Little Nell and the British Empire

Here’s poor lil’ Nell

  With a fresh fish under each arm

Crazed, scarred, and cracking

CAN YOU BELIEVE that although we have walked through London’s Hyde Park so many times (in order to take exercise as is recommended by our great leader, a biographer of Winston Churchill, and his government) that there are still many things in it for us to discover? Walking in the southwest corner of the park recently, we saw four man-made items that caught our interest.

An octagonal Victorian bandstand, which was built in 1869 and stood in Kensington Gardens, was moved to its current location in Hyde Park not far from Hyde Park Corner in 1886 (www.royalparks.org.uk/parks/hyde-park/). It is said that this bandstand has good acoustics; I have yet to hear music played here. In the 1890s, concerts were held at the bandstand three times a week. Currently, in normal times, that is when there is no pandemic, the bandstand is used occasionally for concerts and other events as well as becoming part of the annual Winter Wonderland fairground held in Hyde Park.

The bandstand, which was/is often used by military bands, is about 100 feet northwest of a black coloured bronze equestrian statue depicting St George slaying a mammoth dragon. Its coiled, scale covered body, my wife considered accurately, resembles a haphazard pile of discarded lorry tyres. The stone base is surrounded by a frieze depicting cavalrymen in action. The equestrian sculpture stands in front of a low wall which bears the names of cavalry regiments involved in WW1. The monument, though erected before WW2, also those involved those:

“… in the war / 1939-1945 / and on active service thereafter.”

The monument, The Cavalry Memorial, which used to stand nearer Park Lane was unveiled in 1924 by Field Marshal, The Earl of Ypres (formerly Sir John French; 1852-1925) and the Prince of Wales (the future Edward VIII, who reigned for 11 month). The knight on the horse was modelled on:

“…a 1454 effigy of the Earl of Warwick, mounted on horseback holding an uplifted sword, and the horse on a C15 century engraving by Albrecht Dürer.” (https://historicengland.org.uk/listing/the-list/list-entry/1278118).

The sculptor was Captain Adrian Jones (1845-1938). Jones was an army veterinary surgeon between 1867 and 1890. He took up painting and sculpting after he retired, specialising in depicting animals. His best-known work, created in 1912, is not far from the cavalry monument: it is the Quadriga that adorns the top of the Wellington Arch at Hyde Park Corner.

The cavalry monument is a mere 200 yards north by north-east of a modest memorial to a fairly recent tragedy that stands beside the South Carriage Drive. It remembers the eleven soldiers who were killed by a bomb planted by IRA terrorists near this spot on the 20th of July 1982.

Returning to a path that leads north from a spot between the Cavalry Memorial and the bandstand, you will quickly reach a small art-nouveau structure. Formerly a fountain, this is a depiction of an almost naked girl wearing a hat and holding a fish under each of her arms. We asked a gardener working nearby if he knew anything about this curious garden sculpture. He informed us that it was a sculpture of Little Nell, a character in “The Old Curiosity Shop” by Charles Dickens and that it used to stand in Hyde Park’s Rose Garden.

The sculpture, created by William Robert Colton (1867-1921) has been variously known as the ‘Memorial Fountain’, ‘The Mermaid Fountain’, ‘The Colton Memorial’, and, much later, as ‘Little Nell’ (www.victorianweb.org/sculpture/colton/7.html). It is not clear why Colton’s sculpture should be associated with Dicken’s character, Nell.  What we see today is a concrete cast of the original that was made in 1897. It looks as if it could do with a lot of tender love and care as it seems to be crazed, cracked and scarred.

Colton created various public sculptures in London, but his work is found further afield. I read (www.speel.me.uk/sculpt/coltonwr.htm) that:

“Important in his career was a series of Indian portraits in the mid-1900s, including statues and busts of the Maharajah of Mysore and the Dewan of Mysore, and a monument to J. Tata, including allegorical figures, for Bombay.”

I have probably seen some of his Indian works both in Mysore and Bangalore but took little notice of them. A website (http://mysore.ind.in/chamaraja-circle) extolling the virtues of Mysore reveals:

“The French born celebrated sculptor of the time, William Robert Colton was commissioned to execute a statue in memorial of the maharaja. He is the same sculptor who executed many famous sculpture in India including the statue of Sir K Seshadri Iyer, at Cubbon Park in Bangalore, who was the Dewan of Mysore State from 1883 to 1901. Also the 8 bronze tigers of Mysore Palace too are the works of Colton.

