Gifts of the grateful

In the 1980s, I visited my friends in the former Yugoslavia frequently. Also, I visited Albania and what is now independent Kosovo. During my trips, I picked up a large vocabulary of Serbo-Croat, including quite a selection of outrageous swear words. Grammar has always been beyond me in foreign languages, and often in my own. My interest in Albania and my brief visits to Albanian-speaking parts of the Balkans resulted in me acquiring some vocabulary in Albanian, but far less than in Serbo-Croat. Until the 1990s, I believed that my fragmentary knowledge of these languages would be useless outside the Balkans.

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Prizren in Kosovo, pre-1990

During one trip to Belgrade, a friend arranged for me to be an observer in a clinic of a leading oral surgeon. I turned up at a large hospital and spent a couple of hours watching the surgeon reviewing a series of his patients. Although I was grateful to be allowed to watch the great man, I learned little that was relevant to practising dentistry. However, one aspect of this clinic interested me greatly. As each patient entered the consulting room, he or she presented the surgeon with a gift: a bottle, a large piece of cheese, a ham, etc.

The last patient to enter, a man in a somewhat shabby suit, entered and sat in the dental chair without having presented a gift. After his mouth had been examined, the surgeon took the patient and me out into a corridor. We walked through the hospital to a room with locked doors. My host unlocked it, we entered, and he locked the doors behind us. After a brief conversation, the patient handed the surgeon a small brown envelope, which he thrust into his jacket pocket. Then, after the doors were unlocked, the patient went one way, and we went another way. As we walked along the corridor, my host patted the pocket containing the envelope, and before bidding me farewell, said: “Pornographic photographs.”

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Poster of Marshal Tito in Sarajevo, Bosnia in the 1980s

My last visit to Yugoslavia was in May 1990.  Soon after that, wars broke out in the Balkans, and the former Yugoslavia disintegrated painfully to form smaller independent states. In the early to mid-1990s, there was terrible strife in Bosnia. Many people fled as refugees to places including the UK. In the late 1990s, Kosovo suffered badly from warfare between the Serbs and the ethnic Albanians. Many of the latter fled to the UK.

I moved from one dental practice outside London to another in London, an inner-city practice, in 2001. A significant number of my patients there had come from the former Yugoslavia as refugees. I was the only person in the practice who could greet them in Serbo-Croat or Albanian. Maybe, I was only one of a few dentists in London at that time who had this ability.

To the Albanian speakers my vocabulary was restricted to words such as ‘hello’ and ‘good-bye’, which brought smiles to their faces. Following a trip to Communist Albania in 1984, I recalled the Albanian words of political slogans such as “Long live Enver Hoxha”, “Enver’s party”, and “Long live the Peoples’ Party of Albania.” As many of my Albanian patients had come from Kosovo rather than Albania, these slogans meant little to most of them.

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Travnik, Bosnia, 1975

My limited Serbo-Croat was more extensive than my Albanian. I could entertain some of my Bosnian and Serbian patients with polite small-talk. Many of the ex-Yugoslav patients, like those I had seen long before in Belgrade, brought me gifts. Even those, with whom I felt I was not getting along with well, brought me, usually, bottles of home-made alcohol (e.g. rakia, slivovitz, and loza) that had been distilled by relatives who had stayed behind in the former Yugoslavia. These strong alcoholic drinks were delicious, smooth, and delicately flavoured. One fellow plied me with DVDs of the latest Hollywood and other films that he had ‘pirated’. One lovely lady from Bosnia presented me with a pair of earrings, which her uncle had made, to give to my wife. She wears these often, and she is very grateful.

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Many Middle-Eastern patients also felt that it was appropriate to bring me gifts. Thus, a lot of delicious baklava and other similar confections came my way. Delicious as these were, they were neither good for my teeth nor for my general health. A Hungarian family kept me supplied with large gifts of paprika powder, and there was a Romanian gentleman who brought me nice bottles of wine. Incidentally, the only words of Romanian I know are “thank you” and “railway timetable”. Once, we employed a Romanian dental nurse and I told her my Romanian party-piece “Mersul trenurilor.” She pondered for a moment and then replied “Ah, the programme of the trains.”

Once, my dental nurse, a friendly West Indian lady, and I were standing near a window facing the main road when a delivery van stopped nearby. A man was delivering trays of baklava to a nearby shop. I said to my nurse: “Why don’t you see if he’ll give us some to try?” She returned with a tray of baklava. Carelessly, because I was in a hurry to see my next patient, I put a large lump of baklava into my mouth, and then bit hard on it. As I was doing this, I heard a deafening bang in my head. The baklava was not too fresh. I had split a molar tooth into two parts, the smaller of which was loose in my gum.

