From Lahore to London but he did not live long

THE WHITECHAPEL GALLERY in London’s Aldgate area often hosts exhibitions of adventurous art, and has been doing so for many decades. The current show “Hamad Butt: Apprehensions”, which is on until 7 September 2025, displays works by an artist Hamad Butt. He was born in Lahore (Pakistan) in 1962, and died of AIDS in London, aged only 32. His family brought him to London when he was 2 years old. He studied art at London’s Goldsmith College, Morley College, and Central Saint Martins.

Familiars 3

The ground floor of the Whitechapel Gallery contains three enormous sculptures. Together they form an art installation, which the gallery’s website described as follows:

“Familiars 1: Substance Sublimation Unit is a steel ladder made of glass rungs, each filled with an electrical element and crystals of solid iodine. The current ascends the ladder, intermittently heating the rungs, causing the iodine to sublimate into a purple vapour. In Familiars 3: Cradle, named after Newton’s cradle, 18 vacuum-sealed glass spheres are filled with lethal yellow-green chlorine gas. If smashed together, the gas – a respiratory irritant – would be released into the air. In Familiars 2: Hypostasis, three tall, curved metal poles, reminiscent of Islamic arches, contain bromine-filled tubes at the tips.”

Well, they were visually intriguing pieces of conceptual art. What they stand for is almost more important than their physical appearance.

Upstairs, the galleries are hung with paintings, drawings, and prints. There is also another installation that contains a set of lights emitting ultraviolet rays. Visitors are provided with protective goggles when viewing this exhibit called “Transmission”, which is yet another example of conceptual art that you need to read about to make any sense of it.

What saved the exhibition for me was the display of Butt’s paintings and prints. Ranging from almost figurative to abstract, they appealed to me immediately.  It is a shame the artist lived for such a short time. That which he produced in a few years, I am sure, would have led to him becoming a noteworthy artist with a fascinating output.

Healing hand

hand

 

In the UK, dentists cannot refuse to treat patients who admit to having serious illnesses such as AIDS (HIV). Dentists are supposed to have taken precautions to protect their patients, their nursing staff, and themselves against the risks of spreading disease by cross-infection. However, human nature being as it is, some dentists fear catching diseaes from their patients despite adhering to the appropriate requisites to prevent cross-infection. Irrationally, they try to ‘palm off ‘ patients whose medical conditions they fear by referring them to dental hospitals and specialist clinics. This is unfair to the patients who are forced to wait for long periods to be seen at these referral places for ‘specialist’ treatment that they do not actually need. I was not one of these over cautious fear-filled dentists. I treated everyone whatever their medical status.

I have treated many patients who have been infected with AIDS and other worrying illnesses such as Hepatitis B and C. I followed cross-infection guidelines and treated them no differently than I did for other patients. 

Many, but by no means all, of my patients were grateful for whatever I had done to deal with thier dental problems. Some of them, but not all of them, used to shake my hand and the end of an appointment or of a course of treatment. I appreciated that. What I noticed over the years was that the patients most likely to shake my hand were those who had been diagnosed with AIDS. I had the feeling that they were really grateful that I was prepared to touch their mouths without making a fuss about, or showing any fear of about their undoubtedly serious medical condition. The AIDS patients seemed to appreciate that I did not treat them as pariahs.