A pioneering bridge

THE CONCRETE PEDESTRIAN bridge over the railway tracks at Kew Gardens Station cannot be described as attractive. In fact, it is rather ugly. However, on a recent visit to the station, I spotted a notice attached to the bridge that provides interesting information about it.

The bridge was opened in 1912. It is one of the earliest examples of the use of reinforced concrete in Britain. The technique used to construct this bridge was that pioneered by François Hennebique (1842-1921). The first building made in Britain using his method of reinforcing concrete with wrought iron beams was the Weaver Building in Swansea (in 1897). An article in Wikipedia related that between 1892 and 1902, over 2000 structures were made using Hennebique’s method. This makes me wonder why the plaque on the bridge at Kew is described as a “rare example” of this kind of structure. Maybe, what is meant is that it is a rare surviving example of his construction method. In any case, the bridge at Kew incorporates two features that were designed to protect users of the bridge from the smoke produced by steam engines that used to travel beneath it. One feature is the high wall on each side of the pathway over the bridge. The other are small projections over the railway lines, which were designed to deflect smoke from the bridge.

Kew Gardens station was opened in 1869. It is the only station on the London Underground network to have a pub attached to it. In the past, this pub, now known as The Tap on the Line, had an entrance directly from the London bound platform. In addition to the bridge described above, there is also an underground pedestrian passageway running beneath the tracks. The main reasons to use this station are to visit the National Archives and/or Kew Gardens. If you are coming from central London to visit the gardens, you will have to cross the tracks. So, why not cross them on a bridge that, although ugly, is a landmark of engineering history?

Going up in smoke

CORNWALL’S COAST WITH its numerous, sometimes almost inaccessible, coves is perfect for smuggling. It is not by chance that Gilbert and Sullivan’s opera is named “The Pirates of Penzance”, rather than, say, “The Pirates of Suffolk”.  When we visited Falmouth, a Cornish seaport, in May 2022, I noticed a souvenir of an era of smuggling, now long past.

Next to the old customs house (now a pub) on the Town Quay, the old harbour of Falmouth, there is a tall brick structure. On a square base, it is built in four sections, each one slenderer than the one beneath it. The tall object bears a plaque inscribed with an anchor framed by a shield and above it a double-headed eagle. Below these symbols are the words:

“King’s Pipe. Formerly used for the destruction of contraband tobacco.”

According to the website historicengland.org.uk, the King’s Pipe was likely to have been constructed in about 1814, when the customs house was built. The tall chimney stands on a base that contained a furnace that was accessible from the courtyard of the customs house. Overshadowing the town and its harbour, I imagine that many of the townsfolk were far from happy when they saw and smelled the tobacco smoke, which they would have enjoyed creating in their pipes, being emitted from the King’s Pipe.

The double-headed eagle on the plaque affixed to the former chimney interested me. Two major families in Cornwall use this mythical creature in their heraldry: the Godolphins and the Killigrews. It is most likely the latter to which the creature on the plaque refers because in the early 17th century (1613), Sir John Killigrew (1583-1633), helped create the port of Falmouth.

Although we had spent several pleasant days in Falmouth a few years ago, we did not spot the King’s Pipe on that visit. It only goes to show that revisiting places can enhance one’s enjoyment of, and interest in, them.

On the temple steps

THE DOMED IONIC temple in the gardens of Chiswick House in west London was built in the early 18th century. It appears in a painting executed in 1729. This circular building is faced by an obelisk that stands in the centre of a circular pool. Today, we walked past these neoclassical garden features when we noticed a lady in a flowing white dress posing on the steps of the temple. Facing her across the circular pond were cameramen and their assistants, some holding large reflector screens. They were either carrying out a photo-shoot or making a film. Every now and then, a man holding a smoke gun ran past the temple creating an illusion that the temple was bathed in mist. Here is a photo I took whilst this activity was in progress.