A church transformed

THE VICTORIAN GOTHIC Westbourne Grove Church (with a Baptist congregation) is on the corner of the Grove and Ledbury Road. Built on the site of an earlier church, this building was constructed in 1866. On examination, it is obvious that it has been modified considerably. According to the church’s website, westbournegrovechurch.org, in 2001:

“… the church worked with the Manhattan Loft Corporation to redevelop the site. Our vision was to use the church building to serve the local community, as an expression of God’s generosity and love. The church retains space spread over the entire ground and first floors of the building, while the project was funded by development of apartments in the top four floors of the converted building.”

The church now shares its building with retail outlets and residential units, the rents from which help finance the church’s activities and maintenance.

The parts of the ground and first floors used by the congregation have been redesigned imaginatively and beautifully in a simple contemporary idiom. Airy spaces simply but attractively decorated, flow neatly between each other giving the interior of the church a cubist sculptural feel. The rooms at the base of the two towers on the south façade of the church are used for exhibitions and meetings. In short, the spaces used for ecclesiastical and pastoral purposes provide a wonderful example of successful modern interior design. The current vicar is Chris Thackery. His wife Charlotte is an architect, and was involved in overseeing, and advising on, the modernisation of the church.

A visit to see this wonderful new church is well worth making. It is not far from Portobello Road and is a treat for lovers of imaginative architectural design.

From bank to beauty parlour

AL SAQI BOOKSHOP in London’s busy Westbourne Grove occupies a shop with a façade that would not look out of place on a palazzo on the Grand Canal in Venice. I have already described the interesting history of this building elsewhere (https://adam-yamey-writes.com/2020/10/18/the-story-of-a-bookshop/).

62-64 Westbourne Grove, London

Further west along the Grove, well past the Planet Organic ‘wholefood’ store and Alounak, one of the Grove’s several Persian restaurants, we reach number 62-64, whose façade is almost as grand as that of Al Saqi. Unlike the latter, this building’s history is harder to ascertain. Currently, it is the premises of Aveda, a beauty salon also called Gina Conway Salon Spa.  The ground floor façade of this edifice includes neoclassical columns with Doric capitals, and decorative mouldings, which include the letters ‘C’, ‘L’, and ‘M’. These are intertwined to form a logo. The first floor is fronted by three large arches separated by decorative mouldings and the top storey has three sets of windows set back behind lintels supported by short columns with Doric capitals. The salon, although modernised to suit its current purpose, has its original elaborately decorated moulded plaster ceiling and wall mouldings, some of which depict the heads of angels or putti.  Nobody in the salon had any ideas about the history of this attractive building.

A photograph in the London Metropolitan Archives describes number 62 as having an Edwardian façade. When this image was created in 1974, the building was a branch of the Midland Bank, which occupied its western two thirds. The eastern third of the place was the premises of The French Kitchen and Tableware Supply Company. The bank was already in existence at this address in 1940.  What was there before the bank occupied the edifice and when exactly it was built, I have not yet discovered. The building is marked as a bank on a detailed map surveyed in 1914, but not on one surveyed in 1893. However, Allan & Mortons Street Directory of 1867 revealed that number 62 was then the address of Dr Barry, who practised homeopathic medicine.  Both the 1893 and the 1914 maps mark the building west of number 62-64 on the corner of the Grove and the western arm of Newton Road as being a bank at those times. This building currently houses Farmacy, a vegan eatery.

The logo ‘LCM’ on the old bank stands for ‘London, City, and Midland’, a bank founded in 1898, which was renamed the London Joint City and Midland Bank in 1918 and then the Midland Bank in 1923 (www.gracesguide.co.uk/London_City_and_Midland_Bank). In the absence of any more information and in view of the fact that the architectural historian Pevsner regarded it as “Edwardian”, it might be safe to conclude that the present building at 62-64 Westbourne Grove was originally constructed to house a bank sometime during the reign of Edward VII, i.e., between 1901 and 1910, and certainly before 1918.

Marconi slept here

DURING A SHORT VISIT to Chelmsford in Essex, we noticed an old hotel The Saracens Head. Situated in the centre of the city – yes, Chelmsford is a city; it has a fine cathedral – it bears a commemorative plaque which states that the inventor of radio Guglielmo Marconi (1874-1937), founder of the Wireless Telegraph Company, stayed at the hotel between 1912 and 1928, when he made visits to his New Street factory in Chelmsford. Marconi made the city a place that was to change the world. It is hard to imagine how our world would be today without radio signals.

I wondered why he had chosen Chelmsford to site his factory. The only explanation I can find is that Marconi needed electricity for his factory and that Chelmsford had a good supply of it. In any case, his factory provided work for many (up to 6000) people in the city.

As for The Saracens Head hotel, I have not yet stayed there, which might be a good thing as it receives many poor reviews on Tripadvisor.

Prior to establishing his factory in Chelmsford, he lived in a terraced house near London’s Westbourne Grove, at number 71. He lived there between 1896 and 1897. That was 2 years after he had made the world’s first demonstration of radio transmission. He arrived in London from Italy in 1896 because few in his native land could see much of a future in what he had demonstrated.