Tag Archives: Shiva

Only Ganesh is allowed to completely circumnavigate this Shiva temple

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THE PUNVARESHVAR TEMPLE is one of the oldest surviving Hindu temples in Kutch. It stands beside state highway 42 between Bhuj and Nakhatrana.

 

The temple is built in a style that incorporates elements of both Dravidian and Nagara styles.  It was built sometime around the tenth or eleventh century. During the earthquake of 2001, part of its roof collapsed, leaving part of the temple without a roof. The temple is dedicated to Shiva.

 

The dripping cow head

Built on a stone podium, there is a walkway surrounding the temple. We began walking around it, and stopped to look at a carved cow’s head from which water was dripping. While I was taking a picture of this dripping sculpture, a man approached it, knelt down, let some water drip onto his fingers, and then touched his eyes with the water. He explained that we should not walk all the way around the temple, because only Ganesh, son of Shiva, is permitted to walk the whole way around. Ordinary mortals are supposed to walk up to the dripping cow, put the water in their eyes, and retrace their steps. Then, one can walk around the rest of the temple until one reaches the dripping cow. After applying water to the eyes, one retraces one’s steps.

 

While we were looking at the old temple, a group of ladies dressed in traditional folk costumes  arrived at the temple. Each of them had what looked like a colourful pillow balanced on their heads. These were, in fact,  bundles of clothes.

 

We learned that the ladies had walked through the night from Ratnal, which is 40 miles east of the Puneshwar Shiva Temple. According to Google maps,  this walking journey takes between 13 and a half and 14 hours. We were at the temple at 10 am. The ladies would have set out on their walk early the evening before. Very kindly, they allowed me to take pictures of them.

 

The Punvareshvar Shiva Temple is on the way from Bhuj to the enormous temple complex called Mata no Madh. We visited this popular temple a few years ago. It was overcrowded and highly commercialised. Near the sanctum containing the highly revered deity, I spotted an ATM machine for pilgrims who had not brought enough cash to offer to the deity and the priests who perform the pujas – at very high speed.  The simple, ancient Puneshwar Temple is a peaceful place, where  unlike at Mata no Madh, there is a spiritual atmosphere bathing the environment.

HAPPY CHRISTMAS EVERYONE

Two in one

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THE GOVERNMENT MUSEUM in Chennai has a magnificent collection of mostly early medieval Hindu and Buddhist bronze sculptures. One of these wonderful religious artworks was exceptionally interesting. At first sight, it seems like a sculpture of a human figure, but soon you will notice many odd things about it.

The figure has two right arms and one left arm. It’s left breast is female in form. The right is male. The right side of the torso has male characteristics, but the left side has sensuous female curves. As for tthe shapes of the buttocks, the right one is different from the larger left one. The right leg is largely unclothed, but the left is covered with a depiction of a cloth covering.

The statue I gave been describing is half male and half female. According to an information panel nearby, this sculpture is an 11th century depiction of Artanarishvara. It is a composite of Shiva (right half) and Parvati (left half). It represents the belief that the Godhead, Shiva, and his consort, Parvati, cannot exist without each other. It also shows that without the coexistence of male and female, human life cannot be propagated and continued. No doubt, there is much more meaning encompassed in this interesting sculpture, but I am not competent to discuss this further. Suffice it to say, seeing this unusual sculpture gave me food for thought.

Until today, I had never seen an Artanarishvara. This beautifully crafted work was one of many lovely pieces in the bronze collection of Chennai’s version of the British Museum.

Honouring a Hindu hero in London

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MI5 WORKS TO HELP protect our democracy in the UK. Its architecturally unflattering headquarters stand looming above the southern end of Vauxhall Bridge. A few yards downstream from it, and directly facing the main entrance of the Tate Britain across the river, there is a small grassy triangle close to the river. In the middle of the green space, there is a bust on a pedestal. The bust depicts a man with a moustache, who is wearing two chunky necklaces and what looks like a bejewelled turban. This is a monument to Basaveshvara, who lived between 1134 and 1168 (actually, these dates are not certain: he might have lived c1106-1167). A panel on the side of the pedestal notes that he was:

“Pioneer of Democracy and Social Reform”

Various people and organisations supported the creation of this monument to someone of historical importance but until now unknown to me and, I would guess, to many other people wandering past the bust. As one of the organisations involved in its creation was The Government of Karnataka (in southern India), I reached for my tattered copy of “A History of Karnataka” (edited by PB Desai), which I picked up in the wonderful Aladdin’s cave of a bookshop, Bookworm, in Church Street, Bangalore, a city which I visit often. It has 8 index entries for Basaveshwara, who is also known as ‘Basava’, ‘Basavanna’, and ‘Basavaraja’, all of these being transcripts from various Indian language alphabets.

