Tag Archives: indian artists

An artist from India in a park in London

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THE SERPENTINE NORTH (Sackler) Gallery (in London’s Hyde Park) is hosting a wonderful exhibition until 27 July 2025. It is displaying paintings and drawings created by Arpita Singh (née Dutta), who was born in Baranagar (now in West Bengal, India) in 1937. Between 1954 and 1959, she studied for a Diploma in Fine Arts at the Delhi Polytechnic in New Delhi. In 1962, she married the artist Paramjit Singh, and they live in New Delhi.

The works on display at the Serpentine were created from 1971 onwards. All of them were both intriguing and enjoyable to see. Even without knowing what the artist intended, I got the feeling that, apart from some abstract works, the images Singh creates are full of messages, stories, symbolism, allusions to feminism, and social comment. Though full of meanings, Singh’s works are subtle – their messages, which are left for the viewer to interpret, are not ‘full on’, but add to the visual enjoyment of the images. Her colourful paintings often lack the conventional European way of depicting perspective. In many of the paintings and drawings, the elements of the composition seem to be floating on the canvas or paper. Some of the pictures look like collages, but on closer examination what appeared to have been stuck on was in fact painted on the artwork.

The colourful artworks on display at the Serpentine are well worth seeing. It is a special show not only because it is her first solo exhibition outside India but also because Singh’s work is so satisfying to see.

The Imaginary Institution of India at London’s Barbican Centre

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THE OBJECTS IN an exhibition are usually chosen to fit in with a particular theme. An exhibition might be based on the work of an individual artist or a group of artists; on a style of art (e.g., Impressionism or Expressionism or portraiture); on a specific genre (e.g., etchings or sculpture or paintings or photographs); a period of history. It is the latter theme – a period of history – which has been adopted to create a superb exhibition, “The Imaginary Institution of India” at London’s Barbican gallery. This show is on until the 5th of January 2025.  

The theme connecting the artworks on display at this exhibition is India during the period from 1975 to 1998. You might well wonder why these years have been singled out. Some landmarks during these years include Prime Minister Indira Gandhi’s proclamation of a state of emergency in 1975; problems in West Bengal (in 1979); the founding of the BJP party; inter-communal problems; the attack on the Golden Temple in Amritsar (1984); the toxic leakage at the Union Carbide plant in Bhopal; Hindu-Muslim tensions in Ayodhya; the destruction of the Babri Masjid (in Ayodhya); terrorist attacks in Bombay; and India’s successful underground nuclear tests. These events and many others occurred during the period covered by the exhibition.

The works on display at the exhibition are, according to the Barbican’s useful handout (a booklet), expressions of the various artists’ reaction to the events and social upheavals occurring in India during the years 1975 to 1998. The booklet describes what the exhibition’s organisers believe were the artists’ (political) messages being expressed in their creations. Interesting as these observations are, the works on display can be enjoyed without having any knowledge of what might have or might not have been going through the artists’ minds while they were producing their artworks. The exhibition provides a wonderful display of the excellence of Indian art produced during the period covered by the show.

I had not heard of most of the artists apart from MF Hussain, Bhupen Khakar, Sudhir Patwardhan, and Arpita Singh. The works that I liked most are by Patwardhan, Singh, Gieve Patel, and some lovely bronzes by Meera Mukherjee. I was also impressed by a set of collages by CK Rajan. That said, almost every work on display is worth seeing. The only disappointment for me was a video-based installation by Nalini Malani.

The Barbican has displayed these works in this exhibition both brilliantly and dramatically. I hope that the seemingly specialised nature of the theme of the exhibition (and its rather odd name) will not deter people from experiencing this superb collection of artworks.