Franco and Franco in Funchal

MOST VISITORS TO central Funchal in Madeira will pass, and probably notice, a bronze statue high up on a square based plinth outside the Bank of Portugal and the Golden Gate Grand Café. It depicts Joao Goncalves Zarco, who began the Portuguese settlement of Madeira in the 15th century. Very few people who pass this statue will know that it was created by a Madeiran sculptor, Francisco Franco (1885-1955). His older brother Henrique Franco (1883-1961) is one of Madeira’s most famous painters.

Both brothers studied at the Lisbon School of Fine Arts. They also spent time in Paris. Henrique returned to Madeira where he painted many of his pictures. Many of them are of Madeirans and scenes of the island. His paintings are beautifully executed and visually pleasing. Although the influence of Cezanne can be detected, Henrique did not seem to have affected by the innovative trends that were occurring in Western art during the 20th century.

Francisco visited Mussolini’s Italy in the 1920s and was impressed by the way that the state produced sculptures, which promoted the ethos and aims of the regime. He returned to Portugal, and began creating sculptural works that boosted the image of his country. Many of his important works were created for the Salazar government, which began in 1932.

Until our second visit to Funchal, I had never heard of the Franco brothers. Today, the 8th of May 2023, we visited a small museum in Funchal. It contains a fine collection of the works of both brothers. The museum contains many fine paintings by Henrique and sculptures by his brother, including a bust of Portugal’s former dictator Salazar. A video showing in the museum seems to suggest that far from being hostile to the Salazar dictatorship, Francisco was happy to create sculptures for it and its institutions.

Francisco attended an industrial school in Funchal. Its building is next to the museum. Over its main entrance is a carved stone sculptural frieze created by Francisco. The edifice now houses the Escola Secundaria de Francisco Franco, which opened in about 1976. Within its entrance lobby, we saw a bas-relief depicting the sculptor.

Although it is not one of Funchal’s main tourist attractions, the Museu Henrique e Francisco Franco deserves to be better-known.

Born in Portugal, hanging in the Tate

THE TATE BRITAIN is currently hosting a wonderful exhibition of the works of Paula Rego, born 1935 in Lisbon, Portugal during the fascist dictatorship of Antonio Salazar (1889-1970), who was in office from 1932 to 1968.  Her father was anti-fascist and anglophile. He sent Paula to a finishing school in Kent (UK) when she was 16. Later, she enrolled to study painting at the Slade School of Fine Art, part of London’s University College. While she was studying there (from 1952 until 1956), she met her future husband, the painter Victor Willing (1928-1988). They married in 1959, following Victor’s divorce from his first wife. Paula and Victor lived between Portugal and the UK, finally settling in the latter in 1972.

Distributed within eleven rooms of the Tate Britain, Rego’s works are well displayed, some of them with informative panels placed beside them. Her paintings express her political (anti-fascist) and social consciousness, some of which is concerned with the ill-treatment of, and the indignities inflicted on, women, especially in the country where she was born.

Rego’s paintings are dramatic, colourful, powerful, and not lacking in a sense of humour. They are sometimes almost abstract, but the element of figurativeness is never completely absent.  Her paintings often lean towards surrealism.  Whether they are expressing subversion, or love, or depression, or pure fantasy, they are visually intriguing and cannot fail to engage the viewer. Throughout her works, which span several decades, the influence of her native land can be discerned, sometimes without difficulty, other times with the assistance of the informative labels by their side.

The exhibition, which opened on the 7th of July 2021, will continue until the 24th of October 2021. So, there is plenty of time for you to enjoy this superb exhibition of the fabulous works of this fascinating artist. It is an exhibition that once again demonstrates that great art is often created as a reaction to an oppressive regime.