A bust of Epstein and the USSR (Soviet Union)

I HAVE JUST VISITED London’s Wallace Collection to view a small exhibition called “The Wallace Collection at War”. It continues until 25 October 2026. Small though it is, it contains several artefacts that resonate with the research I did when writing my book about north London’s Hampstead district.

During WW2, the valuable artworks that comprised the Wallace Collection were removed from their home, Hertford House on Manchester Square, and hidden in caves and cellars so that they would neither be damaged by bombing nor found by the enemy should they have managed to invade the UK.

In 1942, in order to raise money to send medical equipment and clothing to Soviet Russia, Lady Clementine Churchill (Sir Winston’s wife) organised the “Artists Aid Russia” exhibition, which was held in the then empty Hertford House. Some of the exhibition stands and other display arrangements were designed by the architect Erno Goldfinger, whose creations include Trellick Tower in North Kensington, and his own residence in Hampstead. For five years, I practised dentistry in the shadow of Trellick Tower. I have also visited his Hampstead home several times.

The 1942 exhibition included 900 works by living artists. A few of these works are currently on display in Hertford House. They include artworks by John Skeaping. Carel Weight, Ethel Léontine Gabain, and Charles Murray. There is also a poster by Henri Kay Henrion. He was married to the artist Daphne Hardy Henrion. One of their two sons went to the same school as I did in the 1960s. For a while they lived in Hampstead.

The “Artists Aid Russia” exhibition was launched in late 1942 by Soviet Ambassador Ivan Maisky (1884-1975) and his wife Agniya. The first time I encountered his name was while writing my book about Hampstead. In “Architect Errant”, the autobiography of the architect Sir Bertram Clough Williams-Ellis (1883-1978), he wrote of the artist George Romney’s former home, where he resided:

It was a splendid house for large parties and we gave a lot of them – dances every so often, a show by Ballet Rambert … We also gave a party to meet the Russian Ambassador, M[onsieur]. Maisky, who made a speech from the gallery balcony …”

As part of my research, I acquired a copy of “The Maisky Diaries” (edited by Gabriel Gorodetsky). Although there is no mention of the visit to Hampstead, there is much which is relevant to one of the items in the current exhibition at Hertford House. This artefact is an excellent bronze sculpture depicting Maisky’s head. It was made in 1941 by the renowned artist Jacob Epstein (1880-1959). The diaries contain much about this work of art and its execution.

On 14 February 1941, Maisky wrote:

Jacob Epstein has convinced me to permit him to make my bust. I warned the sculptor that the USSR is a country of genuine democracy, so Soviet ambassadors are not able to pay artists of the capitalist world the fees they are accustomed to. Epstein was insistent …”

Maisky was intrigued by the creative process, which required at least six sittings. He described how Epstein gradually formed his head out of grey clay.  He wrote:

Let’s see what happens next. I’ll have five or six sittings in all. With such original artists as Epstein, you never know what will come out in the end – you yourself or a monster.”

The ambassador described the artist’s studio at 18 Hyde Park Gate:

A large bright room with two enormous windows … Astonishing artistic chaos. Scattered over tables, chairs, and benches and the floor are statues, heads, arms, legs and other parts of the human body in clay and plaster of Paris … The figure of the sculptor moves quickly and deftly amidst the vast chaos. His baggy grey trousers are stained with clay and plaster of Paris. Epstein is quite a charming man …”

Eventually, the bust was completed.

While he was in London, Maisky became very popular. As Gorodetsky noted at the end of the extracts from Maisky’s diaries:

Neither Stalin nor Molotov could watch with equanimity the popular cult of  Maisky in London, which reached dimensions second only to the cult of Stalin himself … While flattered by the cult evolving around him, Maisky was anxious to keep it on the back burner. He was quick to turn down an invitation by the sculptor Epstein to attend the private viewing of his works at Leicester Galleries …”

Despite the risk of trouble from Stalin in Russia, Maisky sat for a portrait by Oskar Kokoschka. He sat for this portrait shortly before he was recalled to the USSR in July 1943. This picture is now in the Tate Gallery’s collection.

