“Dreams Have No Titles”: An exhibition at the Whitechapel Gallery in London

IT DISAPPOINTS ME when I sleep without being aware of dreaming. Even nightmares are better than no dreams at all. What I enjoy about dreaming is that what I perceive in my dreams is on the one hand so realistic – lifelike and credible, and on the other hand simultaneously so completely unrealistic. The art of cinema can achieve the same ambiguity between realism and fantasy, which is why I enjoy watching films. Until the 12th of May 2024, there is an excellent exhibition at London’s Whitechapel Gallery, which explores what I enjoy about films and dreams. Called “Dreams Have No Titles”, it displays the multi-media creations of the Franco-Algerian artist Zineb Sedira, who was born in 1963 – the first year that Algeria was independent of the French, who had colonised it since 1830.

The exhibition, which was first shown in the French pavilion at the Venice Biennale of 2022, consists of a series of film sets. On one of the film sets, an elegantly dressed couple of actors perform ballroom dancing ( https://youtube.com/shorts/kUrD3aJP9s0?si=zez0VWoRqWmJMy4l ) for a few minutes at various times of the day. Each film set reproduces a scene from one of several films made in the 1960s – each one referencing events that took place during the period when Algeria was fighting for its independence. Within the film sets there are video sequences about that period, and about the artist and her life. Born in France, she came to the UK in 1986. One of the exhibits is a wonderful film with the same title as the exhibition. In it she explores film, its creators, its actors, imagination, dreams, and her artistic approach. Each of the film’s 24 minutes is wonderful. The film and other video works in the exhibition are in harmony with what I find so similar between experiencing dreams and watching cinematic films. I came away from the exhibition feeling elated and full of admiration for Zineb and her artistic work.

A bell at Byculla railway station

THE RAILWAY LINE between Bombay(Mumbai) and Thane was opened in 1853. Byculla Station was one of its original stations when trains began running along this stretch of track. At first a wooden building, it was soon replaced by the present stone structure, which was ready for use in 1857. This historic station, the oldest surviving railway station in India. was beautifully restored recently.

On platform 1, I spotted an old bell hanging close to one of the station’s offices. It is marked with the initials “GIPR”and the date 1863. The letters are the initials of the Great Indian Peninsula Railway company, which was incorporated in 1849. In contract with the British East India Company, its aim was to link the British Presidencies by rail. The first stretch to be built was that between Bombay and Thane.

The bell carries the name of its manufacture – “Mears & Co. Founders London”. This bell foundry, first established in the 16th century, moved to London’s Whitechapel Road in the very early 18th century. It was where one of the largest bells in St Paul’s Cathedral was made. The Mears family ran the foundry between 1784 until 1873.

The foundry ceased working in 2017. The bell at Byculla Station has by now long outlived the bell foundry in Whitechapel and the British Empire, during whose existence it was manufactured.