Art for all ???

I HAVE ATTENDED many art festivals. These have included the biennales at Cochin and Venice, and the trienniale at Folkestone. At each of these, the visitor is made to feel that the event is planned to encourage his or her interest in artistic endeavours.

This December (2022) we happened to be in Panjim, Goa, during the Serendipity Arts Festival (‘SAF’).

At the SAF, each event is swarming with volunteers wearing orange jackets. Attendees are required to complete an online registration in addition to registering for many of the various events in the programme. The poorly trained, often ill-informed, volunteers are obsessed with checking visitors’ registration passes (on mobile phones). Yet, we discovered that many of the visitors to the exhibits and shows have neither bothered to register nor been stopped from entering the SAF venues.

Yesterday, having made an online booking for seats on what promised to be a pleasant musical cruise on the Mandovi River, we turned up at the embarkation point well in advance of the departure Time, only to discover that the bookings were irrelevant and it was ‘first come, first served’. Furthermore, despite the boat being full to capacity, so-called VIPs and the ubiquitous volunteers were permitted to come on board. By force of personality, we managed to board the crowded vessel. I am not sure that after the struggle to get on board that I derived much, if any, enjoyment from the cruise.

It appears to me that unlike what we have experienced at Cochin, Folkestone, and Venice, the arts festival at Panjim seems to be mainly for the benefit of the organisers and the numerous volunteers, rather than for the members of the public who have travelled all the way to Goa to experience it.

However, I wish to conclude this on a positive note. We were fortunate to have been shown around one of the exhibitions by its curator, who seemed very pleased that we had come to see her show.

DisCONCERTing

I have attended concerts at BBC recording studios. Before the performance begins, the audience, members of the public, are asked to be very still and silent, so as not to spoil the recording or live broadcast. The audience is politely requested to be so silent that one feels that even the sound of breathing might disturb the event.

With the exception of one western classical music concert in Bombay, audience disturbance is well tolerated at concerts I have attended in India. Pepole arrive and leave the auditorium whenever they feel like. They chat and take photos and often mover from one part of the auditorium to another.

Once, I attended a musical performance that was being relayed ‘live’ on All India Radio. Unlike the BBC recordings and live broadcasts, the audience was far from placid. Throughout the event, there were disturbances as described above, but no one seemed in the slightest disconcerted .

But, all is no longer well with British audiences. Recently, I have been to a few classical music performances in London, at which there has been applause at inappropriate places in the music. An example of this is clapping at the end of a movement of a symphony, rather than at its ending. Maybe, orchestras are getting used to this, but I find it a bit disconcerting.

A bigger audience

During the 1970s and ’80s, I used to take pictures on my film camera using colour slide (diapositive) film. To enjoy these, they were best projected onto a good quality screen

Setting up the projector was quite a nuisance. Finding an audience amongst my friends was not always easy and, if they were willing to watch my slideshows, keeping them awake was also often difficult.

Turning the clock forward to the present era of digital cameras and the internet, the situation has changed. First of all, pictures may be easily uploaded on to the internet. Secondly, the existence of social media websites allows a far larger potential audience for one’s photos than ever before. Pictures can be posted on websites which are viewed by those with special interests or on others, like Instagram and Facebook, which allow the non specialised viewers as well as experts to see the images.

A wonderful thing about uploading one’s photos is that there are opportunities for viewers to comment on the pictures. This, I find to be very valuable. Other people point out things that I had not noticed or understood. I like this.

Unlike slideshows of the past, audiences can enjoy as many or as few of the uploaded pictures as they want without having to look at numerous slides politely whilst dying of boredom!