Buried behind Berry Brothers

LONDON’S NOOKS AND crannies are often worth exploring. One, which I must have passed often but of whose existence I only became aware in April 2022, is Pickering Place, a narrow, covered passageway between numbers 5 and 3 St James Street, close to St James Palace.  Immediately on entering this timber lined alleyway, I noticed a metal plaque, which commemorates the short-lived Legation of the Republic of Texas to The Court of St James. The legation existed from 1842 to 1845, whilst the Republic existed from 1836 to 1846. It rented the premises from the property’s owner, Berry Brothers.

Pickering Place was in existence by 1690, when it was then known as ‘Stroud’s Court’.  Prior to that date, the site was:

“… once home to the medieval maidens’ leper colony of St James, before playing host to King Henry VIII’s royal tennis court.” (https://blog.bbr.com/2015/04/10/the-other-no-3/)

 The alleyway leads into a small open space, a courtyard that is believed to be Britain’s smallest square. The name Pickering relates to the company of Berry Brothers and Rudd (‘Berry’s’) that occupy most, if not all of the buildings around the courtyard and on the south side of the alleyway. In 1698, a widow with the surname Bourne began the business, at first a grocery shop, now known as Berry Brothers & Rudd. Her daughter, Elizabeth, married William Pickering (died 1734). They continued the business, supplying the coffee houses of St James with coffee. The company adopted the coffee mill as their symbol. The shop at number 3 St James Street and Stroud’s Court were then rebuilt by the family. William and Elizabeth’s sons, John and William Junior, continued the running of the firm. After John died in 1754, William Junior brought a relative, John Clarke, to be a partner in the business.

George Berry, John Clarke’s grandson, joined the business in 1803 and by 1810, his name became the firm’s name. George moved the firm’s activities into focussing on wine and spirits. In 1845, his sons, George Junior and Henry, took over the firm, hence the ‘Brothers’ in the company’s name. Hugh Rudd, a wine merchant with a keen interest in the wines of Bordeaux, joined the firm as a partner in 1920. His arrival in the company greatly increased its expertise in the wine trade. In 1923, the company created a new whisky which they called Cutty Sark Scotch. Its label was designed by the artist James McBey, whose studio was at the top end of Holland Park Avenue. The firm is still run by the Berry and Rudd families and flourishes.

Immediately after leaving the covered alleyway, you will see an orrery and beyond it, a carved stone portrait of a man with his head facing towards his left. Nobody we asked seemed to know whom it portrays. Various websites suggest it depicts the politician and former Prime Minister Lord Palmerston (1784-1865), who lived in Pickering Place for some time. The author Graham Greene also lived in Pickering Place for a while.

Doorways in the courtyard lead to various underground rooms including the Pickering and Suffolk Cellars. Once used to store wine and other products sold by Berry’s, parts of them are now also used as a wine school, as well as for banquets and similar gatherings. One of the cellars is named The Napoleon Cellar, after the exiled Napoleon III (1808-1873), a friend of George Berry Junior. In 1846, fearing assassination, the exiled Frenchman hid in the Berry Brother’s cellar, now named in his memory. Number 3 Pickering Place, built in the 1690s, is a well-preserved example of a William and Mary era townhouse.

Part of the tiny courtyard has outdoor tables and chairs. These can be used by patrons of the St Jacques restaurant, which occupies number 5 St James Street whose southern wall forms the northern wall of the alleyway. The southern wall of the passage is part of the wall of number 3, which houses the original Berry’s shop. This well-preserved historical shop is lined with wood-panelling and contains much of the old shop fittings.  These include old desks, shelving with old bottles, and a large hand-operated coffee grinder. Suspended from the ceiling, there is a large grocer’s weighing scales. According to Berry’s detailed company history (www.bbr.com/about/history):

“It was in the time of William Jr. and John Clarke that the famous grocer’s weighing scales began to be used to weigh the shop’s many notable customers, a fashionable pastime that continues to this day.”

Had it not been for noticing the alleyway which I have passed often without noticing it, and then spotting the portrait in the courtyard, I doubt we would have ever entered the old shop at number 3. Incidentally, if you wish to purchase wines or spirits from Berry’s, you will need to walk around the corner into Pall Mall, where the company has a newer shop … or, less interestingly, you can make purchases online.