Basaveshwar was born of Shaivite Brahmin parents at Bagevadi, which is now in the Bijapur district in the northern part of Karnataka. His name is derived from the Sanskrit word ‘Vrishabha’, the divine bull, Nandi, who carries the god Shiva. Early histories (the Puranas) described him as an incarnation of the god Shiva rather than a human being, but it is considered that he was certainly a real person. A devotee of Shiva, Basaveshwara was well-versed in both Kannada and Sanskrit learning. He was brought up in a social milieu in which people blindly adhered to the dogmas and rituals of Vedic Hinduism without bothering to understand the true spirit of religion. Desai wrote:

“Basava’s mind revolted against these ills and he decided to defy the existing order of things.”

After receiving the sacred thread, very roughly speaking a Hindu equivalent of the Jewish Bar-mitzvah or the Christian confirmation, Basaveshwara went to the Kudama Sangama, a temple complex at the confluence of the Rivers Krishna and Malaprabha. In 2011, long before I had ever heard of Basaveshwara, we stopped briefly at the Sangama on our way from Hospet to Bijapur (now named ‘Vijayapura’), both in Karnataka. When we were there, the rivers had dried up and we saw signs advising visitors to beware of crocodiles.  

Basaveshwara remained at the Sangama for about 12 years. In his time, as it is now, the Sangama was much visited by people from all walks of life. There, he met many scholars and learned men from all schools of Hindu belief. Eventually, Basaveshwara travelled to Mangalavada, the headquarters of Bijala II (c1130-c1167), the feudatory governor of the Kalachuri family (of the Chalukya dynasty). Soon, Basaveshwara became the Chief Treasurer of Bijala’s court. It was then that Basaveshwara:

“… started his new movement of religious and social reforms, treating all devotees of Siva [i.e. Shiva] as equal in all respects without the traditional distinctions of castes, communities and sects.” (Desai)

After about 20 years, BASAVESHWARA moved to Kalyana, the capital of Bijala, where his reformist ideas gained a great following. Bijala II, who had become suspicious of Basaveshwara, began crushing the movement inspired by Basaveshwara’s radical ideas that seriously threatened the traditional hierarchy that favoured the Brahmins, as well as advocating some hitherto unknown equality of men and women in spiritual aspects of life. For example, Basaveshwara sanctioned a marriage between the son of an ‘untouchable’ and the daughter of a Brahmin. Upset by this, Bijala sentenced the couple to death. Basaveshwara’s followers then plotted to assassinate Bijala, an act of which Basaveshwara disapproved. Realising that he could not restrain his angry followers, Basaveshwara retreated to Kudama Sangama, where he died. Bijala was murdered soon afterwards. Later, Basaveshwara became venerated as a (Hindu) saint.

Basaveshwara believed:

“…that every human being was equal, irrespective of caste and that all forms of manual labor was equally important.” (https://en.wikipedia.org/wiki/Basava).

These ideas sound familiar to those versed in the history of Mahatma Gandhi, who lived many centuries after Basaveshwara.  Yet, Basaveshwara is relatively unknown compared with Gandhi. Basaveshwara was certainly a reformer as is stated on the base of his bust near Vauxhall Bridge and his radical ideas were undoubtedly democratic when considered in relation to the time when he lived. So, it is quite appropriate that from his bust, there is a clear view of the Houses of Parliament, a home of democracy.

The bust on the embankment was erected by Dr Neeraj Patil, born in Karnataka, a member of the Labour Party and Mayor of the London Borough of Lambeth 2010-2011 and Dr Anagha Patil. It was unveiled in November 2015 by the current Prime Minister of India, Shri Narendra Modi. It is appropriate that Modi inaugurated this memorial as his parents were members of what was officially recognised a socially disadvantaged community, whose emancipation would surely have been approved by the reformer Basaveshwara.  And what is more, Modi is one of the first, if not the very first, of the Indian Prime Ministers, all democratically elected, who was not from a ‘high’ caste or social class such as Brahmin, Kayastha, and Rajput, and has completed at least one term of office. So, I feel that Basaveshwara does deserve a place within sight of the ‘Mother of Parliaments’.