An artist from Sweden near London’s Smithfield meat market

KURT BEERS IS probably unique amongst owners of commercial art galleries in London because he was once a ‘Mountie’, a member of the Royal Canadian Mounted Police. His gallery in Little Britain (near the Smithfield meat market and the Barbican) specialises in showcasing contemporary paintings created by up-and-coming artists and those in mid-career. Often, the gallery shows the works of painters, who are not yet well-known, but deserve to become better recognised.  Until 23 May 2026, Beers has an exhibition of works by Alice Herbst.

Alice was born in Sweden in 1993. She studied art at the Stockholm School of Fine Art, and then at the Gerlesberg School of Fine Art. Her show at Beers is called “The Whispering Game”, and is a collection of paintings made between 2025 and 2026. As soon as I saw the paintings, I liked them. Excellently executed, well-composed, and intriguing, they are highly original: a breath of fresh air. Without knowing exactly what, I felt that each painting told a story. What that story was intended to be by the artist did not matter because the viewer can make up his or her interpretation of what was being portrayed.

In many of the paintings, masks can be seen, either being worn or just on their own. In a couple of paintings, faces were partially obscured. Why the masks and the hidden faces are so prevalent would make interesting subject matter for a psychologist. Another feature in Alice’s paintings are depictions of paintings within the paintings. For example, in one picture a masked woman seems to be holding a bunch of flowers. After a moment, one can see that it is not a bouquet in her hand but a board with a painting of flowers upon it. In another painting, a still life that includes a vase with flowers, the flowers appear to be a painting of flowers on a board, rather than real flowers. These types of images within images and the profusion of masks make Alice’s paintings more than pretty pictures, and give one cause to wonder.

As with all the shows we have viewed at Beers, Alice’s paintings were well-displayed on the whitewashed walls of the gallery. Though far from the large group of art galleries in Mayfair, Beers deserves regular visits.

Self portrait as a stack of books near London’s Barbican

THE ARTIST ANDREW Salgado was born in Canada in 1982. He graduated at Chelsea College of Art with a Masters Degree in Fine Arts. He lives and works between London (England) and New Brunswick (Canada). Until 28 June 2025, there is a wonderful exhibition of his imaginative, colourful paintings at Beers gallery in Little Britain, close to the Barbican and Smithfield Market.

The exhibition has the artist’s chosen title “Self-portrait as a Stack of Books”. Several of the paintings on display and one sculpture portray books. Salgado is an avid reader, and he says he has been influenced by some of the authors he has read. Whether they contain books or not, his creations are intriguing and hint at confused imagery of dreams. As to the artist’s intentions in the collection of works at Beers, the gallery’s hand-out noted:

Asking Salgado about the intentions, symbolism, or directive in this collection of paintings – because it’s obviously ripe with his (now) trademark imagery – he becomes deferential, ambiguous, and almost evasive about everything from idea to technique, to presentation, and even the compelling title piece: a rare venture into sculpture which seems – whether through its books or its chair, or its uncanny, discombobulated human parts – to reference the paintings and even the act of painting itself. But also books. Words. Memory. Fallability. That head at the apex is glass. It’s his.”

It is right that the artist is evasive. He leaves the enjoyment of interpretations of his works to the viewer, and that is admirably democratic.

If you have not come across Beers gallery already, it is always worth visiting their exhibitions. The works they display are often joyfully colourful and never dull.