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Baklava

Unlike this disastrous piece of confectionary, the gifts kindly given to me by my patients did no harm. Furthermore, what I believed to be a useless tiny vocabulary of Balkan languages proved to be quite useful.  

Finally, you might still be wondering whether anybody ever took me aside to present me with an envelope containing pornographic photographs. To satisfy your curiosity, I can tell you that nobody did.

Drama by the river: the Bridge Theatre

On Saturday the 29th September 2018, we had a wonderful evening at London’s recently opened Bridge Theatre. It is located on the south bank of the River Thames, a stone’s throw from the world famous ‘icon’ of London, Tower Bridge. From the glass front of the theatre’s foyer, there are superb views of: the new high-rise buildings in the City (including the ‘Gherkin’); the White Tower and the walls of the Tower of London; and Tower Bridge, which is beautifully illuminated at night.

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The Bridge Theatre opened for its first show in October 2017. The theatre is the brainchild of Nick Starr, of the former National Theatre, and the renowned theatre director Nicholas Hytner. Both of these two Nicks have been long involved with London’s National Theatre. Their creation, the Bridge, is an improved version of the facilities offered by the now ageing National Theatre on the Southbank. Excellent as the National Theatre is, the Bridge seems to have been designed to avoid some of the defects of the former. The newer theatre, which can seat 900 audience members, was designed by S Tompkins and R Watts of Haworth Tompkins Architects.

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Doorways in the wide glass façade give access to a vast foyer, well-illuminated by a myriad of lamps with curious shades that look like large translucent handkerchiefs. Ample tables and chairs are available for people to sit in the foyer, enjoying excellent food and drinks from the counters lining one side of the space.

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When you order food, you are handed a small flat, square receiver that looks like a drinks mat. When your food is ready, lights on the receiver flash alarmingly. The flashing object must be taken to a counter where your freshly prepared food is waiting for you. Despite the size of the foyer and its large capacity, it never felt crowded or noisy. It is a well-designed space.

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The cloakroom and toilet facilities are easily accessible, not hidden in odd places as they are in the National Theatre.

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The auditorium is large, but not too large to be without intimacy. No seat is excessively far from the very wide stage. Sightlines are either excellent or more than satisfactory. We had ‘restricted view’ seats, which we bought at the last moment. They were as good as many ‘full view’ seats in older theatres. The acoustics are excellent. We were seated quite far from the stage, but had no difficulty hearing every word. The play we saw, “Allelujah” by Alan Bennett, was well-staged, well-acted, and well-written. In short, it was highly enjoyable. Set in an ageing National Health Service (‘NHS’) hospital facing imminent closure, most of the actors play either the roles of geriatric patients or those of hospital staff and management. The plot is about the plight of the aged and the plight of the ageing NHS system in today’s profit-oriented, economically declining Britain.

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Our visit to the Bridge Theatre was enjoyable and uplifting. I cannot wait to see another performance there.

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Shish kebab and sausages

Not long ago, I wrote about Warren Street, which played a significant role during part of my life. Now, let’s move a little further south to a street, which is overshadowed by the Post Office Tower and contains many memories for me.

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London’s Charlotte Street runs between Rathbone Place in the south and Maple Street in the north. It is just over half a kilometre in length. Laid out in 1763, it was named after Queen Charlotte, who married King George III. I began to get to know the street just under 200 years later.

My earliest recollections of Charlotte Street were regular visits in the early 1960s to the Hellenic Stores on the west side of the street south of Goodge Street. My mother bought olives and other Mediterranean products at this store and another Greek shop in nearby Goodge Street. The latter was smaller than the Hellenic Stores, and a little less honest. When something needed weighing in the Goodge Street shop, the shopkeeper would throw it on the scales. The weighing machine’s needle would flash across the dial, and before one had time to think, a price was given. Neither of these purveyors of Greek produce exist anymore.

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Site of Schmidt’s, now rebuilt

During the twelve years (1970-82) that I studied at University College London (‘UCL’), I used to visit Charlotte Street often. As a student, I was always keen to find somewhere to eat cheaply. Schmidt’s on Charlotte Street was one such place. This was a German restaurant. Its dining area was on the first floor. Most of the waiters were pasty-faced gentlemen, who added to the gloomy atmosphere of the place. The ground floor served as a delicatessen. It contained a counter where boiled Frankfurter sausages were served with mustard and slices of delicious greyish German bread. They were very cheap and extremely delicious.  A female cashier sat in a booth in the middle of the room. Whenever I saw her, she had a blackish facial hair where men grow moustaches. My father, who was in London during the 2nd World War, told me that during the conflict, the owners of Schmidt’s posted labels on their windows, which read: We are British, NOT German.”

