The pencil and the peas

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I spent three years working on the experimental aspects of my PhD topic at University College London (‘UCL’) in a laboratory in the Physiology Department. Throughout that time there were always one or two other PhD students working in the same room. ‘Wink’, our supervisor’s wife, was a chemist. She often worked alongside us. Generally, the atmosphere in the laboratory was very congenial.

We were joined by a new PhD student sometime during my second year in the lab. Fortunately, I cannot recall her name, but let’s call her ‘June’.

One morning, June asked me whether she could borrow a pencil from me. As pencils were few and far between in our lab, I said to her: “Make sure you give it back, please.” To which she answered in an unfriendly tone: “Don’t be so Jewish.”

Now, it so happens that I am born Jewish. Although I am the least observant (in religious terms) Jewish person you are ever likely to meet, I am not happy when the word ‘Jewish’ or ‘Jew’ is used pejoratively. Wink must have seen my face flush, because she said to June: “That was unnecessary.”

Although it was almost innocuous, the pencil incident made me wary of June.

Some month’s later, Wink and her husband invited all their PhD students to be their guests at the annual Physiological Society Dinner, which was being held at UCL. I was seated beside Wink and opposite June. When the main course arrived, there were green peas on our plates. I do not like these small round spheres at all.

June noticed me pushing them aside on my plate, and said: “Is your religion also against peas? I must remember that when I invite you around to my place for dinner.” Feeling my face warming, I said to June: “Even if you were to beg me to come to eat at your place, I would have no hesitation in refusing.” Hearing that, June’s face turned bright red. She stood up and without saying anything, left the dining hall. Wink turned to me, and whispered: “Well said, Adam.”

June abandoned her PhD and our lab not long after this dinner.

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Now, many years later, I am still sensitive about anti-Semitic remarks, but also deeply curious as to why European people make them, often when they have had little or no contact with Jewish people. In India, which I visit often, although there have never been many Jewish people there, there is barely, if any, prejudice against them. Often Indian people extol the virtues of Jewish people.

Drama by the river: the Bridge Theatre

On Saturday the 29th September 2018, we had a wonderful evening at London’s recently opened Bridge Theatre. It is located on the south bank of the River Thames, a stone’s throw from the world famous ‘icon’ of London, Tower Bridge. From the glass front of the theatre’s foyer, there are superb views of: the new high-rise buildings in the City (including the ‘Gherkin’); the White Tower and the walls of the Tower of London; and Tower Bridge, which is beautifully illuminated at night.

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The Bridge Theatre opened for its first show in October 2017. The theatre is the brainchild of Nick Starr, of the former National Theatre, and the renowned theatre director Nicholas Hytner. Both of these two Nicks have been long involved with London’s National Theatre. Their creation, the Bridge, is an improved version of the facilities offered by the now ageing National Theatre on the Southbank. Excellent as the National Theatre is, the Bridge seems to have been designed to avoid some of the defects of the former. The newer theatre, which can seat 900 audience members, was designed by S Tompkins and R Watts of Haworth Tompkins Architects.

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Doorways in the wide glass façade give access to a vast foyer, well-illuminated by a myriad of lamps with curious shades that look like large translucent handkerchiefs. Ample tables and chairs are available for people to sit in the foyer, enjoying excellent food and drinks from the counters lining one side of the space.

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When you order food, you are handed a small flat, square receiver that looks like a drinks mat. When your food is ready, lights on the receiver flash alarmingly. The flashing object must be taken to a counter where your freshly prepared food is waiting for you. Despite the size of the foyer and its large capacity, it never felt crowded or noisy. It is a well-designed space.

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The cloakroom and toilet facilities are easily accessible, not hidden in odd places as they are in the National Theatre.

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The auditorium is large, but not too large to be without intimacy. No seat is excessively far from the very wide stage. Sightlines are either excellent or more than satisfactory. We had ‘restricted view’ seats, which we bought at the last moment. They were as good as many ‘full view’ seats in older theatres. The acoustics are excellent. We were seated quite far from the stage, but had no difficulty hearing every word. The play we saw, “Allelujah” by Alan Bennett, was well-staged, well-acted, and well-written. In short, it was highly enjoyable. Set in an ageing National Health Service (‘NHS’) hospital facing imminent closure, most of the actors play either the roles of geriatric patients or those of hospital staff and management. The plot is about the plight of the aged and the plight of the ageing NHS system in today’s profit-oriented, economically declining Britain.

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Our visit to the Bridge Theatre was enjoyable and uplifting. I cannot wait to see another performance there.

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Shish kebab and sausages

Not long ago, I wrote about Warren Street, which played a significant role during part of my life. Now, let’s move a little further south to a street, which is overshadowed by the Post Office Tower and contains many memories for me.

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London’s Charlotte Street runs between Rathbone Place in the south and Maple Street in the north. It is just over half a kilometre in length. Laid out in 1763, it was named after Queen Charlotte, who married King George III. I began to get to know the street just under 200 years later.

My earliest recollections of Charlotte Street were regular visits in the early 1960s to the Hellenic Stores on the west side of the street south of Goodge Street. My mother bought olives and other Mediterranean products at this store and another Greek shop in nearby Goodge Street. The latter was smaller than the Hellenic Stores, and a little less honest. When something needed weighing in the Goodge Street shop, the shopkeeper would throw it on the scales. The weighing machine’s needle would flash across the dial, and before one had time to think, a price was given. Neither of these purveyors of Greek produce exist anymore.

