Tag Archives: repurposing

Holy rollers in the centre of Norwich

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DURING OUR LAST HOUR in central Norwich, we explored an alley, which we had not noticed before. It led downhill to a churchyard. This surrounded two sides of a mediaeval (late 15th century) church: St Peter Parmentergate. A ‘parmenter’ was a tailor or someone who made facings and trimmings for clothes. The doorway at the southeast corner of the church was open, and two men were standing outside it. We asked them whether we could look inside the church. They said that we could do so, but did not tell us what to expect inside.

The interior of the church maintains many of its original church-related features, but in all other respects it is quite unusual. The nave of the church has no pews, but instead there is a new wooden floor that curves up at both its east and west ends. The chancel is filled with skateboards, magazines about skateboarding, and a variety of toys. Where there were once kneelers in the choir stalls, there are now skateboards. Elsewhere in the church, there were skateboards galore and helmets for skateboarders. The church is a mecca for skateboarders.

Since 2021, the church has become a skateboarding rink and a shop for skateboards. The owner of this extraordinary establishment told us that he knows of only four churches that have become converted for the use of skateboarders, and one of them is currently out of use.

The church ceased being used as a place of worship in 1980. Since then, it has been maintained by the Norwich Historic Churches Trust (‘NHCT’). Before it became used as a skateboarding centre, it served various purposes. From 2007 until 2017, it housed a centre for martial arts. Next, it was let out to the NHCT. After that, it was used by a counselling specialist.

A few hours before seeing St Peters Parmentergate, we had visited St Gregory’s, a church converted to an antiques shop. That surprised us, but not as much as St Peters Parmentergate, which must be seen to be believed. It is good to see those churches in Norwich, which have ceased serving the purpose for which they were built, are being both looked after and being kept alive as part of the city’s life.

From sewer to seating on the streets of London

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THE VICTORIA EMBANKMENT was constructed along the River Thames in the 1860s. It was built to enclose a newly constructed sewer: the Main Low Level Sewer, which was part of the grand sewage system improvement project designed by Sir Joseph William Bazalgette (1819-1891). The wall of the embankment facing the river was constructed from large brick-shaped, carved granite stones, each weighing about 1 tonne. Several of these have had to be removed to construct a new sewage conduit – the Thames Tideway Tunnel.

58 of the granite stones have been repurposed to become a series of open-air public art installations. This series was created by Matthew Barnett Howland, Oliver Wilton, and CSK Architects. Small groups of these have been placed in seven locations: St Peter’s Hill, Carter Lane Gardens, St Paul’s Cathedral, Christchurch Greyfriars Church Garden, King Edward St, Little Britain and Smithfield Rotunda. Today, the 31st of July 2024, we came across the group placed in Little Britain, which is not far from Barbican Underground Station. What we saw were 3 of the huge locks of granite arranged in a straight line. A gentleman was using one of them as a bench while he looked at his mobile telephone. Next to them, a wooden sign explained what is going on. This was useful because if there had been no sign next to them, we might not have given them a moment’s notice.

You might well be wondering why this series of stones were placed at seven places in London. I will leave it to someone else to explain:

“The idea behind the project is to stimulate discussion about reuse, material lifespan and cultural heritage, at a time when we can make a significant contribution to a more sustainable built environment.” (www.cityoflondon.gov.uk/services/streets/from-the-thames-to-eternity-installation)

I wonder what Bazalgette would have thought of this.