tiles that arrived in the museum from Persia, where they were made during the Safavid Dynasty that was established in 1501 AD, and lasted until 1722.

The 36 tiles, arranged in 4 rows of 9, together depict a garden in which a lady is reclining with her 5 attractively dressed attendants around her, all wearing headgear: their uncovered faces are portrayed fully. This tiled panelling might have been originally made as part of an extensive architectural project in early 17th century Isfahan, the capital of the Safavid Dynasty. Other similar tiled panelling can be found in the Metropolitan Museum of Art in New York City, so wrote Farshid Emami in his paper “All the City’s Courtesans: A Now-Lost Safavid Pavilion and Its Figural Tile Panels” (published in the Metropolitan Museum Journal in 2019). The panel is shaped so that it could be fitted beneath a window.

The Safavid Dynasty was Islamic. Unlike many other groups in the Islamic world, which discourage or forbid figurative representation, the Safavid rulers, who were great patrons of the arts, developed a dynastic artistic style in which the depiction of human figures played an important role. The tiles that are on display are a fine example of this. According to the V&A’s website (https://collections.vam.ac.uk/item/O93167/tile-panel/) these tiles were:

“Bought from L.S. Myers, 6 Savile Row, for £275…”

Myers & Co, which flourished at the above-mentioned address in the 19th century, usually dealt with prints. “A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers” by MW Westgarth (publ. 2009) revealed:

“Abraham Myers (born c1815/16) traded as a curiosity dealer in Old Bond Street and at New Bond Street, London, from the 1850s. Myers is listed as ‘antiquary dealer’ at 179 New Bond Street in Kelly’s Directory, 1878 and 1886 and at 6 Savile Row in 1886–91.”

So, assuming that LS Myers was associated with this firm, the tiling might well have been bought between 1886 and 1891.

Every visit to the V&A, which might take much of a lifetime to explore fully, is exciting because each time I visit the place, I discover something fascinating, which I had not noticed before. These tiles are no exception to this.

A marvellous modern mosque

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KINGS COLLEGE CAMBRIDGE has a superb perpendicular gothic chapel, whose construction commenced in about 1446 and took almost 100 years to complete. Its fabulously intricate fan-vaulting makes it one of the finest buildings in Cambridge, if not in all of England. Until recently, it was the one and only building in Cambridge that visitors to the city needed to see, even if they did not have time to see anything else. Although this continues to be the case, there is another building, which visitors should make time to see in addition to the chapel. Unlike the college edifice, this is not in the historic academic part of the city but in Mill Road, not far from the main railway station. Near the eastern end of this thoroughfare, which is rapidly becoming a ‘trendy’ part of Cambridge, you will come across a wonderful modern building set back from the road and separated from it by a pleasant, small garden. This structure is The Cambridge Central Mosque.

The mosque was completed in 2019 and designed by Marks Barfield Architects (London) in conjunction with Professor Keith Critchlow (1933-2020), who was Professor of Islamic Art at London’s Royal College of Art, and the garden designer Emma Clark. The designers of the mosque aimed (in the words of Abdal Hakim Murad, chairman of the Cambridge Mosque Trust) to create:

“…a brand new sacred space … to bring together something that’s very ancient and timeless with the very latest technologies.” (https://cambridgecentralmosque.org/design/)

This has been achieved very successfully. The visually spectacular deep portico, reached after walking through a pleasant garden, is supported by clusters of curved timbers, which immediately bring to mind thoughts of the masonry fan-vaulting in Kings College Chapel. These clusters continue through the entire building, creating a sense of continuity of the exterior and interior spaces. The vaulting that reminds us of the mosque’s gothic relative at Kings College also evokes purely Islamic architecture such as one finds at the Alhambra in Spain. The outside of the building is covered with brickwork in two colours, the bricks being arranged to produce patterns which are contemporary versions of a traditional Islamic design. The centre of the mosque is topped by a single dome made in matt-gold coloured metal.

The glass walls that separate the portico from the interior of the mosque reflect the mundane houses opposite the mosque (across Mill Road). I do not know whether the designers intended it, but I felt that these reflections were a way of giving the impression that the garden and the world beyond the mosque is merging with the building itself, that the religious structure was merging with its secular surroundings. Whether or not this was the designers’ intention, this mosque deserves a place in the highest echelon of great British architecture alongside Kings College Chapel. The beauty of the chapel and the mosque, separated by many hundreds of years in age, both have the effect of taking one’s breath away in amazement.

City of relief

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THERE WAS ALWAYS a tin of pink coloured Isogel granules in the bathroom of my childhood home. One of my parents took a teaspoon of this daily to ensure regularity of bowel movements. An important ingredient in Isogel is psyllium husk, which is extracted from the plants Plantago ovata and Plantago psyllium. Basically, the husk is a polysaccharide gelling agent which, believe it or not, can be used to ameliorate both constipation and diarrhoea. It might also have other health promoting properties, including possible mitigation of Type 2 diabetes, and reducing cholesterol levels in the blood.

