Tag Archives: bengaluru

The Sport of Kings and a bar in Bangalore

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I MUST ADMIT that I have never been much of a sportsma, and I know hardly anything about the game of polo, apart from the fact that it involves both horses and humans. Yesterday evening, as I enjoyed a postprandial brandy in the recently renamed ‘Polo Bar’ (formerly, ‘The Mixed Bar’) at the Bangalore Club, I spotted a large ‘coffee table’ book by Jaisal Singh about Polo and India.

What surprised me is the great age of the game of Polo. It seems to have been existence in some recognisable form as long ago as the 6th century BC. Then, it was played by some nomadic peoples in Central Asia. The book in the Polo Bar has a photograph of a terracotta model of a Chinese woman playing polo. This model was made between the 7th and 11th century AD. Another photograph shows the earliest known picture of a Polo player. This depicts a man on a horse, and was created in the same era as the model.

Much of the rest of the book is about polo in India. It charts the rise in popularity of the game amongst the wealthy rulers of the Princely States and the upper echelons of the British administrators and military in India.

The Polo Bar, which until recently was known by another name, has been decorated with polo memorabilia (e.g., photographs, trophies, and horseshoes). The handle on the door leading into the bar is horse-shaped. However, for me, the most interesting polo related item is in the Club’s Gardens. It is an inscribed stone block, which was the foundation stone of the Domlur Polo Pavilion laid in January 1914 by Lady Daly, wife of the British Resident.

The stone includes the information that one Major C Rankin was “Hon-Secy” and R Evans Esq was the architect. Both were military personnel, members of the “7th (Q.O.) Hussars”. The pavilion’s building contractor was BV Venkataswami Naidu.

In “Bangalore, the Story of a City”, by M Jayapal, the author wrote that initially the race course was out at Domlur. [Hence, the existence of Old Race Course Road]. In the late 19th century it moved to near Lalbagh, and then to its present position near to High Grounds. Presumably, because there had been equine facilities at Domlur, this would have been a suitable place for the Bangalore Club to locate its polo club there. I am not sure whether anything remains of the polo club pavilion whose foundation stone stands in the Bangalore Club gardens.

According to a blog article (https://wp.me/p1YuI1-1xA) about the pavilion, this is of interest:
“Information, thanks to the Bygone Bangalore group on Facebook: The Polo Club was located on Cambridge Road, in the area that is now Cambridge Layout. Opposite the Sai Baba Temple, there exists a portion of an old building which is said to be a part of the Polo Club.”
Incidentally, the centre of Cambridge Layout is less than a mile from the heart of Domlur.

As for the Bangalore Club’s association with polo, the following words quoted from the Club’s website (www.bangaloreclub.com) are of interest:
“Bangalore Club was established in 1868 as the Bangalore United Services Club for the officers of the British Empire. Originally the buildings were occupied by the Polo Club which moved out in the beginning of the 1860’s.”

I do not know how many current members of the Club play Polo these days. Even if it is not many, the Club’s former associations with the military ( the Club was formerly a club for military officers) and the land upon which it stands justify the naming of one of its bars to commemorate what was once known as “The Sport of Kings”.

A new airport terminal in Bangalore

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DURING THE FLIGHT from Dubai to Bangalore (Bengaluru), the overhead baggage lockers on the ‘plane were filled to capacity with a diverse variety of often bulky carry-on luggage. This was in sharp contrast to what I observed on the flight from Heathrow to Dubai. On the whole, the passengers on this longer flight carried modest amounts of cabin baggage, and there was no problem accommodating it.

After a smooth flight from Dubai, we landed at Bangalore on time. I was excited to discover that we were being disembarked into the new terminal. Its construction was still underway when we left Bangalore in February 2023. It has been in use for no more than about 3 months.

I have only seen the arrivals section of the new terminal, and will have to wait before seeing, what I have heard, are the visually spectacular departure areas.

As for what I was able to see as an arriving passenger, I was neither amazed nor disappointed. The place has a feeling of great spaciousness and has much natural lighting. However, although much effort has been made to use ‘natural’ materials and plant-derived matter. For example, the immigration desks are lit from above by electric lamps in giant basket work shades. The desks are decorated with an external latticework of what looks like thin strips of bamboo. I wondered how long this would last before it becomes damaged by frequent wear and tear.

After passing through passport control, passengers enter a duty free shopping area. Its flamboyant decor seems to have been inspired by the ‘over the top’ interiors in Dubai’s airport terminals. Beyond this retail area, one reaches the baggage reclaim area, which seemed more spacious than what exists in the older terminal.