Czech it out

JAN GARRIGUE MASARYK was born in Prague (Czechoslovakia) in 1886. Son of the first President of Czechoslovakia, Tomáš Garrigue Masaryk (1850-1937), Jan was Foreign Minister of his country between 1940 and 1948, when two things happened. First, the Communists began tightening their grip on Czechoslovakia and possibly connected with that, Jan Masaryk was found dead in his pyjamas in the courtyard of the Foreign Ministry in Prague on the 10th of March. By 1948, Prague already had a reputation for defenestration. Whether or not Jan was pushed out of a window remains uncertain. Two years earlier, a large non-descript house in Hampstead’s West End Lane became home to the recently formed National House, a meeting place for Czechoslovaks (mainly war veterans) in London. Now, it is known as Bohemia House. Its website (https://bohemiahouse.london/beginning-of-national-house/) explains:

“After communist revolution in 1948 and the USSR invasion to Czechoslovakia in 1968, providing the homely atmosphere as well as traditional cuisine. Converted into public house in mid 80’s, the National House serves also as a traditional restaurant showcasing Czech & Slovak cuisines to the public.”

It was in the 1980s that I first began visiting the place to sample Czechoslovak food and drink. After many years, I revisited the place recently (in March 2022).

If it were not for the sign advertising Pilsner Urquell beer projecting above a tall privet hedge, most passers-by would hardly notice that they were passing what is now a bar and restaurant. Immediately after entering via the front door, I noticed several commemorative plaques. One of them honours the British historian RW Seton-Watson (1879-1951), who fought for the rights of the Czechs and Slovaks and other subject people/nations of the former Austro-Hungarian Empireafter WW1. Next to that, there is a large metal plate remembering the Czechoslovak “soldiers, airmen, and patriots”, who fell in WW2. It makes special mention of the Czechoslovak men who flew from Leamington Spa and were parachuted into their Nazi-occupied country to assassinate Heydrich (see https://adam-yamey-writes.com/2021/11/25/leamington-spa-heydrich-and-the-tragedy-at-lidice/).

A doorway from the hallway leads into a front room used as a formal dining room. This is decorated in a mildly baroque style. A gold-framed portrait of TG Masaryk faces the door. Various other framed portraits including one of Queen Elizabeth II hang on the walls. A metal bust of TG Masaryk stands on a mantlepiece next to a credit card machine and a metal sculpture of a Czech airman and there is an old-fashioned gramophone with an LP on its turntable between the two metal sculptures. The formal dining room is separated by a folding screen from a much larger room behind it. The latter, with tables and chairs, a pool table, and a table-football unit, is a less formal space, which I do not remember from the 1980s. In those days, food was served to ‘outsiders’ in the formal front room.

The larger, rear room with windows overlooking the back garden has several interesting objects on its walls. A sombre-looking metal plate covered with many names lists those who “gave their lives for Freedom” between 1939 and 1945. On the wall facing this, there are two posters with photographs of Alexander Dubček (1921-1992), a Slovak Communist politician, who tried to reform the Communist government during the Prague Spring of 1968, which ended after a few months when the Soviet Army invaded his country. On a wall behind the table-football unit, there are two large, colourful, framed maps. One is of the Czech Republic and the other of the Slovak Republic. Between the end of WW1 and 1993, the two now independent countries were parts of one country: the former Czechoslovakia.

A visit to the toilet involves climbing the stairs to the first floor. After ascending the first flight of stairs, the next short flight approaches a huge painting depicting TG Masaryk dressed in a flowing light beige coat and sporting a straw hat with a black ribbon tied above its rim.

Today, Bohemia House continues to welcome guests, both from the lands, which were once Czechoslovakia, as well as others. Its bar offers a range of beers, spirits, wines, and soft drinks, from that region of Central Europe. I sampled a can of Kofola, a carbonated Czech soft drink, whose taste vaguely resembles Coca Cola. The pint of Pilsner Urquell beer was more enjoyable. We also tried a variety of dishes typically cooked in the Czech and Slovak republics. They were enjoyable enough, but I prefer the cuisines of both Poland and Hungary. However, do not let this comment put you off paying a visit to Bohemia House, where you will receive a warm welcome from its charming staff. And … if you wish to know more about Hampstead’s Czechoslovak, other Central European, and Soviet historical associations, you could do no better than to read my new book about the area, available from Amazon [https://www.amazon.co.uk/dp/B09R2WRK92] and bookdepository.com [https://www.bookdepository.com/BENEATH-WIDE-SKY-HAMPSTEAD-ITS-ENVIRONS-2022-Adam-Yamey/9798407539520]).

Eating in The Ark

THE SHED IS aptly named. It is a restaurant in a long lean-to shed amongst the more solidly built edifices on Palace Gardens Terrace in Notting Hill Gate. This ramshackle-looking wooden structure has been home to a restaurant for many decades. For most of that time, it was called ‘The Ark’. It served lovely French-influenced food including my favourite on its menu, rack of lamb. The Ark was a popular local eatery, which attracted some celebrities including Prince Charles and Ingrid Bergman in the 1960s.

