A goddess and going to jail in Kolkata

THE ALIPORE JAIL used to house political prisoners, whom the British regarded as a threat to their rule of India.  The inmates included freedom fighters such as the future Sri Aurobindo,  Jawaharlal Nehru, and Subhas Chandra Bose. The prison has been restored and is now a museum. In December 2024 and for the first few days of 2025, several exhibitions that are part of the Bengal Biennale have been held in some of the jail’s  buildings.  One of these, which I found extremely interesting and well curated, is called “Kali: Reverence and Rebellion”.

 

Kali is a Hindu goddess. I will not try to explain her exploits and great importance to Hindus, but will outline the subject matter of the exhibition by quoting from the website of the Biennale (www.bengalbiennale.com/):

“Divided into sections, the exhibition traces Kali’s pervasive influence across the subcontinent. It explores Kali and her cohorts of the divine feminine. Born from Durga’s angry, darkened brow as she battles the asuras Chanda and Munda, Kali decapitates the demons and assumes the form of Chamunda. Within these depictions, she is seen alongside Durga, the primordial force, as well as the ten Mahavidyas that emerge to subdue Shiva.”

 

Subhas Chandra Bose image

In addition to the wonderful array of images on display, which can be enjoyed without any knowledge of Kali, what fascinated me was the connection between Kali and the fight of Indians for independence. The website explained:

“During the nationalist period, Kali was invoked as a symbol of rebellion by Aurobindo Ghosh and Subhash Chandra Bose to urge their followers to fight against imperialist forces.”

In connection with this, two images fascinated me. One of them depicts Kali who has cut off her own head and she holds it in her left hand while blood shoots out of her cut neck and into the mouth of her self-decapitated head. Painted in about 1840, this image shows what Kali did after either she was unable to obtain Shiva’s blood, or she had been deprived of her conjugal rights. Known as Chinnamasta, this avatar of Kali is often shown with one foot on the chest of a god (Shiva) or standing above a copulating couple.

 

Elsewhere in the exhibition, there is an image of Subhas Chandra Bose created during the twentieth century. It shows the freedom fighter, Bose, standing decapitated and holding his own head in his left hand. He is standing above a group of decapitated heads. Blood pours down from his head and it falls onto a map of India on which the words “Jai Hind” (‘Victory to India’) can be seen. The image is a politicisation of the depiction of Chinnamasta.

 

Apart from a wonderful selection of Kali images created by Indian artists, there are a few made by early Europeans who visited India and wanted to record their experiences and to attempt to understand Hinduism. All in all, the exhibition was very well worth viewing. It was so popular with visitors to the jail that a security guard was present to regulate the number of viewers at any one time, to prevent overcrowding.

University College London and a jail in Calcutta

I FIRST MET THE GIRL who is now my wife at University College London (‘UC’). The college was founded in 1826 for Jews, atheists, dissenters, and women. Its principal founder was the philosopher Jeremy Bentham (1748-1832). His mummified body is on display in one the college’s buildings.

Several thousand miles from UC in the city of Kolkata is the now disused Alipore Jail, which was opened in 1864. It was within its walls that many Indian freedom fighters were interred and some executed, by the British when they were ruling India.

Today, the prison has been highly restored and is open to the public as a museum. Here one can see the cells in which, for example, Jawaharlal Nehru, Sri Aurobindo, and Subhas Chandra Bose, were incarcerated. Visitors flock to se the gallows and the autopsy room nearby. Other attractions include the prison hospital and the centrally located ‘watch tower’. As one explores the vast prison, the air is filled with patriotic songs, including “Vande Mataram” blasting out of loudspeakers.

The watch tower is an octagonal building with windows on each of its eight sides. It is an example of a panopticon, a structure invented by Jeremy Bentham in 1787. The panopticon was an institutional structure from which guards (of a prison or a mental asylum) could survey the whole institution. It was to be positioned so that the inmates/prisoners could all see the panopticon. It was designed so that the custodians could look out but the inmates could not see within it. Bentham’s idea was that if the inmates could not see into it, they could not know whether or not they were being watched. Thus, as few as one custodian could keep an eye on the whole institution and the inmates had to behave all the time as they had no idea whether they were under observation. I suppose the system worked because panopticons were constructed in many prisons including that at Alipore.

The panopticon was invented long before cctv and traffic speed cameras were even thought of. Like the panopticon, from which inmates could never be sure that they were not being observed, cctv and speed cameras can employ the ‘panopticon effect’. As you can never tell whether a cctv camera or a speed camera is switched on, when you spot one, it is wise not to do anything wrong, which can be detected by these devices.

When we visited the former prison, now museum, we had no idea that it had a connection with our alma mater, UC. Information panels on the walk of the watch tower include a portrait of Jeremy Bentham alongside some information about his invention. A visit to the jail is worthwhile but do not go on a Saturday afternoon when it is swarming with visitors. It is ironic that the sturdy bolts of the doors of the cells have to be kept locked, not to keep the inmates confined but to prevent the eager visitors from entering them.