Despite not being overwhelmed by the visual nature of the new terminal, I must say that our passage through it was smooth and quicker than any of my many other arrivals at Bangalore’s airports, both old and very much older.

Wonderful new highways link the new terminal to the main road onto the city of Bangalore. However, after about 20 minutes speeding along, you are plunged into tthe city’s characteristic noisy, slow moving, congested traffic.

Women in art

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SURVEYING THE REPRESENTATION of women by artists in a single exhibition might seem a daunting task, if not impossible. Yet, this is what the exhibition “Visible/Invisible” achieves successfully. Curated by Kamini Sawhney, Arnika Ahldag, Vaishnavi Kambadur, Riya Kumar and Arshad Hakim, this magnificent display of artworks can be viewed at the recently opened (in late February 2023) Museum of Art and Photography (‘MAP’) on Kasturba Road in Bangalore (Bengaluru). The exhibition, which is displayed in most of the rooms on one floor of MAP confines itself to works created by artists, both male and female, from the Indian subcontinent and its diaspora. However, this did not hinder the curators’ aim of demonstrating the female in art over the centuries.

The 130 artworks on show range in date of creation from the 10th century AD to the present. MAP’s website reveals that the various artworks:
“… are interwoven into four key sections based on narratives and counter-narratives: Goddess and Mortal, Sexuality and Desire, Power and Violence, and Struggle and Resistance. Each section presents how women’s lives have been portrayed, the spaces that they occupy and challenges that women have faced in the Indian subcontinent. The themes and ideas explored in Visible/Invisible hopes to encourage audience awareness of the history and role of women and gender in art.”
And the exhibition successfully raised my awareness of the multiple ways in which the lives of women have been portrayed by artists of both genders over the centuries,

The artworks include sculptures, paintings, photographs, film posters, textiles (some created by female artists and others woven in traditional patterns by craftswomen), and prints. Almost every exhibit was a joy to behold, What was particularly interesting were examples of artworks created within the last few decades that demonstrate how Indian women artist have taken control of the way they portray women and their lives, What the viewer sees is how women see themselves, which is a contrast to what has happened in earlier times when women have often been shown in the way that men have viewed their lives.

All in all, this exciting exhibition is compelling both visually and conceptually. The curators have expressed their ideas beautifully and powerfully, but not without considerable subtlety.

A masterful academic qualification

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MANY INDIANS STRIVE to gain a Master of Business Administration (‘MBA’) degree. I can say little or nothing about the merits of this academic qualification, but know many friends who have been awarded it.

A long time ago, soon after we married in Bangalore, we attended an engagement party held for one of our friends. During the evening, the priest who would eventually officiate at the marriage gave a speech. He spoke in English with a strong South Indian accent. He introduced the couple as follows:
“These two dear people are well-matched. He has a yem bee yay. And she has a yem bee yay…”
Just in case you did not make sense of that, ‘yem bee yay’, it is the way that many Bangaloreans would pronounce ‘MBA ‘.

This distant memory of our friends’ engagement party was prompted by noticing a tea shop on Bangalore’s St Marks Road. It is named “MBA CHAI WALA”. Above the name are the words “India’s Most Iconic Chai Wala”. As we were in a hurry on our last day in Bangalore, we had neither the chance to sample a cup of tea nor to discover whether the place had anything to do with the MBA degree. On our next trip to Bangalore, I will investigate and get back to you.

A new museum on the map

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THE MUSEUM OF ART and Photography (‘MAP’) in central Bangalore has just opened (on the 18th of February 2023. Facing the Visvesvaraya Industrial & Technical Museum, MAP is housed in a brand new building with some attractive architectural features.

The edifice has five floors and a basement, which is home to an exorbitantly priced café, run by a company called Smoor. The ground floor has a reception area, a book/gift shop, and some gallery space. This is currently housing an exhibition of fascinating, attractive sculptures by LN Tallur. Some of the works of this contemporary artist allude to Hindu deities in a novel way.

The first floor is home to an auditorium, named after one of MAP’s major donors, Mazumdar-Shaw. Kiran Mazumdar-Shaw, a childhood friend of my wife, is a keen collector of art and has helped finance many other cultural establishments. On the same floor, there is a digital exhibition, whose subject matter can be chosen by the visitor.

The second floor is dedicated to offices and a library. Above this on the third floor, there is currently an exhibition of photographs by Jyoti Bhatt (born 1934), who began his artistic career in the famous art school in Baroda (Vadodara) in Gujarat. His works range from excellent straightforward documentary photography to highly creative artistic photography and collage work.