On one occasion a friend, let us call him ‘X’, who had eaten at our home many times,offered to treat us at The Ark. We accepted willingly. As soon as we sat down, X ordered the restaurant’s most expensive bottle of red wine. When, during our meal, it came to an end, he ordered another of the same. When the bill arrived at the end of our dinner, X fumbled in his pockets, blushed, and then, stammering, said:

“Oh, I have left my wallet at home.”

His home was a long way from Notting Hill Gate. He continued:

“This is all I have got”,

and placed a £10 note on the table. £10 barely covered half the cost of one of the bottles of wine he had ordered. Naturally, we paid the bill, and he said he would refund us the money, which he must have forgotten to do.

The Ark closed and then re-opened as a branch of the restaurants run by the chef Jean-Christophe Novelli. It served what I considered to be rather over-priced pretentious food. On one occasion, the Novelli restaurant took part in a scheme run by the Evening Standard newspaper. For £15, restaurants in the scheme offered a full meal without drinks – a bargain. My wife rang Novelli at the old Ark and asked whether we could book a table that day and use the voucher in the newspaper for the discounted meal. She was told that the restaurant was fully booked. So, I rang about two minutes later and asked to book a table, but without mentioning the newspaper offer. The lady, who answered the ‘phone at the restaurant, told me:

“Certainly, we have plenty of tables. Come when you like.”

Novelli’s closed, and the old Ark building remained empty for a while.

In 2012, the Gladwin brothers opened The Shed restaurant in the shed that once was home to The Ark. Time Out magazine (www.timeout.com/london/restaurants/the-shed) described it well:

“Tucked away behind a curtain of tousled ivy, The Shed serves up small, resourceful dishes built with foraged and locally-grown ingredients from the countryside. Led by the Gladwin Brother trio, who have their own farm and vineyard in Nutbourne, West Sussex, as well as two additional London restaurants, their flagship Shed was quick to become a local neighbourhood favourite when it first opened in 2012.

Though the menu changes seasonally, the original plates are still the best bet. (Note: everything is served tapas-style and 2-3 dishes per person is the recommendation.)”

I have been there a couple of times and found it to be both pleasant and original from the culinary vantage point. The serving staff, which briefly included our daughter, are obliging and well-trained. When ordering, the waiter or waitress discusses the dish and its ingredients knowledgeably. Pleasant as it is, it is not as enjoyable as The Ark was in its time.

Hotel Lokomotiv

IT WAS 1982 WHEN THE ‘IRON CURTAIN’ still divided Soviet-controlled Europe from Western Europe most effectively. I was heading off towards Budapest from England in order to meet my friend and budding author the late Michael Jacobs, who was  becoming a renowned travel writer.

 

SOPRON 1

Before setting out on this trip, I had noticed that there was a railway line that began in Austria, crossed over the Iron Curtain into Western Hungary, and after running a short distance through Hungary, it crossed back into Austria. Intrigued, I checked whether it carried passengers, and found that it did. This, I decided would be the way that I would try to enter Hungary.

On reaching Vienna’s Westbahnhof, I travelled through the city to the Südbahnhof, where I caught a train that took me to Wiener Neustadt. When I disembarked, I noticed a diesel powered passenger rail bus standing on a siding. It was painted in a livery that I did not recognise. It was not the livery of OB (the Austrian State Railway), or of MAV (the Hungarian State Railway).  Two men wearing black leather jackets were standing next to it. I asked them in German whether this was the train to Sopron (just over the border in Hungary). With hand gestures, they motioned me on board. Soon, the two men boarded the train. One was its driver. We set off. I was the only passenger as the train drifted through vineyards and fields. After a short time we stopped at a small village called Wulkaprodersdorf.

The driver and his assistant disembarked, and so did I. From where I stood next to the ‘train’, I could see men in blue overalls working in a distant field. The two train men stood smoking and chatting to each other in Hungarian. An old steam engine with the logo ‘GySEV’ stood on a plinth, a memorial to times gone by. The rustic scene reminded me of lines from the poem ‘Adlestrop’ by Edward Thomas:

The steam hissed. Someone cleared his throat.

No one left and no one came

On the bare platform. What I saw

Was Adlestrop — only the name

 

And willows, willow-herb, and grass,

And meadowsweet, and haycocks dry,

No whit less still and lonely fair

Than the high cloudlets in the sky.

 

And for that minute a blackbird sang…

Just change Adlestrop for Wulkaprodersdorf, and you will know how I felt waiting there.

After a while, all of the workers in the field converged on the train and boarded it. I joined them in the now full train, and we set off towards Hungary.  To my surprise, we sailed past the rows of barbed wire fences, the sandy tracks, the watchtowers, the military men with dogs, without stopping. I had crossed the ‘Iron Curtain’ and entered Hungary without showing my passport. This was quite unlike any other time that I had travelled to Hungary by train.