Recently, for reasons that need not be detailed here, we have taken to using psyllium husk. We did not buy Isogel, as my parents did, but a product from India called ‘Sat-Isabgol’, which my wife’s parents used in that country. This product is packed in a picturesque box that includes the company’s trademark: an old-fashioned telephone (B.G. Telephone Brand Regd.).  The box we bought recently proudly proclaims that the company is in its 80th year. According to the box, Sat-Isabgol is:

“… the upper coating of Plantago Ovata (Ispagul) which is highly purified by sieving and winnowing.”

Interesting as this is, what attracted me to the box was the fact that the Sat-Isabgol factory is in Sidhur, a place we visited in Gujarat (western India).

Sidhpur is far from being a major tourist attraction, but it is not far from the ruins of the magnificent Sun Temple at Modera, which does attract many sightseers. The main attraction in Sidhpur is a couple of streets lined with mansions decorated with ornate facades and other decorative features. These were built between the 1820s and the 1930s by a successful group of Muslim traders, members of the Dawoodi Bohra sect. The buildings incorporate many features of European neo-classical styles. Many of the houses bear their owners’ monograms in Latin lettering. The streets in this rural provincial town have a surprisingly un-Indian look about them and if it were not for cows and other animals roaming about them, it might be easy to imagine that one was not in India. While I was roaming around taking pictures, local people were extremely friendly to me. I got the impression that few Europeans visit Sidhpur. One exception was at the sad ruins of a Hindu temple, the Rudra Mahalaya, where the security guards were most unenthusiastic about seeing me with a camera. I was unable to photograph it. Constructed between 943 AD and 1140 AD, this temple is was in extremely poor condition when we saw it about two years ago. If it should ever be restored, it would make Sidhpur a fine excursion for tourists staying in Ahmedabad. I liked what I saw during our brief visit to Sidhpur, but was completely unaware that the town is home to the factory which has been producing something that has brought so much relief to people all over the world, since 1940.

Seduced by style

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DURING VARIOUS VISITS TO AHMEDABAD, we have often driven past the Ahmed Shah Masjid, but never visited this venerable mosque. Close to the great Bhadra Fort and built in about 1414 AD by Ahmed Shah, the founder of Ahmedabad, this is the oldest extant mosque in the city. Today, we entered this exquisite mosque and its garden and discovered a perfect example of Indo-Islamic architecture.

When this mosque, and many others built in western India up to at least a century later, was constructed its creators incorporated many design features that can be seen in Hindu and Jain temples that were constructed centuries before believers of Islam entered/invaded India.

The grounds of the Ahmed Shah Masjid are entered through a small stone pavilion. The step inside it is just like the entrance steps to Hindu and Jain temples in that it includes a centrally located semicircular projection.

The patterning on the exterior stonework of the mosque and the many pillars within it would not look out of place on pre Islamic places of worship in India. However, the presence of figurative carving found in Hindu and Jain temples is completely absent in mosques. One small exception, which I saw at the Ahmed Shah Masjid and others in Ahmedabad, are carvings of trees, the Tree of Life.

The Ahmed Shah mosque and many other medieval mosques in Gujarat are topped with numerous domes. Seen from the outside of the mosques, they do not look exceptional, but viewed from within, the influence of Hindu/Jain temple architecture is obvious.

The domes are usually supported by 8 pillars arranged as a regular octagon. Neighbouring pillars support horizontal lintels, which together form an octagon. The dome rests on these lintels. The internal surfaces of the domes, when seen from below, consist of a series of concentric rings that decrease in circumference as they approach the top of the dome. The stonework of the rings can be either plain or elaborately ornamented. The design of these domes and their supporting supporting pillar systems are identical to what can be seen in Indian temples built long before Islam arrived in India.

Unlike the non-Muslim temples that inspired their design, medieval mosques contain features that are unique to mosques, such as elaborately decorated mihrabs, niches in the wall of the that worshippers face when they pray.

The Ahmed Shah mosque has an elevated internal chamber, where the king could pray separated from the rest of the congregation.

Having at last visited this fascinating mosque, I would reccomend all visitors to Ahmedabad to visit it first before exploring the other wonderful 15th and 16th century mosques that enrich the city.

The Ahmed Shah Masjid is a fine example of how conquerors can be conquered by the culture of those whom they have invaded. Just as the Muslims were bewitched by the wonders of Indian culture, so were the British many years later, as well exemplified by the Brighton Pavilion.