On the fourth floor, we enjoyed a beautiful exhibition called “Visible/Invisible”. Curated by Kamini Sawhney, Arnika Ahldag, Vaishnavi Kambadur, Riya Kumar and Arshad Hakim, this show explores the visual representation of women in artworks through the ages. Words alone can not do justice to the impactful nature of the display, but I will give you a rough idea of its range. In addition to paintings, modern and old, there are sculptures; photographs; tapestries,; traditional textiles; prints; and a video installation. Most of the artworks in this show were created by Indians or members if the Indian diaspora. The show successfully demonstrates how women have been portrayed over the centuries and how this has changed, especially more recently.

The fifth floor has a terrace from which there are some great views. There were some tables and chairs up there, but the café, if it exists, was not open.

Some years ago, we were in Bangalore when its branch of the National Gallery of Modern Art (NGMA) was opened in a restored palatial mansion near the Bangalore Golf Club. A beautifully designed annex was built next to the old building. When it was opened, I decided that it was a ‘must-see’ attraction in Bangalore. It remains so, but MAP in its newly constructed home will join NGMA amongst my suggestions of what should not be missed by visitors (and inhabitants) in Bangalore.

Winston Churchill and a newspaper reading stand

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THERE IS A LOVELY old wooden newspaper reading stand is located in the formerly men only bar in the Bangalore Club. It bears the insignia “US” at one end, the S being back to front. Before about 1947, the club was the United Services Club.

Winston Churchill, who was never too fond of India, was briefly a member of the Club (in the late 1890s) , and incurred a small, but never paid debt there. I wonder whether the reading stand is old enough to have been used by Churchill.

Bangalore’s green lung

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PARKS ARE SAID to be a city’s lungs. They are places where one can escape from the noises and fumes mainly created by traffic. On New Year’s Day 2023, we took a walk in Bangalore’s Cubbon Park. Almost as soon as we had entered it, the air seemed cleaner, and we experienced an uplifting sense of serenity.

Cubbon Park was laid out in 1870 under the direction of Major General Richard Sankey, British Chief Engineer of Mysore State. Initially named after Sir John Meade, it was later renamed to honour Sir Mark Cubbon (1775 – 1861), the longest serving Commissioner of Mysore State. The name was changed again in 1927 to Sri Chamarajendra Park, in honour of Sri Chamarajendra Wodeyar (1863–1794), ruler of Mysore State when the park was created. There is a statue of this man in the park. Despite that change of name, the place is still popularly known as Cubbon Park. Even the recently built metro station at the northern edge of the park has that name.

The popular park has plenty of trees that provide shade. Many different species grow in the park, several of them flowering trees. Footpaths cris-cross the park, but visitors do not need to be confined to them. A main road winds its way through the verdant landscape, but this is closed to vehicular traffic on Sundays.

Words are inadequate to convey the joys of Cubbon Park. Only by entering this lovely island of nature in Bangalore’s ocean of urban development can one appreciate the beauty and delightfulness of this city’s important green lung.

Oldest post box in Bangalore

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WHEN MRS BRONSON OPENED her 10 bed boarding house in Bangalore in 1887, it became the city’s first hotel. Her establishment became The West End Hotel. It was, and is still, the best hotel in Bangalore. Set in beautiful grounds, the West End is home to Bangalore’s supposedly oldest letter box.

The cast-iron cylindrical pillar box is surmounted by a royal crown, below which are the words “post office”. The word “letter” is below the crown and above the slot for inserting mail. Below this slot, there is a large plate with mail collection times engraved on it. The plate seems to be newer than the rest of the pillar box.

Beneath the plate, there is a circular cartouche with lettering that has become difficult to read because it has been painted over so many times. However, I could make out the word “Greenock” and other wwords including “suttie”, “tho”, “street”, and “??thga??”. These indistinct words allowed me to direct my search of the Internet.

I discovered that Thomas Suttie of Greenock manufactured pillar boxes identical to the one at The West End in 1858. Only one of these has survived in the UK, but 7 or 8 of them can still be found in India. They are at The West End, in Vire, in Darjeeling, in Shimla, and two in Kasauli. There are also a few in Pakistan. One example, dated 1856, stands in the National Museum of Scotland in Edinburgh.

The year 1858 is of interest. It was when the Indian Uprising, which commenced in 1857, was coming to an end. It was also when the British Government decided to take over the governig of India from the East India Company.

The Suttie pillar box at The West End is still in use. Mail is collected from it three times a day. Given its date of manufacture, it is much older than The West End Hotel. Why it stands there is a mystery to me. Maybe the hotel acquired it as an antique curio. This is the third functioning historic post box I have seen in Bangalore. The other two are at the Bangalore Club and its near neighbour, The Bowring Institute.