As you can see, the small exhibition at the Wallace Collection proved to be of great interest, especially as so many of the exhibits overlapped with things that have interested me in the past.

An artist, an architect, and a baboon in north London

THE PAINTER GEORGE ROMNEY (1734-1802) moved to Hampstead in north London for health reasons near the end of the 18th century. His home on Holly Hill, originally named ‘Prospect House’ because of the views over London that could be seen from it, still stands today, even thouh it has been altered since Romney occupied it. During 1792, he made frequent visits to Hampstead and the following year he decided to move to the suburbs north of London. In June of that year, he took lodgings at a place he called ‘Pineapple Place’ near Kilburn. Dissatisfied with his Kilburn abode, and having been persuaded that it would be better to buy an existing building rather than to build from scratch, he bought the house on Holly Hill, an old house and its stables, in 1796. It is this building that bears a plaque commemorating his residence there. The Holly Hill house contained his studio, which was completed after the artist had spent £500 on alterations to his new home. While the alterations were being carried out, Romney lived in a building called The Mount on Heath Street, so the informative historian Barratt reveals in Volume 2 of his encyclopaedic history of Hampstead.

Romney’s house in Hampstead, London

The works that Romney had paid for resulted in the creation of:

“…strange new studio and dwelling-house … an odd and whimsical structure in which there was nothing like domestic arrangements. It had a very extensive picture and statue gallery …”

Barratt continues:

“At last Romney got rid of the builders and decorators, and all his town treasures —paintings, casts, statues, canvases, and what not—scores of cart-loads of them—were deposited in the new house and gallery, and the painter began to think that his higher aims were about to be attained.”

But this was not to be. His health failed and in January 1799, he shut up his Hampstead abode and travelled to Kendal. He returned to Holly Hill briefly but returned to Kendal after the 28th of April. He died in Kendal. His house in Hampstead was sold and by 1808, it contained ‘Assembly Rooms’ and three years later it became home to ‘The Constitutional Club’. Barratt revealed that the rooms in Romney’s house were:

“…For sixty years these rooms were practically the Town Hall of Hampstead and the centre of the town’s municipal life. The Hampstead Literary and Scientific Society, formed about 1833, met here, and many learned men at its invitation gave lectures in the rooms …”

In 1807, soon after Romney left Hampstead, the stables attached to his house became part of the nearby Hollybush Pub, after having been used as the catering wing for the Assembly Rooms (https://historicengland.org.uk/listing/the-list/list-entry/1379069).

Lord Ronald Sutherland Gower, author of “George Romney” published in 1904, wrote of FRomney’s Hampstead dwelling:

“…externally the building, which is covered over with a kind of wooden boarding, has the appearance of a large stable; but within are some remains of the great gallery in which the artist placed his collection of casts, and handsome columns decorate this room; it is now a Conservative Club, and appears to be well attended by the residents of that portion of Hampstead. As a living house it must have been supremely uncomfortable; and one no longer has the advantage of the view over London from the upper windows from which Romney loved to look out and watch the distant dome of St. Paul’s lying in the Thames Valley below; the great city has crept up and around Holly Bush Hill, and crowded out the prospect which gave the great painter almost the last solace in his melancholy decline of life.”

Recently, I wrote an essay (see https://adam-yamey-writes.com/2021/04/29/artists-in-hampstead-londons-montmartre/) about some artists who lived in Hampstead and mentioned George Romney. Someone who read it wrote to me and reminded me that Romney’s former home was also the abode of another artist, the Welsh born architect Sir Bertram Clough Williams-Ellis (1883-1978), most famous for his creation of Portmeiron in western Wales. At about the same time as my correspondent mentioned Williams-Ellis, I found a copy of the architect’s autobiography, “The Architect Errant”, in a disused telephone box, now being used as a book exchange, in Madingley, Cambridgeshire. Although I have not yet read the whole book, I have found what he wrote about his time living in Romney’s former home in Holly Hill. He bought this building in 1929 and redesigned it considerably.

