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A house that Adam built in London

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TRAGICALLY, my friend the art historian and author, Michael, died twelve years ago. I had known him since 1964, when the film “Goldfinger” was released in the UK. By a strange coincidence he was born on the same day in October as my mother, and his mother was born on the same day in May as I was. He studied art history at London’s Courtauld Institute, where he also completed his doctorate. His doctoral supervisor was the Director of the Courtauld, the art historian and Keeper of the Queen’s Pictures, Sir Anthony Blunt (1907-1983), who was eventually unmasked as a Soviet Russian agent. When Michael was studying at the Courtauld, it was housed in Home House on London’s Portman Square. I never managed to visit Michael there, but since his demise, I have been there three times.

Originally, Home House was built for Elizabeth, Countess of Home (c1703-1784), a Jamaican born heiress. The edifice, which was completed during her lifetime, was designed by the famous architect Robert Adam (1728-1782). He is famed for having designed not only buildings, but also their interior décor and furniture as well as many small details (e.g., door handles). After a series of owners, Home House was leased in 1926 by the industrialist and art collector Samuel Courtauld (1876-1947) to house his then growing art collection. In 1931, following his wife’s death, he gave Home House to the then young Courtauld Institute of Art, which he helped to found.

The Institute remained in Home House until it shifted to its current home, Somerset House, in 1989. Home House stayed unoccupied until 1998, when it was extensively and beautifully restored and became a private members’ social club, called, unsurprisingly, Home House.

Of all the Adam designed structures I have visited, and these include Kenwood House, Osterley Park, Kedleston Hall, Pountney Bridge, The Adelphi Buildings, and Lutin Hoo, the restored Home House has the best set of Adam designed interiors I have seen. Today, unless you are a member of the club or a member’s guest, it is not otherwise possible to enter this gorgeous mansion; And it was an honour that a friend of ours, a member of the club, has invited us there on several occasions.

After our most recent visit to Home House, I could not help wonderin whether its present reincarnation would have met with my friend Michael’s approval. I have a sneaking feeling that he would have enjoyed what it has become.

Sir Anthony Blunt sat here often

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HOME HOUSE IN London’s Portman Square was completed in 1777 for the wealthy Elizabeth Home, Countess of Home (c1703-1784). Born in Jamaica into a slave-owning family, her wealth was produced by the unpaid labour of slaves imported from Africa. The house is remarkable, especially for its intricately detailed interior décor designed by the architect Robert Adam (1728-1792).

In 1933, Home House became home to the Courtauld Institute of Art, now part of the University of London. A close friend of mine, now sadly deceased, studied at the Courtauld for both his bachelor’s degree and his doctorate. Whilst writing his doctoral thesis, my friend was supervised by Sir Anthony Blunt (1907-1983). Blunt was the director of the Courtauld from 1947 to 1974. He was also in charge of the Royal Collections of art from 1945 onwards. In addition, he carried out much important scholarly work in the field of history of art. Blunt, as director of the Courtauld, was given a flat in Home House.

Until 1979, few people knew, or even suspected, that Blunt had been involved with spying for the Soviet Union.  When this came out into the public domain, Blunt’s downfall commenced. He was stripped of his knighthood and his Honorary Fellowship at Cambridge’s Trinity College was rescinded. Also, Blunt resigned as a Fellow of the British Academy. Soon after his exposure as an espionage agent, who worked against his own country for the Soviet Union, Blunt ceased residing at Home House. In 1989, the Courtauld Institute shifted from Home House to larger premises in Somerset House in the Strand. Home House remained vacant until 1998, by which time it had been beautifully restored and adapted to become a private social club. During a recent visit to Home House when we were entertained by a friend, our host, a member, took us to see an interesting exhibit, which is housed in the wash basin area of one of the Club’s unisex toilets. We were shown a glass-fronted display case containing a wooden furniture item. It bears a label with the words: “From the bathroom of Sir Anthony Blunt”. The labelled object is the toilet seat on which Blunt must have sat numerous times, and its wooden lid. Another case in the room contains Blunt’s telephone. Although the loo seat and the ‘phone are unremarkable except for their provenance, the rest of Home House is a visual delight.