A yak in the classroom

THE RIO CINEMA in London’s Kingsland Road district (in Dalston) is a fine example of a film theatre constructed in the Art Deco style. It was designed by Frank E Bromige, who specialised in designing cinemas in that style, and constructed in 1937 on the site of an earlier Edwardian-style film theatre, which first opened in 1909. The Rio has been showing films ever since then. Since 1976, the Rio has been run successfully, and independently of any cinema chain, as a not-for-profit charity. The cinema’s Art Deco exterior has been faithfully maintained and the interior’s original design has been reconstructed. There are two screens. The largest one, the main auditorium, looks much as it might have done when it was built in the late 1930s. There is a smaller auditorium in the basement. This has a large screen and comfortable raked seating.

Today, the 18th of March 2023, we watched a film in the smaller auditorium. Called “Lunana: A Yak in the Classroom”, this film was shot mainly in the tiny Himalayan Kingdom of Bhutan. It is a beautiful film, beautifully made. Without giving the story away, it is about the experience of a young Bhutanese teacher sent from the capital to teach in a remote village called Lunana. The tiny elementary school in that high altitude settlement surrounded by breathtakingly attractive mountain scenery is the remotest school in the world. The film shows how Lunana impacted on the young teacher and vice-versa.

Apart from having a good story, some humour, and much emotion, the film provides a fascinating view of Bhutan. “Lunana” allows the viewer to realise the spectacular nature of the country’s landscape and rural traditions. What particularly interested me was the depiction of a lifestyle so remote and different from what we are used to here in the west and in many parts of India, even also in the urban areas of Bhutan’s neighbour Sikkim. The subject of global warming is introduced, but in a quite subtle way. The villagers in Lunana are portrayed as being simultaneously innocent, playful, spiritual, and philosophical. Although “Lunana” is a highly enjoyable film and Bhutan is portrayed in an affectionate and appealing way, I felt that the country, which is undoubtedly spectacularly attractive, is not one that I am in a hurry to visit. It is an unusual and unique film, and it was appropriate to have watched it in one of London’s unique individual cinemas.

A Turkish delight in London’s Dalston

KINGSLAND ROAD AND nearby in London’s Dalston area is rich in restaurants and other eateries serving Turkish food. Early in this century, “Time Out” magazine rated the Mangal Ocakbasi (now called ‘Mangal 1’) restaurant at number 10 Arcola Street as being one of London’s best Turkish restaurants. For those who do not know, ‘ocakbasi’ means ‘fireside’ and ‘mangal’ means ‘barbecue’ or ‘grill’. When we first went to Mangal, and for many years after that, there were tables alongside the long rectangular pit filled hot charcoal, upon which meat and vegetables are grilled. Recently, the restaurant has been redesigned and the grilling area is no longer alongside the tables.

Lokma

The meat served is top quality. It seems far better than that served in the many other Turkish restaurants we have tried in London. Although there is a wide variety of main courses on offer, the range of ‘starter’ dishes on the menu is not as great as at some other restaurants. If it is starters and meze that you are after, the nearby Umut 2000 (on Crossway) is worth visiting. However, their main meat dishes are not nearly as tasty as those at Mangal in Arcola Street. Having said that, Mangal does serve an excellent freshly grilled aubergine hors d’oeuvre. Desserts are not available, but there are plenty of places along Kingsland Road offering a wide range of very sweet but tasty confectionery.

Our favourite dishes at Mangal are lokma, which is grilled rolled fillet of lamb, and yorgutlu Adana, which is pieces of semi-spicy Adana kebab in a yogurt and tomato sauce with lumps of Turkish bread. The lokma and other kebab dishes are served with generous quantities of fresh mixed salad containing many ingredients. As for drinks, you can bring your own alcohol or buy it from the restaurant. If I order a drink apart from water, I always go for Şalgam, which is a purple-coloured drink containing fermented turnip. This has a deliciously sour taste.

We first ate at Mangal in the early 2000s, when we attended a play in which one of my dental patients was acting. The theatre, The Arcola, was across the road from the restaurant, but has now shifted to larger premises on nearby Ashwin Street (close to Dalston Junction station). We loved the food at Mangal from the very first bite. We have been eating there occasionally ever since then, and the quality of the food has never once faltered. We have been there so often that the older members of its staff recognise us, welcome us warmly, and remember what we like eating. Even though this Turkish delight, frequently patronised by the artists Gilbert and George, is far from where we live in Kensington, it is well worth ‘trekking’ across London to get there.