THE ESTORIC COLLECTION in London’s Highbury houses a fine permanent exhibition of modern Italian artworks, mainly creations of the so-called Futurists. In one of the galleries, I spotted the name of an artist who was born in a town, which I have visited, in the northeast of Italy: Gorizia. When the artist Anton Zoran Music (1909-2005) was born, Gorizia was part of the Austro-Hungarian empire. After WW1, the town became part of the Kingdom of Italy within the region of Venezia-Giulia. Soon after WW2, the eastern part of the region became absorbed into the Yugoslav republic of Slovenia (now an independent state). When that happened, the border between Italy and Slovenia ran through the eastern part og the town, the part in what was then Yugoslavia (a country I visited often between 1973 and 1990) became named ‘Nova Gorica’. Most of Gorizia, an attractive old town, is on the Italian side of the border.
Slovenians still live on both sides of the border. Music, actually Anton Zoran Musič (pronounced mus-ich) was born into a Slovene-speaking family. Zoran, who went to schools in Maribor, studied art at the Academy of Fine Arts in Zagreb between 1930 and 1935. His first one-man exhibition (outside Yugoslavia) in Venice in 1943, where he had moved. Soon after this, he was arrested by the German Gestapo and then sent to Dachau concentration camp. After WW2, he moved to Ljubljana (in Yugoslavia), but soon shifted to Venice, where he lived (on and off) for the rest of his life. His career after the War was successful: he received several prestigious prizes for his artistic creations.
The Estorick displays five of Music’s paintings. They were created between 1951 and 1983 and illustrate his versatility as a painter. All the paintings hanging are between abstract and figurative in style, but slightly nearer the latter than the former. I had seen his paintings on previous visits to the Estorick, but until my most recent viewing of his art, I had not been aware of how many aspects of his life mesh with things that interest me.