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Site of Schmidt’s, now rebuilt

During the twelve years (1970-82) that I studied at University College London (‘UCL’), I used to visit Charlotte Street often. As a student, I was always keen to find somewhere to eat cheaply. Schmidt’s on Charlotte Street was one such place. This was a German restaurant. Its dining area was on the first floor. Most of the waiters were pasty-faced gentlemen, who added to the gloomy atmosphere of the place. The ground floor served as a delicatessen. It contained a counter where boiled Frankfurter sausages were served with mustard and slices of delicious greyish German bread. They were very cheap and extremely delicious.  A female cashier sat in a booth in the middle of the room. Whenever I saw her, she had a blackish facial hair where men grow moustaches. My father, who was in London during the 2nd World War, told me that during the conflict, the owners of Schmidt’s posted labels on their windows, which read: We are British, NOT German.”

There have always been plenty of eateries on Charlotte Street. L’Etoile, which I never entered because it was beyond my budget, was a long-established restaurant on Charlotte Street. It had a Parisian look about it, but like Schmidt’s, it has disappeared. Near to the posh L’Etoile, there was a Greek ‘taverna’ called Anemos. I never visited it, but plenty of my fellow students did. One did not visit Anemos for its food, but for its riotous atmosphere, which included music, dancing and the trational Greek practice of plate breaking. Venus was another Greek place that has long since disappeared. I was taken there several times by an uncle, who worked nearby and regarded it as his favourite Greek restaurant.

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Just north of Goodge Street, there is another long-standing, and still existing, restaurant. This is the Pescatori, an Italian place specialising in fish dishes. It was one of my parents’ favourite restaurants in London. Back in the 1960s, there used to be a life-size boat suspended from the ceilings above the tables. I believe that my father was being serious when he said that he preferred not to sit beneath the boat, in case it fell.

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There was another fish restaurant in Tottenham Street that leads east of Charlotte Street. Pescatori was at the high end of the scale of elegance, and Gigs was at the lower end. Gigs was very popular with students from UCL and workers in the neighbourhood. It was divided into two sections: take-away and sit-down. At lunchtimes, there was always a long queue at the take-away counter. Two gentlemen, oozing with sweat, took the orders for fish and chips and also for the delicious lamb shish kebabs they prepared while you waited. In between taking the cash and wrapping the fish and chips, they threaded lumps of lamb onto skewers, and grilled them. The kebabs were served with salad in a warm pita bread. As the saying goes, they were ‘to die for’. Despite the rather haphazard-looking hygiene, I know no one, who died from these mouth-watering bundles of meat and salad.

Gigs closed many years ago. Then a few years ago, the premises were modernised, and Gigs was brought back to life by some relatives of the original owners. What used to be the take-away section is now an attractive restaurant, and what used to be the sit-down area is now the take-away area. The updated Gigs is both hygienic in appearance and looks as if it is designed to attract a more sophisticated clientele than its ancestor.

My father was a professor at the London School of Economics (‘LSE’) for most of his working life. The LSE has a hall of residence for students, Carr-Saunders Hall, a non-descript 1960s building on Charlotte Street. When it opened in 1964, my father’s colleague Kurt Klappholz was its first warden. Kurt, whom I knew well as a family friend, was a Polish Jewish Holocaust survivor. Later, another of my father’s colleagues was a warden there many years ago. Once, he invited me to his flat. This academic possessed the most wonderful sounding HiFi equipment that I had ever heard. The warden, who owned it, was rather over-built. He told me that he preferred listening to music sitting in a comfortable armchair in front of his HiFi, than trying to squeeze into uncomfortably narrow chairs in concert halls.

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The building that used to house Cottrells

When I became a dental student, I became aware of Cottrells in Charlotte Street. This was near the Rathbone Place end of the street. It was the showroom for a major supplier of dental equipment. Housed in an elegant Victorian building, which still exists (it now contains a restaurant), the firm supplied everything from dental examination mirrors to entire dental operating units (chair plus attachments fordrills etc.) The technician responsible for teaching me how to cast gold crowns (caps) told me to visit Cottrells, not to look at the equipment, but, instead, the pictures hanging on the walls of the showroom. The walls were hung with a large collection of paintings by William Russell Flint (1880-1969). He specialised in depicting women.  Well-painted, and quite artistic, the paintings on the walls of the dental showroom and of its main staircase fell very definitely into the category of extremely light porn.

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One of the longer established shops in Rathbone Place: Mairants

Rathbone Place, a short street which connects the southern end of Charlotte Street contained a large postal sorting office. Quite late on in life, one of my uncles, a bachelor now sadly no longer living, got a job there as a postman. He often used to tell me about his experiences as a medical orderly in the South African Army in the North African desert during the 2nd World War. He spoke of them fondly, regarding the great camaraderie he experienced amongst his fellow serving men. I often felt that this was one the more enjoyable times in his long and varied life. When he joined the postal team at Rathbone Place in his fifties, he spoke of this in the same appreciative terms. He liked being part of a working team. Now, not only has my uncle gone, but also the sorting office no longer exists.

Charlotte street and its surroundings lie in the shadow of the Post Office Tower, which was ready for use in 1964. Until 1980, it was the tallest building in London. When it opened it had a revolving restaurant high above the ground. I never ate there, but did manage to visit the viewing platform just beneath it. When I looked up from this platform, I could watch the concrete base of the restaurant rotating slowly. A terrorist attack in 1971 put an end to the public being allowed to visit the viewing platform or any other part of the tower.

I still wander along Charlotte Street occasionally. Although it is still extremely vibrant, it evokes many memories of times long past.