All wrapped up

TODAY, WE SENT some books from Kolkata to Bengaluru (Bangalore) to lighten our luggage because domestic flights in India restrict the amount of baggage one can carry. The process reminded me of sending books from other countries.

I used to visit Yugoslavia a lot when it still existed. One one occasion, I wanted to send some heavy books from Belgrade to London. I went to a large centrally located post office. Within the building there was a counter for wrapping parcels. For book post, the books had to be wrapped a certain way. They had to be packed so that a part of each book was left uncovered. This was so that the customs and postal people could see that it was books that were being dispatched.

In 1984, I visited Yugoslavia’s neighbour Albania, which was then under the strict Stalinist dictatorship headed by Enver Hoxha. We had to travel through Yugoslavia to reach and leave Albania. I had read that books from Albania would be confiscated by the Yugoslav customs, and that it was best to post any books bought in Albania back to the UK. In anticipation of this and following the advice that parcel wrapping materials were not available in Albania, I brought brown wrapping paper, adhesive tape, and string from home.

I bought several books in Albania and wrapped them up with the materials I had brought from England. Along with a fellow traveller, an Australian post office official, I took the parcels to a post office in central Tirana. The parcels were weighed by a person at a counter, and he handed me the right amount of stamps for each package. After affixing the stamps, I handed the parcels to the Albanian post office worker. He examined them, then tore off one of the stamps before rapidly reapplying it. I had inadvertently stuck on the stamp upside down. As he restuck the stamp, which bore an image of Albania’s fictator, he said “Enver Hoxha “. Apparently, sticking him upside down was considerable disrespectful. My Australian companion was horrified. He exclaimed:
“Removing postage stamps from mail is against international postal regulations. He shouldn’t have done that.”

Today, in Kolkata, we took our books to a post office in Park Street. Pn ots steps, there are several men who wrap and label parcels to be posted. One of them took our books, wrapped them in cloth bags, and then in a strong plastic sheet, which he carefully sewed up with a beedle and thick thread. This was then wrapped in another layer of plastic, sealed with tape. Upon this he wrote the address to which it was being sent, and our address in Kolkata. Then the whole thing was wrapped in tough transparent plastic to protect the parcel from adverse weather conditions. After this, he carried to parcel to the correct counter, where we paid the postage: about £2.75 for 8 kilograms. The wrapper’s charge was less than £1.

The books I sent from Yugoslavia and Albania arrived safely. So have other parcels I have sent by post from one Indian city to another. So, I am reasonably optimistic that our 8 Kg packet will arrive ‘in good nick’.

Death of a theatre

ON SATURDAY THE 17th MAY 2020, an act of cultural barbarism was performed in Tirana, the capital of Albania. The National Theatre of Albania in the heart of the city was demolished. It is unclear who ordered this demolition of a much-loved cultural monument located in a part of the city where property prices are high. The theatre was built in 1939 during the period that the Italians, under Mussolini, were ruling Albania. It was originally a cinema designed by the architect Giulio Berte, but later its screen was replaced by a stage.

TIR 4 BLOG

In 2016, my wife and I visited Tirana and attended a dramatic performance at the National Theatre. I have described this in my book “Rediscovering Albania”:

“…we visited the National Theatre, a building that dates back to before Communist times. A Pirandello play (Play without a Script) was to be performed in Albanian that evening. The charming ladies clustered around the ticket desk assured us that we would enjoy it because it was going to be full of song and dance. We bought a couple of tickets … The rectangular auditorium of the National Theatre was delightfully old-fashioned, with many drapes and an upper gallery that extended around three sides of it. Everything was red including the plush upholstery of the comfortable seats. Although we did not understand a word of it, the Pirandello play was acted beautifully. The expressive acting was so good that we were able to get a rough idea of what was going on. Some years earlier in London, Lopa and I once attended a performance of Gogol’s Government Inspector acted by a Hungarian troupe entirely in Hungarian, and on another occasion a play from Kosovo in Albanian, during the course of which one of the actors threw a fake chicken at me! On both of those occasions and also in Tirana, great acting compensated for our inability to understand the words. If the actions of actors move me more than their words, I feel this is a sign of truly skilful acting. As the great Constantin Stanislavski said: “The language of the body is the key that can unlock the soul”. This is exactly what the actors in Tirana achieved. The audience was appreciative, and, unlike at the opera, hardly anyone used their mobile ‘phones during the show.”

That has now disappeared. So, has also the unusually attractive appearance of Tirana as it was when I first visited it in 1984 during the dictatorship of the faithful follower of Joseph Stalin, Enver Hoxha. In those repressive times, Tirana was a quiet city with only one high-rise building, the 12-storey Hotel Tirana. Of course, back in 1984, times were tough for the average Albanian citizen. They remained quite difficult during the decade following the ending of Communist rule in 1991. Even now, many Albanians prefer to increase their prosperity by seeking work abroad.