The single carriage train pulled into Sopron’s station alongside a platform that had a barbed wire fence running along it. When I stepped out onto the platform, two uniformed guards came to meet me. How they knew that I was on the train was a mystery to me. They took me to an office, where their superior examined me and my visa, before stamping my passport. As the officials seemed friendly, I decided to ask them where I could find a private room to stay. Instead of directing me to the state tourist office, which usually arranged accommodation for foreigners, the official told me to come with him. He drove me to a house on the edge of Sopron, and told me to wait in its garage.

After a few minutes, he returned with a lady, who then took me to her house. Somehow, she managed to explain to me that I could rent a room from her, but I had to leave at 8 am in the morning. I rented her room for two nights.

On the following morning, I decided to try to ring Michael Jacobs at the number he had given me where he was staying in Budapest. I found a coin-box public telephone, but was completely flummoxed by the instructions which were only written in Hungarian. Undaunted, I entered Sopron’s fin-de-siècle central post-office. The large public hall was surrounded by desks each with signs above them in Hungarian. I looked for a desk with a sign that resembled ‘telephone’ or even ‘telefon’, but saw nothing remotely similar. While I was looking, a man in a suit and tie came up to me and announced in passable English:

Today is my day for helping foreigners. How may I help you?”  

I told him that I was trying to ring a number in Budapest, and he took me to a desk where I parted with a not inconsiderable amount of cash, only to discover that the call could not be made.

After that disappointment, my ‘helper’ asked:

You like wine?

I replied that I did.

Come with me then,” he said, leading me to a group of well-dressed middle-aged men.

“Visitors from Austria,” he said, leading me and his visitors to a minibus bearing the livery of OB, Austrian Railways. We drove through Sopron, and my new friend explained that he was hosting some Austrian railway officials who were visiting for the day.

We arrived at a wine cellar in a historic building in the heart of Sopron, and sat at wooden tables in a cellar with a vaulted ceiling. By now, I was getting quite hungry. My new friend sat me beside him, and for the rest of the time ignored his Austrian guests. In front of us there wooden platters with salami slices and what looked grated cheese. Greedily, I put a handful of this grated matter in my mouth, and sharp needles shot up towards my eyeballs. The ‘cheese’ was in fact freshly grated horse-radish! Wine was served, and all of us partook of it liberally.

During our drinking session, my friend said to me:

It is Vunderful. So Vunderful. You could have visited Paris; you could have visited Rome; you could have visited New York.  But you have come to our little Sopron. That is so Vunderful. So Vunderf…”

Eventually, it was time for the Austrians to return home. They piled into their minibus, and we waved farewell to them. Then, my Hungarian friend led me to a rather tatty looking faded green minibus, an East European model, and we entered. My host, an official of GySEV (Győr-Sopron-Ebenfurti Vasút) – the mainly Hungarian-owned railway company which had brought me into Hungary – drove me to a shabby hotel.

Hotel Lokomotiv,” he announced proudly, “now we drink more.”

By now, I had had enough wine, but insufficient food. I drank Coca Cola or its Hungarian equivalent whilst my friend continued drinking wine – all afternoon. After the sun had set, I decided that I should return to my room.

I will take you there,” he said slurring.

As we began walking through the town, I had to support my staggering friend, and also guide him through his own town. When we had nearly reached where I was staying, he said:

Next time you are in Sopron, you will stay in my house. I will put wife in another room. You will sleep in my bed.”

With that, we parted company.

I never took up his offer because the next time I visited Sopron, I was already married.

No contact

skying

 

In India, many people ‘sky’ their drinks. This means that they take a drink from a container without letting it contact their lips or mouth. To ‘sky’ a drink means literally pouring a drink into your mouth from a distance. This method of drinking allows many people to drink from the same container without risking contamination of the drinks by any of the drinkers’ germs. 

 

PORRON

Drinking wine from a porro (source: wikipedia)

Spain, which is many miles away from India, uses special vessels known as porron (porro, singular) to ‘sky’ wine. These traditional vessels, popular in Catalonia, allow many people to imbibe from the same vessel without making any contact between it and the mouth. The design of the porro is such that the drink container can be held at a much greater distance from the mouth than in the Indian mode of sky-ing a drink. 

George Orwell was not keen on using porron. He wrote in his Hommage to Catalonia (published 1938):

A porron is a sort of glass bottle with a pointed spout from which a thin jet of wine spurts out whenever you tip it up; you can thus drink from a distance, without touching it with your lips, and it can be passed from hand to hand. I went on strike and demanded a drinking-cup as soon as I saw a porron in use. To my eye the things were altogether too like bed-bottles, especially when they were filled with white wine.

I have no idea when or where the habit of drinking without contacting the vessel originated. If anyone has any ideas, please let me know.

 

The top photo was taken in Mattancherry, Kerala, India