Clough left Chelsea for Hampstead.  He wrote of Hampstead and its proximity to the Heath:“It was this love of spaciousness that had propelled me first from South Eaton Place … to Hampstead where the desire for bracing air, a garden, and good schools for the children, were factors determining our choice.

From the edge of a plateau high above the dome of St Pauls we looked southwards from George Romney’s old house across the maze of London …”

The autobiography provided a description of Romney’s house as it was when Clough lived there:

“The fine old house, much altered and adapted to our curious habits, being far too large either for our needs or means, was proportionately delightful to inhabit, and with two ex-billiard rooms (it was once a club) at the disposal of the children, its size had compensations.”

Referring to Romney’s picture gallery, Clough added:

“For myself I had taken the immense old picture gallery as my studio, and I did not hesitate to play up to the magnanimity of its proportions in my embellishments … my wife was surprised and a little shocked at my choosing to work in what she not unjustly called my ‘ballroom’…”

He noted that Romney’s former home was “… splendid for large parties…”, and he held many of them. For example, Clough hosted:

“… dances every so often, a show by Ballet Rambert, David Low drawing large cartoons and selling them for charity. We also gave a party to meet the Russian Ambassador, M Maisky, who made a speech from the gallery balcony …”

The balcony can be seen clearly in a photograph on the RIBA website (www.architecture.com/image-library/RIBApix/image-information/poster/romneys-house-hollybush-hill-hampstead-london-romneys-studio/posterid/RIBA71050.html).

Ivan Mikhailovich Maisky (1884-1975) was the Soviet Ambassador to the Court of St James from 1932 until 1943. Unfortunately, the party referred to above does not get a mention in Maisky’s diary (as edited by Gabriel Gorodetsky), which is perhaps not surprising in view of the huge number of events an ambassador is obliged to attend. A year before Maisky became the ambassador:

“… Clough Williams-Ellis, went to the Soviet Union. His wife, Amabel, a children’s author with strong Communist sympathies, had been an earlier visitor and she contrived an invitation for her husband …” (https://radar.brookes.ac.uk/radar/file/dcce31a4-4cef-4e89-a90c-9dd76c950c42/1/fulltext.pdf).

Rather oddly, Clough does not mention this trip in his autobiography.

Clough wrote that the South African-born scientist Sir Solly Zuckerman (1904-1993), who was studying primate behaviour:

“… wished one of his research baboons on us, as he wanted to study its reactions to ‘bright, intelligent young society’. He was then writing his rather ambiguously entitled book “The Sexual Life of Primates” – so Betsy had quarters on the flat roof at the top of the house for several months.”

The book referred to above was probably “The Social Life of Monkeys and Apes”, published in 1932. Betsy’s stay in Romney’s old house was not entirely successful. It was not:

“… the social success that we had hoped, unresponsive and dirty, we bade our little lodger farewell without regrets. The experience may have been good for Betsy, but I don’t think our children benefitted markedly from the association.”

Clough and his family left Hampstead for Wales at the outset of WW2, keeping a London ‘pied-a-terre’ in Carlton Mews, now demolished. His and Romney’s house in Holly Hill, an edifice altered for Romney by Samuel Bunce (died 1802), has since been used as the studio for an architect’s firm, Hancock Associates, in the 1970s (information from Beth Portwood) and other purposes. In 2012, the architect’s firm ‘6a’ worked on the building to modernise its interior and restore it to a single family dwelling as it had been when Romney acquired it (www.6a.co.uk/projects/more/romneys-house).

The house stands amongst a small cluster of buildings near Fenton House and this charming ensemble makes me think that externally little has changed since these houses were built in the 18th century.