When we visited Tirana in 2016, I found it to be a far busier place than it was in 1984. The traffic was busy – a sign that motoring, an option not available to most Albanians during the dictatorship, had become popular and also affordable. Some of the charm of pre-1991 Tirana remained, but many picturesque old buildings, examples of traditional Turkish and Balkan vernacular architecture, had disappeared (or were about to). In their place, there were many high-rise buildings of little or no architectural merit. I suspect that whoever ordered the demolition of Tirana’s historic, much-loved National Theatre has in mind to construct yet another aesthetically unpleasing edifice.

If as Shakespeare said, “All the world is a stage”, then the demolition of this theatre in Tirana is yet another tragedy enacted on that stage.

Postage stamps in Albania

TIRANA Skand Sq with House of Culture and mosque

 

Recently, I read a blog (Click here) written by an Australian, who has visited North Korea twice. On one of his trips, he visited a museum or exhibition of postage stamps, many of which depict important leaders of the country. Given that it is against the law to deface pictures of these people, he wondered how careful postal officials would have to be when they cancel the stamps with the rubber stamps used for franking. One false move and the great leder’s face might become defaced. In that case, the postal official would risk punishment. This story reminded me of something that I observed in an Albanian post office when I was visting Albania in 1984. In those days, Albania was even more isolated from the outside world than North Korea and it was governed by a stern, repressive regime led by the dictator Enver Hoxha.

This excerpt from my book  Albania on my Mind describes what I saw:

I wrapped my books into a number of parcels, addressed them, and then began leaving the hotel to visit Tirana’s main post office. The Australian, who was travelling with us, spotted me in the lobby and asked me what I was doing. When I told him, he askedwhether he could accompany me to the post office, as he,working as he did for the Australian postal service, was curious to see how things were done by the Albanian post…

… The clerk behind the counter in the Tirana post office offered no objection to the way that I had packed my parcels. He weighed them and then gave me numerous stamps to stick on them. I stuck them on and returned the parcels one by one. The clerk examined each of them to make sure that I had stuck the right combination of stamps on each packet.

Suddenly, he stopped, looked up at me, then at the parcel, before pointing at one of the stamps. In my haste, I had stuck it on upside down. He tore the stamp off the
parcel, and then replaced it the right way up, pointing at the portrait on it whilst saying:
Enver Hoxha.”
The Australian, who was watching this with wide-open eyes,
turned to me and said:
You know, it’s completely illegal to remove stamps from postage. It’s against all international postal rules.”

I did not know what to say, but admired the respect that even a humble postage stamp could inspire in one of Enver’s subjects.”

 

ALBANIA ON MY MIND 

is available

on Amazon by clicking   HERE

Picture shows Skanderbeg Square in Tirana, Albania, in 1984

Taxi in Tirana

In May 2016, my wife and I landed in Albania at Tirana’s airport. There was a line of taxis whose drivers were all eager to drive us into the city centre and to accept either local currency or Euros. At other times during our trip, getting a taxi was never a problem. However, thirty-two years earlier, when Albania was a strictly controlled Stalinist dictatorship (at least as as repressive as North Korea is today) , getting to hire a taxi was impossible as this excerpt from my book “Albania on my Mind”  will demonstrate.

TAXI 2

A ‘busy’ street in Tirana in 1984

“After we had eaten lunch at the hotel, a group of us went into the square outside it. We saw a long line of taxis, which were waiting vacantly by a booking booth. We wondered how often these were hired and by whom; there was not a soul in sight taking the slightest interest in them. One of us walked up to the booth and asked the man sitting inside whether we could hire a taxi to take us up to Mount Dajti, some way outside Tirana. Just when it seemed that we had succeeded in hiring a cab, another person inside the booth lifted a telephone receiver, listened for a moment, and then whispered something to the man with whom we had just negotiated. He beckoned to us, and pointed at the hotel. Somehow, he made it clear to us that we needed to book the taxi not from him, but from the hotel reception desk.

TAXI 1

Tirana 1984. Typically empty main square (Skanderbeg Square)

We trouped back into the hotel’s lobby and made a beeline for the reception desk. Two suited men, sitting on a sofa nearby, looked at us over the tops of their newspapers. As we reached the desk, I noticed that the doors of one of the hotel’s two lifts were opening. Our Albanian guide Eduart hurried through them and towards the receptionist, who was beginning to attend to us. 
“What do you need?” Eduart asked us, out of breath.
“We want to hire a taxi.”
“Why?”
“We want to visit Mount Dajti?”
“Why should you do that?”
“We need some fresh country air. We’ve been in the city for too long.”
“That’s ridiculous,” Eduart protested. “You have already spent many days in the countryside.”
“But, that’s what we want, and we believe that the views from Mount Dajti are magnificent.”
“You cannot go.”
“Why ever not?” we asked.
“There is a lot of traffic. The roads are crowded.” We looked at Eduart disbelievingly. Traffic congestion was certainly not a problem in Albania in 1984.