There have always been plenty of eateries on Charlotte Street. L’Etoile, which I never entered because it was beyond my budget, was a long-established restaurant on Charlotte Street. It had a Parisian look about it, but like Schmidt’s, it has disappeared. Near to the posh L’Etoile, there was a Greek ‘taverna’ called Anemos. I never visited it, but plenty of my fellow students did. One did not visit Anemos for its food, but for its riotous atmosphere, which included music, dancing and the trational Greek practice of plate breaking. Venus was another Greek place that has long since disappeared. I was taken there several times by an uncle, who worked nearby and regarded it as his favourite Greek restaurant.

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Just north of Goodge Street, there is another long-standing, and still existing, restaurant. This is the Pescatori, an Italian place specialising in fish dishes. It was one of my parents’ favourite restaurants in London. Back in the 1960s, there used to be a life-size boat suspended from the ceilings above the tables. I believe that my father was being serious when he said that he preferred not to sit beneath the boat, in case it fell.

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There was another fish restaurant in Tottenham Street that leads east of Charlotte Street. Pescatori was at the high end of the scale of elegance, and Gigs was at the lower end. Gigs was very popular with students from UCL and workers in the neighbourhood. It was divided into two sections: take-away and sit-down. At lunchtimes, there was always a long queue at the take-away counter. Two gentlemen, oozing with sweat, took the orders for fish and chips and also for the delicious lamb shish kebabs they prepared while you waited. In between taking the cash and wrapping the fish and chips, they threaded lumps of lamb onto skewers, and grilled them. The kebabs were served with salad in a warm pita bread. As the saying goes, they were ‘to die for’. Despite the rather haphazard-looking hygiene, I know no one, who died from these mouth-watering bundles of meat and salad.

Gigs closed many years ago. Then a few years ago, the premises were modernised, and Gigs was brought back to life by some relatives of the original owners. What used to be the take-away section is now an attractive restaurant, and what used to be the sit-down area is now the take-away area. The updated Gigs is both hygienic in appearance and looks as if it is designed to attract a more sophisticated clientele than its ancestor.

My father was a professor at the London School of Economics (‘LSE’) for most of his working life. The LSE has a hall of residence for students, Carr-Saunders Hall, a non-descript 1960s building on Charlotte Street. When it opened in 1964, my father’s colleague Kurt Klappholz was its first warden. Kurt, whom I knew well as a family friend, was a Polish Jewish Holocaust survivor. Later, another of my father’s colleagues was a warden there many years ago. Once, he invited me to his flat. This academic possessed the most wonderful sounding HiFi equipment that I had ever heard. The warden, who owned it, was rather over-built. He told me that he preferred listening to music sitting in a comfortable armchair in front of his HiFi, than trying to squeeze into uncomfortably narrow chairs in concert halls.

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The building that used to house Cottrells

When I became a dental student, I became aware of Cottrells in Charlotte Street. This was near the Rathbone Place end of the street. It was the showroom for a major supplier of dental equipment. Housed in an elegant Victorian building, which still exists (it now contains a restaurant), the firm supplied everything from dental examination mirrors to entire dental operating units (chair plus attachments fordrills etc.) The technician responsible for teaching me how to cast gold crowns (caps) told me to visit Cottrells, not to look at the equipment, but, instead, the pictures hanging on the walls of the showroom. The walls were hung with a large collection of paintings by William Russell Flint (1880-1969). He specialised in depicting women.  Well-painted, and quite artistic, the paintings on the walls of the dental showroom and of its main staircase fell very definitely into the category of extremely light porn.

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One of the longer established shops in Rathbone Place: Mairants

Rathbone Place, a short street which connects the southern end of Charlotte Street contained a large postal sorting office. Quite late on in life, one of my uncles, a bachelor now sadly no longer living, got a job there as a postman. He often used to tell me about his experiences as a medical orderly in the South African Army in the North African desert during the 2nd World War. He spoke of them fondly, regarding the great camaraderie he experienced amongst his fellow serving men. I often felt that this was one the more enjoyable times in his long and varied life. When he joined the postal team at Rathbone Place in his fifties, he spoke of this in the same appreciative terms. He liked being part of a working team. Now, not only has my uncle gone, but also the sorting office no longer exists.

Charlotte street and its surroundings lie in the shadow of the Post Office Tower, which was ready for use in 1964. Until 1980, it was the tallest building in London. When it opened it had a revolving restaurant high above the ground. I never ate there, but did manage to visit the viewing platform just beneath it. When I looked up from this platform, I could watch the concrete base of the restaurant rotating slowly. A terrorist attack in 1971 put an end to the public being allowed to visit the viewing platform or any other part of the tower.

I still wander along Charlotte Street occasionally. Although it is still extremely vibrant, it evokes many memories of times long past.