He spend[sic] some three months in Mysore during 1912 for the preliminary study for making the statue of Chamaraja Wodeyar. The statue was executed in white Italian marble in England … In the statue the maharaja is portrayed in standing posture in military uniform.

Though Colton was famous for executing lifelike sculptures, one glitch was the in the appearance of the face of the maharaja. There was not much resemblance between face of the maharaja and the face of the statue. When the statue finally arrived in Mysore in 1918, the queen the late maharaja Chamaraja Wodeyar was not happy with this aspect.”

Colton, whose father was an architect, was born in Paris, but was taken to England when he was three years old. He studied art first at the Lambeth School of Art and then at the Royal Academy.

Three of the items, which I have described, have connections with Britain’s former empire. Some of the cavalrymen remembered on the Cavalry Memorial, fought in not only in WW1 but also in Egypt, South Africa, and British India. Several major cavalry units were based in India and included soldiers of Indian origin. The other item with an association with part of the former British Empire is the small lady with two fishes, created by an artist who has sculpted some notable Indians. The bandstand near these two park features is typically Victorian and octagonal, and not markedly different in appearance from one that stands in Cubbon Park in Bangalore (India). And all of these are but a few minutes leisurely stroll from Apsley house, the former home of Arthur Wellesley (1769-1852), who fought in India in the late 18th century.

Destroying statues

NOBODY IS PERFECT, and that includes all of those ‘great’ men and women whose lives are remembered with statues. Let me state at the outset that I am against both idolatry and iconoclasm. I do not believe that anyone should be worshipped without questioning (or even after questioning) nor that statues should be destroyed.  Everyone has good and bad points, and that should be remembered always when looking at a statue.

STAT BLOG

Let me state at the outset that I am against both idolatry and iconoclasm. I do not believe that anyone should be worshipped without or with questioning nor that statues should be destroyed. Everyone has good and bad points, and that should be remembered always when looking at a statue.

Consider Cecil Rhodes (1853-1902). He was not a person that I would have enjoyed meeting, even for a brief drink in a pub. From what I know of him, he was power hungry and greedy and would stop at nothing to achieve his goals.

Undoubtedly, money derived from his endeavours has been spent on good works including the famous Rhodes Scholarships, which began funding bright young scholars from 1902 onwards. Many academic and other fine accomplishments have been achieved by the recipients of these awards. However, some of them are now criticising the way that Rhodes exploited/plundered Africa to produce his wealth. Given that these scholarships, funded by what some might describe as ‘dirty money’, are awarded to people with above-average intellectual abilities who could easily have examined Rhodes’ history, I find it strange that the recipients did not question the morality of the origins of what was being offered to them before receiving and spending it. Some recipients justify accepting the scholarships by saying it is a way that Rhodes’ debt to Africa can be partially repaid. Maybe, but would you feel comfortable if, say, the infamous Kray Twins or Al Capone offered to use some of their ill-gotten gains to fund your education? Would you justify accepting their money by saying that although they killed people and committed crimes like theft, it was good that they were using someone else’s wealth to repay their debt to society? Few people would justify erecting statues to either the Kray Twins or Al Capone.

Unlike Capone and the Krays, Rhodes was not breaking any British law when he was plundering Africa to glorify the British Empire and line his own pockets. From the viewpoint of the great majority of ‘white’ British people, his contemporaries, Rhodes was doing a good job during his lifetime for the Empire and his native land, Great Britain. Statues were erected in his memory by those who had benefitted from his life’s work. Those people were mostly, if not all, ‘white’ people. The monuments were put up during an era when racial prejudice went unquestioned and people ‘of colour’ lacked any public influence.

Times have changed. The racial situation, the rights of ‘people of colour’, is also changing, albeit too slowly. Recent and not so recent events across the Atlantic in the “land of the free and the home of the brave” have justifiably heightened popular consciousness and questioning of the worthiness of those, like Rhodes, whose statues adorn our lands.

So as Vladimir Ilych Lenin, discredited by some, and many of whose statues have been toppled, asked in 1902:
“What is to be done?”
What is to be done with the statues of celebrated people with flaws in their personalities? One could pull them down as has been the case with many statues of Stalin, Enver Hoxha, Saddam Hussein, and more recently a slave owner in Bristol. Apart from temporarily assuaging the temper of an assembly of aggrieved folk, the toppling or destruction of a statue might have few or no lasting beneficial effects.

