I HAD PASSED it often, but never entered it until recently when I attended a concert within it. I am talking about a church on Holland Road in West London not far from Shepherds Bush, St John the Baptist. This Anglican church is an exceptional example of gothic revival style. Designed by James Brooks (1825-1901) with John Standen Adkins (an assistant of Brooks), it was constructed between 1872 and 1910.
Although the façade facing Holland Road is not exceptional, the church’s interior is highly breathtakingly decorative. Unlike mediaeval churches, which took centuries to complete, St John the Baptist was constructed in much less time. Yet, its decorative details, which imitate what is best in many older churches, rival those found within the old ones. The workmanship and fine details in St John’s remind one of the best productions of craftsmen, who flourished many centuries earlier. However, unlike the earlier churches, which inspired the designers of St John’s, the interior of the church on Holland Road looks too good to be true. Completed in a relatively short period, the variety that adds to the charm of gothic churches built in earlier times and more slowly is lacking in St John’s and other fine examples of late Victorian gothic revival buildings. What we see at St John’s is the realisation of the architects’ concept of an ideal ‘mediaeval’ church. What was achieved at St John’s is probably something like the results early creators of (mediaeval) churches hoped to create, but never lived long enough to see fully realised.
The attention to detail in the better gothic revival churches, such as St John’s, is marvellous. The result is an ensemble of decorative features rich in meticulously executed intricate details. While I was listening to the concert in St John’s, my eyes took in the details of the church, and I began thinking it was amazing that the elaborate attention to fiddly ornate minutiae was carried out only a few years before architectural trends turned through 180 degrees from excessively decorative to the greater simplicity of much 20th century architecture.