Of Merlin and rollerskates

KENWOOD HOUSE IS NEAR both Hampstead and Highgate in north London. It offers the visitor the chance to view not only its lovely grounds and fine interiors designed by the architect Robert Adam (1728-1792), but also a fabulous collection of paintings, many by world famous artists including, to mention but a few, Rembrandt, Frans Hals, Van Dyck, Vermeer, Reynolds, and Gainsborough.

Merlin (painted by Gainsborough) and the invalid cahir he invented

One of the paintings by Thomas Gainsborough (1727-1788) is a portrait of the inventor John Joseph Merlin (1735-1803). The latter was born in Huy (Belgium), and as a young man, he worked in Paris making clocks and mathematical instruments. In 1760, he moved to England to work as a technical advisor to the then new Spanish Ambassador to London. By 1766, he was working with the London jeweller James Cox. Then, he was creating mechanical toys including the Silver Swan, an automaton, still working, that can be seen at the Bowes Museum in Barnard Castle (Durham).

In addition to these ‘toys’, Merlin invented some useful items. These included roller skates; various clocks including one that was powered by changes in atmospheric pressure; improvements to keyboard musical instruments; playing cards for blind people; prosthetic devices; and a self-propelled wheelchair known as ‘the Gouty Chair’. There is an example of this ingenious wheelchair on display beneath Merlin’s portrait in Kenwood House. In my book about Hampstead and its environs, I described it as follows:
“Two handles at the ends of its armrests are connected by rods and cogwheels to some wheels on the floor below the chair. The occupant of this chair could rotate the handles, and thereby propel this early form of wheelchair around the room.”

In the same room as the invalid’s chair, there is another of Merlin’s creations: a skeleton clock made by him in 1776. This kind of timepiece is one, whose working parts are not concealed by casing or any other features that usually hide them.

The portrait of Merlin, painted in 1781 by his friend Gainsborough, shows him in a red jacket, holding a small beam balance in his left hand. Apparently, this was one of his creations. This precision instrument is the only clue that the subject of the painting had anything to do with jewellery or instrument making. His right hand is tucked into his jacket:

“… a customary gesture to signify a polite yet firm manner.” (https://artuk.org/discover/artworks/john-joseph-merlin-17351803-191713)

The painting hangs in Kenwood House because it, like many of the others on display there, were part of the collection of the philanthropist and brewer (of the Guinness beverage) Edward Cecil Guinness, 1st Earl of Iveagh (1847-1927), who bought the house in 1927, and bequeathed it and his collection of paintings housed within it to the nation. You can discover more about Kenwood and nearby Highgate village in my book “Beneath a Wide Sky: Hampstead and its Environs” (https://www.amazon.co.uk/dp/B09R2WRK92 OR https://www.bookdepository.com/BENEATH-WIDE-SKY-HAMPSTEAD-ITS-ENVIRONS-2022-Adam-Yamey/9798407539520 )

Buggy battles

Buggy

 

All public transport buses in London have dedicated areas for buggies (baby strollers, push-chairs etc.) Other passengers need to, or are made to feel that they need to, move out of the way so that a buggy can be parked in the designated area.  So far so good. Many child carers use their childrens. buggies as shopping trolleys, often overloaded with bags of merchandise. Often, the child or children being transported in the buggies are removed from them during the bus journey and then occupy a passener seat. The empty buggies then simply take up space that could be used by other passengers on a crowded vehicle.

Now, there are clear signs by the designated ‘buggy area’ that state quite clearly that the area is also for use by persons confined to wheelchairs. These signs also make it very clear that wheelchair users have priority over buggies in the special area on the bus.

Clashes, often quite uncivil, occur if too many carers pushing buggies are competing for the the limited space available for buggies and wheelchairs. Or, even worse, battles can break out between whelchair users who want to board a bus and buggy owners, who are already on board the bus. Both the child carers and the wheelchair-bound  people can often behave quite unpleasantly. Unlike the wheelchair occupant, almost all baby buggies can be folded up and placed in the luggage area that is available on every bus.

Yesterday, it was a sunny afternoon and I was travelling in a bus past Swiss Cottage in north west London. The buggy/wheelchair area was occupied by two baby buggies and a folded buggy was in the luggage area. We stopped at a bus stop where a man in a wheelchair was waiting. He wanted to board the bus, but the owners of the buggies occupying the designated area would neither fold their buggies nor leave the bus to make space for the priority user, the wheel chair user. The bus driver had to get out to sort out the stand-off. He wanted the buggy users to disembark, but they would not budge. In the end, the wheel chair bound fellow behaved decently, saying he would wait for the next bus.

In my opinion, both wheelchair passengers and buggy pushers can easily manage to wait  (especially when the weather is good) until a bus arrives with sufficient space. After all, the wheelchair user is sitting and waiting as is the buggy borne child, who is often far too big and independently mobile to be confined to a buggy. What do you think, dear reader?

 

 

Picture from: https://www.britax-roemer.co.uk/pushchairs/strollers