It would be far better to remove the statues from positions of great public prominence to more discreet locations (maybe to museums) and to label their plinths with inscriptions that summarise the subjects’ both good and bad actions. Also, it would be a good idea to educate children and other students to understand that just as there are two competing teams in a football match, there are two sides to a person’s personality: a good one and a bad one. It is the balance of these that needs to be judged. In the case of Rhodes, the bad wins, but in the case of, say Edward Jenner (of smallpox vaccination fame), whose statue can be found in Hyde Park, his good features easily predominate.

Finally, destruction of statues and monuments worries me because they are part of remembering. If we know that a monument commemorates something that should not be repeated, such as slavery, let it remain, suitably labelled, so that we do not run the risk of unpleasant aspects of history repeating themselves. For as the philosopher George Santana (1863-1952) wrote in 1906:
“Those who cannot remember the past are condemned to repeat it.”

Headquarters of Gandhi in Bombay

MAHATMA GANDHI TRAVELLED much during his life. I have visited several of the places in India, which were important landmarks in his life: Porbandar, Rajkot, Bhavnagar, Ahmedabad, and Bombay. The latter saw much of Gandhi both before and after he had lived, worked, and campaigned in South Africa.

Mani Bhavan, a mansion in Laburnum Road in the Gamdevi district of Bombay, was owned by Revashankar Jagjeevan Jhaveri, a friend of Gandhi. It became Gandhi’s headquarters in Bombay between 1917 and 1934. Now, it is a popular museum dedicated to the history of Gandhi’s eventful life in South Africa, India, and elsewhere.

Most of the exhibits in the Mani Bhavan are photographs, many of which I have seen elsewhere. However, I had never before seen a photo of the Mahatma with his famous admirer Charlie Chaplin. There is also a photograph of the letter that Gandhi wrote to Adolf Hitler on the 27th July 1939, encouraging the German dictator to adopt peaceful methods rather than going to war. The British authorities did not allow this letter to reach Germany, let alone leave India.

There is a room on the second floor in which Gandhi used to spend much time spinning. It contains several of the spinning wheels that he used daily.

On the second floor, there is also a gallery with a series of dioramas, each one illustrating a different episode in the life of Gandhi. One of them shows the future Mahatma being thrown out of a first class railway compartment in Pietermaritzburg Station in Natal, South Africa. Another, shows him at a public burning in Bombay of cloth and clothes imported into India. This occurred in 1921. Gandhi was by no means the first to burn foreign cloth in India. Many years earlier, Vinayak Damodar Savarkar, a father of Hindutva, supervised a bonfire of imported cloth in Nasik.

The well made dioramas reminded me of those I had seen at the Godra Ambe Dham temple complex near Kutch Mandvi. The ones at Ambe Dham are moralistic in content, chronicling the virtues of a healthy Hindu life and the awful consequences of straying from it.

The Mani Bhavan had plenty of foreign visitors, most of whom seemed very interested in what is on display.

Of all the Ghandhian sites I have visited in India so far, the Mani Bhavan has impressed me least. If pressed to say which have impressed and moved me most, I would choose Gandhi’s birthplace in Porbandar, his classroom in what used to be Samaldas College in Bhavnagar, and his first ashram in Ahmedabad, the Kochrab Ashram. Had I not already visited these three places nor seen the superb collection of Ghandian photos in the Gandhi Smrti in Bhavnagar, I think that a visit to the Mani Bhavan would have been more interesting for me than it was. I am pleasrd that I have visited the place because I enjoy following in the footsteps of the life of one of the most intriguing personalities in the history of India, nay the whole world.

However great or small your interest in Gandhi might be, visiting Mani Bhavan brings you to a part of Bombay rich in elegant mansions built by prosperous citizens over 100 years ago.

A carved Crusader

A life no longer,

Remember’d in timber:

Farewell, Crusader knight

 

 

14th century wooden effigy in church at Paulerspury in Northamptonshire, England

 

For more information about this rare mediaeval carving, see: History of Paulerspury

website from which this information was extracted:

Under the arcade between the chancel and the north chapel, on a freestone tomb panelled with cusped ogee blind tracery enclosing shields, are wooden effigies of a lady (c. 1340) and an armoured man (c. 1346-9), now placed side by side but not necessarily originally associated with each other. The male figure may represent Sir Robert de Paveley.  The monument was restored by Frederick H. Crossley of Chester in 1920, following a report on its condition by the S.P.A.B. in 1915