Residences close to the railway tracks in north London

LIVING NEAR BUSY railway lines can be a noisy experience. The American-born architect Neave Brown (1929-2018), who worked for the London Borough of Camden, understood this when he designed a housing estate that is situated beside a curve of the railway between Kilburn High Road and South Hampstead stations. Six parallel tracks carry trains regulatly past this site. So, living alongside these tracks could be far from peaceful.

Side of the block facing the railway tracks

Neave Brown designed a public housing estate next to this curve. Called the Alexandra and Ainsworth estate, it was designed in the Brutalist style of architecture, but in such a way that the buildings themselves muffle the sounds coming from the railway tracks. How he did this is well explained in a Wikipedia article:

“The higher, eight-story block directly adjacent to the railway line is organised in the form of a ziggurat, and acts as a noise barrier that blocks the noise of the trains from reaching the interior portion of the site, and its foundations rest on rubber pads that eliminate vibration.”

This step-like construction is both impressive and sculptural. Far from being inhuman as many Brutalist constructions can be, the estate, which is rich in vegetation, looks like a pleasant place to live. This contrasts with the pairs of tower blocks that stand on the other side of the tracks. As one of its residents, the architect Lefkos Kyriacou wrote (http://alexandraandainsworth.org/history/):

“… Alexandra Road still retains its cinematic wonder but having suffered the problems that have blighted much of Britain’s post-war social housing it is emerging from the shadows, not only as a valuable part of our national heritage but as a viable example of how mass housing can succeed.”

What is more, and this is a measure of its success, I have read that Neave Brown’s estate has suffered far less from vandalism than almost all of Camden’s other residential estates.

WHERE ONCE THERE WAS A PUB IN HAMPSTEAD THERE IS NOW A SUPERMARKET

HAMPSTEAD IS RICH in historical curiosities. One of them is an unexceptional little road that has an interesting story.

Just south of Tesco’s supermarket (the former Express Dairy) on Hampstead’s Heath Street there is a narrow cul-de-sac called Yorkshire Grey Place. It enters Heath Street across the road from The Horseshoe pub and Oriel Place. I have often wondered about this short, uninviting blind-ended lane and its history. Just under 50 yards in length, it runs west from Heath Street.

At long last, I began looking on the Internet for some history (if any) of this bleak little roadway lined on both sides with high buildings. It gets its name from a pub that used to exist near it – The Yorkshire Grey. The pub was already in existence by 1723, but was demolished in the 1880s (https://londonwiki.co.uk/Middlesex/Hampstead/YorkshireGrey.shtml) – in 1886, according to FE Baines in his “Records of Hampstead” (publ. 1890). An online history of Hampstead (www.british-history.ac.uk/vch/middx/vol9/pp15-33) provided the following information about the pub and its surroundings:

“North of Church Row the Yorkshire Grey had been built by 1723 and cottages called Evans Row probably faced it c. 1730. In 1757 the inn and 14 houses occupied by a brickmaker, clockmaker, carpenter, apothecary, and others were ‘late freehold’ but in 1762 they were described as copyhold (one alehouse, two houses, and 11 cottages).”

This area was one of the slums of Hampstead – it was devoid of water supply and drainage.

During the planning and construction of Fitzjohns Avenue, which began in 1875 and was only completed by about 1887, there was some discussion about whether it should end on the High Street or give direct access to the road up to Hampstead Heath. Prior to the late 1880s, the recently built Avenue stopped south of Hampstead village. Its route from there into the centre of Hampstead village was subject to some controversy. This was described in “Hampstead, Building a Borough 1650-1964” by FML Thomson, as follows:

“… The shopkeepers in the High Street feared loss of trade if any traffic was diverted to a new route, and held out for a scheme which would debouch Fitzjohn’s Avenue into High Street at the King William IV ; while the gentry wanted the direct route to Heath Street and the Heath, arguing that this gave a bit of slum clearance of Bradley’s Buildings, Yorkshire Grey Yard, and Bakers’ Row as a bonus. The dissension continued when the scheme was revived with a number of public meetings in 1881, dominated by the gentry element which was increasingly exasperated at having its carriages bottled up in Fitzjohn’s Avenue without any proper exit.”

As it turned out, the “gentry element” had their way, and the slum clearance that affected Yorkshire Grey Yard was carried out – the pub disappeared as a result. In relation to this, the online history of Hampstead, already quoted revealed:

“In 1883 the Metropolitan Street Improvement Act authorized redevelopment of the whole area at the joint expense of the local authority and M.B.W. In 1888 High Street was widened, Fitzjohn’s Avenue (then Greenhill Road) was extended to meet Heath Street, and soon afterwards Crockett’s Court, Bradley’s Buildings, and other slums, including Oriel House and other tenemented houses, were replaced by Oriel Place, shops, and tenement blocks.”

The pub has long gone, but I managed to find two pictures depicting it. One is a painting showing the place in about 1863 (https://artuk.org/discover/artists/lester-harry). It was the work of Harry Lester. The other is a black and white photograph in the book by FE Baines, which was published a year after the pub was demolished. A detailed map surveyed in 1868 showed that the pub was quite a large building with a substantial yard next to its east facing façade. To its west, the yard opened on Little Church Row (now part of Heath Street). This and a blind-ending road called Yorkshire Grey Yard are shown on the map. Immediately south of the pub, there was another cul-de-sac running from east to west – it was unnamed. I believe that this is what is now called Yorkshire Grey Place.

The map drawn in 1868 shows the layout of the area around today’s branch of Tescos before Fitzjohn’s Avenue was conceived. Another map drawn in 1915 shows how the topography of the area changed following the completion of the Avenue. The Yorkshire Grey pub existed before the nearby, still existing, Horseshoe pub was established – it appears on the 1915 map. Originally named ‘The Three Horseshoes’, it moved from Hampstead High Street to its present address in 1890. Had the Yorkshire Grey pub survived, it would have been about 110 feet away from the Horseshoe.