“You know that there’s a big national cycle race on at the moment.”
“That was over long ago,” one of us objected. “We saw the posters announcing it along the roads.”
“You can visit Mother Albania, but no further.”
We had already visited the Mother Albania monument, which was located in the outskirts of the town. However, as we were determined to not to give in to our obstreperous guide, we agreed to his compromise.
“Alright,” we said.
Then, Eduart said menacingly:
“You may take the taxi to Mother Albania, but remember that if anything happens to you, we cannot take any responsibility for your safety. You will not be protected by your group visa.” “We’ll risk it,” one of us said.
I did not like the threatening sound of Eduart’s voice, but followed the rest of our small group back to the taxi rank. When we arrived there no more that ten minutes after we had left it, we found that all of the taxis had disappeared, and also there was an extremely long line of people waiting in a queue outside the booth. Accepting defeat, we made our way on foot to …”

TAXI 3

Traffic in Tirana, 2016

DISCOVER  WHAT IT WAS LIKE VISITING COMMUNIST ALBANIA IN 1984 IN “ALBANIA ON MY MIND” by ADAM YAMEY

It is available from Amazon, Bookdepository.com, lulu.com, and on Kindle

 

Uncle Joe

STALIN

 

Standing by Stalin,

albeit in bronze:

odd memories evoked

 

This statue of Stalin, now in Tirana, was cast during Albania’s Communist era (1944-91). Albania was the only country to continue revering Stalin after his death.

Chicken tikka in Tirana

This war written in mid-2016, following Adam Yamey’s visit to Albania

ALB 1

Tirana

Between 1944 and 1990, the tiny Balkan country Albania was governed by a Stalinist dictatorship. During that period, it was more isolated from the outside world than North Korea is today. My Indian wife, Lopa, and I visited the country in June 2016. We were open to surprises, but never imagined that we would discover what I am about to describe, namely some Indian connections.

The small town of Pukë is in the north of the country. Hardly visited by tourists, it is a pleasant place at a high altitude. During our visit there, we entered a small gift shop to buy a notebook. The shop-keeper looked at Lopa, and asked where she was from. When we said India, she pointed at a small television screen beneath the counter. We saw that she was watching something from Bollywood, but with Albanian sub-titles.

ALB 2 Vlora

Vlore museu,

Some days later, we were in the coastal city of Vlorë, visiting the house where on the 28th November 1912, the independence of Albania (after about 500 years of Ottoman domination) was declared. We were shown around the building, which is now a museum, by a lady who spoke only Albanian. An Albanian friend translated. As we moved from room to room, we noticed that the lady was becoming more interested in Lopa than the Independence of Albania. She kept touching Lopa and even hugged her from time to time. At the end of the tour, she asked Lopa why she was not wearing something like a sari as the actors in the Bollywood films do on the television shows that she loved.  A devotee of Bollywood soap operas, she was thrilled to have a real live Indian in her museum. She told us that Lopa was the first Indian women to visit her museum in the 11 years that she had been working there.

Later, we learnt that Bollywood television soap operas are extremely popular in Albania, especially amongst women viewers. The shows are usually broadcast in the afternoon, so a ‘savvy’ person knows better than to ring an Albanian woman during the hour that such shows are on-air.

ALB 3 Korce

Mosque in Korce

Love of Bollywood is not confined to Albanian women. In the southern city of Korçë, we were visiting an old (15th century) mosque, when an elderly man, who was just about to enter to do ‘namaaz’, saw Lopa, and asked if she was Indian. On hearing the answer, he exclaimed: “Rye Kapur”, which was his way of pronouncing Raj Kapoor.

Judging from the excitement that Lopa evoked when meeting Albanians, we guessed that there were probably few or even no Indians in Albania. Our guesswork ended when we met Vijay in the foyer of the National Museum in Albania’s capital Tirana. Vijay, who hails from southern India, lives and works in Albania with his family. He was waiting for his son to return from cricket practice. We were surprised to hear that cricket is being played in a country which has not ‘enjoyed’ the effects of British colonial influence. Vijay told us that not only were ‘ex-pats’ involved in cricket in Tirana, but also Albanians. There is an Englishman who has been training members of Tirana’s rugby club to play cricket. In late June this year, the Albanian team beat the ex-pat’s team by one run.

On the next day, we met Vijay, who teaches computing to Albanians in Albanian, with his family at a café. His wife had specially prepared some Indian snacks for us: chicken tikka and some aloo bhajjis. While we were sitting chatting, another Indian, Vicki, wandered past and joined us. Vicki was working for an Indian mining company, but has recently returned to India having spent a few years in Albania. When we had spent time with our new Indian friends, we got up but before saying farewell, they invited us for lunch the next day.

Apart from having been very fortunate to have ‘bumped’ into Vijay and his family and friends, we were very lucky to have met any Indians at all in Albania. This is because there are currently only about 50 Indians in Albania, and some of them are Mother Teresa nuns.

The following day, we met Vijay and Vicky in the centre of Tirana. A car pulled up, and we all piled in. The car was driven by yet another Indian, Father Oscar who runs Tirana’s large Roman Catholic Don Bosco establishment. He drove us out to Vijay’s flat on the edge of the city. There, we were confronted with a superb warm buffet prepared by Vijay’s wife. As I served myself with chicken biryani, dal, chappatis, channa, and so on, I had to pinch myself to believe that I was not imagining eating home-cooked Indian food in Albania.

PS: Finally, for those with Indian passports who wish to visit Albania, the nearest Albanian embassy to India, we were told by an Albanian diplomat, is in Beijing (China).