One shirt, two pockets

SOME OF YOU WILL KNOW that I am interested in the mythical birds that have one body and two heads (for example, the Russian, Serbian, and Albanian double-headed eagles). Few will know about my interest in shirts with two pockets. Most people are happy if their shirt has only one pocket, but not me. For, I like to keep my mobile telephone in one shirt pocket and my small point and shoot camera in the other.

About twenty years ago, during one of my frequent visits to Bangalore (the capital of an Indian state whose crest bears a double-headed bird), we found a store in the busy Commercial Street that sold short-sleeved (‘half-sleeve’ in Indian English) shirts with two pockets bearing the brand name ‘Camel Classics’. The store no longer exists but was close to another clothing shop called ‘Favourite Shop’ and not far from a Bata shoe shop.  Year after year, I returned to refresh my stock of double-pocketed Camel shirts. Then, some years ago, the assistants, who by then knew me well, informed me that the manufacture of my favourite Camel shirts was about to be discontinued. Hearing this, I bought all the shirts in my size that were available in the shop.

Nothing lasts forever. This was true of my Camel shirts, which I wore almost everyday both when at work and, also, when not working. The collars tended to fray. This could be remedied during our visits to Bangalore when we found various helpful tailors who were happy to turn the collars. Even with these repairs, some of the shirts became to disreputable to wear in public.

It appeared that two-pocketed shirts had become unfashionable and therefore less easy to obtain. My wife came up with the solution to the problem of replenishing my shirt stock.

We spent a fortnight in Panjim (Goa) in April 2018. While wandering about in the steamy heat, we spotted a tailoring shop. The tailor was asked if he could replicate one of my remaining Camel shirts. He said that he was able to do so, and we were to return after a week. When we went back after seven days, he had produced two perfect replicas. We wished that we had asked him to have made more than two, but our time in Panjim was running out.

The following trip to India, we decided to find tailors in Bangalore, who were willing to replicate my favoured shirts. We found two, both in the Commercial Street district of the city. We got each to make one shirt so that we could assess who did the best job. A tailor on Dispensary Road ‘won the contract’. He made me another five Camel-style shirts. My stock of double-pocketed shirts is currently up to date. Given the present covid-19 pandemic is preventing us from returning to India in the foreseeable future, I am pleased that we had so many of these items manufactured.

Discussing my liking of the double-pocketed Camel shirts with friends and their unavailability, one of them looked at my Camel shirt, and then pointed out that the American Wrangler company makes the same shirts, which are still easily available. So, I could have replenished my stock by buying them on-line, but this would have been far less enjoyable than finding and getting to know tailors in India.

Stitched

PONDICHERRY IS RICH in wonderful attractions, many of them souvenirs of its French colonial past. One of the most delightful of these is the Cluny Embroidery Centre on Rue Romain Rolland, a street named after a French writer and Nobel Prize winner who met Gandhi and was sympathetic to India and its philosophies.The Embroidery Centre is housed in an 18th century French Colonial building (a former residence, which was built by 1774) that forms part of a religious centre under the aegis of the Order of Cluny. It is believed that one of the former owners of the house donated it to help poor women in need. This must have been before 1829, when the Embroidery Centre was established. Every day except Monday and Sunday, at least twenty women of various ages arrive at the centre and take their places at tables in a large room with tall windows that open out into a verandah supported by neoclassical pillars and decorated with elaborate stucco bas-reliefs. The verandah looks out onto a courtyard surrounded on three sides by other buildings, parts of the convent, and the outer wall with a decorative entrance gate.This ensemble of buildings forms only part of a much larger complex of buildings, some of which surround another courtyard filled with a garden.After singing what sounds like a hymn, the women begin working on their elaborate embroideries. They stitch according to patterns designed by artists who work at the centre. While they work away silently with needle and thread, a simple sound system provides background music at a low volume.Dressed in white habit, Sister Agatha, who runs the convent, watches over the ladies at work and organises the sales of their labours to visitors who step into this peaceful sanctuary a few feet away from the noisy outside world.The resulting products are exquisitely beautiful. They embroider everything from coasters to handkerchiefs to napkins to pillowcases to table cloths and bedcovers. Visitors to the centre can purchase these treasures of fine needlework. Or, customers can place orders for specific items they need. The women who embroider at the centre get paid on a piecework basis. Some of them have had a history of mistreatment before joining the centre. Visiting the Cluny Embroidery Centre is a moving experience. It provides a very good example of how a religious order can work for the benefit of the ‘common’ folk.