Recycling in nineteenth century Kolkata (Calcutta) and London

THE GWALIOR MONUMENT stands on the bank of the Hooghly River in Kolkata (Calcutta). The monument commemorates British officers and their men, who died in the Gwalior War of 1843. Constructed in 1847 by the then Governor General of India, Lord Ellenborough, its roof is made of metal.

Several thousand miles away near London’s Hyde Park Corner and the towering Hilton hotel, there is a statue of the ancient hero Achilles. It commemorates the victories of Arthur Wellesley, 1st Duke of Wellington, and his men who helped achieve them. Standing on a granite plinth, Achilles is made of metal.

These two distantly spaced British memorials both contain metal in their construction. They have one more thing in common. The metal on the roof of the Gwalior Monument and that used to make Achilles is recycled. In each case, the metal was obtained by melting down the canons of the defeated armies. In the case of the Gwalior Monument, the metal was derived from the cannons of the defeated Marath army, and in the Achilles statue, it was derived from the enemy’s cannons captured at the battles of Salamanca, Vittoria, Toulouse, and Waterloo.

I wonder how the defeated armies would have felt if they had known that their weapons were being melted down to celebrate their opponents’ victories.

A nude in London’s Hyde Park cast from cannons

A HUGE STATUE OF a naked man holding up a shield in his left hand stands opposite the London Hilton Hotel, across Park Lane. It looks as if he is defending himself from missiles being hurled from the upper floors of the hotel.  Depicting the ancient hero Achilles, it is the Wellington Monument, commemorating the victories of Arthur Wellesley, 1st Duke of Wellington, and his men who helped achieve them.

The statue was designed by the sculptor Richard Westmacott (1775-1856), it was inaugurated in 1822 by King George IV.  On its granite base, there are the names of four of Wellington’s military victories: Salamanca, Vittoria, Toulouse, and Waterloo. The statue was financed by donations given by British women.

Although I think that the statue is unattractive, there are two things about it that I find interesting. It was the first public nude sculpture in London since ancient times. Despite the presence of a fig-leaf, this caused quite a bit of controversy when it was unveiled. The other thing that attracted my attention is that the sculpture was cast from the enemy’s cannons captured at the four places mentioned above, and then melted down.

There is a phrase ‘from swords to ploughshares’. The Wellington Monument must be one of the few examples of ‘from cannons to nudes’.