Shrouded in shame

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This tale is based on a true story related to me

Life has not treated Zafar well. Even his wife Zubeida feels that her burqa is barely sufficient to hide her shame. The couple scrimped and saved to pay to educate their daughter Rubina so that she was qualified sufficiently to be able to enter a college in Ahmedabad.

And, what made their beloved daughter do what she has done? And, why did she run off with her Hindu neighbour’s son Rajesh? And, what came over her to marry Rajesh, who is little more than a dunce with no prospects whatsoever? Did she not trust her parents to choose a suitable grroom for her? Only He above might possibly know.

By choosing a ‘love marriage’, that selfish Rubina has not only shunned her parents but has also caused her family to be ostracised by the rest of their community. And, there is more woe to relate. The imam of Zafar’s community has instigated a case against his family, a case to be tried under Shariah law. Zafar is already facing a hefty fine imposed by his community and, even worse, he has already had to pay the hospital’s huge fees required to recover his wife from a paralysis brought on by Rubina’s selfish act of folly.

And, with sorrow, there is yet more to relate. Zafar has since lost his good job. Who would want to employ a man who has lost control of his daughter, you might well ask. Ask you might, but whatever the answer might be, life has not treated Zafar well.

Around the market with Mansour

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I CANNOT COUNT the number of times I have passed Johnson Market on my way between Koramangala, where my in-laws live, and central Bangalore. The market building stands close to the busy intersection of Hosur Road and Richmond Road. Recently, I went on a guided walking tour of the area around Johnson Market. It was led by my good friend Mansour Ali, who runs a great organisation called “Bengaluru by foot” (www.bengalurubyfoot.com). I had visited Johnson Market several times before on my own, but Mansour’s tour enhanced my experience of it and its surroundings.

Johnson Market was built in an indo-saracenic style in the early 20th century on the site of stables that housed horses, which were imported into India in 1824 from Persia by Aga Ali Asker who was born in Shiraz in 1808. Some of the stables still exist, incorporated into the structure of the market halls. Ali Asker was one of several brothers. While the rest of ghem returned to Persia, he stayed in in Bangalore where he died after carrying out much valuable public work. One of his grandsons, born in Bangalore, was Sir Mirza Ismail (1883-1959), a great Indian statesman.

Johnson Market is for selling food. In addition to vegetables (including exotic vegetables like Chinese pak choi), there is a wonderful fishmongers shop and a beef market.

Near to the market, stands ‘Koshys Automatic Bakery’, which was the first mechanised bakery in the city. A stall beside it sells bread, cakes, and delicious filled puffs.

At both ends of the long building housing the Islamic Educational Board of India on Richmond Road, there are gateways leading to Muslim shrines well hidden from the road. One of them is a Sunni shrine, and the other is Shia/Sufi. Soon after the birth of Islam believers in this religion split into two main groups: Sunni and Shia. The majority of Muslims in India are Sunni, a small minority are Shia. It happens that there is a concentration of Shia establishments close to Johnson Market. This might be because Ali Asker and his descendants, many of whom had homes in the area, were Shias. Each of the shrines or ‘dargahs’ are peaceful enclaves, which although close to the main road, feel far away from the hustle and bustle of the city.

The leafy shaded Mysore Tobacco Company compound is across Richmond Road facing the two dargahs. Surrounded by trees and luxuriant foliage, the main building is a delightful example of colonial Bangalorean domestic architecture. Its windows are partially covered with monkey top woodwork. The large front porch is rich in wooden latticework and rustic carving that hints of idealised quaint country cottages in far-off England.

All Saints Church, founded by the Reverend Pettigrew (founder of Bangalore’s Bishop Cotton School for boys) and designed in Victorian gothic style by the English architect Robert Fellowes Chisholm and consecrated in 1870. It stands at the intersection of Richmond and Hosur Roads, and must have brought feelings of homesickness to Britishers living in pre-independence Bangalore. Stepping inside is like entering a village church in England. The garden surrounding the church contains a rich variety of plants, including a rather spindly olive tree, reflecting Pettigrew’s interest in botany. Tragically, part of this garden is under threat because the municipal authorities want it for use in the construction of a new metro line.

After visiting the church, Mansour took us to see another Shia dargah in a lane leading off Hosur Road. This shrine is connected with the battle of Karbala (600 AD) during which Hussain, grandson of the Prophet Muhammad, was slain by the caliph Yazid I. The shrine, which is revered by Shias, contains fine glass lamps and chandeliers which were probably made in Turkey over a century ago. Unlike mosques, where worshippers of different genders are kept separated, males and females can pray together in dargahs.

The Masjid e Askari is the only Shia mosque in Bangalore. Adjoining it, there is a recently built replica of a mosque in Karbala, the city close to where Hussain, sacred to the Shias, met his death. The replica, which is smaller than the original, is a beautiful construction with amazing mirror work mosaics in which words from the Koran are inserted in black tiling.