Once again, wondering what is in a name – in this case Yorkshire Grey Place – has opened my eyes to an interesting bit of the history of Hampstead. Finally, it is interesting to note that the Victorian building that houses Tesco’s was built in 1889 – three years after the Yorkshire Grey pub was demolished to make way for buildings along the northern continuation of Fitzjohns Avenue. So, next time you are queuing to pay in Hampstead’s Tesco, remember that you are standing on land where once the patrons of the Yorkshire Grey once trod.

You can read much more about Hampstead and its surroundings in my book, which is available from Amazon:

https://www.amazon.com/BENEATH-WIDE-SKY-HAMPSTEAD-ENVIRONS/dp/B09R2WRK92/

A not so peaceful garden of peace

TODAY, OUR FRIEND took us to see a part of Hampstead, which I never knew existed. Called The World Peace Garden, it is located on a sliver of sloping ground bounded to the south by Hampstead Heath Overground station and to its north by a short stretch of the western end of the road called South Hill Park. Its dimensions are approximately 95 feet in length with a maximum width of about 29 feet. It is entered by a discrete opening on South Hill Park. Some steps lead downward to a couple of paths that wind their way through the dense vegetation and past small ponds to a tiny seating area at the garden’s eastern end. The miniscule park is rich in flowers, bushes, and trees. It is a lovely place.

The World Peace Garden began to be created in about 2014 on waste land between South Hill Park and the railway station. Inspired by a local estate agent, Jonathan Bergman, the garden was designed by  Tony Panayiotou and Michael Wardle, and created by gardeners Keiko, Hugh, Laurence, Miki, and Mer. In 2016, it was awarded the ‘Time Out Love London Award for Local Culture in Hampstead’. Today, it is still delightful, although slightly overgrown. During our midday visit, we saw several people enjoying lunch in shady nooks.

Although the garden is to celebrate the idea of world peace, it is not exactly a peaceful place. Every few minutes, the peace of the garden is disturbed by noises coming from trains passing through the station beneath it. Despite speaking to many people about Hampstead, until today nobody has mentioned the Peace Garden to me.

A notable local art centre in north London

BETWEEN 1960 AND 1965, I was a pupil at The Hall School in London’s Swiss Cottage. I used to travel between it and home by buses that ran along Finchley Road between Golders Green and Swiss Cottage Underground station. For most of the time I was at the school, Finchley Road between Childs Hill and my destination was plagued by road works connected with widening the road. The bus used to move slowly, and I began to learn by heart what lined both sides of the road. Oddly, one building on the corner of Arkwright Road and the main road escaped my attention. Unbeknownst to me, this Victorian gothic building, erected in 1897, was the Hampstead Central Library, which functioned until 1964 when a newly constructed library, which I remember well from its earliest days, was opened close to Swiss Cottage station. It was at this time that the old Edwardian Swimming Pool that used to stand on the west side of Finchley Road between Swiss Cottage Station and John Barnes (now a large branch of Waitrose food stores) was closed and replaced by a brand new one next to the new library.

Exhibition of works by Phoebe Collings at the Camden Arts Centre

In 1965, the abandoned library on the west end of Arkwright Road became a nucleus for local artists and artistic activity, The Hampstead Arts Centre, which was given its present name, The Camden Arts Centre in 1967 (https://camdenartcentre.org/about/history/). Soon after its creation, the centre became an important hub for artistic education and activities as well as exhibitions. In 2004, the centre underwent a major refurbishment, which was supervised by Tony Fretton Architects.

Today, the Camden Arts Centre is a very pleasant place to visit. Its exhibition spaces are large and airy. It has a fine bookshop and a lovely café with food and beverages that offers seating both indoors and outside next to a well landscaped hillside garden.

During our latest visit, on the 10th of October 2021, we saw three very different exhibitions at the Camden Arts Centre. One was a multi-media installation (photographs, video, sculpture, and music) related to the memories and concerns of its creator, Adam Farah. It is called “What I’ve learnt from You and Myself (Peak Momentations/Inside my velvet Rope Mix)” and was somewhat puzzling at first, but, Jay, one of the invigilators, helped make some sense of it. More easily accessible to my mind was “Softest place (on earth)” a collection of handmade images by Zaineb Saleh. The exhibition I liked most of the three on offer was “James – A Scratch! A Scratch”, a collection of mainly ceramic sculptures by Phoebe Collings. These three shows continue until the 23rd of December 2021 and are worth seeing if you happen to be in the neighbourhood. If these do not appeal to you, then head straight for the centre’s wonderful café!

After enjoying artworks at the Camden Arts Centre, a short, pleasant stroll up Arkwright Road will bring you into the heart of old Hampstead, a district that has been home to artists of all kinds for several centuries, although these days only a very few artists are likely to afford the area’s high property prices.

What is art?

art centre

 

A few days ago, I visited the Camden Arts Centre on the corner of Arkwright and Finchley Roads in north west London. This converted Victorian building has been enlarged with later additions and has a lovely café as well as a fine garden. Several galleries on the first floor are used to display artworks in temporary exhibitions.

We entered one gallery in which a video by the Hong Kong artist Wong Ping was being projected onto a large screen. At its base, there was a big pile of toy dentures with gold painted teeth.

Just after we sat down to watch the video, a group of young teenage school children were led into the gallery by an aducation officer employed by the art centre. After she had explained that the screen was the same kind as those used to display advertisements at Piccadilly Circus, she told the students:

This is art.”

Then, she added:

Anything in a gallery is art

My wife and I were sitting in the gallery. Does that mean that we were to be considered as art?