After spending three hours with Mansour, I felt that I had learnt much about the Shia branch of Islam and a great deal about a part of Bangalore which I have passed often without realising how interesting it is.

What is in a name?

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PETERSBURG

 

An old mosaic adorns the facade of the big Apple store on London’s Regent Street. It harks back to the time long ago when the building housing the store was a London Branch of a big insurance company. The mosaic was assembled and installed long before the great Russian Revolution of 1917. Various cities are named on the mosaic. One of these is St Petersburg. After the revolution , St Petersburg was renamed ‘Petrograd’ and then ‘Leningrad’, which remaine dits name until the 1990s when the city reverted to being ‘St Petersburg’. During my childhood and early adulthood, St Petersburg was ‘Leningrad’. Whenever I passed that mosaic, I used to marvel that the city’s old name remained unchanged on the facade of the building. It was a memory of historic times. Now, by chance, it is up to date.

Many of the readers of this blog will have realised that I visit India regularly. Most people know that Bombay is now known as ‘Mumbai’. Actually, speakers of Marathi and Gujarati have always called it that, but often still call it Bombay when speaking in English.

Madras has become Chennai. So what should one ask for when ordering Chicken Madras, which appears on many menus in Britain’s Indian restaurants?

In Karnataka, Bangalore has become Bengaluru, Mysore is now Mysuru, and Halebid is Halebidu. When I bought a bus ticket to Gulbarga in northern Karnataka, I was puzzled to see I had been issued with a ticket to Kalaburgi. This turns out to be the new name for Gulbarga.

Allahabad is now Prayagraj, a name that removes the Islamic flavour of its former name. There are moves afoot to de-islmamicise the name of Ahmedabad in Gujarat. The proposed name for the city founded by Ahmed is ‘Karnavati’, but the change has not yet been enforced.

Whether these changes of Indian place names will stick remains to be seen. Who can say whether they will revert like Leningrad that became St Petersburg again?

It has its uses

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Psychedelic headscarf_240

 

In the UK, unlike some countries in Europe, we have a fairly liberal attitude towards Moslem women covering their heads and faces to a greater or lesser extent. In the last dental practice where I worked until I retired, our patients came from all over the world. A not insignicant number of our female patients were Moslems who wore some kind of head covering. A few of them insisted on being treated by female dentists, but most of them did not mind seeing one of the male dentists.

One of my female Moslem patients came to the UK from a north African country. She always wore a loose-fitting headscarf, but did not cover up her face. One day, she needed to have a front (incisor) tooth removed. I explained to her that the situation was such that she would have be without any replacement for it for 24 hours – I cannot remember why. 

“Will you be able to cope without that tooth for a day. The gap will show every time you speak or smile,” I said.

Picking up the end of the scarf she was wearing, she covered her mouth with it, and then said humorously:

“This has its uses!“

And with that comment, she allowed me to remove the troublesome tooth, and then left the surgery with her face covered. She looked like a typical Moslem woman wearing a face-covering. Nobody would have guessed that she was missing a front tooth.

Indian way of worship

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Over and over again, I am impressed by the “Indian-ness” of worshipping in India. I will illustrate what I mean by this by describing a small Orthodox Christian chapel I visited on Bazaar Road in the Mattancherry district of Cochin (“Kochi”) in Kerala.

Outside the chapel, there stands a carved stone stand with indentations for oil lamps (diyas). It looks just like any diya stand that you could find in a Hindu temple, except that it is surmounted by a Christian cross.

The crucifix that stood above a small high altar within the chapel was draped with flower garlands (malas). Again, these are commonly found draped around effigies of Hindu deities.

I saw a brass diya stand with burning oil lamps directly in front of the crucifix. Like the lamp stand by the entrance, this one was also topped with a Christian cross.

If one were to replace the crucifix with an effigy of a Hindu deity and were to remove the crosses from the diya stands, the chapel would become identical to a Hindu temple.

The use of diyas and also agarbati sticks (incense sticks) is not confined to Hindu temples. I have seen them used in Christian as well as Islamic (especially Sufi) and Jain places of worship.

At a Sufi shrine at Sarkej Rauza on the edge of Ahmedabad in Gujarat, I have seen tulsi leaves being sold. These are commonly associated with Hinduism, but the vendor in the Sufi shrine told me that they were also used by worshippers who came to the shrine.

I have seen threads tied around the trunks of peepal trees by pious Hindu women hoping to have their wishes granted. I have also seen threads tied by women around pillars in Moslem shrines for the same reason.

Hinduism was probably one of the earliest religious belief systems to become evident in the Indian subcontinent. Christianity and Islam were relatively recent arrivals. Many Hindus converted to these two religions, but, I imagine, they were reluctant to abandon their Hindu heritage completely. Hence, the Hindu-ness or Indian-ness of some aspects of other religions in India.